Images at Librifly

Funerary Mask, Roman Period, A.D. 1st–4th century, From Egypt, Plaster, paint, h. 23 cm (9 1/16 in); w. 12.2 cm (4 13/16 in

Pattern, ca. 1840, British, Parchment, No dimensions recorded., Textiles-Methods and Materials

[A Woman and Eight Carpenters Posed Outdoors], 1880s, Tintype, Image: 8.6 x 5.7 cm (3 3/8 x 2 1/4 in.), Photographs, Unknown (American

Gold Pendants and Beads from a Necklace, second half 6th century–first half 7th century, Frankish, Gold, glass, Overall (With Attachment): 11/16 x 1/16 x 4 15/16 in. (1.7 x 0.2 x 12.5 cm), Glass-Beads

Les Singuliers et Nouveaux Portraicts... Part I title page (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th

Pass in the Racoon Range, Whiteside No. 1, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Jupiter and Juno: Study for the 'Furti di Giove' Tapestries, ca. 1532–35, Pen and dark brown ink with brown and gray wash, highlighted with white gouache, Sheet: 17 x 15 3/4 in. (43.2 x 40 cm), Drawings, Perino del Vaga (Pietro Buonaccorsi)

The Grand Canal above the Rialto (recto); A Priest Celebrating Mass and Saint Vincent Ferrer Preaching (verso), 1712–93, Pen and brown ink, brush and brown wash, over black chalk (recto); red chalk, pen and brown ink, brush and brown wash

Funerary jar, Northern Song dynasty (960–1127), 10th–11th century, China, Stoneware with incised and carved decoration under celadon glaze (Longquan ware), H. 15 1/4 in. (38.7 cm), Ceramics, The fanciful shape of this jar, with its six

Study of a Classical Rosette, 1776–79, Attributed to Thomas Hardwick (British, London 1752–1829 London

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 30 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Suzu, 17th century, Miwa, Nara Prefecture, Japan, Japanese, Wood, metal, Height: 13 1/2 in. (34.3 cm), Idiophone-Shaken-crotal bell, The term suzu refers to two Japanese instruments associated with Shinto ritual: (1) a single large crotal

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 11 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Panel with Dragon, Ming dynasty (1368–1644), 17th century, China, Silk, feather, and metallic thread embroidery on silk gauze, 21 1/8 x 46 in. (53.7 x 116.8 cm), Textiles-Embroidered, This fragment of a larger embroidered textile utilizes

Arak el Emir, 1864, Albumen silver print from glass negative, Image: 19 × 24.7 cm (7 1/2 × 9 3/4 in.), Photographs, Louis Vignes (French, 1831–1896

Riders with Sheep near an Estuary, 1830, Watercolor, sheet: 6 1/8 x 9 3/16 in. (15.5 x 23.3 cm), Drawings, David Cox (British, Birmingham 1783–1859 Harborne, West Midlands), Cox painted Riders With Sheep Near an Estuary, possibly a view of

Study of Two Soldiers and a Hand, 17th century, Black and white chalk, heightened with cream-colored gouache, on blue paper, sheet: 5 3/8 x 10 3/16 in. (13.6 x 25.8 cm), Drawings, Adam Frans van der Meulen (Flemish, Brussels 1632–1690

Marine Terrace, October 9, 1855, Salted paper print from glass negative, Image: 6.4 x 9.5 cm (2 1/2 x 3 3/4 in.), Photographs, Charles Victor Hugo (French, 1826–1871), Auguste Vacquerie (French, 1819–1855

Facade of a Commercial Building, Venetian Gothic Style, ca. 1870, Watercolor, sheet: 14 3/4 x 9 3/4 in. (37.5 x 24.8 cm), Anonymous, British, 19th century

Strolling Violinist at an Ale House Door, 1625–85, Pen and brown ink, watercolor. Pasted down., sheet: 14 3/16 x 12 3/8 in. (36 x 31.4 cm), Drawings, After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

The Tomb of Agamemnon, Pen and black ink, brush and gray washes, heightened with white gouache on beige paper, 29 3/4 x 36 in. (75.6 x 91.4 cm), Drawings, Louis Jean Desprez (French, Auxerre 1743–1804 Stockholm

Officers of U.S.S. Hunchback, 1861–65, Albumen silver print from glass negative, Photographs

Capriccio with Roman Ruins, 1676–1730, Gouache on paper, 12-1/16 x 17-5/16 in. (30.7 x 44 cm), Drawings, Marco Ricci (Italian, Belluno 1676–1730 Venice

Deep Dish, ca. 1430, Made in probably Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, Overall: 3 15/16 × 19 3/16 in. (10 × 48.7 cm), Ceramics

Study of the left hand of Mme de Pompadour, 18th century, Black chalk with slight touches of red chalk, heightened with white., 8 11/16 x 11 13/16 in. (22.1 x 30 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris

[Group of 26 Stereograph Views of San Francisco, California], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.9 x 17.6 cm (3 1/2 x 6 15/16 in.) to 10.5 x 17.8 cm (4 1/8 x 7 in.), Photographs, Benneville Lloyd Singley (American,

Mucius Scaevola, 1550–80, Woodcut, Sheet: 5 3/8 × 4 5/8 in. (13.7 × 11.8 cm), Prints, Antonio Campi (Italian, Cremona 1523–1587 Cremona), In Mariette Album, folio 77, upper left

Carrière, 1850–53, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Charles Marville (French, Paris 1813–1879 Paris

Esemplario di Lauori..., page 9 (recto), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore (Giovanni's

Cup Plate, 1825–60, Lacy pressed glass, Glass

Lady of the Court of Napoléon I, 1804, Black crayon and white paint, heightened with brown wash, 9 11/16 x 7 1/8 in. (24.6 x 18.1 cm), Drawings, Attributed to Jean-Baptiste Isabey (French, Nancy 1767–1855 Paris

Darstellungen aus den Evangelien, [1846], Steel engravings in gold-tooled, green leather binding, 17 1/2 × 13 3/4 × 1 1/8 in. (44.5 × 34.9 × 2.9 cm), Books, After Johann Friedrich Overbeck (German, Lübeck 1789–1869 Rome

Imaginary View of Venice (undivided plate), 1741, Etching, Sheet: 11 13/16 x 17 3/16 in. (30 x 43.7 cm), Prints, Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697–1768 Venice), Venice in the eighteenth century was the site of an

Oval bowl with grapevine scrolls inhabited by birds and animals, Sasanian, ca. 6th–7th century A.D., Iran, Sasanian, Silver, mercury gilding, 2.76 x 4.37 x 9.17 in. (7.01 x 11.1 x 23.29 cm), Metalwork-Vessels, This oval bowl, made from a

The Refectory of the Imperial Asylum at Vincennes, 1858–59, Salted paper print from glass negative, 34.2 x 42.5 cm (13 7/16 x 16 3/4 in.), Photographs, Charles Nègre (French, 1820–1880), Gathered in the light-drenched refectory of a newly

Scene from the 'Rokuhara Imperial Visit' Chapter of 'The Tale of The Heiji', 「六波羅行幸」　平治物語絵巻　断簡, Scene from “Imperial Visit to Rokuhara, ” from The Tale of the Heiji Rebellion (Heiji monogatari), Edo period

[Italian Villa in Autumn], 1898, Gum bichromate print, 54.0 x 74.5 cm (21 1/4 x 29 5/16 in.), Photographs, Hugo Henneberg (Austrian, 1863–1918

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 64r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Stone head of a Julio-Claudian youth, possibly of Gaius Caesar, Augustan, ca. 5 B.C., or later, Roman, gypsum alabaster, H.: 9 7/8 in. (25.1 cm), Stone Sculpture, The head, traditionally identified as a young Augustus, may now be compared

Peasant Women from Ragusa, 1826, Graphite, pen and brown ink, and brush and watercolor, sheet: 8 11/16 x 5 5/16 in. (22 x 13.5 cm), Drawings, Richard Parkes Bonington (British, Arnold, Nottinghamshire 1802–1828 London

Sword of Achtkantschwert Type, 13th–10th century B.C., Central European, Bronze, L. 20 1/2 in. (52 cm); W. 1 15/16 in. (4.9 cm); Wt. 1 lb. 3.7 oz. (558.5 g), Swords, This sword exemplifies one of the most popular European types of the Middle

Design for a Oblong Mirror with Sconces, late 18th–early 19th century, Pen and ink and wash, sheet: 8 7/8 x 12 in. (22.5 x 30.5 cm), John Yenn (British, London (?) 1750–1821 London

Terracotta monkey, Cypro-Archaic II, ca. 600–480 B.C., Cypriot, Terracotta; hand-made, H. 3 11/16 in. (9.4 cm), Terracottas, Monkeys and bears appear with some frequency in Cypriot terracottas. The representations suggest that the artists

[Marshall C. Claxton], 1860s, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

Flask, 1830–40, Possibly made in Keene, New Hampshire, United States; Possibly made in Coventry, Connecticut, United States, American, Free-blown molded green glass, H. 5 3/8 in. (13.7 cm), Glass, Attributed to Coventry Glass Works

Landscape with Figure Standing on a Bridge, 17th century, Pen and brown ink, brush and brown wash over traces of black chalk on cream paper, 7-13/16 x 10-9/16 in. (19.8 x 26.8 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Niche, 16th century, Pen and brown ink, washed, 13 x 5-3/4 in. (33.0 x 14.6 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Design for Mantelpiece and Elaborate Overmantel, early 18th century, Pen and brown ink, brush and brown, pink, and green wash, over graphite, 11 x 6 5/8 in. (28 x 16.9 cm), Drawings, Anonymous, Italian, first half of the 18th century ,

Plate, ca. 1885, Made in West Midlands, England, British, Blown satin glass, Diam. 5 in. (12.7 cm), Glass

Portrait of a Dervish, 16th century, Attributed to Present-day Uzbekistan, Bukhara, Main support: ink, opaque watercolor, and gold on paper, Page: 15 3/4 x 10 1/4 in. (40 x 26 cm), Codices, In the sixteenth century, albums with examples of

Candlestick, 1800–1830, Probably made in Delaware, United States, American, Earthenware, H. 4 in. (10.2 cm); Diam. 5 in. (12.7 cm), Ceramics

Maria von Seidl, 1900s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Large plan of the entrance of the town of Pompeii, and its surrounding buildings, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1,

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 32r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Timiditas from Four Vices, 1560–1628, Engraving, Prints, Raphael Sadeler I (Netherlandish, Antwerp 1560–1628 Venice

Terracotta Panathenaic prize amphora, Archaic, ca. 530 B.C., Greek, Attic, Terracotta; black-figure, H. 24 1/2 in. (62.2 cm), Vases, Obverse, Athena, Reverse, footrace. The Euphiletos Painter was trained in the black-figure technique. It

Merchant Ships and Smaller Sailing Boats in a Strong Breeze, Dolphins in the Waves, ca. 1700, Pen and gray ink and wash, sheet: 6 3/4 x 10 7/8 in. (17.2 x 27.7 cm), Drawings, Hendrick Rietschoof (Dutch, Hoorn 1687–1746 Hoorn

Design for a Mirror with the Sigil of Three Mountains (Family Crest of the Monti?), 16th century, Pen and brown ink, brush and brown wash, ruler and compass work., Maximum dimension: 10-7/16 x 6-7/8 in. (26.5 x 17.5 cm), Anonymous, Italian,

Design for Armoire with Mirrors, 1841–84, Graphite and brush and ink washes, sheet: 9 5/8 x 12 5/8 in. (24.5 x 32.1 cm), Charles Hindley and Sons (British, London 1841–1917 London

Design for a Temporary Structure for a Festival Celebration, 1700–1735, Pen and brown ink, brush and gray wash, 27-5/8 x 11-1/4 in. (70.2 x 28.6 cm); composed of two sheets, joined two-thirds from top., Anonymous, Italian, Roman, 18th

Design for a Round or Oval Renaissance Style Table, 19th century, Graphite and wash on tracing paper, sheet: 5 x 7 9/16 in. (12.7 x 19.2 cm), Anonymous, British, 19th century

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 18 (verso), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano, British,

Snuff Bottle with Five Bats, Qing dynasty (1644–1911), late 18th century, China, Chalcedony with jadeite stopper, H. 2 5/8 in. (6.7 cm), Snuff Bottles

Distant Landscape with Tree in Foreground, 17th century, Counterproof. Red chalk on cream paper. Framing outline in red chalk, 6-5/8 x 4-1/2 in. (16.8 x 11.4 cm), Drawings, Attributed to Aureliano Milani (Italian, Bologna 1675–1749 Bologna

Drawings and Prints, Books Prints Ornament & Architecture, Prima parte de' fiori, page 9 (recto), Author, Printer, Publisher, Giovanni Battista Ciotti, Nicolo Moretti, Francesco de' Franceschi, Italian, born Siena, ca. 1560, Italian,

Portrait of a Woman, ca. 1670s, Oil on canvas, 28 5/8 × 23 1/4 in. (72.7 × 59.1 cm), Paintings, Giovanni Battista Gaulli (Il Baciccio) (Italian, Genoa 1639–1709 Rome), With her sidelong glance and seductive smile this raven-haired beauty

Incense Box, early Joseon dynasty (1392–1910), 14th–15th century, Korea, Iron inlaid with gold and silver, H. 1 3/8 in. (3.5 cm); W. 4 5/8 in. (11.7 cm); D. 2 1/2 in. (6.4 cm), Metalwork

Designs for Loo-Tables, 1835–1900, Ink, graphite, Robert William Hume (British, London 1816–1904 Long Island City

Bronze serpentine-disc type fibula (safety pin), Geometric, 9th century B.C., Villanovan, Bronze, Other: 4 15/16 in. (12.5 cm), Bronzes, Serpentine fibulae have distinctive coiled bows. Disk-type have an enlarged clasp in the shape of an ovoid

Glass bowl, Mid Imperial, 1st–2nd century A.D., Roman, Glass, Gold; blown and cut, H.: 2 9/16 in. (6.5 cm), Glass, Colorless with pale green tinge., Flaring rim, cracked off; globular body; thick, slightly concave bottom., On body,

Saucer, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, Diam. 5 5/8 in. (14.3 cm), Ceramics

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 13 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Design for a Chimney Piece in the Gallery, now DIning Room, Harewood House, Yorkshire (Elevation), ca. 1769, Ink wash over pen and black ink and graphite, sheet: 10 7/16 x 13 15/16 in. (26.5 x 35.4 cm), Robert Adam (British, Kirkcaldy,

Portrait of Count Heinrich Joseph von Bellegarde, n.d., Brush and brown wash over graphite underdrawing., 6 3/4 x 4 9/16 in. (17.1 x 11.6cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Tablet with Design for a Carpet, Qing dynasty (1644–1911), Qianlong period (1736–95), 18th century, China, Ivory with pigment, 7 1/2 x 13 in. (19.1 x 33 cm), Ivories

The Well at the World's End, 1896, Illustrations: woodcuts; one of eight vellum bound copies, 11 3/8 x 8 1/4 x 2 in. (28.9 x 21 x 5.1 cm), Books, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), Determined to reform the

Plaque depicting Bernard Palissy, 1846, French, Sèvres, Hard-paste porcelain; biscuit porcelain; enamel; gilt bronze, Overall (confirmed): 19 1/2 x 17 3/4 x 2 5/8 in. (49.5 x 45.1 x 6.7 cm), Ceramics-Porcelain, After a painting by Charles

Sketches for the Design of a Casket (recto); Battle of the Centaurs and Lapiths(?) (verso), 1545–55, Pen and brown ink, Fragment A: 5-1/4 x 7-7/8 in. (13.3 x 20 cm), Drawings, attributed to Girolamo da Carpi (Girolamo Sellari) (Italian,

Cobb's Hill, Lookout in Distance, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Nocturnal Landscape with Two Figures (design for an engraved book illustration), 1807–44, Watercolor over pen and brown ink and graphite, sheet: 5 1/8 x 3 3/8 in. (13 x 8.5 cm), Drawings, Henry Corbould (British, London 1787–1844

Portrait of a Young Woman as a Vestal Virgin, 1767, Oil on canvas, 31 1/2 x 24 7/8 in. (80 x 63.2 cm), Paintings, François Hubert Drouais (French, Paris 1727–1775 Paris), It was not uncommon to depict portrait sitters in the guise of a

Les Singuliers et Nouveaux Portraicts... page 54 (verso), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

The Allegorical Figure of France for the Tomb of General Bonchamp, 19th century, graphite, pen and brown ink, Sheet: 8 5/16 x 5 15/16 in. (21.1 x 15.1cm), Drawings, Pierre Jean David d'Angers (French, Angers 1788–1856 Paris

Design for Tools Relating to the Maintenance of Fire Arms, 1580–1620, Pen and brown ink, brush with brown and gray wash; framing line in pen and brown ink; maximum sheet comprised of three fragments, possibly cut by the hand that drew the

Drawings and Prints, Print, Cuffee Dancing for Eels – Catharine Market (Life in New York), Publisher, Artist, Currier & Ives, Thomas B. Worth, American, active New York, 1857–1907, American, New York 1834–1917 Staten Island, New

Snuff Bottle, Qing dynasty (1644–1911), Yongzheng period (1723–35), China, Glass, H. 3 3/8 in. (8.6 cm), Snuff Bottles

元 鮮于樞 草書石鼓歌 卷, Song of the Stone Drums, Yuan dynasty (1271–1368), dated 1301, China, Handscroll; ink on paper, Image: 17 11/16 in. x 15 ft. 1 1/16 in. (44.9 x 459.9 cm), Calligraphy, Xianyu Shu (Chinese, 1246–1302),

[Four men in camp under a lean-to of pine boughs], 1861–65, Albumen silver print from glass negative, Photographs

[Alhambra and Court of Lions; View in South Transept], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip Henry Delamotte (British, 1821–1889

St. Jerome Reading, 16th–17th century, Pen and brown ink, brush and brown and gray wash, sheet: 4 5/8 x 3 9/16 in. (11.7 x 9 cm), Drawings, Isaac Oliver (British, ca. 1565–1617), Oliver's father was a goldsmith and pewterer, who arrived

Vase with face, 1892–93, French, Bourg-la-Reine, Stoneware, confirmed: 25 1/2 × 16 7/8 × 16 in., 36 lb. (64.8 × 42.9 × 40.6 cm, 16.3 kg), Ceramics-Pottery, Pierre-Adrien Dalpayrat (French, Limoges 1844–1910 Limoges), Alphonse

Design for a Hanging Lamp, second half 19th century, Graphite, Anonymous, British, 19th century

Cylinder seal, Kassite, ca. 16th–12th century B.C., Mesopotamia, Kassite, Milky chalcedony, 1.35 in. (3.43 cm), Stone-Cylinder Seals-Inscribed, Although engraved stones had been used as early as the seventh millennium B.C. to stamp

Elevation of a Garden Gate Showing a Palazzo or Villa in the Distance, 1710–27, Pen and brown ink, brush and gray wash, over ruling in graphite, 17-11/16 x 13-7/16 in. (45 x 34.1 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian,

Villa. Jean. 29 ans, né à Farini d'Olma (Italie). Manoeuvre. Anarchiste. 2/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

La Pratique de l'Aiguille, page 16 (recto), Title by Pierre Firens (French, born Paris 1641), 1605

Story Title Page, 'Maria Morevna', verso: text, ca. 1925, Gouache, metallic inks, and black ink, heightened with white, over graphite., 13 5/8 x 10 1/2 in. (34.6 x 26.7 cm), Drawings, Boris Zvorykin (Russian, Moscow 1872–1942 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 17 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/4 x 4 1/4 in. (10.8 x 10.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907