Images at Librifly

Léonard. Aimé. 30 ans, né à Chalonné/s/Loire (Maine & Loire). Mineur ou gazier. Anarchiste. 27/2/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Half Figure of a Woman, 1660, Red chalk heightened with white, 10 9/16 x 6 1/4 in. (26.8 x 15.9 cm), Drawings, Thomas Blanchet (French, Paris 1614–1689 Lyon

A charm for democracy, reviewed, analyzed, and destroyed January 1, 1799, 1799, Pen and brush grey ink, with graphite for (? or after ?) right 2/3, sheet: 8 7/8 x 10 1/8 in. (22.5 x 25.7 cm), Drawings, Attributed to Thomas Rowlandson

Design for a Chimneypiece, 1743–1800, Pen and brown and black ink, sheet: 6 9/16 x 9 in. (16.7 x 22.8 cm), After Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Figure 56: Surprise, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.3 × 20.3 cm (11 1/8 × 8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875), Adrien Tournachon

Spoon, 15th century, Made in Burgundy, France, French, Painted enamel, silver, parcel-gilt, Overall: 1 15/16 x 11/16 x 6 3/4 in. (5 x 1.7 x 17.1 cm), Enamels-Painted, The elaborateness of design and high quality of workmanship, as well as

Inlay depicting a falcon, Late Period–Ptolemaic Period, 4th century B.C., From Egypt; Possibly from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Faience, H. 14.9 cm (5 7/8 in.); W. 1.3 cm (1/2 in.); L. 13.7 cm (5 3/8 in.), This tile

Portrait of Count Levin August von Bennigsen, n.d., Brush and brown wash over graphite underdrawing., 6 3/4 x 4 1/2 in. (17.1 x 11.5 cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Textile Fragment with Unicorn, Deer, Centaur and Lion, ca. 1500, Made in Scandinavia (possibly Sweden), Scandinavian, Wool intarsia and applique with gilt leather and linen embroidery, 52 3/4 × 52 3/8 in. (134 × 133 cm),

Dish with Bird on Bamboo, Edo period (1615–1868), ca. 1700, Japan, Porcelain with overglaze enamels (Hizen ware, Ko Kutani type), H. 1 3/8 in. (3.5 cm); Diam. 8 1/2 in. (21.6 cm), Ceramics

Pommel Plate from a Saddle, 13th–15th century, Mongolian (Central or West Asian) or Tibetan, Iron, gold, silver, 5 5/8 x 10 1/2 in. (14.3 x 26.7 cm), Saddle Plates, The style, materials, and decorative techniques of this pommel plate are

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 20 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Designs for a Table with Three Variations for the Shape of the Supports, 17th century, Pen and brown ink, brown wash, over black chalk., 5 1/2 x 9 1/4 in., Anonymous, Italian, 17th century

[Regiments - unidentified]. Brady album, p. 156, 1861–65, Albumen silver print from glass negative, Photographs

Soap Bubbles, ca. 1733–34, Oil on canvas, 24 x 24 7/8 in. (61 x 63.2 cm), Paintings, Jean Siméon Chardin (French, Paris 1699–1779 Paris), The idle play of children was a favorite theme of Chardin who was a great naturalist among painters.

Summer Days, 1866–69, Albumen silver print from glass negative, 8.4 x 5.7 cm. (3 5/16 x 2 1/4 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Key, 9th–10th century, Attributed to Iran, Nishapur. Excavated in Iran, Nishapur, Bronze; cast, L. 3 1/16 (7.8 cm), Metal, This key, which came with a ring attached, terminates in a flat disk with two square holes and a square indentation

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 9 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Vendor of Horoscopes, 16th century, Pen and brown ink, over a little black chalk, 11 x 16-5/8 in. (27.9 x 42.2 cm), Drawings, Ercole Setti (Italian, documented Modena, late 16th century

[Union Militia Soldier with Rifled Musket], 1860s, Ambrotype, Image: 9 x 6.4 cm (3 9/16 x 2 1/2 in.), Photographs, Unknown (American

[Two Young Men in Bow Ties, One Seated Holding a Book, One Standing], 1850s, Daguerreotype, Image: 9.3 x 7 cm (3 11/16 x 2 3/4 in.), Photographs, Robert Boning (British, 1826–1878

Madonna and Child, mid-15th century, Tempera on wood, gold ground, Overall, with engaged (modern) frame, diameter 7 in. (17.8 cm); painted surface, diameter 5 in. (12.7 cm), Paintings, Sano di Pietro (Ansano di Pietro di Mencio) (Italian,

Study for a Standing Young Man, Raising a Curtain and Looking at Left, 1518–19, Red chalk, 15 x 10-5/16 in. (38.1 x 26.2 cm), Drawings, Baccio Bandinelli (Italian, Gaiole in Chianti 1493–1560 Florence), This large-scale life study was

Pleasure of a Poste aux Anes, from Sentimental Travels, ca. 1821, Pen and ink, with watercolor, sheet: 4 3/8 x 7 3/4 in. (11.1 x 19.7 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Godard. Armand, Alexandre. 18 ans, né le 11/3/75 à Paris XVIIe. Électricien. Cris séditieux. 6/1/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

The Emperor Frederick Barbarossa Submitting to Pope Alexander III in the Presence of a Doge, 1556–1618, Black, gray, red, brown, and yellow chalk, on faded blue paper, 11-7/16 x 16-15/16 in. (29.1 x 43.1 cm), Drawings, Pietro Malombra

[Group of 21 Stereograph Views of China], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.4 x 17.1 cm (3 5/16 x 6 3/4 in.) to 10 x 17.8 cm (3 15/16 x 7 in.), Photographs, T. W. Ingersoll, Kilburn Brothers (American, active ca.

Buddhist Divinity, 1710–20, German, Meissen, Hard-paste porcelain, Height: 3 7/8 in. (9.8 cm), Ceramics-Porcelain

[Pair of Early Stereograph Views of British Bridges], 1860s–80s, Albumen silver prints, Mounts approximately: 8.4 x 17.2 cm (3 5/16 x 6 3/4 in.), Photographs, Unknown (British

Ein ney Furmbüchlein, Title page, ca. 1525–29, Woodcut, 7 7/8 × 6 1/8 in. (20 × 15.5 cm

The Hoffman House Saloon, 1885–1903, Pen and black ink, sheet: 9 15/16 x 12 3/16 in. (25.2 x 31 cm), Drawings, Phil May (British, New Wortley, Leeds 1864–1903 London), View of a saloon inteior with men talking, drinking, and smoking.

Table Spoon, 1720–30, Made in Boston, Massachusetts, United States, American, Silver, L. 7 3/8 in. (18.7 cm), Silver, Jonathon Reed (active ca. 1730–42

Royal head with an atypical snake and a headdress, Late Period–Ptolemaic Period, 400–200 B.C., From Egypt, Limestone, H. 10.3 × W. 8 × D. 4.5 cm (4 1/16 × 3 1/8 × 1 3/4 in.), The head is one of a class of objects referred to by the

Bassille. Maurice, Eugène. 19 ans, né à Paris Ille. Portefeuilliste. Anarchiste. 9/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Five Projectile Shafts, before 1272, Haifa, Western European or Near Eastern, Wood, polychromy, a) L. 10 1/4 in. (25.9 cm); Diam. 13/32 in. (1 cm); , Archery Equipment-Arrows & Quivers

Entombment, ca. 1595–1600, Etching, Sheet: 10 7/16 in. × 8 in. (26.5 × 20.3 cm), Prints, Guido Reni (Italian, Bologna 1575–1642 Bologna), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Sea Fight, mid-17th–early 18th century, Pen and brush and brown and gray ink; traces of a framing line in black chalk, sheet: 7 x 11 1/8 in. (17.8 x 28.3 cm), Drawings, Willem van de Velde II (Dutch, Leiden 1633–1707 London

Landscape with a Large Building, 1818–83, Graphite, squared, 14 7/8 x 19 1/2 in. (37.8 x 49.6 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883), Von Hauslab is a little known figure in the history of art. A private

Tankard, late 16th century, Hungarian, possibly Nagyszben, Silver, partly gilded, Height: 5 1/8 in. (13 cm), Metalwork-Silver, The decoration is an example par excellence of the influence of Arabic ornaments on Hungarian goldsmiths’ work.

Plaque in the Shape of a Dragon, Tang dynasty (618–907), 8th century, China, Jade (nephrite), H. 1 3/4 in. (4.4 cm); W. 4 1/2 in. (11.4 cm); D. 3/16 in. (0.5 cm), Jade

Elevation of Garden Pavilion, early to mid-18th century, Pen and black ink, gray wash, and graphite, sheet: 9 x 6 1/4 in. (22.9 x 15.8 cm), After Robert Morris (British, Twickenham, Surrey ca. 1701–1754 London

Fragment, 17th century, Italian, Bobbin lace, L. 84 x W. 5 1/2 inches (213.4 x 14.0 cm), Textiles-Laces

Boy with a Black Spaniel, Oil on canvas, Oval, 25 3/8 x 21 in. (64.5 x 53.3 cm), Paintings, François Hubert Drouais (French, Paris 1727–1775 Paris), The picture is an autograph replica of a work (location unknown) that is fully signed and

Elm Leaves, 19th century, Graphite, Sheet: 11 7/8 × 9 7/16 in. (30.1 × 24 cm), Drawings, Anonymous, British, 19th century

Tabulae Anatomicae, 1728, 14 1/2 x 10 1/2 in. (36.8 x 26.7 cm), Books

Lucidario di Recami, page 2 (recto), 1564

La Pratique de l'Aiguille, page 15 (recto), Title by Pierre Firens (French, born Paris 1641), 1605

Study of a Female Dancer, late 19th–early 20th century, Black chalk and gouache, sheet: 12 3/16 x 9 11/16 in. (30.9 x 24.6 cm), Drawings, Otto Greiner (German, Leipzig 1869–1916 Munich

Design for a Stage Set: Cloister at Night, 1830–40, Watercolor, 7-1/2 x 9-1/4 in, Drawings, Anonymous, Italian, 19th century

Sugar Bowl, 1850–70, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 7 in. (17.8 cm); Diam. 5 3/8 in. (13.7 cm), Glass, With the development of new formulas and techniques,

'The Elephant Clock', Folio from a Book of the Knowledge of Ingenious Mechanical Devices by al-Jazari, dated A.H. 715/A.D. 1315, Made in Syria, Ink, opaque watercolor, and gold on paper, 11 13/16 x 7 3/4in. (30 x 19.7cm), Codices, This page

Egg Cup, 1830–70, Made in United States, American, Pressed glass, H. 3 5/8 in. (9.2 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed

A Boy Sleeping in the Outdoors, 17th century, Black chalk, sheet: 6 5/16 x 10 1/2 in. (16 x 26.7 cm), Drawings, Cornelis Saftleven (Dutch, Gorinchem 1607–1681 Rotterdam

Young Man Approaching Old Bearded Man Who Stands on Steps (recto); Male Nude with Bent Right Knee (verso), 17th century, Pen and brown ink with brush and brown wash, over black chalk underdrawing (recto). On off-white paper. Pen and brown ink with

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 46v), Designer, Printer, Andreas Bretschneider, Henning Gross the younger, German, Dresden ca. 1578–ca. 1640 Leipzig, Bretschneider, Andreas, Gross, Henning

Part of a sleeve, Six Dynasties Period, ca. 8th century A.D., Caucasus region, Linen, 7.25 x 21.5 in. (18.42 x 54.61 cm), Textiles-Costumes

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 5 in. × 3 1/4 in. (12.7 × 8.2 cm), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Netsuke of Bird in an Egg, 19th century, Japan, Ivory, H. 1 9/16 in. (4 cm); Diam. 1 5/16 in. (3.3 cm), Netsuke

Belt Buckle, 7th century, Frankish, Copper alloy, tinned surface, Overall: 5 1/8 x 2 7/16 x 5/8 in. (13 x 6.2 x 1.6 cm), Metalwork-Copper

Glass Shade, ca. 1900, Made in New York, New York, United States, American, Glass, H. 5 in. (12.7 cm); Diam. 2 1/8 in. (5.4 cm), Glass, Tiffany Glass and Decorating Company (American, 1892–1902

Wooded Dune Landscape near Haarlem, with Windmill and a Pair of Figures, late 18th–mid-19th century, Black chalk and gray wash, sheet: 9 15/16 x 15 1/16 in. (25.2 x 38.2 cm), Drawings, Gerrit Jan Michaëlis (Dutch, Amsterdam 1775–1857

The Annunciation, 1632, Engraving, Sheet: 11 5/8 × 7 1/4 in. (29.6 × 18.4 cm), Prints, Israël Crispin le Jeune (French, born 1616), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Plate, ca. 1825, Made in Mexico, Mexican, Earthenware, Diam. 8 1/4 in. (21 cm), Ceramics

Pine Bend, 1885, Cyanotype, Image: 10 9/16 × 13 1/2 in. (26.8 × 34.3 cm), oval, Photographs, Henry P. Bosse (American, born Germany, 1844–1893

Navy Yard, Washington, 71st New York State Militia, 1861–65, Albumen silver print from glass negative, Photographs

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 35r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

[Men Playing Chess, Damascus], 1888, Albumen silver print from glass negative, Photographs, Unknown

Magic Bowl and an Ostrakon, 9th–10th century, Found Iran, Nishapur, Earthenware; painted, unglazed, H. 4 1/8 in. (10.4 cm), Ceramics, This fragment appears to be written in a local variant of Pahlavi, the ancient script of the Persian

Rib from a Groined Ceiling, 13th century, French or German, Stone, polychromy, Overall: 18 x 13 1/8 x 14 1/4 in. (45.7 x 33.3 x 36.2 cm), Sculpture-Architectural

Hobnail Sauce Dish, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed colorless, cranberry and opalescent glass, H. 1 5/8 in. (4.1 cm); Diam. 4 3/4 in. (12.1 cm), Glass, Probably Hobbs, Brockunier and Company

Open-Ring Brooch, 7th century, Irish, Copper alloy, cast; red enamel, Overall: 2 7/16 x 1 5/16 x 3/8 in. (6.2 x 3.3 x 0.9 cm), Metalwork-Copper alloy, The ring-shaped brooch was a favored type of garment fastener in the British Isles,

Horse Figurine, 9th century, Excavated in Iran, Nishapur, Earthenware; modeled, 4 5/16 x 2 3/16 in. (11 x 5.6 cm), Ceramics, This small horse, which once had a rider perched on its back, may have been a child's toy

Lintel with a Mask of Kala, Angkor period, ca. first quarter of the 11th century, Cambodia or Thailand, Stone, Overall: 23 x 67 in. (58.4 x 170.2 cm), Sculpture

Back View of a Man in a Long Coat with a Sword, 18th century, Pen and brown ink over black chalk on cream laid paper., 8-1/8 x 4-1/2 in. (20.6 x 11.4 cm), Drawings, Anonymous, Italian, first half of the 18th century

Inlaid box for cosmetic vessels of Sithathoryunet, Middle Kingdom, Dynasty 12, ca. 1887–1813 B.C., From Egypt, Fayum Entrance Area, Lahun, Tomb of Sithathoryunet (BSA Tomb 8), Chamber E, BSAE excavations 1914, Ebony, inlaid with ivory

A Snapshot, Paris, 1911, printed 1912, Photogravure, 13.8 x 17.4 cm. (5 7/16 x 6 7/8 in.), Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), Born in Hoboken, New Jersey, Stieglitz trained to be an engineer in Germany

Saltcellar, 1780–1825, Possibly made in England; Possibly made in United States, American or British, Blown pattern-molded lead glass, H. 3 in. (7.6 cm), Glass

Design for a Cruet Frame, Pen and brown ink, brush and gray and gray-green wash, traces of graphite underdrawing, with framing lines in pen and brown ink, 5 3/4 x 7 3/8 in. (14.6 x 18.7 cm), Drawings, Henri Auguste (French, Paris 1759–1816

Arrival in Trinity Bay, Newfoundland: The Cable Passed to the Paddle-box Boat of the Terrible, etc., 1866, Watercolor over graphite with touches of gouache, Sheet: 10 5/8 × 15 3/8 in. (27 × 39 cm), Drawings, Robert Charles Dudley (British,

Design for an Attic Window and an Interior, with the Frame of the Ceiling Shown, 1700–1780, Pen and brown ink, brush with gray, brown and yellow wash, over lead point or graphite. Scales at bottom in pen and brown ink, 13 11/16 x 18 7/8 in.

Kriemhild, in Mourning over Siegfried, Handing Out Treasures from the Nibelungen Hoard, 1854, Pen and brown ink over pencil with brown and gray wash, sheet: 6 x 5 11/16 in. (15.2 x 14.4 cm), Drawings, Eduard Julius Friedrich Bendemann (German,

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 39 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Key from Lincolnshire Church, second half 19th century, Graphite, sheet: 5 1/8 x 2 15/16 in. (13 x 7.5 cm), Anonymous, British, 19th century

Hollow Oak Tree, Fontainebleau, 1855–57, Albumen silver print from glass negative, Mount: 21 9/16 in. × 27 3/8 in. (54.8 × 69.6 cm), Photographs, Gustave Le Gray (French, 1820–1884), Trained as a painter by the artist Paul Delaroche,

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 2.8 cm (1 1/8 in.); W. 3.2 cm (1 1/4 in.); D. 0.5

Feathered Panel, A.D. 600–900, Peru, South Coast, Wari, Feathers on cotton, camelid hair, H. 28 3/4 × W. 83 1/2 in. (73.03 × 212.09 cm), Textiles-Featherwork, The discovery of an ancient burial or ceremonial site in the upriver region of

Design for Curtains, 1841–84, Graphite, sheet: 14 x 9 1/4 in. (35.6 x 23.5 cm), Charles Hindley and Sons (British, London 1841–1917 London

Figure of Christ, 16th century, Bistre, pen and wash, 6-3/8 x 3-5/8 in. (16.2 x 9.2 cm), Drawings, Anonymous, Italian, Bolognese

Il Monte. Opera Nova di Recami, page 7 (recto), after 1557, Woodcut, Overall: 7 7/8 x 5 11/16 in. (20 x 14.5 cm), Designed by Giovanni Antonio Bindoni, published by Giovanni & Marchio Sessa, Venice, bound by Chambolle-Duru, French, 19th

Drawings and Prints, Books Prints Ornament & Architecture, La vera perfettione del disegno di varie sorti di recami, page 3 (verso), Publisher, Giovanni Ostaus, Italian, active Venice ca. 1554–91, Venice, Ostaus, Giovanni, Italian,

Snuff bottle, Qing dynasty (1644–1911), 19th century, China, Overlay glass with red glass stopper, Gr. H. 2 1/2 in. (6.4 cm); Gr. W. 1 13/16 in. (4.6 cm); Gr. D. 1 in. (2.5 cm), Snuff Bottles

Sunrise (recto); Landscape with Figures (verso), 17th century, Pen and ink, with indications of black chalk. Verso: Brush and gray ink, 7 1/16 x 10 in. (18 x 25.4 cm), Drawings, After Claude Lorrain (Claude Gellée) (French, Chamagne

Liberté, Egalité, Fraternité, pen and black ink with red watercolor and gray and brown wash, 19-7/8 x 4-1/2 in. (50.5 x 11.4 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Landscape Prospect with a Buggy and a Herd of Goats, 1711–67, Charcoal or black chalk (stumped), pen and brown ink, brush with brown and gray wash, highlighted with white chalk (?), on blue-gray paper, 13-1/8 x 19-5/16 in. (33.4 x 49.1 cm),

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, H. 4.4 (1 3/4 in.); W. 3.4 cm (1 3/8 in.); D. 0.8 cm

Landscape with Milkmaid, 1622–74, Pen and brown ink on Japanese paper, sheet: 8 11/16 x 14 1/16in. (22.1 x 35.7cm), Drawings, Jan Lievens (Dutch, Leiden 1607–1674 Amsterdam

Rising Sun, 旭日図, Meiji period (1868–1912), second half of the 19th century, Japan, Hanging scroll; ink and color on silk, 31 1/2 x 9 1/4 in. (80 x 23.5 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891), In the Japanese

Pietà (Vesperbild), 1375–1400, Made in Rhineland, German, Poplar, plaster, paint, gilt, Overall: 52 1/4 x 27 3/8 x 14 1/2 in. (132.7 x 69.5 x 36.8 cm), Sculpture-Wood, The Virgin mourning over her son became a popular devotional subject

Tumbler, 1830–70, Made in United States, American, Pressed glass, H. 3 3/4 in. (9.5 cm); Diam. 3 7/16 in. (8.7 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late

Retablo Design with Figures, 18th century, Pen and brown ink over traces of black chalk, 11-3/4 x 7-3/16 in. (29.8 x 18.3 cm), Drawings, Anonymous, Spanish, 18th century