Images at Librifly

Le Grand Russe, 1860s, Albumen silver print from glass negative, 9.8 x 13.3 cm. (3 7/8 x 5 1/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

V Queniaus, May–June 1860, Albumen silver print from glass negative, Image: 19.9 × 23.1 cm (7 13/16 × 9 1/8 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Daisy, designed 1864, Block-printed wallpaper, Sheet: 27 x 21 1/2 in. (68.6 x 54.6 cm), Wallpaper

Design for Sanctuary Walls, 1900, Watercolor, pen and black ink over graphite, sheet: 14 3/4 x 8 1/16 in. (37.5 x 20.5 cm), Ernest Geldart (British, London 1848–1929

Ornament design after the antique, early 16th century, Pen and brown ink over leadpoint., 13 1/2 x 16 3/4 in. (34.3 x 42.5 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Tusk figure of a man, Predynastic, Late Naqada l–Naqada II, ca. 3900–3500 B.C., From Egypt, Ivory (hippopotamus), H. 20.3 × Diam. 3.8 × Th. 0.5 cm (8 in. × 1 1/2 in. × 3/16 in

Ornamento delle belle & virtuose donne, title page (recto), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 26 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Elevation Design for the Entrance to Orti Farnesiani by Vignola, 1710–27, Pen and brown ink, brush and gray wash, over ruling in graphite, 12-3/4 x 20-13/16 in. (32.4 x 52.9 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian,

Letter from Henry Knox (1750–1806), Secretary of War, to Colonel Marinus Willet (1740–1830), dated May 27, 1786, American, Ink on paper, 12 1/2 x 7 7/8 in. (31.7 x 20 cm), Works on Paper, The tradition of Congressional presentation

Peasants with Cattle and Sheep, mid-17th century, Black chalk, brush and gray wash, sheet: 8 9/16 x 13 3/16 in. (21.7 x 33.5 cm), Drawings, Adriaen van de Velde (Dutch, Amsterdam 1636–1672 Amsterdam

Cavalry Skirmish with a Fallen Soldier at Right, 18th century, Brush with gray and brown wash, heightened with white, 6 15/16 x 9 5/16 in. (17.6 x 23.7 cm), Drawings, Francesco Casanova (Italian, London 1727–1803 Brühl

Temple Bell, Eastern Javanese period, ca. 11th–12th century, Indonesia (Java), Bronze, H. 13 3/4 in. (34.9 cm), Metalwork

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 39 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

A Rider and a Dead Horse in a Landscape, Pen and black ink, brush and black ink, heightened with white on a woodblock, 9 5/16 x 7 3/8 in. (23.6 x 18.7 cm), Drawings, Gustave Doré (French, Strasbourg 1832–1883 Paris

Kohl Flask, probably 10th–12th century, Made in Iran or Central Asia, Serpentine; carved, incised, H. 2 5/16 in. (5.8 cm), Stone, This charming object was designed to hold kohl, a black cosmetic powder applied around the eyes. In the past,

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 4 15/16 × 3 9/16 in. (12.5 × 9 cm), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Teapot, ca. 1770, British, Worcester, Soft-paste porcelain, Height: 4 1/2 in. (11.4 cm), Ceramics-Porcelain

River and Rocks, 1873–77, Oil on canvas, 19 5/8 x 23 7/8 in. (49.8 x 60.6 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), This picture dates to the last years of Courbet’s life, from 1873 to 1877, which he

Design for furniture, ca. 1892–1920, Made in New York, United States, American, Pen and brown ink, and graphite on tracing paper, Overall: 9 1/16 x 17 9/16 in. (23 x 44.6 cm), Drawings, Possibly Tiffany Glass Company (1885–92), Possibly

[Augusta Hawes at Four Years Old], 1850s, Daguerreotype, Plate: 12.7 x 10.7 cm (5 x 4 3/16 in.), Photographs, Albert Sands Southworth (American, West Fairlee, Vermont 1811–1894 Charlestown, Massachusetts), Josiah Johnson Hawes (American,

The Sacrifice of Isaac, 1694, Pen and brush and gray ink, 7 1/16 x 6 in. (18 x 15.3 cm), Drawings, Willem van Mieris (Dutch, Leiden 1662–1747 Leiden

Carpet, first half 17th century, Attributed to Iran, probably Kashan, Silk, metal wrapped thread; tapestry weave, L. 91 x W. 55 in. (231.14 x 139.7 cm), Textiles-Rugs, While the design of this carpet, with its central medallion and defined

Apollo, Marsyas, and Midas, 16th century, Red chalk, brown wash, heightened with white on blue paper. Attached to old mat, 14 7/8 x 10 1/8 in. (37.8 x 25.7 cm), Drawings, Anonymous, Netherlandish, 16th century

[Bearded Man in Shirtsleeves and String Tie], 1850s, Daguerreotype, Image: 7.1 x 5.9 cm (2 13/16 x 2 5/16 in.), Photographs, Unknown (American

139th Pennsylvania Infantry, 1861–65, Albumen silver print from glass negative, 12.5 x 20.2 cm (4 15/16 x 7 15/16 in.), Photographs

Drawings and Prints, Album Print Ornament & Architecture, Diverses Pieces de Serruriers, page 14 (recto), Artist, Artist, After, Hugues Brisville, Jean Berain, Gabriel Ladame, French, born ca. 1633, active Paris 1663, French,

Belshazzar's Feast (First steel plate), June 1, 1826, Mezzotint with etching; proof, Image: 18 1/2 x 28 5/16 in. (47 x 71.9 cm), Prints

Bifolium with Christ in Majesty in an Initial A, from an Antiphonary, ca. 1405, Made in Prague, Bohemian, Tempera, gold, and ink on parchment, Overall: 22 5/16 × 15 13/16 in. (56.7 × 40.2 cm), Manuscripts and Illuminations, With rich

Coin (Denier) of Henry I of Cyprus (1218–1253), 1218–1253, near Acre, Cypriote, Silver, Diam. 3/4 in. (1.9 cm), Miscellaneous

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, H. 4.7 (1 7/8 in.); W. 6.1 cm (2 3/8 in.); D. 1.8 cm

Marble statuette of Dionysos, Early Hellenistic, early 3rd century B.C., Greek, Marble, H. 19 1/4 in. (48.9 cm), Stone Sculpture, The god wears Thracian boots, a short chiton, a belted panther skin, and a goatskin worn like a cape, with

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 60r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Candelabra Grotesque with a Winged Female Term on a Pedestal, 1540 after, Pen and black ink, brush and gray wash, Sheet: 9 1/2 x 6 11/16 in. (24.2 x 17 cm), Anonymous, Italian, 16th century, After Cornelis Bos (Netherlandish, Hertogenbosch

Figure Studies; Landscape (recto); Copy after Antique Style Hercules Statue (verso), 1580–1620, Red chalk; some black chalk, 3/8 x 11 1/2 in. (18.8 x 29.2 cm), Drawings, Anonymous, Italian, Florentine, second half of the 16th century

Cottée. Edouard, Eugène. 37 ans, né à Paris XVle. Artiste-peintre. Vol par complicité. 6/2/92. , 1892, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Prima Parte de' Fiori, e Disegni di varie sorti di Ricami Moderni, 1591, Woodcut, Overall: 5 5/16 x 7 5/16 in. (13.5 x 18.5 cm), Written by Giovanni Battista Ciotti, published by Francesco de' Franceschi, Italian, active 16th century. Title

New Modelbüch allen Nägerin u. Sydenstickern (Page 26v), 1556

Forti. Ernesta. 45 (ou 46) ans, née à Lodi (Italie). Laitière. Anarchiste. 27/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Pantheon, pediment details (recto) Pantheon, pilaster capital profile and projected elevation, column diagram, bronze door detail (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 16 5/8 x 11 13/16

La capuche, 1860s, Albumen silver print from glass negative, 9.8 x 12.7 cm. (3 7/8 x 5 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Bead ornaments, circular, 37, Migration, 1st half of the 5th century A.D., East Germanic or nomadic (?), Gold, Type A: 1/16 × 5/16 in. (0.2 × 0.8 cm), Gold and Silver

Jar, ca. 1750–1800, Made in Mexico, Mexican, Tin-glazed earthenware, H. 9 1/2 in. (24.1 cm), Ceramics

Cup, 1800–1850, Possibly made in Hartford, Connecticut; Made in Connecticut, United States, American, Earthenware, 3 x 5 3/8 x 4 3/8 in. (7.6 x 13.7 x 11.1 cm), Ceramics

春日鹿曼荼羅, Deer Mandala of Kasuga Shrine, Nanbokuchō period (1336–92), late 14th century, Japan, Hanging scroll; color on silk, Image: 33 15/16 × 13 7/8 in. (86.2 × 35.2 cm), Paintings

White House Landing, Pamunkey River, 1864, Albumen silver print, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882), Mathew B. Brady (American, born Ireland, 1823?–1896 New York), This study of river steamers and

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 32r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Books Prints Ornament & Architecture, Ein new Modelbuch..., page 13 (recto), Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, October 22,

The Valley of Lauterbrunnen, Switzerland, ca. 1866, Watercolor, gouache, and brown ink over graphite, sheet: 7 5/8 x 10 in. (19.4 x 25.4 cm), Drawings, John Ruskin (British, London 1819–1900 Brantwood, Cumbria), When the celebrated

Pendant, early 600s, Anglo-Saxon, Gold, garnets with patterned foil backings, Overall: 1 1/8 x 1/16 x 1/16 in. (2.8 x 0.2 x 0.2 cm), Metalwork-Gold, The region of Kent, in southeastern England, was an important center of Anglo-Saxon jewelry

Design for Chairs, Louis Quinze Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Bertani. Orsini. 24 ou 25 ans, né à Florence (Italie). Sans profession. Anarchiste. 18/3/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 6v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

[Reine d'Etrurie], 1860s, Albumen silver print from glass negative with applied color, 12.4 x 8.9 cm (4 7/8 x 3 1/2 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Tomb of a Bishop, Etching, Prints, Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 95

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 32 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Preparatory Studies for Plates 90 and 91 of 'Maisons de plaisance, ' Volume II, 18th century, Red chalk over traces of black chalk. Horizontal black-chalk line at center, and round compass marks in black chalk on lower drawing, 8 15/16 x 10 1/16

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 7/8 x 3 5/8 in. (2.2 x 9.2 cm), Terracottas

Lady in Open Window with Bird Cage, late 1840s, Salted paper print from paper negative, Sheet: 4 7/16 × 3 11/16 in. (11.2 × 9.4 cm), Photographs, Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England) or his Circle

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Black chalk and graphite, 2 13/16 x 3 15/16 in. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

View of the Baths of Caracalla (?) in Rome, late 18th–early 19th century, Graphite, brown wash, sheet: 8 15/16 x 10 1/4 in. (22.7 x 26 cm), Drawings, Daniël Dupré (Dutch, Amsterdam 1751–1817 Amsterdam

Standing Nude Youth, with right arm raised, 1859–60, Graphite (partially rubbed) on wove paper, Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris

Stage Set Design: Interior of a Camouflaged African Shelter or Military Post with Carts and Bucrania., 1870–1941, Pen and black and gray ink, over traces of blue pencil. Double framing lines in pen and black ink, sheet: 11 x 18 1/2 in. (27.9 x

Mill, Richmond, Virginia, ca. 1865, Albumen silver print from glass negative, Image: 6 3/4 × 8 7/8 in. (17.1 × 22.5 cm), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Fragment of a Frieze, 11th century, Excavated in Iran, Nishapur, Terracotta; carved, painted, H. 23 5/8 in. (60 cm), Sculpture, These panels are believed to have formed a large frieze along the entrance to a prayer hall that served a densely

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 10 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolo Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

View of the Dessau Castle from the East, 1820, Watercolor, heightened with white bodycolor. Framing line in gold., sheet: 4 5/16 x 6 7/16 in. (11 x 16.4 cm), Drawings, Heinrich Olivier (German, Dessau 1783–1848 Berlin

Louis-Félix Amiel (1802–1864), 1837, Oil on canvas, 24 x 19 3/4 in. (61 x 50.2 cm), Paintings, Eugène Devéria (French, Paris 1805–1865 Pau), The sitter was a provincial artist and avid horseman, who specialized in equestrian subjects

Amulet of a crown of Lower Egypt, Late Period–Ptolemaic Period, 664–30 BC, From Egypt, Faience, H. 1.8 × W. 1.1 × T. 0.6 cm (11/16 × 7/16 × 1/4 in.), This amulet takes the form of the crown of Lower Egypt, the northern part of the

漢 彩繪陶六博具（附骨製棋子）, Liubo Board and Pieces, Han dynasty (206 B.C.–A.D. 220), 1st century B.C.–1st century A.D., China, Earthenware with pigment and bone, L. 14 1/4 in. (36.2 cm); W. 12 3/8 in. (31.4 cm); H. 2 in.

与謝蕪村筆　柳緑桃紅図, Birds in Willows and Blossoming Peach Tree, Edo period (1615–1868), Japan, Hanging scroll; ink and color on silk, 51 1/2 x 24 9/16 in. (130.8 x 62.4 cm), Paintings, Yosa Buson (Japanese, 1716–1783),

Knave of Horns, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Design for the Entrance of the Loggia of the Villa of Pope Julius, 1710–27, Pen and brown ink, brush and gray wash, over ruling in graphite, 11-9/16 x 17-5/8 in. (29.3 x 44.8 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian,

Bottle, ca. 1875, Free-blown molded glass, H. 8 1/8 in. (20.6 cm), Glass

Design for lunette for Palm Room, Hotel Jefferson, Peoria, late 19th–early 20th century, Made in New York, United States, American, Watercolor, pen and black inks, and graphite on artist board with original window mat, 12 3/16 x 21 7/8

Trees, Bushes and Vegetation (Smaller Italian Sketchbook, leaf 40 recto), 1774–75 (?), Black and gray ink and wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby

Terracotta neck-amphora (jar) with twisted handles, Classical, ca. 400 B.C., Greek, Attic, Terracotta; red-figure, H. 14 1/16 in. (35.8 cm), Vases, Obverse, combat of Greeks against Amazons, Reverse, three youths. This vase is

Pear-Shaped Bottle with a Bullock Design, second half 17th century, Made in Iran, Stonepaste; luster-painted on opaque white glaze, H. 10 in. (25.4 cm), Ceramics, Very few pieces of Iranian lusterware survive from the fifteenth and sixteenth

Faience amulet in the form of a lion-headed deity, Late Dynastic–Hellenistic, 664–30 B.C., Egyptian, Clay, glazed, H.: 1 3/4 in. (4.4 cm), Gold and Silver, Amulets representing animals were attributed to a deity: a hawk for Ra, the Sun

View of Florence: Or San Michele, Towards Piazza della Signoria (Via dei Calzaiuoli), 18th century, Pen and brown ink, a little brush and pink-red wash, over traces of graphite on cream laid paper, 13-3/8 x 19-5/8 in. (33.9 x 49.9 cm),

Terracotta box of a pyxis, Early Cycladic I, ca. 3200–2800 B.C., Cycladic, Terracotta, H.: 2 1/2 in. (6.4 cm), Vases, It is interesting to compare the incised pattern on this box with those on the shallow silver bowls

Coal container, 18th century, Japan, Wood, metal, mother-of-pearl, lacquer, H. (with cover) 13 3/4 in. (34.9 cm); Diam. 16 1/4 in. (41.3 cm), Woodwork, School of Ogata Kōrin (Japanese, 1658–1716

XIe Station. Jésus est cloué sur la croix. Cette station se trouve placée au pied même de l'autel., 1860 or later, Albumen silver print from paper negative, Image: 10 1/8 × 7 7/8 in. (25.7 × 20 cm), Photographs, Louis de Clercq (French,

1 of Collars, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Tumbler, 1830–70, Made in United States, American, Pressed glass, H. 3 1/2 in. (8.9 cm); Diam. 3 1/16 in. (7.8 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late

Landscape, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink and color on paper, 42 5/8 x 11 1/8 in. (108.3 x 28.3 cm), Paintings, Kushiro Unsen (Japanese, 1759–1811

Thirion. Louis, Joseph. 31 ans, né à Autrey (Vosges). Journaliste. Anarchiste. 4/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Study of a Standing Youth, 17th century, Red chalk, sheet: 11 3/4 x 7 5/8 in. (29.9 x 19.4 cm), Drawings, Moses ter Borch (Dutch, Zwolle 1645–1667 Harwich

[Cremation Ground at Manikarnika Ghat, Varanasi, India], 1860s–70s, Albumen silver print from glass negative, 20.9 x 27.1 cm (8 1/4 x 10 11/16 in.), Photographs, Unknown

Side chair, ca. 1845, Made in New York, New York, United States, American, Walnut with upholstered seats, H. 33 1/2 in. (85.1 cm), Furniture

Hobnail Sauce Dish, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed cranberry and opaque white glass, 1 3/4 x 4 3/4 in. (4.4 x 12.1 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Sampler listing the counties of England, ca. 1851, British, Silk embroidery on cotton, Framed: 31 1/8 x 25 5/8 in. (79.1 x 65.1 cm), Textiles-Embroidered, This sampler’s chart is based on information from the English census of 1851. The

Design for Banknote, 1830–1904, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Textile fragment, Sasanian, ca. 6th century A.D., Iran, Shahr-i Qumis (ancient Hecatompylos), Sasanian, Wool, cotton, 9.25 x 16.14 in. (23.5 x 41 cm), Textiles-Woven

Beaker, late 16th century, Hungarian, Nagyszeben, Silver, partly gilded, Overall: 4 x 3 1/4 in. (10.2 x 8.2 cm), Metalwork-Silver, The engraved pattern of elongated leaf motifs on this beaker belong to the ornamental language of the

[Group of 14 stereographs of Africa and Actors], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.2 x 17.1 cm (3 1/4 x 6 3/4 in.) to 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, Kilburn Brothers (American, active ca. 1865–1890),

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 9 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Vase, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Cloisonné enamel on copper, H. 11 in. (27.9 cm), Cloisonn

Landscape for Zhao Yipeng, Ming dynasty (1368–1644), late 15th–early 16th century, China, Hanging scroll; ink and color on silk, Image: 28 x 55 in. (71.1 x 139.7 cm), Paintings, After Tang Yin (Chinese, 1470–1524

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London