Images at Librifly

Secretary from the Jay Gould House, New York City, 1882, Made in New York, New York, United States, American, Ebonized cherry, mahogany, cedar, and brass, 54 x 34 1/8 x 19 in. (137.2 x 86.7 x 48.3 cm), Furniture, Herter Brothers (German,

Durieux. Aléxis, Alberic. 20 ans, né le 28/2/74 à Stains (Seine). Verrier. Vol. 24/1/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Jeremias Wachsmuth, Carl Pier, Franz Xavier Habermann, Martin Engelbrecht, German,

Lapointe. Nicolas, Céleste. 45 ans, né à Marbach (Alsace-Lorraine). Cordonnier. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Canicule, ca. 1882, Drypoint, plate: 3 15/16 x 5 7/8 in. (10 x 15 cm), Prints, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

'The Soldier's Tear- Old Song', 1845–91, Pen, brush, and brown ink with touches of white gouache, Sheet: 6 1/4 × 8 1/8 in. (15.8 × 20.7 cm), Drawings, Charles Samuel Keene (British, Hornsey, Middlesex 1823–1891 London

Standing Old Man in Frontal View Leaning On a Staff, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light tan paper, 10-1/16 x 5-11/16 in. (25.5 x 14.4 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th

Winged Putti with Flowers, ca. 1750, Black chalk, brush and gray wash, and white chalk, 8 5/16 x 9 1/4 in. (21.1 x 23.5 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris), This sheet is one of several studies related to

Le pardessus dècoré, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Bottle with Impressed Decorations, 10th–11th century, Attributed to probably Iran, Glass, greenish yellow; blown in two parts, impressed with tongs, applied blue rim, H. 7 1/2 in. (18.5 cm), Glass, This bottle was created with a number of

Saint Roch Recommending a Woman with a Sick Child to the Virgin (recto); Figure of a Man Holding a Book; Nude Figure of a Man (verso), 16th century, Pen and brown ink on cream-colored paper (recto). Traces of framing outlines in the form of an arch

Study for a Nativity, Bearded Male Saint, and Head Studies (recto); Two Head Studies (verso), 1750–1815, Pen and brown ink, brush and brown wash, highlighted with white gouache, over red chalk and traces of lead? on cream paper (recto); red

Jadwiga Janczewska, Zakopane, ca. 1913, Gelatin silver print, Image: 12.5 x 17.4 cm (4 15/16 x 6 7/8 in.), Photographs, Stanislaw Ignacy Witkiewicz (Polish, Warsaw 1885–1939 Jeziory), Witkiewicz was prolific in many mediums, writing plays,

Studio delle virtuose Dame, 1597, Woodcut, Overall: 5 1/2 x 8 1/16 in. (14 x 20.5 cm), Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome. Title page with arms, 2 dedication pages each with

[Civil War View], 1860s, Albumen silver print from glass negative, Photographs, Thomas C. Roche (American, 1826–1895) , et al

One of a Pair of Gold Cloisonné Earrings, 500–550, Frankish, Gold, garnets with patterned foil backings, green stone; garnets with unpatterned foil backings are restorations, Overall: 1 9/16 x 1 5/16 x 9/16 in. (3.9 x 3.3 x 1.4 cm),

Square with Quail, probably 5th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, 16.37 in. high 12.00 in. wide (41.5 cm high 30.5 cm wide), Textiles, Squares like this example are a type of textile ornament related to

Robyns. Émile. 36 ans, né à Lumone (Belgique). Marchand de Pierres (?). Anarchiste. 28/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

La Vera Perfettione del Disegno di varie sorti di recami, page 17 (verso), 1567

Landscape, 1825–64, Graphite, 11 7/16 x 16 3/16 in. (29.1 x 41.1 cm), Drawings, Alexandre Calame (Swiss, Vevey 1810–1864 Menton

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 15), Publisher, Artist, After, Carlo Losi, Georges

Stationery box decorated with peony scrolls, 나전 칠 모란 넝쿨 무늬 서류함 조선, Joseon dynasty (1392–1910), 15th–16th century, Korea, Lacquer inlaid with mother-of-pearl, H. 3 5/8 in. (9.2 cm); W. 9 1/2 in. (24.1 cm); L. 14

Elephant and Rider, ca. 1640, Attributed to India, Ink and watercolor on paper, H. 6 in. W. 8 in., Drawings, Attributed to Hashim (active 1620–60), A rare drawing to survive from the Mughal period, this sketch was likely made in preparation

Half-length Virgin and Standing Child with Indications of a Young Saint John the Baptist at Left, ea. 18th century–1785, Red chalk, 8-13/16 x 7-13/16 in. (22.4 x 19.8 cm), Drawings, Pedro del Pozo (Spanish, Lucena, early 18th century–1785

Adoration of the Kings, 17th century, Pen and brown ink, brush and brown wash, over charcoal on cream paper, 10-5/8 x 7-7/8 in. (27 x 20 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Design for a Stained Glass Window or Frontispiece with the Arms of a Cleric, mid-17th–early 18th century, Pen and brown ink, gray wash on two sheets of paper attached; framing lines in pen and brown ink, 17 13/16 x 13 7/16 in. (45.2 x 34.2 cm),

Bronze thymiaterion (incense burner), Archaic, late 6th century B.C., Etruscan, Bronze, total H. 13 3/4 in. (34.9 cm); H. of figure 3 3/4 in. (9.6 cm), Bronzes, Incense burners were popular items among the Etruscans, who often buried their

Saxifrage candlestick, ca. 1905, Made in New York, New York, United States, American, Gilt bronze, 19 3/8 in. (47.9 cm) high, Metal, Tiffany Studios (1902–32

Young Husband: First Marketing, 1854, Oil on canvas, 29 1/2 x 24 3/4 in. (74.9 x 62.9 cm), Paintings, Lilly Martin Spencer (1822–1902), Spencer portrayed the unvarnished reality of male-female relationships in this painting, which chronicles

Witches' Sabbath, late 16th–early 17th century, Pen and brown ink, brown wash, on brownish paper. Framing lines in black chalk, 9 1/4 x 14 7/16 in. (23.5 x 36.7 cm), Drawings, Jacques de Gheyn II (Netherlandish, Antwerp 1565–1629 The

Creamer, 1780–1820, Possibly made in England; Possibly made in United States, American or British, Blown pattern-molded lead glass, H. 4 3/8 in. (11.1 cm), Glass

Pair of bronze greaves, Late Classical, 4th century B.C., Etruscan, Bronze, length: 20 1/8in. (51.1cm), Bronzes, Used to protect the shins, they show the calf muscles rendered by deep grooves

Sheperd with his Flock and a Dog, 16th century, Pen and gray ink, gray wash, over black chalk., 7 3/8 x 9 5/16 in. (18.7 x 23.6 cm), Drawings, Anonymous, Flemish, 17th century

The Holy Family with the Porridge Bowl, ca. 1580–ca. 1614, Engraving, Sheet: 11 5/16 x 7 5/8 in. (28.7 x 19.3 cm), Prints, Raffaello Guidi (Italian, active Rome, 1585–1615), After Francesco Vanni (Italian, Siena 1563–1610 Siena

Terracotta lebes gamikos (round-bottomed bowl with handles and stand used in weddings), Classical, ca. 430–420 B.C., Greek, Attic, Terracotta; red-figure, H. 22 5/16 in. (56.7 cm), Vases, Bride with attendants. In the center of this

Design for a Side Table and Mirror, 1841–84, Graphite and watercolor, sheet: 14 5/16 x 10 3/4 in. (36.3 x 27.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Curtain, 17th century, Italian, Sardinia, Embroidered net, 70 × 41 in. (177.8 × 104.1 cm), Textiles-Laces

Lamp, convex top, Greek or Roman, Terracotta, Overall: 1 1/8 x 3 in. (2.9 x 7.6 cm), Terracottas

Study of a Scene of Martyrdom, 16th century, Pen and brown ink, brush and brown wash on red washed paper, 3-13/16 x 7-1/4 in. (9.7 x 18.4 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Draped Model, ca. 1867, Black and white chalk, Sheet: 14 9/16 x 8 in. (37 x 20.3 cm), Drawings, Albert Joseph Moore (British, York 1841–1893 London), This drawing of a woman in classical robes was made in preparation for a fresco that Moore

Vase, Middle Kingdom, Dynasty 13–17, ca. 1800–1550 B.C., From Egypt, Northern Upper Egypt, Abydos, Garstang excavations, 1907, Anhydrite, h. 12.5 cm (4 15/16 in

Claret Glass, 1850–70, Pressed glass, H. 4 7/8 in. (12.4 cm), Glass

Landscape Drawing for a Wall-Decoration, 18th century, Pen and brown ink, brush with brown and gray wash, over black chalk? on cream laid paper. Fragments of framing lines in pen and brown ink. Irregular format: top and bottom arched, 7-1/2 x

Virgin and Child with Saint Anne, probably 1519, Oil on linden, 23 5/8 x 19 5/8 in. (60 x 49.8 cm), Paintings, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), This haunting devotional painting depicts Saint Anne, who was

Confederate Prisoners at Belle Plain, May 12, 1863, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Landscape with a Walled City and a Large Body of Water, 16th century, Pen and brown ink, 4 15/16 x 7 15/16 in. (12.5 x 20.2 cm), Drawings, Circle of Matthijs Cock (Netherlandish, ca. 1509/10–1540/48 Antwerp

[Civil War View], 1860s, Albumen silver print from glass negative, Photographs, Thomas C. Roche (American, 1826–1895) , et al

Fort Brady, James River, 1864, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Essempio di recammi, page 6 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Saint Joseph and the Christ Child, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light tan paper. Ruled framing outlines in brown ink (arched at top). Ruled horizontal lines in black chalk, 9-5/8 x 4-7/16 in. (24.5 x

Beaker, 1683, Hungarian, Transylvania, Silver, partly gilded, Overall: 4 5/16 x 3 1/16 in. (11 x 7.8 cm), Metalwork-Silver

The Dance of Death, 16th century, Pen and brown ink, brush and brown ink, watercolor, gouache, gold paint, 7 7/16 × 5 3/8 in. (18.9 × 13.6 cm), Drawings, Anonymous, German, 16th century

Study of trees, 1780–1827, Pen and ink, sheet: 6 x 8 1/2 in. (15.2 x 21.6 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Bronze sanguisuga-type fibula (safety pin), Archaic, 7th century B.C., Etruscan, Bronze, Other: 4 1/16 in. (10.3 cm), Bronzes, The bow is solid and decorated on its upper surface with a series of ridges. The head is formed by a spiral of two

Gold ring, Late Classical or Hellenistic, late 4th or early 3rd century B.C., Etruscan, Gold, Diam.: 1 1/4 in. (3.2 cm), Gold and Silver

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 107 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

[Temple of Jupiter], 1880s, Albumen silver print, Photographs, Unknown

Drawings and Prints, Print, L'Estampe Originale, Cover to Album V, L'Estampe originale, Album V, Artist, Publisher, Camille Martin, André Marty, French, 1861–1898, French, born 1857, Martin, Camille, Marty, André, French, 1861,

Venus and Adonis, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light tan paper. Framing outline in brown ink. Trace of blue ink framing outline along left edge, 7-13/16 x 7-7/8 in. (19.9 x 20 cm), Drawings,

Design for a Frame, 1743–1800, Pen and brown ink, brush and gray wash over graphite, sheet: 8 7/16 x 3 1/16 in. (21.4 x 7.8 cm), Office of Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Carved handle of a ceremonial knife, Predynastic, Late Naqada III, ca. 3200 B.C., From Egypt; Possibly from Upper Egypt, Qau, Ivory, L. 10.7 (4 3/16 in); h. 5.4 cm (2 1/8 in); th. 4 x h. 5.4 cm (1 9/16 in

Whiskey Mug, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 2 7/8 in. (7.3 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had

Design for a Heavily-Decorated Wall Elevation, 1800–1900, Pen, chalk, and white wash on brown paper, 12-1/8 x 6-1/2 in, Anonymous, Italian, 19th century

Design for a Painted Ceiling, 1716–81, Drawings, Attributed to Giovanni Antonio Torricelli (Italian, Lugano 1716–1781 North Italy

Praying Angels and Poppies (Border Design for Thomas Malory, 'Le Morte d'Arthur, ' J. M. Dent 1893–94, Part III, book vii, chapter i, p. 219), by May 30, 1893, Pen and carbon black ink, Sheet: 11 1/8 x 8 3/4 in. (28.3 x 22.2 cm),

Madonna and Child, ca. 1480, Tempera, oil, and gold on wood, 17 1/4 x 12 5/8 in. (43.8 x 32.1 cm), Paintings, Vincenzo Foppa (Italian, Brescia, active by 1456–died 1515/16 Brescia), Foppa was the founder of Renaissance painting in Milan,

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 16v), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Portrait of a Woman, 1533, Oil on oak, Overall, with arched top, 12 x 8 7/8 in. (30.5 x 22.5 cm); painted surface 11 3/4 x 8 1/8 in. (29.8 x 20.6 cm), Paintings, Barthel Bruyn the Elder (German, 1493–1555

Ornamental design with Grotesques, 19th century, Pen and black ink, brush and blue, brown and green wash. Inlaid, along with 48(58b), on paper mount with pink and black framing lines. Squared with incised lines., 2 7/8 x 6 1/16 in. (7.3 x 15.4

Interior with Three Men and Two Women, 19th century, Watercolor, sheet: 6 1/4 x 9 in. (15.8 x 22.8 cm), Drawings, Daughters of Bishop Parr (British, 19th century

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 3 in. × 3 1/8 in. (7.6 × 8 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

[Civil War View], 1860s, Albumen silver print from glass negative, Photographs, Thomas C. Roche (American, 1826–1895) , et al

Gravestone of Fudayl ibn Musa, 10th–11th century, Excavated in Iran, Nishapur, Alabaster; carved, H. 30 in (76.2cm), Stone, The tabular stele is the most common form of gravestone in the Islamic tradition, and this example belongs to a

Bowl, 1934, French, Silver and glass, 5-3/4 x 8-5/8 inches (14.6 x 21.9 cm), Metalwork-Silver, As his career progressed, Puiforcat became increasingly fascinated by the mathematical principles of geometry and proportion. By the 1930s he had

Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio,

Noh Mask: Okina, Meiji period (1868–1912), dated 1879, Japan, Hanging scroll; colored lacquer with mother-of-pearl, gold and ink on paper, 11 3/8 x 16 1/8 in. (28.9 x 41 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891), Among all

Borderie. Ferdinand, Jacques. 19 ans, né à Sarlat (Dordogne). Peintre sur métaux. Pas de motif. 1/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 52r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Marble statuette of triple-bodied Hekate and the three Graces, Late Hellenistic, 1st–2nd century A.D., Roman, Marble, H. 12 in. (30.5 cm), Stone Sculpture, Hekate presided over pathways and crossroads, especially at night. She was the

Hunt of the Calydonian Boar, late 17th–early 18th century, Pen and brown ink, brown wash, heightened with white, on blue paper, sheet: 6 5/16 x 10 13/16 in. (16.1 x 27.5 cm), Drawings, Circle of Bernard Picart (French, Paris 1673–1733

[Dragoman in Temple], 1880s, Albumen silver print from glass negative, Photographs, Unknown

Vase with Scholar in a Landscape (one of a pair), Republic period (1912–49), ca. 1915–35, China, Porcelain painted with sepia and colored enamels over a transparent glaze (Jingdezhen ware), H. 6 3/8 in. (16.2 cm); Diam. 4 5/8 in. (11.7 cm),

Covered Punch Bowl, ca. 1885–87, Made in Wheeling, West Virginia, United States, American, Blown glass, H. 14 5/8 in. (37.1 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Le petit Russe, 1860s, Albumen silver print from glass negative, 8.6 x 11.4 cm. (3 3/8 x 4 1/2 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

One of a Pair of Parakeets, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Cloisonné enamel, H. 8 3/4 in. (22.2 cm), Cloisonn

Carpet with Geometricized Floral Design, late 18th century, Attributed to Caucasus, Wool (warp, weft, and pile); symmetrically knotted pile, H. 258 in. (655.3 cm), Textiles-Rugs, This carpet is representative of the Caucasian weaving

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 38 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Portrait of Edmond Burke, ca. 1815, Pen and grey ink with brush and brown washes., 6 5/8 x 4 5/8 in. (16.9 x 11.7 cm.), Drawings, Antoine Louis François Sergent Marceau (French, Chartres 1751–1847 Nice

Les Singuliers et Nouveaux Portraicts... page 49 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Drawings and Prints, Books Prints Ornament & Architecture, Prima parte de' fiori, Printer, Publisher, Author, Nicolo Moretti, Francesco de' Franceschi, Giovanni Battista Ciotti, Italian, active 16th century, Italian, born Siena, ca.

Alfred Stieglitz, 1907, Platinum print , 16.5 x 11.8 cm. (6 1/2 x 4 5/8 in.), Photographs, Frank Eugene (American, New York 1865–1936 Munich

Flask with Molded Decoration, 12th–13th century, Found Iran, Nishapur, Earthenware; molded decoration, unglazed, H. 7 1/16 in (18 cm), Ceramics, The shape of this flask indicates that it rested flat on a surface and was tipped to empty its

Court. Jean-Claude. 58 ans, né à Cherissey-le-M. (Haute-Savoie). Marchand de pains d'épices. Anarchiste. 17/3/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 4 5/8 × 3 7/16 in. (11.7 × 8.7 cm), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Ivey Mill, Hickory, N.C. Little one, 3 years old, who visits and plays in the mill. Daughter of the overseer., November 1898 , Gelatin silver print, Image: 11.7 x 16.9 cm (4 5/8 x 6 5/8 in.), Photographs, Lewis Hine (American, 1874–1940),

Lea Castle, View in the Library, Looking East, ca. 1816, Watercolor, sheet: 7 1/4 x 6 3/4 in. (18.4 x 17.1 cm), Attributed to John Carter (British, London 1748–1817 London

Two Bowls, possibly Eastern Han dynasty (25–220), 2nd–3rd century, China, Black lacquer painted with red lacquer, a, b: H. 3 3/4 in. (9.5 cm); Diam. 5 1/8 in. (13 cm), Lacquer

Study of the Christ Child and the Hand of the Madonna. Verso; Profile of a Man, n.d., Pen and brown ink., 7 3/8 x 5 1/2 in. (18.7 x 13.9 cm), Drawings, After Anthony van Dyck (Flemish, Antwerp 1599–1641 London

Woman holding an open jewelry box (recto); Studies for a figure composition and a leaded window (verso), 1820–76, Black chalk; verso: black chalk and graphite on wove paper, 9 5/8 x 7 3/16 in. (24.4 x 18.2 cm), Drawings, Narcisse-Virgile Diaz