Images at Librifly

Head of Woman, 17th century, Pen and brown ink on tan paper with one trace of red chalk, 5-5/8 x 4-3/16 in. (14.3 x 10.6 cm), Drawings, Anonymous, Italian, 17th century

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, title page (recto), October 1, 1604, Etching and ms, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Covered Vegetable Dish, 1885, Made in Brooklyn, New York, United States, American, Porcelain, 5 3/8 x 11 in. (13.7 x 27.9 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Union Porcelain Works was one of the most important and

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 12r), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Tumbler, 1830–70, Made in United States, American, Pressed glass, H. 4 3/16 in. (10.6 cm); Diam. 2 5/8 in. (6.7 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late

Four Designs for Pillars, 18th century, Pen and wash, Sheet: 12 1/4 x 7 5/8 in. (31.1 x 19.4 cm), Anonymous, Italian, 18th century

Standing Man, late 18th–19th century, Black chalk, sheet: 6 5/16 x 3 3/4 in. (16 x 9.5 cm), Drawings, Johann Christian Reinhart (German, Hof 1761–1847 Rome

Poplar Grove Church, built by 50th New York Volunteers, 1865, Albumen silver print from glass negative, 16.5 x 20.2 cm (6 1/2 x 7 15/16 in. ), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, 1610, Woodcut, Overall: 7 7/8 x 10 1/4 in. (20 x 26 cm), Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome. Title page with Spanish

Design for Cover of Book Catalogue of Emil Hirsh, Munich, late 19th–early 20th century, Pen and brush(?) and black ink over traces of pencil corrected with white on cardboard., 17 x 12 in. (43.2 x 30.5 cm), Drawings, Ephraim Mose Lilien

Vase, 1926, Made in Mid-Atlantic United States, Syracuse, New York, United States, Porcelain, H. 6-3/4 inches, Ceramics-Porcelain

Académie, 1900, Gum bichromate print, 22.2 x 17.0 cm. (8 3/4 x 6 11/16 in.), Photographs, Robert Demachy (French, 1859–1936

Reclining lion, Ptolemaic or Roman Period, 304 B.C.–A.D. 364, From Egypt, Memphite Region, Old Cairo ('Babylon'), Limestone, L. 45.6 cm (17 15/16 in.); W. 19.1 cm (7 1/2 in.); H. 22.6 cm (8 7/8 in.), This lion is at rest, but remains alert

The City across the River, 1910, printed 1911, Photogravure, 20.0 x 16.0 cm. (7 7/8 x 6 5/16 in.), Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Perrare. Antoine. 53 ans, né à St Diaur (Rhône). Mécanicien. Anarchiste. 10/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 6 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Henry. Émile. (auteur de l'attentat de l'Hotel St-Lazare) , 1890–94, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a

Snuff Bottle, Qing dynasty (1644–1911), Jiaqing period (1796–1820), China, Porcelain, H. 3 3/16 in. (8.1 cm), Snuff Bottles

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 79r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Pocket Bottle, ca. 1820, Made in United States, American, Blown pattern-molded lead glass, H. 5 1/4 in. (13.3 cm), Glass

Bernard. Paul, Auguste. 32 ans, né à Crest (Drôme). Employé. Excitation au meurtre, anarchiste. 11/2/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Small Jar with Floral Appliqué, Edo period (1615–1868), Japan, Porcelain with celadon glaze (Hizen ware, early Imari type), H. 3 5/8 in. (9.2 cm); Diam. 3 3/4 in. (9.5 cm), Ceramics

Henricus VIII Angliae Rex etc., 1647, Etching, only state, Sheet: 5 5/8 × 4 3/16 in. (14.3 × 10.7 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), Portrait of Henry VIII, bust, directed slightly to

Snuff Bottle with Mottled Surface, Qing dynasty (1644–1911), late 18th–early 19th century, China, Mottled black glass with jadeite stopper, H. 31/8 in. (7.9 cm); W. 1 1/4 in. (3.2 cm); D. 3/4 in. (1.9 cm), Snuff Bottles

Group of Five Male Figures in Half-length, 1640–50, Pen and brown ink, over black chalk; glued onto secondary paper support, 2 1/4 x 4 3/8in. (5.7 x 11.1cm), Drawings, Stefano della Bella (Italian, Florence 1610–1664 Florence), This

Tufa Rocks, Pyramid Lake, Nevada, 1867, Albumen silver print from glass negative, Image: 22.1 x 29.4 cm (8 11/16 x 11 9/16 in.), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Bowl, 12th–13th century, Attributed to Iran, Stonepaste; stain and overglaze painted (mina'i)., Diam. 4 1/4 in. (10.8 cm), Ceramics

Inlay of the hieroglyphic sign 'heh' meaning 'millions of years', Late Period–Ptolemaic Period, 4th century B.C., From Egypt; Possibly from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Faience, H. 14.9 cm (5 7/8 in.); W. 10.1 cm (4 in.); D.

Panel of Curvilinear Metal Ornament Adorned with Masks and Winged Figures, second half 19th century, Graphite, sheet: 2 15/16 x 13 in. (7.5 x 33 cm), Anonymous, British, 19th century

Gourd vase, ca. 1890, French, Saint-Amand-en-Puisaye, Stoneware, 9 3/4 × 6 1/2 in., 4 lb. (24.8 × 16.5 cm, 1.8 kg), Ceramics-Pottery, The earth tones and the natural aesthetic of the freely applied glazes, which drip down the sides of

View of the Temples of Venus and of Diana in Baia from the South, ca. 1594, Pen and brown ink, brown and blue wash, over black chalk; framing lines in brown ink., 10 5/16 x 7 5/8 in. (26.2 x 19.4 cm), Drawings, circle of Jan Brueghel the Elder

Reconstruction of the Thermae of Titus (above) and a View of the Ruins (below), before 1704, Red chalk, brush and grey wash, pen and black ink, over traces of black chalk., 12 3/4 x 7 61/64 in. (32.4 x 20.2 cm), Drawings, Jan Goeree (Dutch,

Classical Incense Burner, 19th century, Ink on tracing paper, Anonymous, British, 19th century

Footed Dish, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed colorless and opalescent glass, H. 2 5/8 in. (6.7 cm); Diam. 3 3/4 in. (9.5 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

Terracotta vase in the shape of a monkey, Archaic, ca. 565–550 B.C., Etruscan, Etrusco-Corinthian, Terracotta, H. 3 5/8 in. (9.2 cm), Vases, Although this type of small container is ultimately derived from Corinthian and Egyptian

Design for a Vase: two handles, no cover. In upper right corner, a smaller, simpler shape (recto); Part of a Chalk Drawing (verso), 18th century, Pen and brown ink, brush and brown wash, on cream paper (recto); part of a red chalk drawing

Mercury Presenting a Panpipe to Minerva, Engraving, Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette

Dish, 1754–70, Made in New York, New York, United States, American, Silver, H. 2 3/8 in. (6 cm); Diam. 12 3/8 in. (31.4 cm); WT: 30 oz. 12 dwt (952 g), Silver, Myer Myers (1723–1795

Preliminaries, 1916, Lithograph, image: 15 7/8 x 19 1/2 in. (40.3 x 49.5 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Design for Religious Motto, 1830–1900, Graphite, Sheet a: 13 3/4 × 10 13/16 in. (35 × 27.5 cm), Drawings, Robert William Hume (British, London 1816–1904 Long Island City

Equal-Arm Brooch, ca. 650–750, Made in Northern France, Frankish, Copper alloy, Overall: 1 9/16 x 5/8 x 1/2 in. (4 x 1.6 x 1.2 cm), Metalwork-Copper alloy

David's Promise to Bathsheba, 1642–43, Pen and brown ink, brown wash, over black and red chalk, with framing line in pen and black ink, 7 3/8 x 10 5/8 in. (18.8 x 27 cm), Drawings, Gerbrand van den Eeckhout (Dutch, Amsterdam 1621–1674

Study of a Pyramid, n.d., Brush and brown wash over graphite, 3 5/8 x 6 1/16 in. (9.2 x 15.4 cm), Drawings, Jacques Louis David (French, Paris 1748–1825 Brussels

[Pair of Stereograph Views of the Royal Exchange, London, England], 1850s–1910s, Albumen silver prints, Mounts: 8.8 x 17.8 cm (3 7/16 x 7 in.), Photographs, J. F. Jarvis (American), Unknown

Fort Brady, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Gold Shoe Buckle, ca. 600, Langobardic, Gold, Overall: 2 1/8 x 1 x 5/16 in. (5.4 x 2.5 x 0.8 cm), Metalwork-Gold, This group of objects was found in the grave of a Langobardic horseman, who was buried in his warrior dress, with weapons,

Flower Pot, 1750–80, Made in Mexico, Mexican, Tin-glazed earthenware, H. 13 1/2 in. (34.3 cm), Ceramics

Pharmacy Jar, 1450–70, Made in Montelupo, Tuscany, Italy, Italian, Tin-glazed earthenware, Overall: 9 1/8 x 5 9/16 in. (23.1 x 14.2 cm), Ceramics, The ivy-leaf pattern is derived from Valencian lusterware, which was imported into Tuscany

Circus (Au Cirque) (Circus Ring), January–March, 1893, Color lithograph, Image: 19 5/16 × 10 1/4 in. (49 × 26 cm), Prints, Henri-Gabriel Ibels (French, Paris 1867–1936 Paris

New Modelbüch allen Nägerin u. Sydenstickern (Page 23r), 1556

Design for a Chimney Piece in a 'Jacobethan' style, for the Drawingroom at Grendon Hall, Warwickshire, 1825, Pen and ink over graphite, sheet: 12 7/8 x 11 3/8 in. (32.7 x 28.9 cm

King and Coat of Arms, n.d., pen and black ink, watercolor, gouache, clear varnish over parts, heightened with white, sheet: 12 5/16 x 9 7/16 in. (31.3 x 23.9 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Design for a Marble-topped Cabinet with Musical Ornament, 19th century, Pen and ink, sheet: 4 13/16 x 4 in. (12.2 x 10.1 cm), Anonymous, British, 19th century

Pellet Crossbow, late 16th or early 17th century, probably French, Steel, wood (fruitwood, probably cherry), ivory, mother-of-pearl, gold, hemp, iron alloy, L. 36 3/16 in. (92 cm); W. 22 3/4 in. (57.7 cm); Wt. 3 lb. 3 oz. (1, 432 g),

Table Spoon, ca. 1780, Made in Boston, Massachusetts, United States, American, Silver, L. 8 1/2 in. (21.6 cm), Silver, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston, Massachusetts

Terracotta neck-amphora (jar), Archaic, ca. 540–530 B.C., Greek, Attic, Terracotta; black-figure, H: 13' Greatest diameter: 8 3/4', Vases, Obverse, Herakles; reverse, Geryon. On the neck, obverse and reverse, a flute-player leading a

Dress, ca. 1820, British, silk, This mourning dress incorporates the puffed sleeves and ornate hem details that defined 1820s fashions. Standards for family mourning were modeled after court conventions. Upon a royal death in England, orders

'The Lion King Receives the Ox, Shanzabeh, Escorted by Dimna', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Plaque, ca. 1885–86, Made in Baltimore, Maryland, United States, American, Parian porcelain, 9 x 6 in. (22.9 x 15.2 cm), Ceramics, Chesapeake Pottery (Baltimore, Maryland, 1882–1914

Terracotta 'basket vase', Late Helladic IIIA, ca. 1400–1300 B.C., Helladic, Mycenaean, Terracotta, total H. 10 5/8 in. (27 cm), Vases, The conceit of having the lid of a vase attached to the body so that the two parts remain together recurs

Sample of soldering bar lead from Tiffany Studios, 1900–1907, Made in New York, New York, United States, American, Lead, Glass, Tiffany Studios (1902–32), Tiffany Studios (1902-1932) became well-known for its leaded-glass products,

A Seated Saint Reading from a Book, late 15th century, Brush and brown ink, brown wash, heightened with white (partly oxidized); horizontal lines in black chalk (?); pricked for transfer; outlines reinforced in brown ink, perhaps in the 15th or

Battle Scene, n.d., Red chalk., sheet: 6 9/16 x 7 7/8 in. (16.7 x 20 cm), Drawings, Anonymous, Italian, 16th century

Confederate Fortifications, Yorktown, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, James F. Gibson (American, born 1828

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 12r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

St. Austle, Cornwall, 1780–1827, Watercolor, graphite, pen and ink, sheet: 5 7/8 x 9 7/16 in. (14.9 x 24 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Carpet, ca. 1846, Spanish, Wool, H. 96 x W. 77 inches (243.8 x 195.6 cm), Textiles-Rugs

Mug, 18th century, Made in Bohemia, Czech Republic, Non-lead glass with enamel decoration, H. 5 5/8 in. (14.3 cm), Glass

Drawings and Prints, Books Prints Ornament & Architecture, Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 2 (recto), Publisher, Author, Alessandro de' Vecchi, Cesare Vecellio, Italian, active Venice, 1570–1629,

Lamp, Roman, Cypriot, Terracotta, Overall: 1 3/8 x 3 in. (3.5 x 7.6 cm), Terracottas

Design for a single light window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, and ink on paper in gold shaped mat, 29 x 6 7/8 in. (73.7 x 17.5 cm), Drawings, Possibly Tiffany Glass Company

The Mocking of Christ, 1640, Graphite and black chalk, brush and gray wash, on vellum, sheet: 10 1/4 x 7 11/16 in. (26 x 19.6 cm), Drawings, Pieter Jansz. Quast (Dutch, Amsterdam (?) 1605/6–1647 Amsterdam

Buckle Shank, 7th century, Visigothic, Copper alloy, tin (?), 3 7/16 x 1 9/16 x 7/16 in. (8.7 x 4 x 1.1 cm), Miscellaneous-Buckles & Ornament

Soldat, first half 20th century, graphite, gouache, watercolor, mounted on grey paper, sheet: 12 7/8 x 9 in. (32.7 x 22.8 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Design for a Stage Set or Illustration in a Fête Book with a Blank Scroll Above, 18th century, Pen and brown ink, over lead or graphite on cream laid paper. Vertical ruled line in graphite at center. Framing lines in graphite and in pen and brown

Toulet. Guy, Flavien. 41 ans, né à Boufler (Somme). Entrepreneur de peinture. Anarchiste. 23/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

[Collection of Military Artifacts], 1880s, Albumen silver print, Photographs, Unknown

Clog-Shaped Teabowl with Design of Plum Blossoms and Geometric Patterns, Momoyama period (1573–1615), early 17th century, Japan, Stoneware with iron-black glaze (Mino ware, black Oribe type), H. 3 in. (7.6 cm); W. 5 5/8 in. (14.3 cm); Diam.

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 34 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Hope, 1830–62, Gouache and watercolor with gold, sheet: 9 3/4 x 16 in. (24.8 x 40.6 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Allegorical Figure of Charity, 1688–89, Pen and brown ink, brush and gray wash, highlighted with white, on brown washed paper, 15-13/16 x 11-3/4 in. (40.2 x 29.8 cm), Drawings, Marcantonio Franceschini (Italian, Bologna 1648–1729

Barque Sphinx, Late Period, Dynasty 26, ca. 664–525 B.C., From Egypt, Leaded bronze, H. 21.5 x L. 16 cm (8 7/16 x 6 5/16 in.), Images of gods were carried out of temples on festival days on processional barque-shrines. Most often the image

Esemplario di Lauori..., page 3 (verso), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore (Giovanni's

Project for a painting Ceiling, 1700–1780, Red chalk, brush and red chalk wash over red chalk, with ruled and compass construction, 9-13/16 x 16-5/8 in. (25 x 42.2 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Christ the Redeemer, ca. 1650, Italian, Florence, Carrara marble, Overall (wt. confirmed): 36 1/8 × 34 × 18 in., 862 lb. (91.8 × 86.4 × 45.7 cm, 391 kg), Sculpture, Antonio Novelli (Italian, Pisa 1600–1662 Florence), The bust was

The Bubble, 1898, printed 1905, Platinum print, 24.2 x 19.3 cm. (9 1/2 x 7 5/8 in.), Photographs, Clarence H. White (American, 1871–1925

The Law is Too Slow, 1923, Lithograph, image: 17 7/8 x 14 1/2 in. (45.4 x 36.8 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Dish in the shape of a leaf, Early Dynastic Period, Dynasty 1, ca. 3100–2900 B.C., From Egypt, Greywacke, L. 19.1 x W. 11.3 x D. 2.5 cm (7 1/2 x 4 7/16 x 1 in

Gold Ornament from a Sword Grip, ca. 600, Langobardic, Gold, Overall: 1 x 3/4 x 5/8 in., 0.2oz. (2.5 x 1.9 x 1.6 cm, 7g), Metalwork-Gold, These objects were once part of a set of four that would have been applied in pairs to the grip of a

Design for Two Knife Handles, 1553–1615, Engraving, plate: 10 1/16 x 4 3/4 in. (25.6 x 12 cm), Prints, Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553–1615 Rome), After Francesco Salviati (Francesco de' Rossi)

Design for an Altar With a Vaulted Chapel Behind, 1700–1780, Pen and brown ink, brush with gray (visible on verso), yellow and pink wash, over graphite or lead point, with ruled or compass construction. Scale at bottom of design in pen and

Trionfo Di Virtu. Libro Novo..., page 9 (verso), 1563

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 24 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Iv(w)anowski. Casimir. 57 ans, né à Chalon-sur-Saône (Saône & Loire). Mécanicien. Anarchiste. 6/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Buddha’s hand, 清 玉雕佛手花插, Qing dynasty (1644–1911), China, Jade (nephrite), H. 6 3/8 in. (16.2 cm); W. 2 9/16 in. (6.5 cm); D. 2 5/16 in. (5.9 cm), Jade

Tumbler, ca. 1883–88, Made in East Cambridge, Massachusetts, United States, American, Blown glass, H. 4 3/16 in. (10.6 cm); Diam. 2 1/4 in. (5.7 cm), Glass, Probably New England Glass Company (American, East Cambridge, Massachusetts,

Piet Mondrian, calling card, ca. 1919–38, Letterpress, Sheet: 1 3/4 × 3 1/16 in. (4.4 × 7.7 cm), Anonymous

Ariadne, 1857, Albumen silver print from glass negative, Mount: 16 1/16 in. × 13 1/16 in. (40.8 × 33.2 cm), Photographs, Oscar Gustav Rejlander (British, born Sweden, 1813–1875), Working in a place—Victorian England—where any

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 3 1/2 in. (2.5 x 8.9 cm), Terracottas

The Meeting of Anthony and Cleopatra, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over black chalk, 16-1/16 x 11-7/16 in. (40.8 x 29.1 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid