Images at Librifly

The Farm, Pen and black ink, 3 x 5 5/8 in. (7.6 x 14.3 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 37v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Portrait of Augustine de Rothmaler, 1894, Black chalk on laid paper, sheet: 11 5/16 x 8 11/16 in. (28.7 x 22 cm), Drawings, Theo Van Rysselberghe (Belgian, Ghent 1862–1926 Saint Clair

Dancing Nymphs in a Glade, late 17th–early 18th century, Pen and brown ink, brush and brown wash, heightened with white, on blue paper, sheet: 6 5/16 x 10 13/16 in. (16.1 x 27.5 cm), Drawings, Circle of Bernard Picart (French, Paris

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 10 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Pitcher, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 2 x 2 5/16 x 1 15/16 in. (5.1 x 5.9 x 4.9 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 32r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Jeremias Wachsmuth, Martin Engelbrecht, Carl Pier, Franz Xavier Habermann, German,

View of the Abbey and Great Pump Room at Bath, Through the Colonnade Added by Thomas Baldwin, 1786-9, 19th century, Graphite and wash, sheet: 10 1/2 x 9 in. (26.7 x 22.9 cm), Anonymous, British, 19th century

Princely Couple, 1400–1405, Attributed to Iran, possibly Tabriz, Opaque watercolor and gold on paper, H. 19 1/4 in. (48.9 cm), Codices, Considering its unusually large scale, scholars have suggested that this painting of an embracing couple

Ornamental Panel with Oak Leaves and Acorns, 18th century, Pen and ink and brush and wash on gray paper, sheet: 12 x 8 in. (30.5 x 20.3 cm), Anonymous, British, 18th century

Symmetrical Design of Upward Growing Acanthus Scrolls, 17th century, Brush and brown wash, over graphite underdrawing, image: 12 1/2 x 7 11/16 in. (31.8 x 19.6 cm), Anonymous, Italian, 17th century

清乾隆 剔紅庭園人物圖筆筒, Brush holder with scholars in a garden, Qing dynasty (1644–1911), Qianlong period (1736–95), 18th century, China, Carved red lacquer, H. 6 1/2 in. (16.5 cm); Diam. 6 3/4 in. (17.1 cm), Lacquer, This

An Ethiopian Chief, ca. 1897, Platinum print, 18.1 x 18.4 cm. (7 1/8 x 7 1/4 in.), Photographs, F. Holland Day (American, Norwood, Massachusetts 1864–1933 Norwood, Massachusetts), The 1896 defeat of the Italians by Abyssinian Emperor

Standing female figurine, Cypro-Archaic II, ca. 600–480 B.C., Cypriot, Terracotta; mold-made, H. 13 5/8 in. (34.6 cm), Terracottas, Such terracottas were important for introducing Near Eastern iconographical types into the Greek world

New Modelbüch allen Nägerin u. Sydenstickern (Page 23v), 1556

Easterly Winds, ca. 1810, Pen and ink, with watercolor, sheet: 5 5/8 x 9 1/4 in. (14.3 x 23.5 cm), Drawings, Attributed to Thomas Rowlandson (British, London 1757–1827 London

A Study, 1864, Albumen silver print from glass negative, 21.7 x 17.6 cm (8 9/16 x 6 15/16 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Entrance to The Hague from the South East, 1750–76, Pen and brown ink, wash, heightened with white gouache, sheet: 7 3/4 x 11 3/8 in. (19.7 x 28.9 cm), Drawings, Jacob Elias La Fargue (Dutch, Voorburg 1735–?1776

The Road to Emmaus, 17th century, Red chalk, sheet: 5 1/2 x 7 1/8 in. (13.9 x 18.1 cm), Drawings, Claes Moeyaert (Dutch, Amsterdam 1591–1655 Amsterdam

Sculpture of Moses with Tablets of the Law, ca. 1170, Made in Noyon, Picardy (Oise), France, French, Limestone, polychromy, Overall: 49 x 15 3/4 x 13 3/8 in. (124.5 x 40 x 34 cm), Sculpture, This sculpture of Moses, holding the tablets

Piece from a Luxury Iron Dagger, ca. 600, Langobardic, Gold, Overall: 1 13/16 x 1 13/16 x 7/16in. (4.6 x 4.6 x 1.1cm), Metalwork-Gold, These pieces—grip terminal, mounts, scabbard chape, all in gold—are all that remain of a luxury

Man and Llama Vessel, 4th–7th century, Peru, Recuay, Ceramic, pigment, H. 6 3/4 x W. 4 x D. 5 1/2 in. (17.1 x 10.2 x 14 cm), Ceramics-Containers

Design for a Hallway with Wrought-iron Details, ca. 1925, Graphite, ink, watercolor, and metallic paint, sheet: 9 3/4 x 17 5/16 in. (24.7 x 43.9 cm), Georges de Feure (French, Paris 1868–1943 Paris), In his early career, Georges de Feure

La veste de Cygne, 1860s, Albumen silver print from glass negative, 8.6 x 12.1 cm. (3 3/8 x 4 3/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 65 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Cup Plate, 1825–60, Possibly made in United States, American, Lacy pressed glass, Glass

Opera Nova Universali intitulata Corona di racammi, page 14 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Design for a Table Fountain, 16th century, Pen and brown ink and brown wash over black chalk, 6 7/8 x 4 13/16 in. (17.5 x 12.3 cm), Anonymous, German, 16th century (Munich

Panel, 18th century, British, Cotton and linen, H. 49 1/4 x W. 27 3/4 inches, Textiles-Printed

Terracotta pelike (jar), Classical, ca. 450 B.C., Greek, Attic, Terracotta; red-figure, H. 21.01 cm., Vases

Tobacco Pouch, 1850–80, Japan, Lacquer, H. 6 1/2 in. (16.5 cm); W. 3 1/8 in. (7.9 cm); D. 2 1/2 in. (6.4 cm), Tobacco Pouches

Medallion of Benjamin Franklin, ca. 1797, Made in France, Plaster, Without frame: Diam. 3 3/8 in. (8.6 cm), Ceramics, Attributed to Jean Martin Renaud (French, Sarreguemines 1746–1821 Paris

清 煙晶獅紐蓋瓶, Vase with cover and base, Qing dynasty (1644–1911), 18th century, China, Smoky quartz, H. 10 in. (25.4 cm), Hardstone

Lamp, Late Antique, 4th–5th century A.D., Roman, Cypriot, Terracotta, Overall: 1 1/4 x 2 7/8 in. (3.2 x 7.3 cm), Terracottas

Carpet with a millefleur pattern, 18th century, Indian, Kashmir, Wool (probably pashmina) pile on cotton foundation., Length: 5.4 m., Textiles-Rugs

Designs for Embroidery, 19th century, Watercolor over traces of black chalk., 7 11/16 x 9 15/16 in. (19.5 x 25.2 cm), Drawings, Anonymous, German, 19th century

Design for a City Building with Three Shops on the Ground Floor, 19th century, Pen and ink with wash, sheet: 15 x 18 1/4 in. (38.1 x 46.4 cm), Anonymous, British, 19th century

Stage Design for Cleopatra, ca. 1918, Watercolor, gouache, metallic paint, and graphite on paper, 13 3/4 x 18 5/8 in. (34.9 x 47.3 cm), Drawings, Robert Delaunay (French, Paris 1885–1941 Montpellier), The Ballets Russes first performed

Panel, late 19th to early 20th century, Indian, Silk, Height: 142.1 cm., Textiles-Woven

Going Sick to the Rear, ca. 1815, Pen and purple and brown ink, sheet: 4 5/16 x 7 in. (10.9 x 17.8 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 101r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Gold and carnelian ring: on scarab bezel, Herakles, Late Archaic, early 5th century B.C., Etruscan, Gold, carnelian, Diam.: 15/16 x 3/8 in. (2.4 x 1 cm), Gold and Silver, Ring with scarab from a tomb group allegedly from Vulci, one of the

Justice, ca. 1440, Pen and brown ink, brush and brown wash (the blade of the sword in pen and darker brown ink), 19.3 x 17 cm. (7 5/8 x 6 3/4 in.), Drawings, Follower of Fra Angelico (Guido di Pietro) (Italian, Vicchio di Mugello ca.

Bronze cauldron with swinging handle, Archaic, ca. 550 B.C., Etruscan, Bronze, H. 8 3/8 in. (21.3 cm) diameter 14 15/16 in. (37.9 cm), Bronzes, With arched handle. Similar cauldrons are frequent in the tombs of Etruria, Umbria and Abruzzo

Two Allegorical Figures for a Ceiling, 1734, Pen and brown ink, brown wash, over black chalk, 11 7/8 x 10 1/16 in. (30.2 x 25.5 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

Yellow Daisies and Pink Wild Rose, n.d., Green, yellow, black, brown, pink, and white chalk, 12 1/2 x 9 15/16in. (31.8 x 25.3cm), Drawings, Antoine Berjon (French, Lyon 1754–1843 Lyon

Hot Water Pot, 1791–93, Made in New York, New York, United States, American, Silver, Overall: 14 13/16 x 8 1/4 x 5 in. (37.6 x 21 x 12.7 cm); 35 oz. 17 dwt. (1115.4 g), Silver, Van Voorhis & Schanck (active ca. 1791–93), Daniel Van

Cornuault. Joseph. 17 ans, né à Angers (Maine & Loire). Peintre eu bâtiment. Anarchiste. 7/1/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Dauriac. Henri, Georges. 36 ans, né à Memphis (USA). Agent d'affaires. Extortion de fonds. 22/12/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

A Standing Woman Seen from the Back, 1840–50, brush and ink and watercolor on wove paper, sheet: 9 1/8 x 9 1/4 in. (23.2 x 23.5 cm), Drawings, Anonymous, Peruvian, 19th century

Figure 6: The grimice produced is similar to a tic of the face, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.3 × 20.4 cm (11 1/8 × 8 1/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne

Interior View of Vladislav Hall at Prague Castle during the Annual Fair, 1607, Engraving, Sheet: 22 1/4 × 24 3/8 in. (56.5 × 61.9 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 66 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

乾山遺墨, Ink Traces of Kenzan (Kenzan iboku), Edo period (1615–1868), 1823, Japan, Woodblock printed book; ink and color on paper, Image: 9 5/8 x 6 7/8 x 1/4 in. (24.4 x 17.5 x 0.7 cm), Illustrated Books, Sakai Hōitsu (Japanese,

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Watercolor, pen and black ink, and graphite, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Saint Francis, 1600–1800, Pen and brown ink, brush and brown wash on cream colored laid paper. Remains of framing outlines in brown ink along left, bottom, and right edges, 12-1/16 x 9-1/4 in. (30.6 x 23.5 cm), Drawings, Anonymous,

Landscape with River and Three Figures, early 17th–mid 17th century, Pen and brown ink., 4 1/8 x 6 3/4 in. (10.4 x 17.2 cm), Drawings, Jan van Goyen (Dutch, Leiden 1596–1656 The Hague

Pretiosa Gemma delle virtuose donne, page 23 (recto), 1600

Ewer with Wild Man Finial, ca. 1500, Made in probably Nuremberg, Franconia, Germany, German, Silver gilt, enamel, and paint, Overall: 25 x 8 1/4 in. (63.5 x 21 cm), Metalwork-Silver, These ewers long have been thought to be the pair

Hab.t de la Turquie from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Daguenet. Eugerne, Carolin. 39 ans, né à Granville (Manche). Ébéniste. Anarchiste. 26/2/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Destroy the dragon without sword; (Dan. 14.25); Virgin and Child on hemisphere, Etching and engraving, Plate: 18 11/16 × 13 in. (47.5 × 33 cm), Prints, Johann Jakob Frey the Elder (Swiss, active in Rome 1681–1752), After Carlo Maratti

Snuffbox, ca. 1730, Austrian, Vienna, Hard-paste porcelain, gold, 1 3/8 × 2 1/4 in. (3.5 × 5.7 cm), Ceramics-Porcelain, Since snuff use had become widespread throughout Europe in the eighteenth century, small portable, airtight containers

Arrowhead, possibly 15th–17th century, Ngari, probably Tibetan, Iron, L. overall 3 in. (7.6 cm); L. of head and base 1 ½ in. (3.8 cm), Archery Equipment-Arrowheads

Trinket Box, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 1 5/8 x 4 3/8 x 2 7/8 in. (4.1 x 11.1 x 7.3 cm), Ceramics

Unused study for a plate to 'Hungarian and Highland Broadsword Exercise' Feb. 12, 1799, ca. 1799, Pen and ink, with watercolor, sheet: 10 11/16 x 8 5/16 in. (27.1 x 21.1 cm), Drawings, Attributed to Thomas Rowlandson (British, London

6 of Collars, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Study of a Woman Seated, 19th century, Black chalk highlighted with white chalk, Sheet: 13 1/2 x 9 3/8 in. (34.3 x 23.8 cm), Drawings, Anonymous, British, 19th century, This drawing of a part of a robe worn by a lightly sketched woman comes

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Jeremias Wachsmuth, Franz Xavier Habermann, Martin Engelbrecht, Carl Pier, German,

Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Carpet, first half 19th century, Attributed to Turkey, Ankara, Wool and cotton; tapestry-woven, Rug: L. 163 3/4 in. (415.9 cm), Textiles-Rugs

Portrait of Kyūzan Sōei (1605–1656), 旧山宗英像, Edo period (1615–1868), 17th century, Japan, Hanging scroll; ink and color on silk, 43 1/2 x 19 in. (110.5 x 48.3 cm), Paintings, The chinsō, or portrait of a Zen master, is the

Universal Architecture: Book I, Six Original Designs of Arbours; Book II, Six Original Designs for Grottoes, 1755 and 1758, Illustrations: etching, 11 3/4 x 18 9/16 x 3/16in. (29.8 x 47.2 x 0.5cm

[St. Domenic's Orange Tree on the Aventine], 1880s, Albumen silver print from glass negative, Photographs, Unknown

View of Charlottenborg Palace in Copenhagen with the Old Botanical Garden and Figures, 1783–1853, Pen and grey ink, grey wash, and graphite; an incised construction line at lower left, sheet: 5 3/16 x 4 1/8 in. (13.1 x 10.5 cm), Drawings,

Plan 'della nuova Galleria', 1796–1873, Pen and ink, wash. On paper of O. & I. Honig, sheet: 15 3/4 x 19 1/2 in. (40 x 49.5 cm), Drawings, Giovanni Battista Silvestri (Italian, Florence, 1796–1873

Drawings and Prints, Book Prints, Beschryvinge ende lof der stad Haerlem in Holland. In rijm bearbeyd: ende met veele oude ende nieuwe stucken buyten dicht uyt verscheyde kroniken, handvesten, brieven, memorien ofte geheugenissen ende

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 7v), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Aubrey de Vere, 1866–68, Albumen silver print, 32.5 x 26.8 cm (12 13/16 x 10 9/16 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer (Page, 6v), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604

Lapis lazuli intaglio: Serapis enthroned, Imperial, 2nd century A.D., Roman, Lapis lazuli, Other: 5/8 x 3/8 x 1/8 in. (1.6 x 1 x 0.3 cm), Gems, Serapis enthroned

The Creation of the Fish and the Birds, mid-16th–early 17th century, Pen and brown ink on vellum, 3-3/4 x 4-7/8 in. (9.5 x 12.4 cm), Drawings, Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 7/8 x 3 1/2 in. (2.2 x 8.9 cm), Terracottas

Spoon, ca. 1780, Made in New York, New York, United States, American, Silver, L. 7 3/8 in. (18.7 cm), Silver, Cary Dunn (active ca. 1765–96

Design for a Door, 19th century, Ink on tracing paper, Anonymous, British, 19th century

Linen mark of Myt, Middle Kingdom, Dynasty 11, ca. 2060–2010 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Temple of Mentuhotep II, Tomb of Myt (pit 18), Coffin of Myt, wrappings around mummy, 1922, Linen, ink, h. 5 cm (1

Powder box, 1866–70, Made in Cambridge, Massachusetts, United States, American, Green cased over colorless lead glass; blown, cut and gilded, 4 9/16 × 3 7/8 in. (11.6 × 9.8 cm), Glass

The Evacuation of Fort Sumter, April 1861, April 1861, Albumen silver print from glass negative, Image: 3 1/8 × 1 15/16 in. (7.9 × 5 cm), Photographs

Belt Mount, late 4th–early 5th century, Late Roman, Copper alloy, Overall: 2 15/16 x 2 5/8 x 5/16 in. (7.4 x 6.6 x 0.8 cm), Metalwork-Bronze

[Group of 4 Stereograph Views of California Missions], 1860s–1910s, Albumen silver prints, Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, Unknown (American), Unknown

Funeral spoon, ca. 1688, Possibly made in Albany, New York, United States; Probably made in New York, New York, United States, American, Silver, L. 7 5/8 in. (19.4 cm); WT: 1oz. 12 dwt. (50.3 g), Silver, Funeral spoons were presented to

Drawings and Prints, Books Prints Ornament & Architecture, Ein new Modelbuch..., page 9 (recto), Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, October 22,

清 碧玉天雞尊, Vase in the shape of a bird, Qing dynasty (1644–1911), 18th–19th century, China, Jade (nephrite), H. 5 5/16 in. (13.5 cm); W. 6 3/4 in. (17.1 cm); D. 2 11/16 in. (6.9 cm), Jade

View of the castle at Oberbürg, 1690, Graphite and wash, sheet: 6 7/8 x 10 15/16 in. (17.5 x 27.8 cm), Drawings, Georg Christoph Eimmart the Younger (German, Regensburg 1638–1705 Nuremberg

William Gifford Palgrave, 1868, Albumen silver print from glass negative, Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

House for Henry Whitney, New Haven, Connecticut (client's plan), 1835, Pen and ink, watercolor, graphite, Sheet: 16 3/4 × 12 in. (42.5 × 30.5 cm), Drawings

Looking Towards Marye's Heights, Fredericksburg, 1864, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Jasper intaglio: Cynocephalus, Imperial, ca. 2nd–3rd century A.D., Roman, Jasper, yellow, Other: 5/8 x 1/2 x 1/16 in. (1.6 x 1.3 x 0.2 cm), Gems

Figures with Cattle, 17th century, Pen and brown ink, brush and brown wash, on light tan paper, 8 x 11- 9/16 in. (20.3 x 29.4 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century