Images at Librifly

Woman in Arabic costume, first half 20th century, brush and black ink, gouache, watercolor, graphite, traces of graphite framing lines, sheet: 14 13/16 x 9 11/16 in. (37.7 x 24.6 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946

Landscape with Two Men on Horseback, 1654, Black chalk and gray wash, sheet: 5 9/16 x 7 5/16 in. (14.1 x 18.6 cm), Drawings, Pieter de Molijn (Dutch, London 1595–1661 Haarlem

Stage Set Design: Left Half of Elaborate Baroque-Rococo Style Proscenium Opening. Verso: Several Sketches of Name Plaques and Wreaths, framed by Swags, with names 'Verdi' and 'Aida.', 1870–1941, Graphite on gray paper. Measuring lines in

A Recontruction of the So-Called Temple of Serapidis, before 1704, Red chalk, pen and black and brown ink, brush and brown wash, ober traces of black chalk., 6 5/16 x 8 in. (16.0 x 20.3 cm), Drawings, Jan Goeree (Dutch, Middelburg

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 21 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Design for Organ Pipes Decorated with Flowers and Fleur-de-lys, 19th century, Watercolor over graphite with touches of gilt, sheet: 18 3/8 x 11 7/8 in. (46.7 x 30.2 cm), John Dibblee Crace (British, London 1838–1919 London

Dragon Wrapped around Saz Leaves, ca. 1550–70, Made in Turkey, Istanbul, Main support: ink on paper, Painting: H. 12 in. (18.6 cm), Codices, The drawing is executed in black ink on tan paper and represents stylized broken leaves around which

Bust-Length Portrait Study of a Young Woman with a Striped Shawl, ca. 1740–60, Black and white chalks, brown ink and graphite on blue laid paper, squared in graphite, sheet: 10 x 8 13/16 in. (25.4 x 22.4 cm), Drawings, Circle of Joseph van

Head from a Figure, 13th–14th century, United States, Tennessee, Mississippian, Marble, H. 7 7/16 x W. 5 1/2 x D. 6 in. (19 x 14 x 15.2 cm), Stone-Sculpture

[Kanpur Memorial, Kanpur, India], 1860s–70s, Albumen silver print from glass negative, 20.5 x 26.9 cm (8 1/16 x 10 9/16 in.), Photographs, Unknown

清乾隆 剔彩萬歲長春漆盤, Tray with Chinese characters, bats, and fruits, Qing dynasty (1644–1911). Qianlong period (1736–95), 1736–1795, China, Carved red, green and black lacquer, Diam. 14 1/2 in. (36.8 cm), Lacquer, The

Interior Design with a Cream and Gray Chair, Red Curtain and Rug and Green, Blue and Red Panelled Wall, late 19th century (?), Gouache, sheet: 9 1/2 x 7 1/4 in. (24.1 x 18.4 cm), A. Kofmann (British, late 19th century

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 6 x 3 3/8 x 3 1/4 in. (15.2 x 8.6 x 8.3 cm), Ceramics

End of the Bridge after Burnside's Attack, Fredericksburg, Virginia, 1863, Albumen silver print from glass negative, Image: 13.1 × 20.6 cm (5 3/16 × 8 1/8 in.), Photographs, Andrew Joseph Russell (American, 1830–1902), Likely made in

Adnet. Clotilde. 19 ans, née en décembre 74 à Argentant (Orne). Brodeuse. Anarchiste. Fichée le 7/1/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Gabions in Engineers' Camp, Petersburg, 1864, Albumen silver print from glass negative, 16.3 x 20.2 cm (6 7/16 x 7 15/16 in. ), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Page of Calligraphy, dated A.H. 1075/ A.D. 1664–65, Made in Turkey, Ink on dyed paper, Page: H. 8 5/8 in. (21.9 cm), Codices, The striking beauty of this page, with the swooping curves and loops of the letters in white ink enhanced with blue

Village on an estuary, with a rowing boat on the shore, 17th century, Black chalk and gray wash, sheet: 5 3/4 x 7 1/4 in. (14.6 x 18.4 cm), Drawings, Pieter de Molijn (Dutch, London 1595–1661 Haarlem

Pioger. Louise (veuve Lefèvre). 45 ans, né à Mézières (Sarthe). Giletière. Disposition du préfet. 8/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse

Wall Decoration with Allegorical Figure of Riches, 19th century, Gouache, Anonymous, British, 19th century

Moucheraud. Pierre, Yves. 27 ans, né à Paris IVe. Imprimeur. Anarchiste. 4/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Vase, ca. 1890, French, Paris, Stoneware, Overall (confirmed): 7 3/16 × 4 5/8 × 4 5/8 in. (18.3 × 11.7 × 11.7 cm), Ceramics-Pottery

Design for a Clasp or Buckle, 17th–18th century, Black chalk or graphite, sheet: 3 1/8 x 1 3/8 in. (8 x 3.5 cm), Anonymous, Italian, 17th or 18th century

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 92 x 66 x 2 1/2 in. (233.7 x 167.6 x 6.4 cm), Stone-Reliefs-Inscribed, This panel from the Northwest Palace at Nimrud (ancient

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 13.4 cm (5 1/4 in.); W. 10 cm (3 15/16 in.); D.

Eliezer and Rebecca, mid-17th century, British, Silk on canvas, H. 17 1/2 x W. 19 3/4 inches (44.5 x 50.2 cm); Framed: H. 22 1/2 x W. 24 1/2 x D. 1 1/4 inches (57.2 x 62.2 x 3.2 cm), Textiles-Embroidered

Adoration of the Magi, n.d., Pen and brown ink, brush and red-brown wash, 11 11/16 x 9 1/16 in. (29.7 x 23 cm), Drawings, Frans Francken II (Flemish, Antwerp 1581–1642 Antwerp

[Painter Holding Palette and Brushes], 1870s, Tintype, Image: 9.1 x 6.3 cm (3 9/16 x 2 1/2 in.), Photographs, Unknown (American

Terracotta statuette of cradle and infant, Middle Cypriot, ca. 1900–1600 B.C., Cypriot, Terracotta; hand-made, H. 6 15/16 in. (17.6 cm), Terracottas, Some figurines of infants in cradles were buried in tombs, probably as symbols of

Adoration of the Shepherds(?), 16th century, Brush and brown wash, highlighted with brush and white gouache, over traces of charcoal underdrawings, on light brown laid paper, 12 x 6-5/8 in. (30.5 x 16.8 cm), Drawings, Anonymous, Italian,

Drawings and Prints, Album Print Ornament & Architecture, Diverses Pieces de Serruriers, page 3 (recto), Artist, Artist, After, Hugues Brisville, Jean Berain, Gabriel Ladame, French, born ca. 1633, active Paris 1663, French,

清 水晶三陽開泰擺件, Three goats, Qing dynasty (1644–1911), 19th century, China, Rock crystal, H. 3 7/8 in. (9.8 cm); W. 6 in. (15.2 cm), Hardstone

The Dog Barber, April 25, 1771, Etching, plate: 5 15/16 x 4 1/8 in. (15.1 x 10.5 cm), Prints, After Sir Henry William Bunbury (British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland

Executioner Holding Up a Severed Head, 1682–1754, Charcoal, highlighted with white chalk, on gray-blue paper, 15-15/16 x 10-1/2 in. (40.5 x 26.7 cm), Drawings, Giovanni Battista Piazzetta (Italian, Venice 1682–1754 Venice), This drawing

La Justice from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Head of Buddha, 5th–6th century, Afghanistan (probably Hadda), Stucco with traces of paint, H. 7 1/4 in. (18.4 cm), Sculpture, The well-preserved surface and traces of paint provide an idea of what this head looked like when it was being used

Textile Fragment, Figures, 10th–15th century, Peru, Peruvian; central coast (?), Camelid hair, cotton, Overall: 13 x 4 1/4 in. (33 x 10.8 cm), Textiles-Woven

Shield (Dhál), 18th–early 19th century, Bundi, Rājasthān, Indian, Rajasthan, Bundi, Iron, polychromy, textile, leather, Diam. 13 in. (33 cm), Shields, In form and materials, this is a common type of Indian shield. However, in

Fronticepiece for Tasso's Poems, late 18th–mid-19th century, Ink and wash, plate: 12 1/2 x 8 1/2 in. (31.8 x 21.6 cm), Drawings, Richard Westall (British, Reepham, Norfolk 1765–1836 London

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 28r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1598, 1598

Jardiniere, 1700–1800, Made in China, Chinese, Porcelain, H. 6 1/2 in. (16.5 cm), Ceramics

Orthostat relief: lion-hunt scene, Neo-Hittite, ca. 9th century B.C., Syria, Tell Halaf (ancient Guzana), Hittite, Basalt, paint, H. 22 in. (56 cm), Stone-Reliefs-Inscribed, The powerful Neo-Assyrian Empire influenced the surrounding region

Fragment, 15th century, Attributed to India. Found Egypt, probably Fustat, Cotton; block-printed, mordant-dyed, 18.13 in. high 8.38 in. wide (46.1 cm high 21.3 cm wide), Textiles-Painted and/or Printed

Bronze mirror, Hellenistic, 3rd century B.C., Etruscan, Bronze, Other: 5 1/4 x 10 9/16 in. (13.3 x 26.8 cm), Bronzes, Inscribed (retrograde): Achle (Achilles), Thethis (Thetis), Uthste (Odysseus), Elinei (Helen), Menle (Menelaus

Les Chiens, 1860s, Albumen silver print from glass negative, 10.2 x 13.7 cm (4 x 5 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Illustrated Frontispiece to the Sutra of Enlightenment through the Accumulation of Merit and Virtue, the So-called Jingoji Sutra, 集一切福徳三昧経., late Heian period (ca. 900–1185), ca. 1150–85, Japan, Handscroll; gold and silver

Coin, A.H. 493/A.D. 1099, Found Iran, Nishapur. Mint Iran, Nishapur, Gold, Diam. 7/8 in. (2.2 cm), Coins, Issued at Nishapur by the Seljuq governor Sanjar, this gold dirham has an inscription on its obverse naming Sanjar and listing the

Hab.t de l'Espagne from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Bronze ribbed situla (bucket) with two handles, Archaic, ca. 550 B.C., Etruscan, Bronze, H. 7 5/8 in. (19.4 cm) diameter 8 13/16 in. (22.4 cm), Bronzes, Ribbed bucket with two arched swinging handles

Six Apostles, Tempera on wood, gold ground, Overall 35 1/8 x 93 in. (89.2 x 236.2 cm), Paintings, Spanish (Oña) Painter (late 15th century

Bed, ca. 1927–28, Lacquered wood, 39 3/8 × 71 1/8 × 84 1/4 in. (100 × 180.7 × 214 cm), Furniture, Jean Dunand (French (born Switzerland), Lancy 1877–1942 Paris), Although most Art Deco patrons were French, one of the era’s most

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 5v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Landscape, 1635–91, Yellow and brown watercolor and gouache over black chalk., 7 7/16 x 12 1/8 in. (18.9 x 30.8 cm), Drawings, Aelbert Cuyp (Dutch, Dordrecht 1620–1691 Dordrecht

Il Vignola Illustrato Proposto da Giambattista Spampani, e Carlo Antonini, 1770, Printed book with etched illustrations and head and tail pieces made by woodcut and engraving, 13 13/16 x 9 5/8 x 1 9/16 in. (35.1 x 24.4 x 3.9 cm

Terracotta lamp, Early Byzantine, late 5th–6th century A.D., Roman, Terracotta, Overall: 7/8 x 3 1/2 in. (2.2 x 8.9 cm), Terracottas

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 25r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Bowl with Dragons among Waves, Five Dynasties (907–960), 10th century, China, Stoneware with carved and incised decoration under celadon glaze (Yue ware), Diam. 10 5/8 in. (27 cm), Ceramics, In the West, the term celadon is often used to

Lamp, 1st century B.C.–1st century A.D., Roman, Cypriot, Terracotta, Overall: 7/8 x 3 1/2 in. (2.2 x 8.9 cm), Terracottas

Study of a Seated Woman, 1778–1810, Black and white chalks on off-white laid paper, Sheet: 10 5/8 × 8 15/16 in. (27 × 22.7 cm), Drawings, John Hoppner (British, London 1758–1810 London), After Sir Joshua Reynolds retired in 1789,

Figure 49: Painful weeping and forward looking., 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.6 × 20.5 cm (11 1/4 × 8 1/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French,

Water Goblet, ca. 1867, Made in Sandwich, Massachusetts, United States, American, Blown glass, H. 6 9/16 in. (16.7 cm); Diam. 3 1/2 in. (8.9 cm), Glass, Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue with pencil, pen and ink, and watercolor, sheet: 13 9/16 x 19 7/16 in. (34.4 x 49.4 cm), Drawings, Compagnia di Venezia & Murano

[Elderly Man with Dark Hair], 1850s, Daguerreotype, Image: 7.1 x 5.6 cm (2 13/16 x 2 3/16 in.), Photographs, Unknown (American

Grandidier. Louis, Auguste. 20 ans, né à St-Denis (Seine). Journalier. Anarchiste. 1/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Human Ailments ('Achaques humanos'), 1807–45, Pen and dark brown ink with brush and brown wash. Reinforced in places with brush and dark brown ink. On off-white paper, 6-7/8 x 5-1/8 in. (17.5 x 13.0 cm), Drawings, Leonardo Alenza y Nieto

Vishnu or Prahalada, Son of Hiranyakashipu, ca. 1700–1750, Southern India, Tamil Nadu, probably Thanjavur district, Wood with cloth and polychrome, H. 17 3/4 in. (45.1 cm); W. 9 7/8 in. (25.1 cm); D. 6 1/4 in. (15.9 cm), Sculpture, This

Goblet, 1850–55, Made in New York, New York, United States, American, Blue-cut-to-clear glass, Height: 8 1/2 in. (21.6 cm), Glass, New York City was an important center for machine-cut luxury glass in the middle of the nineteenth century.

Mentenich. François, Joseph. 22 ans, né le 3/10/71 à Paris XIIe. Ébéniste. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Earring with head of a ram, Ptolemaic Period, 332–30 B.C., Probably from Egypt, gold, As Worn: H. 3.9 × W. 3.5 cm (1 9/16 × 1 3/8 in

The Prodigal Son Squanders his Fortune with Prostitutes, late 16th–mid-17th century, Pen and brown ink, brush and brown wash, sheet: 8 1/8 x 6 15/16 in. (20.7 x 17.6 cm), Drawings, Augustin Braun (German, Cologne ca. 1570–1639 Cologne

Carnelian intaglio: Lion-headed serpent, Imperial, ca. 2nd–3rd century A.D., Roman, Carnelian, burnt ?, Other: 15/16 x 3/4 x 3/16 in. (2.5 x 1.8 x 0.4 cm), Gems, Gnostic gem with a loin-headed serpent

Cup Plate, 1825–60, Lacy pressed glass, Glass

[The Wilderness Battlefield, near Spotsylvania, Virginia], 1865 (?), Albumen silver print from glass negative, Image: 12.7 x 8.3 cm (5 x 3 1/4 in.), Photographs, Unknown (American

Saint John the Evangelist with Acteus and Eugenius, ca. 1370, Tempera on wood, gold ground, 14 3/8 x 16 1/4 in. (36.5 x 41.3 cm), Paintings, Francescuccio Ghissi (Francesco di Cecco Ghissi) (Italian, Marchigian, active 1359–74), These

Cup and Saucer, ca. 1838, Made in Philadelphia, Pennsylvania, United States, American, Porcelain, Cup: H. 2 7/8 in. (7.3 cm); Diam. 4 1/4 in. (10.8 cm), Ceramics, Tucker Factory (1826–1838

[A Union Station on the James River Established for Extracting Gunpowder from Confederate Torpedoes], 1864, Albumen silver print from glass negative, 12.9 x 19.6 cm (5 1/16 x 7 11/16 in.), Photographs, Attributed to Egbert Guy Fowx (American,

Costume Design for Lady with a Fan, 1890–99, Watercolor and metallic paint over graphite, sheet: 10 x 6 1/2 in. (25.4 x 16.5 cm), Basil Crage (British, active 1890s

Peasants Around a Well, 1758, Pen and brown ink with brown wash. Framing line in pen and brown ink., 8 x 10 3/4 in. (20.3 x 27.3 cm), Drawings, Johann Georg Wille (German (active France), Köningsberg 1715–1808 Paris

Tumbler, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, H. 3 5/16 in. (8.4 cm), Glass, Challinor, Taylor and Company (1866–1891

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 14 (verso), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Disk Brooch, first half 6th century, Frankish, Silver-gilt, garnets with patterned foil backings, pearl;…, Overall: 13/16 x 1/8 in. (2.1 x 0.3 cm), Metalwork-Silver

Battle Scene (Samson Slaying the Philistines ?), 17th century, Pen and brown ink, brush and brown wash on light brown paper, 4-15/16 x 7-1/2 in. (12.6 x 19 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Design for Stage Set with Porticoed Palazzo, 18th century, Pen, brown ink, and wash over black chalk, Overall: 10 3/8 x 16 3/4 in. (26.4 x 42.5 cm), Drawings

Doorknob, ca. 1850, Probably made in Bennington, Vermont, United States, American, Mottled brown earthenware, Diam. 2 1/4 in. (5.7 cm), Ceramics

The Lincoln Funeral Train, Philadelphia, April 22–24, 1865, Albumen silver print from glass negative, Image: 24 x 33.8 cm (9 7/16 x 13 5/16 in.), Photographs, Charles L. Philippi (American, active 1861–74

Houses in Paris, Place Ravignan, Paris, 1911, Black chalk and gouache on white laid paper, 16 7/8 x 12 3/8 in. (42.9 x 31.4 cm), Drawings, Juan Gris (Spanish, Madrid 1887–1927 Boulogne-sur-Seine), This study for an oil painting of the same

Soup bowl, ca. 1885–90, Made in Cincinnati, Ohio, United States, American, Porcelain, overglaze enamel decoration and gilding, H. 1 3/8 in. (3.5 cm); Diam. 8 1/4 in. (21 cm), Ceramics

Design for window, late 19th–early 20th century, Made in New York, United States, American, Black ink, graphite, watercolor, and gouache on paper in original window mat with tracery, Overall: 24 3/8 x 16 1/8 in. (61.9 x 41 cm), Drawings,

Bellet. Eléonore. Alexandre. 29 ans, né le 23/9/65 à Salouel (Somme). Teinturier. Anarchiste. 3/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Dish with Scene of Woman and Children, Qing dynasty (1644–1911), ca. 1730–50, China, Porcelain painted in overglaze famille rose enamels and gold, Diam. 8 1/4 in. (21 cm), Ceramics, Qing-dynasty porcelains painted with overglaze enamels

Fragment of architectural frame, late 16th century, Watercolor, pen and black and red ink, irregular , sheet: 4 15/16 x 3 1/2 in. (12.6 x 8.9 cm), Drawings, Anonymous, Netherlandish, 16th century

Schreibkunst (The Art of Writing), 1601, 1631, Woodcut; etching (fold out plates), Overall: 8 1/16 x 6 5/16 x 1 3/16 in. (20.5 x 16 x 3 cm), Anton Neudörffer (German, Nuremberg 1571–1628 Regensburg

Michelangelo Buonarroti (1475–1564), probably ca. 1544, Oil on wood, 34 3/4 x 25 1/4 in. (88.3 x 64.1 cm), Paintings, Daniele da Volterra (Daniele Ricciarelli) (Italian, Volterra 1509–1566 Rome), This unfinished portrait has recently been

The Secrets of the Nine Luminaries (Kuyō hiryaku), 宗観筆　九曜秘暦, Heian period (794–1185), 1125, Japan, Handscroll; ink and color on paper, 11 1/4 in. x 26 ft. 6 1/4 in. (28.5 x 808.3 cm), Paintings, Sōkan (Japanese, active

Figure, 150 B.C.–A.D. 100, United States, Alaska, Old Bering Sea, Ivory (walrus), H. 3 3/4 x W. 1 1/8 in. (9.4 x 2.8 cm), Bone/Ivory-Sculpture, The ivory half-figures or torsos made during the late centuries of the first millennium B.C.

Sketches of Classical or Biblical Figures, Pen and brown ink, 6 1/4 x 4 3/4 in. (15.9 x 12.1 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

The Annunciation, Oil and gold on linden, 6 5/16 x 4 1/8 in. (16 x 10.5 cm), Paintings, South German (Bavarian?) Painter (1440–50), Locating the Annunciation in a private chamber, this small southern German panel is strongly influenced by

Bronze statuette of a warrior, Classical, 5th century B.C., Etruscan, Bronze, H.: 6 11/16 in. (17 cm), Bronzes, The small warrior strides forward, brandishing a bent spear held in his right hand. His left arm is lowered and held beside his

Tunic, 12th–15th century, Peru, Chimú, Cotton, camelid hair, H.18 x W. 37 in. (45.7 x 94 cm), Textiles-Woven

Wine Glass, 1860–70, Made in East Cambridge, Massachusetts, United States, American, Pressed glass, H. 4 5/16 in. (11 cm), Glass, New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888