Images at Librifly

Yomut Main Carpet, probably late 18th century, Attributed to Western Turkmenistan, Central Asia, Wool pile on wool and cotton foundation, H. 108 1/2 in. (275.6 cm), Textiles-Rugs, This carpet was likely woven by a member of the Yomut tribe of

River Scene with Cows, 1653, Black chalk and gray wash., 4 1/2 x 7 11/16 in. (11.4 x 19.5 cm), Drawings, Jan van Goyen (Dutch, Leiden 1596–1656 The Hague

Table or bracket clock, Clockmaker: Edward East (British, 1602–1697), ca. 1665, British, London, Case: ebonized fruitwood and rosewood with ebony moldings; Dial: gilded brass and silver; Movement: brass and steel, Overall: 14 9/16 × 11

南宋 黑漆葵口盤, Dish with Petal Border, Southern Song dynasty (1127–1279), 13th century, China, Black lacquer with gilding, H. 1 1/2 in. (3.8 cm); Diam. 7 1/8 in. (18 cm); Diam. of foot 4 3/8 in. (11.1 cm), Lacquer, Found in

Adoration of the Shepherds, Etching, Sheet: 4 9/16 × 5 3/4 in. (11.6 × 14.6 cm), Prints, Anonymous, Italian, 16th century, In Mariette Album, folio 54, center

Communion Cup, 1830–70, Made in Jersey City, New Jersey, United States, American, Free-blown colorless and opaque white glass, H. 5 3/8 in. (13.7 cm), Glass

Two Keys, second half 19th century, Graphite and ink on tracing paper, sheet: 5 1/4 x 3 15/16 in. (13.4 x 10 cm), Anonymous, British, 19th century

Girl in the Dunes, mid-19th–early 20th century, Watercolor and touches of black chalk on paper, Overall: 12 5/8 x 17 3/4 in. (32.1 x 45.1 cm), Drawings, Jozef Israels (Dutch, 1824–1911

Downlands, Sussex, 1780–1827, Ink and watercolor, Sheet: 6 3/4 × 10 1/4 in. (17.1 × 26 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Portrait of a Man with a Moor's Head on His Signet Ring, Oil, gold, and white metal on linden, 20 7/8 x 14 1/8 in. (53 x 35.9 cm), Paintings, Conrad Faber von Creuznach (German, Kreuznach, active by 1524–died 1552/53 Frankfurt

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 26 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Terracotta lamp mold, Imperial, 1st–2nd century A.D., Roman, Terracotta, Greatest Width: 3 1/4 in. (8.3 cm), Terracottas, The fragment is from the upper half of the mold with the whole of the discus showing a scene of two gladiators

George Frederick Watts, 1864, printed ca. 1905, Carbon print, 25.5 x 20.2 cm. (10 1/16 x 7 15/16 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

An Architectural Detail: A Herm Figure Placing or Removing a Column from Under an Entablature (after Stucco Frame by Daniele da Volterra from Orsini Chapel, Santa Trinita dei Monti)., 18th century, Pen and brown ink, brush and gray wash, over

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 37 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Drawings and Prints, Books Prints Ornament & Archiecture, Fiori di Ricami Nuovamente Posti in Luce, page 4 (recto), Designer, Publisher, Matteo Florimi, Francesco de' Franceschi, Italian, active Siena, ca. 1581–died 1613, Italian,

Settee, designed ca. 1786, woven 1790–91; settee frame second half 19th century, French, Beauvais, Carved and gilded wood; wool, silk, Overall: 42 1/4 × 75 3/8 × 28 in. (107.3 × 191.5 × 71.1 cm), After a composition by Jean Jacques

View of an Italian Coastal Village with Boats Landing on a Beach, mid-17th century, Pen and brown ink, gray wash (gray wash added at a later date?), 2 3/4 x 7 7/16 in. (7 x 18.9 cm), Drawings, Casper van Eyck (Antwerp 1613–1673 Brussels

Designs for Parts of Frames and an Amphora, 1700–1780, Pen and brown ink, brush and gray wash, over lead point or graphite, with ruled construction in lead point or graphite. Dotted framing outline in pen and brown ink, 9-9/16 x 7-3/8 in.

The Garden of Love, ca. 1510–20, Made in Brussels, South Netherlandish, Wool warp; wool, silk, and metallic wefts, Overall: 120 x 155in. (304.8 x 393.7cm), Textiles-Tapestries

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 65r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Interior of Saint Severin Church in Erfurt, 1855, Watercolor and pencil, sheet: 11 5/16 x 15 1/2 in. (28.7 x 39.3 cm), Drawings, Carl Georg Anton Graeb (German, Berlin 1816–1884 Berlin

Military Order of the Golden Kite, 1880s–90s, Albumen silver print, Photographs, Unknown

Overall Pattern of Acanthus Scrolls with a Putto, 17th century, Brush and brown wash, over graphite underdrawing, image: 14 15/16 x 8 1/4 in. (38 x 21 cm), Anonymous, Italian, 17th century

Design for Church Lamp Stand, 1889, Pen and brown ink, watercolor over graphite with touches of white gouache, sheet: 16 x 7 3/16 in. (40.7 x 18.3 cm), B. Mansfield (British, active 1880s

Terracotta kylix (drinking cup), Classical, ca. 480–470 B.C., Greek, Attic, Terracotta; red-figure, H. 4 1/4 in. (10.8 cm); diameter 9 1/8 in. (23.2 cm), Vases, Interior, youth before unexplained structure, Exterior, obverse and reverse,

Seated Young Woman, 17th century, Red chalk, framing line in black chalk, 8-1/4 x 6-3/4 in. (21.0 x 17.1 cm), Drawings, Gerrit Adriaensz Berckheyde (Dutch, Haarlem 1638–1698 Haarlem

Fort Totten, N.W. of Washington, 1865, Albumen silver print from glass negative, Photographs

Europe from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Anonymous, French, 18th century

Limestone lower left leg, Classical ?, 4th or 3rd century B.C. ?, Cypriot, Limestone, Overall: 7 5/8 x 8 15/16 in. (19.4 x 22.7 cm), Miscellaneous-Stone, Representations of parts of the body in stone were an established type of dedication in

Imitation Blue-and-white Bowl, 17th century, Made in Iran, possibly Mashhad, Stonepaste; painted in blue under transparent glaze, 7 1/2 x 14 1/4 in. (19.1 x 36.2 cm), Ceramics, Like so many ceramics produced in Iran during the Safavid period,

Distant View of Arsenal, Washington, D.C., 1861–65, Albumen silver print from glass negative, 15.5 x 20.7 cm (6 1/8 x 8 1/8 in.), Photographs

染付扇面流し文皿, Dish with Fans Floating on a Stream, Edo period (1615–1868), ca. 1730–1760s, Japan, Porcelain with underglaze blue and overglaze enamels (Hizen ware, Nabeshima type), H. 2 1/8 in. (5.4 cm); Diam. 7 7/8 in. (20

Covered Vegetable Dish, 1885, Made in Brooklyn, New York, United States, American, Porcelain, 5 7/16 x 9 5/8 in. (13.8 x 24.4 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Union Porcelain Works was one of the most important and

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 19 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

A Man Drinking from a Wine Skin; Images of Spain Album, 63, ca. 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828

The Triumph of Minerva (?), early 20th–mid 20th century, Graphite., 8 1/16 x 6 in. (20.5 x 15.2 cm); left margin perforated, Drawings, Paul Scheurich (American German, New York 1883–1945 Brandenburg

Bronze sanguisuga-type fibula, Geometric, 8th–7th century B.C., Italic, Villanovan, Bronze, Other: 4 3/4 in. (12 cm), Bronzes, Sanguisuga ('leech') fibulae have arched bows with closed undersides. Decorated with finely engraved geometric

Hibernian Hall, Charleston, ca. 1864, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Attendant, Kizil kingdom, ca. 6th–7th century, China, Xinjiang Uyghur Autonomous Region, Pigments on mud plaster, 9 7/8 x 5 3/8 in. (25.1 x 13.7 cm), Paintings

Adoration of the Shepherds, ca. 1530, Etching and drypoint, Prints, Vincenzo Caccianemici (Italian, died 1542), In Mariette Album, folio 7, top

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 67 (verso), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 4 5/8 × 3 7/16 in. (11.8 × 8.7 cm), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Autopsy of the First Crocodile Onboard, Upper Egypt, 1852, Salted paper print from paper negative, Image: 17.5 x 21.3 cm (6 7/8 x 8 3/8 in.), Photographs, Ernest Benecke (German, born England, 1817–1894), This is perhaps the world’s

Guitar, ca. 1870, New York, NY, United States, American, Spruce, rosewood, ebony, 36 13/16 × 11 11/16 × 3 1/4 in. (93.5 × 29.7 × 8.3 cm), Chordophone-Lute-plucked-fretted, John Howard Foote

Bull Run. Pontoon Bridge near Blackburn's Ford, 1862, Albumen silver print from glass negative, 13.1 x 20.2 cm (5 3/16 x 7 15/16 in. ), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882), George N. Barnard (American,

Kneeling Female Deity, Angkor period, second half of the 12th century, Cambodia, Bronze, H. 8 1/2 in. (21.6 cm), Sculpture

Bronze sanguisuga-type fibula (safety pin), Archaic, 710–675 B.C., Etruscan, Bronze, Other: 3 15/16 in. (10 cm), Bronzes, The bow is hollow and open on its underside. Its upper surface is decorated with incised lines. The head is formed by a

Nymphs Bathing, Engraving, Prints, Georges Reverdy (French, active Lyon, 1529–57), In Mariette Album, folio 39, bottom

Page from Ein new kunstlich Modelbuch...(Page 19v), 1544

Right Half of a Wall Elevation with a Church Altar, 18th century, Pen and brown ink, brush and brown wash, over black chalk, highlighted with white gouache, on faded blue-green paper; some stylus-ruled construction., sheet: 13 1/4 x 5 1/4 in.

Meeting in the Park, 19th century, Pen and brown ink, gray, blue, and black wash. Laid down., 8 9/16 x 11 13/16 in. (21.7 x 30 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

'Portrait of Muhammad Ali Baig', Folio from the Shah Jahan Album, recto and verso: early 19th century, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38.7 cm), Codices

Covered Dish, 1815–30, Made in Paris, France, French, Porcelain, 6 5/8 x 9 1/2 x 9 1/2 in. (16.8 x 24.1 x 24.1 cm), Ceramics

[Sculptures of Andromeda, the Toilet of Atalanta, Corinna, and a Naiad], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip Henry Delamotte (British, 1821–1889

[Jaipur], 1860s–70s, Albumen silver print from glass negative, 18.3 x 23.5 cm (7 3/16 x 9 1/4 in.), Photographs, Unknown

[Men at Work Beside the Launching Chains of the 'Great Eastern'], November 18, 1857, Albumen silver print from glass negative, Dome topped: 11 1/8 x 13 15/16, Photographs, Robert Howlett (British, 1831–1858

Ionic Colonnade (6 Columns) on Rusticated Base, 1688–1782, Drawings, Antonio Maria Visentini (Italian, Venice 1688–1782 Venice

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 40v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Classicizing Frieze with Three Putti holding up a Garland, 1800–1900, Pen and brown ink, brush and brown wash, blue and green watercolor, over traces of black chalk, 2-1/8 x 9-3/4 in, Anonymous, Italian, 19th century

Earring, 6th–7th century, Made in probably Italy, Byzantine or Langobardic, Gold, Overall: 1 5/8 x 13/16 x 3/16 in. (4.1 x 2.1 x 0.5 cm), Metalwork-Gold, Fashionable in Italy for at least a century before the arrival of the Langobards,

The Adoration of the Shepherds, Engraving; first state, Prints, Engraved by Pieter van der Heyden (Netherlandish, ca. 1525–1569), In Mariette Album, folio 97

Young Woman with a Water Pitcher, ca. 1662, Oil on canvas, 18 x 16 in. (45.7 x 40.6 cm), Paintings, Johannes Vermeer (Dutch, Delft 1632–1675 Delft), The essential subject of this serene picture is an ideal woman in an ideal home. Her head

Shu Amulet, Late Period, Dynasty 26–30, 664–332 B.C., From Egypt, Faience, H. 3.5 cm (1 3/8 in.); W. 2.1 cm (13/16 in.); D. 1.8 cm (11/16 in.), Shu Faience Shu, god of the air, is associated with the principle of life. In the

Shell King: A Man with a Map of a Fortification, 1712 or later, Pen and black ink, sheet: 3 9/16 x 2 5/16 in. (9 x 5.9 cm), Drawings, Johannes Brandenberg (Swiss, Zug 1661–1729 Zug

Collet. Edouard, Jean-Baptiste. 44 ans, né le 6/1/50 à Paris XVlle. Ciseleur. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Panel, late 19th–early 20th century, Chinese, Red silk., Height: 287.7 cm., Textiles-Woven, Chinese , Qing Dynasty

Plan and Elevation of Country House, early to mid-18th century, Pen and black ink, gray wash, sheet: 8 5/8 x 5 3/8 in. (21.9 x 13.7 cm), After Robert Morris (British, Twickenham, Surrey ca. 1701–1754 London

Drawings and Prints, Album Print Ornament & Architecture, Copies after the 'Livre contenant passement de moresques' (plate 19), Artist, After, Jacques Androuet Du Cerceau, French, Paris 1510/12–1585 Annecy, Du Cerceau, Jacques Androuet,

In the Park, Light, 1916, Lithograph, image: 16 x 21 1/8 in. (40.6 x 53.7 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Lieutenent General Scott, General-in-Chief U.S. Army, & Staff, September 6, 1861, Albumen silver print from glass negative, Image: 26.4 × 36.5 cm (10 3/8 × 14 3/8 in.), Photographs, Mathew B. Brady (American, born Ireland, 1823?–1896

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 14 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Tumbler, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 1/16 in. (7.8 cm); Diam. 2 15/16 in. (7.5 cm)), Glass, With the development of new formulas and techniques, glass-pressing

Old Bearded Man in Three-Quarter View with Hands Crossed Over His Chest, 17th century, Red chalk on light tan paper, 7-15/16 x 6-5/8 in. (20.2 x 16.8 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Belt Buckle, 7th century, Frankish, Iron, silver inlay, copper alloy, Overall: 5 1/2 x 2 5/8 x 13/16 in. (14 x 6.7 x 2 cm), Metalwork-Iron

Platter, 1785–90, Made in China, Chinese, for American market, Porcelain, 6 3/8 x 9 5/8 in. (16.2 x 24.4 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered by

Rock Crystal Chandelier from the so-called 'White Peller's House' [weiße Pellershaus] in Nuremberg, ca. 1700–1720 , Etching and engraving, Plate: 24 5/16 × 20 1/2 in. (61.7 × 52 cm), Design for a rock crystal chandelier, produced in Italy

Design for half Ceiling in stucco, 1700–1780, Pen and brown ink, brush and gray wash over graphite, with ruled and compass construction, 16 9/16 x 10 15/16 in. (42.1 x 27.8 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Ewer (one of a pair), Peter Archambo I (British, active 1720, died 1759), 1740/41, British, London, Silver, Overall (wt. confirmed): 10 1/4 in., 58 oz. 18 dwt. (26 cm, 1832g), Metalwork-Silver, Peter Archambo I (British, active 1720,

Winter, Design for a Calendar, late 19th–early 20th century, Pen and black ink, brush and gray wash, white heightening on paper. Laid down on board., 6 11/16 x 10 5/8 in. (17 x 27 cm), Drawings, Heinrich Lefler (Austrian, Vienna

IIe Station. Jésus est chargé de sa croix. Cette Station est placée au bas de la scala santa qui a été entièrement transportée à Rome, il n'en reste que les première assises, 1860 or later, Albumen silver print from paper negative,

Cylinder seal, Early Dynastic Period, ca. 3100–2650 B.C., From Egypt, Steatite, l. 1.8 cm (11/16 in

Chapin. Armand, Louis. 30 ans, né à Épeigné (Indre & Loire). Charron. Anarchiste. 1/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

A Maid Asleep, ca. 1656–57, Oil on canvas, 34 1/2 x 30 1/8 in. (87.6 x 76.5 cm), Paintings, Johannes Vermeer (Dutch, Delft 1632–1675 Delft), This picture is probably the earliest in which the Delft painter treats his favorite theme of a

Cranequin, 16th century, Western European, probably Spanish, Steel, wood (possibly pear), L. 16 31/32 in. (43.1 cm); W. 2 9/32 in. (5.8 cm); W. 3 lb. 10 oz. (1, 638 g), Archery Equipment-Crossbows

Backplate of a Belt Buckle, 7th century, Frankish, Iron, silver inlay, Overall: 1 7/8 x 1 9/16 x 3/16 in. (4.7 x 4 x 0.4 cm), Metalwork-Iron

Disk Brooch, 6th century, Made in Herpes, Charente, France, Frankish, Silver-gilt on iron core, garnet, mother of pearl, Overall: 15/16 x 1/4 in. (2.4 x 0.6 cm), Metalwork-Silver

Mary Magdalen in the Wilderness, 17th century, Pen and brown ink on cream paper. Fragmentary framing outlines in pen and ink on left, top, right edges, 6-3/4 x 8-5/16 in. (17.2 x 21.1 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th

Pitcher, ca. 1862, Made in Kaolin, South Carolina, United States, American, Porcelain, 9 1/2 x 9 in. (24.1 x 22.9 cm), Ceramics, Southern Porcelain Company

Les Singuliers et Nouveaux Portraicts... page 7 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Ruins in Columbia, South Carolina, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 14, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

The Route Nationale at Samer, Oil on canvas, 41 1/2 x 48 1/4 in. (105.4 x 122.6 cm), Paintings, Jean-Charles Cazin (French, Samer 1841–1901 Lavandou

Europa, 16th century, Pen and brown ink, brush and brown wash, 7- 3/8 x 9- 3/8 in. (18.7 x 23.8 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Allegory of Victory of Russians over Napoleon's Army, from a poem by Cremes, ca. 1814, Watercolor and gouache. Pen and black ink framing lines added when mounted., image: 10 15/16 x 8 1/2 in. (27.8 x 21.6 cm), Drawings, Franz von Hauslab the

Stela of a Woman Named Niseret, Early Dynastic, Dynasty 1, ca. 3050 B.C., From Egypt, Northern Upper Egypt, Abydos, Umm el-Qaab, Tomb of Djer (subsidiary tomb of Ni-seret), Egypt Exploration Fund excavations, Limestone, H. 38.2 x W. 23.7 x

Gardner's Photographic Sketchbook of the War, Volume 1, 1863, Albumen silver prints from glass negatives, 17.8 x 22.7 cm (7 x 8 15/16 in.), Albums, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), James Gardner

Drawings and Prints, Books Prints Ornament & Architecture, Ein new Modelbuch..., page 15 (recto), Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, October 22,

Swiss Girl, 1833, Graphite, sheet: 12 5/8 x 8 3/16 in. (32 x 20.8 cm), Drawings, August Ferdinand Hopfgarten (German, Berlin 1807–1896 Berlin