Images at Librifly

The Hunt, Pen and black ink, 4 3/8 x 6 in. (11.1 x 15.2 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Perrot. Jean. 33 ans, né le 18/11/61 à Tulle (Corrèze). Cordonnier. Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Nude Couple Embracing, 1780–1827, Watercolor, Sheet: 9 1/16 x 7 5/16 in. (23 x 18.6 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Covered Serving Dish, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, 3 11/16 x 7 5/16 x 9 1/4 in. (9.4 x 18.6 x 23.5 cm), Ceramics

Drawing for Mantelpieces, 18th century, Pen and brown ink, brush and gray wash, 9-1/4 x 6-5/16 in (23.4 x 16.1 cm), Anonymous, Italian, 18th century

Madonna, after Carlo Maratta, 17th century, Black chalk highlighted with white chalk on light brown paper, 9-3/16 x 7-1/16 in. (23.4 x 18 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Tumbler, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 9/16 in. (9 cm), Glass, Bakewell, Pears and Company (1836–1882

Bronze horse, Geometric, late 8th century B.C., Greek, Bronze, H.: 4 3/8 in. (11 cm), Bronzes, Statuette of a bronze horse with no base. It is broken at the tail and the eyes are hollow

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, black ink, and graphite on paper mounted on board in original shaped matt, Overall: 23 9/16 x 9 1/2 in. (59.8 x 24.1 cm),

Scroll tray, Ming dynasty (1368–1644), Wanli period (1573–1620), 1573–1620, China, Black lacquer with inlay, W. 6 in. (15.2 cm); L. 15 in. (38.1 cm), Lacquer

'Man with a Ram', Folio from the Bellini Album, ca. 1600, Attributed to Iran, Isfahan, Ink, wash, opaque watercolor, and gold on paper, H. 6 1/8 in. (15.5 cm), Codices

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 5 in. × 3 3/16 in. (12.7 × 8.1 cm), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Bowl with Human Feet, Predynastic, Late Naqada l–Naqada II, ca. 3900–3650 B.C., From Egypt, Polished red pottery, diam. 13.2 x W. 13.7 x D. 9.8 cm (5 3/16 x 5 3/8 x 3 7/8 in.), In the Predynastic Period, potters created a wide variety of

Stand with Two Lion's Feet, 1800–1900, Pen and wash, 5 x 16-1/4 in, Drawings, Anonymous, Italian, 19th century

Moonrise, 1885, Oil on canvas, 34 1/2 x 64 1/4 in. (87.6 x 163.2 cm), Paintings, Henri-Joseph Harpignies (French, Valenciennes 1819–1916 Saint-Privé), Throughout his career, Harpignies maintained close ties with artists and friends in his

Caricature of the Art of Painting, 1800–1866, Pen and brown ink, Sheet: 8 7/16 x 7 1/4 in. (21.5 x 18.4cm), Drawings, Hippolyte Bellangé (French, 1800–1866

Saint Wenceslas at the Vintage, Attended by Angels and Putti, mid-18th–late 18th century, Brown ink with gray wash, sheet: 13 1/4 x 8 3/8 in. (33.7 x 21.3 cm), Drawings, Franz Anton Maulbertsch (Austrian, Langenargen am Bodensee 1724–1796

'Shaikh San'an and the Christian Maiden', Folio 22v from a Mantiq al-Tair (Language of the Birds), ca. 1600, Attributed to Iran, Isfahan, Opaque watercolor, silver, and gold on paper, Painting: H. 7 3/8 in. (18.7 cm), Codices, In another

Set of three casters, Lewis Mettayer (British, active 1700, died 1740), 1714/15, British, London, Silver gilt, Overall (.71, confirmed): 6 5/8 x 2 1/4 x 2 1/4 in., 11 oz. 4 dwt. (16.9 x 5.7 x 5.7 cm, 349g), Metalwork-Silver, Lewis

Terracotta statuette of a woman, Classical, 1st half of the 5th century B.C., Greek, probably Attic, Terracotta, H. 12 1/8 in. (30.8 cm), Terracottas, This lovely figure in a finely detailed linen chiton and a thin himation (cloak) probably

麝香猫図, Musk Cat, Muromachi period (1392–1573), second half of the 16th century, Japan, Hanging scroll; ink and color on paper, Image: 29 15/16 × 18 5/16 in. (76 × 46.5 cm), Paintings, Uto Gyoshi (Japanese, active second half of

Reconstruction of the Thermae Olympiadis (above) and View of the Ruins (below), before 1704, Red chalk, pen and black ink, brush and grey wash, over black chalk., 13 x 8 1/16 in. (33.0 x 20.5 cm), Drawings, Jan Goeree (Dutch, Middelburg

Crucifixion with the Virgin and St. John the Evangelist, 15th century, Pen and brown ink, black and red ink, brown and red wash, with some white heightening, 12 5/16 x 8 1/8 in. (31.3 x 20.7 cm), Drawings, Anonymous, German, 15th century

Esemplario di Lauori..., page 12 (recto), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore

Le Porte del Dolo (The Locks at Dolo), 1697–1768, Etching, plate: 11 3/4 x 16 7/8 in. (29.9 x 42.9 cm), Prints, Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697–1768 Venice

Mug, 18th century, Made in Bohemia, Czech Republic, Non-lead glass with enamel decoration, H. 6 5/8 in. (16.8 cm), Glass

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 36r), Designer, Printer, Andreas Bretschneider, Henning Gross the younger, German, Dresden ca. 1578–ca. 1640 Leipzig, Bretschneider, Andreas, Gross, Henning

Portrait of a Lady, 19th century, Pastel, 8 3/4 x 6 1/4 in. (22.2 x 15.9 cm), Drawings, Anonymous, German, 19th century

Belt Buckle, late 6th–7th century, Frankish, Iron inlaid with silver, iron rivets with heads of copper alloy, Overall: 3 1/2 x 1/2 x 2 1/4 in. (8.9 x 1.3 x 5.7 cm), Metalwork-Iron, Belts were important features of early medieval dress. Not

Rebel Works in Front of Atlanta, Georgia No. 2, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

The Death of Adonis, ca. 1625, Pen and black ink, brush and gray wash. Framing line in pen and black ink., sheet: 7 1/2 x 9 in. (19 x 22.9 cm), Drawings, Johann König (German, Nuremberg 1586–1642 Nuremberg

Three Cosmetic Vessels, Middle Kingdom, late Dynasty 12–early 13, ca. 1850–1775 B.C., From Egypt, Northern Upper Egypt, Abydos, Cemetery V, Tomb V21, Egypt Exploration Fund excavations, 1904, Anhydrite, 04.18.46a, b: H. 5.4 cm (2 1/8

It's Raining Elves ('Llueven duendes'), 1807–45, Pen and dark brown ink, reinforced with brush and dark brown ink on off-white paper. Composition outlined with pen and dark brown ink on all sides, 6-15/16 x 5 in. (17.6 x 12.7 cm), Drawings,

A View from the Artist's Estate, Springland, or the Elysian Bower, ca. 1800, Watercolor, ink and graphite on paper, framed., 4 × 5 7/8 in. (10.2 × 14.9 cm), Drawings, William Russell Birch (American (born England), Warwick 1755–1834

唐 彩繪陶女俑, Female Attendant, Tang dynasty (618–907), mid-7th century, China, Earthenware with painted decoration, H. 11 7/8 in. (30.2 cm); W. 3 1/4 in. (8.3 cm), Tomb Pottery

[Fort Sedgwick]/[Fort Price]. Brady album, p. 27, 1861–65, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Bowl with 'Hare's-Fur' Glaze, 1929, Stoneware with iron glaze, H. 2-1/2, Diam. 7-1/2 inches (6.4 x 19.1 cm.), Ceramics-Pottery, Binns, who owned a collection of Japanese pottery, moved to the United States in the late nineteenth century, and

Two Men, Depicted Half-Length, in Profile, 17th century, Pen and brown ink, brush and brown wash, over traces of black chalk, on cream paper, 8-7/16 x 6-13/16 in. (21.4 x 17.3 cm), Drawings, After Guercino (Giovanni Francesco Barbieri)

Plate, 1880–88, Made in Sandwich, Massachusetts, United States, American, Blown amber glass with applied threaded decoration, Diam. 6 5/16 in. (16 cm), Glass, Possibly Boston & Sandwich Glass Company (American, 1825–1888, Sandwich,

Limestone statue fragment of a right hand holding a phiale (libation bowl), Late Archaic–Classical, late 6th–5th century B.C., Cypriot, Limestone, L. 9 5/8 in. (24.5 cm); D. of phiale 6 1/2 in. (16.5 cm), Stone Sculpture, A large right

Pitcher, 1852–58, Made in Bennington, Vermont, United States, American, Parian porcelain, H. 8 7/8 in. (22.5 cm), Ceramics, United States Pottery Company (1852–58), Porcelain objects with white figures in low relief on a blue ground

The Crucifixion, ca. 1315–20, Tempera on wood, gold ground, Overall, with engaged frame, 25 1/4 x 18 5/8 in. (64.1 x 47.3 cm), painted surface 22 1/4 x 15 3/4 in. (56.5 x 40 cm), Paintings, Attributed to Ugolino da Siena (Italian, Siena,

Figure, 12th century, Attributed to Iran or Central Asia, Brass; cast, chased, gilded, H. 3 1/4 in. (8.3 cm), Metal, This small brass figure, whose original use is unknown, represents a standing figure holding a cup. In the pre-Islamic

鳥かご, Birdcage, Edo period (1615–1868), 18th century, Japan, Black lacquer ground with gold and silver maki-e, dyed wood, and silk netting, Diam. 11 1/4 in. (28.6 cm); H. 13 1/4 in. (33.7 cm), Lacquer, The cranes, wheels, and

Pistol Baldric (Xarpa), late 18th–early 19th century, Catalonia, Spanish, Catalonia, Leather, silk, metallic thread, lace, iron, H. 28 in. (71.1 cm); Wt. 3 lb. 2 oz. (1417.5 g), Firearms Accessories, A belthook on the back of a pistol

Cuneiform tablet: Sumerian dedicatory(?) inscription from Ekur, the temple of the god Enlil, Kassite, ca. 16th–15th century B.C., Mesopotamia, probably from Nippur, Kassite, Black marble, 8.25 x 9 x 1 in (20.96 x 22.86 x 2.55 cm) ,

Plan of the Flower Garden on the Northern Front, Ingestre Hall, Staffordshire, 1836, Pen and colored washes, sheet: 10 1/2 x 14 1/2 in. (26.7 x 36.8 cm), Sir Charles Chetwynd, 2nd Earl Talbot (British, 1777–1849

Portrait of a Man, Ivory, Diameter 2 5/8 in. (70 mm), Miniatures, Attributed to Jean-Baptiste Sambat (French, ca. 1760–1827

Gaja Lakshmi, Goddess of Fortune, 8th century, India (Kashmir), Stone, H. 5 1/16 in. (12.9 cm), Sculpture, Gaja Lakshmi, crowned with tripartite diadem and enthroned on a lion seat, is venerated as a bringer of good fortune and well-being to

Soubrier. Annette (femme Chericotti). 28 ans, née à Paris Ille. Coutière. Anarchiste. 25/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 6 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Kenzan-style Dish with Bamboo Leaves, 乾山様式　色絵竹文皿, Edo period (1615–1868), 17th–18th century, Japan, Buff stoneware decorated with white and iron-brown slip and underglaze cobalt blue; gold lacquer repair, H. 1 3/8 in.

Improvisation 27 (Garden of Love II), 1912, Oil on canvas, 47 3/8 x 55 1/4 in. (120.3 x 140.3 cm), Paintings, Vasily Kandinsky (French (born Russia), Moscow 1866–1944 Neuilly-sur-Seine), In his influential treatise, Concerning the Spiritual

[Philip Hermogenes Calderon], 1860s, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

Sketches of Male Bodies, possibly after Michelangeolo (Smaller Italian Sketchbook, leaf 18 recto), 1774–75 (?), Graphite and yellow wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby

Case (Inrō) with Design of Lotus (obverse); Lotus and Bird (reverse), Meiji period (1868–1912), 19th century, Japan, Black lacquer with wood, shell, and glass inlays; Fastener (ojime): metal; Toggle (netsuke): carved ivory in the shape of a

Boys with leaves and boxes, Qing dynasty (1644–1911), 19th century, China, Horn, H. inc. base 3 1/2 in. (8.9 cm); W. 2 3/4 in. (7 cm); D. 1 1/2 in. (3.8 cm), Horn, Two boys holding a lotus or leaf and a box are popular New Year’s images

Designs for the Decoration of the Frizzen and Jaws of the Cock of a Firearm, ca. 1797–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 3 1/2 x 1 1/2 in. (8.9 x 3.8 cm), Works on Paper-Drawings

Landscape with a Curved Wall, Round Tower and Distant Villa (Smaller Italian Sketchbook, leaf 8 recto), 1774–75 (?), Pen and ink, brush and grey wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby)

Disk Brooch, 6th century, Frankish, Silver-gilt cells, side strip, and beaded edging; garnets with deep-punched, 'standard' foil backings; emerald; silver back with posts for spring and pin; no spring/pin extant, Overall: 1 1/16 x 3/8 in. (2.7

Headquarters of Capt. H.B. Blood, A.Q.M., at City Point, Virginia, 1861–65, Albumen silver print from glass negative, 12.8 x 18.9 cm (5 1/16 x 7 7/16 in. ), Photographs, Andrew Joseph Russell (American, 1830–1902

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 55 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 23 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Square-Headed Bow Brooch, 500–600, Anglo-Saxon, Gilded copper alloy inlaid with niello, Overall: 5 3/8 x 3 x 15/16 in. (13.6 x 7.6 x 2.4 cm), Metalwork-Copper, This brooch displays the Anglo-Saxon preference for lavish decoration, with a

Les Singuliers et Nouveaux Portraicts... page 42 (verso), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Design for a Painted Ceiling, 1825–75, Watercolor, 5-1/4 x 10-1/8 in, Drawings, Anonymous, Italian, 19th century

Manuscript Cover with Vishnu Flanked by Lakshmi and Sarasvati, 14th century, Nepal (Kathmandu Valley), Distemper on wood, Overall: 1 7/8 x 13 1/16 in. (4.7 x 33.2 cm), Paintings, This cover depicts a standing four-armed Vishnu mounted on

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 37 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Christ Preaching, 17th century, Pen and brown ink, brush and brown wash, over red chalk on cream paper, 10-5/8 x 13-1/4 in. (27 x 33.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Water Goblet, 1860–70, Made in New York, New York, United States, American, Blown lead glass, H. 6 in. (15.2 cm); Diam. 3 1/4 in. (8.3 cm), Glass, Possibly Christian Dorflinger (1828–1915

Marriage Contract Between Jean Baptiste Claude Allevin, Gunmaker, and Barbe Françoise Bernard, Paris, July 13, 1759, July 13, 1759, Paris, French, Paris, Pen on paper, 12 5/8 x 8 3/8 in. (32 x 21.2 cm), Works on Paper, Although their

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 13.8cm (5 7/16 in.); W 8.9 cm (3 1/2 in.); D 5.6cm

Studies for Consoles, 16th century, Pen and ink, sheet: 10 5/8 x 7 1/8 in. (27 x 18.1 cm), Anonymous, Italian, 16th century

Tower of London, London, England, 1850s–1910s, Albumen silver prints, Mount: 8.9 x 17.9 cm (3 1/2 x 7 1/16 in.), Photographs, Benneville Lloyd Singley (American, Union Township, Pennsylvania 1864–1938 Meadville, Pennsylvania

Sketches of Five Statues: 'Love, ' 'Aristide, 'Putto with a Cat, ' 'Psyche, ' and 'Putto with a Dog', ca. 1850, Pen and brown ink, graphite, sheet: 9 1/8 x 7 9/16 in. (23.1 x 19.2 cm), Drawings, John Gibson (British, Gwynedd, Wales

Gold Strap End (Unfinished), 700s, Avar, Gold, 1 × 2 3/16 × 1/4 in., 0 Troy Ounces (2.5 × 5.6 × 0.7 cm, 31g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 7 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Turquoise Dish with Carved Arabic Inscription in Floriated Kufic Reading 'al-'izz' ('Glory'), 11th century, Attributed to Iran, Stonepaste; carved and glazed, H. 2 1/8 (5.4 cm), Ceramics

Sword and Scabbard of Captain Richard French, 1850, Chicopee, Massachusetts, American, Chicopee, Massachusetts, Gold, brass, steel, L. 40 in. (101.6 cm); L. of blade 32 1/4 in. (81.9 cm), Swords, This innovative sword incorporates a

Turret Laver, 15th century, German, Bronze, Overall: 21 x 5 7/8 in., 6lb. (53.3 x 14.9 cm, 2857g), Metalwork-Bronze, Although this object is frequently called an aquamanile, it does not satisfy the definition: true aquamanilia are handheld

Textile depicting a scene from Nizama's Khamsa, 16th–17th century, Attributed to Iran, Silk, metal wrapped thread; double-weave, Textile: L. 25 3/4 in. (65.4 cm), Textiles-Woven, The imagery seen on this exquisitely woven cloth suggests the

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 31 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Female head, Ptolemaic Period, 332–30 B.C., From Egypt, Faience, H. 1.5 × W. 1.4 × D. 1.6 cm (9/16 × 9/16 × 5/8 in.), This tiny head was molded and carved in the round, but was attached at the neck and behind the head to another surface.

Glass fusiform bottle fragment, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown, Other: 2 3/4 in. (7 cm), Glass, Colorless with pale greenish yellow tinge. Fusiform body, curving in and then expanding slightly to thick, rounded

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 27 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Design for two spandrels with winged figures, 18th century, Black and white chalk on blue paper, 13 3/4 x 7 3/4 in. (34.9 x 19.7 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris

Standing Figure of a Man with a Staff, 1825–79, Black chalk and graphite, 12 1/2 x 7 in. (31.8 x 17.8 cm), Drawings, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

Dutch Men Of War At Anchor, 17th century, Pen and brown-black ink, brush and gray wash, over traces of black chalk. Framing line in pen & brown-black ink., sheet: 7 11/16 x 12 5/16 in. (19.6 x 31.2 cm), Drawings, Willem van de Velde I (Dutch,

Essempio di recammi, page 12 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Limestone bust of a lyre-player, Cypro-Archaic II, ca. 575–550 B.C., Cypriot, Limestone, Overall: 18 × 9 × 11 3/4 in. (45.7 × 22.9 × 29.8 cm), Stone Sculpture, Egyptianizing influence is evident in the wig and stiff pose. At the top of

Pharmacy Jar with the Arms of the Hospital of Santa Maria della Scala, 1425–50, Made in probably Siena, Tuscany, Italy, Italian, Tin-glazed earthenware, Overall: 12 5/8 x 9 3/16 x 6 1/2 in. (32 x 23.3 x 16.5 cm), Ceramics, A short ladder

[Two Young Men, One Seated and One Standing, Holding Carpentry Tools], 1870s–90s, Tintype, Image: 8.2 x 5.1 cm (3 1/4 x 2 in.), Photographs, Unknown (American

Twelve Crossbow Bolts, 15th–17th century; j, probably 15th or 16th century, Western or Central European; j, possibly Switzerland, Steel, wood (oak, ash), leather, feathers, (j), L. 17 3/16 in. (43.7 cm); L. head 2 5/8 in. (6.6 cm); W.

Figure Vessel, 3rd–1st century B.C., Mexico, Mesoamerica, Michoacan, Chupicuaro, Ceramic, H. 5 3/8 in. (13.7 cm), Ceramics-Containers, The bold geometric patterns in red, black, and white are characteristic of works in Chupicuaro style.

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and blue ink and black chalk with slight traces of red chalk, 2 13/16 x 3 15/16 in. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

The Martyrdom of Saint Lawrence, 1580s–early 1590s, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on light tan paper; squared in red chalk, 16-9/16 x 11-7/16 in. (42.0 x 29.0 cm), Drawings,

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 34 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Drawings and Prints, Books Prints Ornament & Architecture, Prima Parte de' Fiori, e Disegni di varie sorti di Ricami Moderni, page 4 (recto), Author, Publisher, Giovanni Battista Ciotti, Francesco de' Franceschi, Italian, born Siena, ca.

Tankard, 1879, Pen and ink, sheet: 11 1/4 x 8 1/2 in. (28.6 x 21.6 cm), Drawings, C. Prosdocimi (Italian

Equal-Arm Brooch, ca. 650–750, Made in Niederbreisig, Germany, Frankish, Copper alloy, Overall: 1 15/16 x 11/16 x 13/16 in. (5 x 1.8 x 2.1 cm), Metalwork-Copper alloy