Images at Librifly

Henry Taylor, 1864, Albumen silver print from glass negative, 25.5 x 20.1 cm (10 1/16 x 7 15/16 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), When they retired to England in 1848,

Design for an Altar or Monument with Angels and Other Figures, late 16th century, Pen and brown ink and brown-gray wash, Sheet: 10 3/16 × 6 3/4 in. (25.8 × 17.2 cm), Attributed to Peter Candid (Pieter de Witte, Pietro Candido) (Netherlandish,

Finger Bowl, ca. 1760, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 2 in. (5.1 cm); Diam. 3 3/8 in. (8.6 cm), Glass

The Entombment, 16th century, Black chalk, brush and wash, touched with white, 10-3/4 x 6-3/4 in. (27.3 x 17.1 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Wine Cup with Bamboo (one of a pair), Qing dynasty (1644–1911), Yongzheng mark and period (1723–35), China, Porcelain painted with cobalt blue under and colored enamels over transparent glaze, H. 1 9/16 in. (3.9 cm); Diam. 2 9/16 in. (6.5

A Frigate at Anchor, Saluting a Nearby Yacht, 17th century, Black chalk, pen and brown ink, gray wash, sheet: 6 1/4 x 8 11/16 in. (15.9 x 22.1 cm), Drawings, Willem van de Velde I (Dutch, Leiden 1611–1693 London

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 12), Publisher, Artist, After, Carlo Losi, Jacob

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 17 (verso), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Carl Pier, Franz Xavier Habermann, Jeremias Wachsmuth, German,

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 21r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Le montagnard, 1860s, Albumen silver print from glass negative, 8.6 x 12.1 cm. (3 3/8 x 4 3/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Design for Sideboard, Louis Quatorze Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Les Singuliers et Nouveaux Portraicts... page 56 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Design for a Covered Tureen on a Footed Stand, Pen and brown ink, brush and gray-brown wash. Two brown ink framing lines., 7 13/16 x 5 7/8in. (19.9 x 14.9cm), Drawings, Henri Auguste (French, Paris 1759–1816 Port-au-Prince

Bowl with Green Splashes, 9th century, Made in Iraq, probably Basra. Found Iran, Rayy, Earthenware; 'splash-painted' on opaque white glaze, H. 5/16 in. (.8 cm), Ceramics, In response to the popularity of imported Chinese ceramics, Abbasid

Brick House, Southern Elevation, late 19th–early 20th century, Watercolor, pen and black ink over graphite, sheet: 9 13/16 x 14 1/2 in. (25 x 36.8 cm), Ernest Geldart (British, London 1848–1929

Miaglia. Bernard. 41 ans, né à Giaglione (Italie). Cordonnier. Anarchiste. 9/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Discovery of America: Vespucci Landing in America, ca. 1587–89, Pen and brown ink, brown wash, heightened with white, over black chalk. Incised, Overall: 7 1/2 x 10 9/16in. (19 x 26.9cm), Drawings, Jan van der Straet, called Stradanus

Design for Garden Architecture, 1700–1780, Pen and brown ink, brush and brown wash, heightened with pen and dark brown ink, over lead point or graphite, 6 1/8 x 8 7/16 in. (15.6 x 21.4 cm), Drawings, Anonymous, Italian, Piedmontese, 18th

West Front and Principal Floor Plan of John Munn House, Utica, New York, 1854, Ink and watercolor, Sheet: 14 5/16 x 10 in. (36.3 x 25.4 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

The Apostles looking at Christ and the Virgin in a Glory of Angels (top left plate), 1546, Etching, 15 11/16 x 21 in. (39.8 x 53.4 cm), Prints, Léon Davent (French, active 1540–56), after Giulio Romano (Italian, Rome 1499?–1546 Mantua

Design for a corner of a Painted Ceiling, Architectural 'Cove' with a Seated Figure at the Bottom, and a Putto at the Side, 1700–1780, Pen and brown ink, brush and gray and brown wash, over graphite or lead point. Framing lines in pen and

Study of the Forearms and Hands of a Woman, ca. 1665, Black chalk with touches of red, heightened with white, on buff paper., 11 9/16 x 7 13/16 in. (29.4 x 19.9 cm), Drawings, Sir Peter Lely (Pieter van der Faes) (British, Soest 1618–1680

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 10 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Rock Tombs at Telmissus, 19th century, Ink and watercolor, sheet: 10 3/8 x 7 in. (26.4 x 17.8 cm), Anonymous, British, 19th century

Base of a terracotta lebes gamikos (jar associated with weddings), Classical, ca. 400 B.C., Greek, Attic, Terracotta; red-figure, H. as restored 17 3/4 in. (45.11 cm), Vases, Athena between Herakles and Iolaos; woman or goddess in front of

Ornament with Claw-footed Urn, Lynxes, Butterflies and Foliage above a Greek Meander, ca. 1780–1820, Graphite with touches of pen and black ink, sheet: 7 7/8 x 13 5/16 in. (20 x 33.8 cm), Drawings, Anonymous, German, 19th century

Jasper intaglio: Cock-headed anguipes, Late Imperial, 3rd century A.D., Roman, Jasper, Other: 11/16 x 1/2 x 1/16 in. (1.8 x 1.3 x 0.2 cm), Gems

Sutra Tray, Heian period (794–1185), 12th century, Japan, Negoro ware, red and black lacquer, W.12 1/8 in. (30.8 cm); L.15 3/4 in. (40 cm), Lacquer, Long use as a container for sutras is indicated by the shadowy imprint of ten scrolls

Part of the Wall Decoration for a Church, Doorway at Left, 1/2 Altarpiece at Right, 1634–1708, Pen, brown ink and wash with touches of blue and green wash, over black chalk, 13-7/8 x 10-7/8 in. (35.2 x 27.6 cm), Attributed to Francesco

Pieces (3), early 18th century, Italian, Silk and metal thread, a) L. 109 x W. 21 3/4 inches (276.9 x 55.2 cm) (loom width), Textiles-Woven

Glass medallion with the bust of a woman or goddess, Early Imperial, 1st century A.D., Roman, Cypriot, Glass; cast in a mold, Height: 1 5/16in. (3.4cm), Glass, Translucent deep purple, appearing opaque black. Oval, with deep relief on upper

[Group of 23 Early Stereograph Views of British Cathedrals], 1860s–80s, Albumen silver prints, Mounts approximately: 8.4 x 16.9 cm (3 5/16 x 6 5/8 in.) to 8.5 x 17.6 cm (3 3/8 x 6 15/16 in.), Photographs, Unknown (British), Budge (British),

Lyre-Shaped Belt Buckle, 600–700, Hispano–Visigothic, Copper alloy, quarternary, Overall: 1/16 x 5 13/16 x 1 7/8 x 7/16 in. (0.2 x 14.8 x 4.8 x 1.1 cm), Metalwork-Copper, Composed of three separately cast elements—tongue, loop, and

Design for the Decoration over an Arch with the Personification of Justice, 1680–1730, Pen and brown ink, brush with gray and brown wash, over black chalk., 5 5/16 x 2 1/16 in. (13.5 x 5.2 cm) maximum; drawing partially silhouetted.,

Folios from a Non-Illustrated Manuscript, 16th–17th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Codices

Design for Metalwork Supporting Church Ceiling and Suspended Lantern, 1880, Graphite, sheet, irreg.: 14 1/4 x 12 3/16 in. (36.2 x 31 cm), Anonymous, British, 19th century

Neu künstlich Modelbuch (page 16r), 1598

Gateway of the Kitai Gorod, Moscow, 19th century, Watercolor, 3 3/8 x 4 3/4 in. (8.6 x 12.1 cm), Drawings, Anonymous, Russian, 19th century

Man Making a Net, Tomb of Ipuy, New Kingdom, Ramesside, Dynasty 19, ca. 1295–1213 B.C., From Egypt, Upper Egypt, Thebes, Tempera on paper, H. 20 cm (7 7/8 in); w. 27 cm (10 5/8 in), Norman de Garis Davies (1865–1941

Purse Mount in the Form of a Bird, first half 6th century, Frankish, Copper alloy, 'tinned' surface, Overall: 1 5/16 x 1 9/16 x 1/4 in. (3.4 x 4 x 0.7 cm), Metalwork-Copper alloy, These objects were used as decorative appliqués on a purse

The Death of Saint Hilary; verso: Sketch of an Arm, early 16th–mid 16th century, Pen and brown ink and gray wash; at left, a framing line in pen and brown ink; verso: red chalk, 9 5/16 x 7 7/8 in. (23.7 x 20 cm), Drawings, Jan van Scorel

Frieze with Acanthus Rinceau with Grotesques, 16th century, Pen and black ink with traces of metalpoint and red chalk, 5 13/16 x 15 1/8 in. (14.8 x 38.4 cm), Drawings, Anonymous, Italian, second half of the 16th century

Design for 'Hooking and Eyeing, ' a wood engraving published in 'Punch' (recto); Sketch of two women and a man (verso), 1851, Brown ink, with blue and green wash (recto); graphite (verso), sheet: 6 1/8 x 4 5/8 in. (15.6 x 11.7 cm), Drawings,

[Three Painters with Brushes and Paint Cans], 1870s–80s, Tintype, Image: 9 x 5.6 cm (3 9/16 x 2 3/16 in.), Photographs, Unknown (American

Desseins a Plusieurs Usages Inventés par M. B. Toro, 1718 or after

[Middle-aged Man with Glasses Holding Pocket Watch], 1844–1859, Daguerreotype, Image: 11.3 x 8.7 cm (4 7/16 x 3 7/16 in.), Photographs, Antoine-François-Jean Claudet (French, active Great Britain, 1797–1867

Inlaid marble altar frontal, 17th century, Pen and brown ink, brush and gray and red wash over traces of lead point, sheet: 10 5/16 x 16 9/16 in. (26.2 x 42.1 cm), Anonymous, Italian, 17th century

A Mlle Schlusser, May–August 1861, Albumen silver print from glass negative, Image: 19.9 × 23.7 cm (7 13/16 × 9 5/16 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Toy in the form of a male(?) figure, Cypro-Archaic II, ca. 600–480 B.C., Cypriot, Terracotta; hand-made, H. 4 7/8 in. (12.4 cm), Terracottas, The figure, who had moveable arms, may have been part of a toy

Flute, PreColumbian, 200 B.C.–100 A.D., Colima, Mexico, Colima, clay, L. 9 1/2 × Diam.13/16 in. (24.1 × 2.1 cm), Aerophone-Whistle Flute-recorder

Lapeyre. Louis, Pierre. 29 ans. né à Rodez (Aveyron). Employé. Anarchiste. 10/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Drawings and Prints, Books Prints Ornament & Architecture, Ein new Modelbuch..., page 5 (recto), Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, October 22,

Dish with Design of Cockscomb, Edo period (1615–1868), ca. 1760–80, Japan, Porcelain with enamels (Hizen ware, Nabeshima type), H. 2 1/4 in. (5.7 cm); Diam. 7 7/8 in. (20 cm), Ceramics

[Group of 250 Stereograph Views From the London Stereoscopic Company, 1860-1870, Many Hand-Colored to Illustrate Books], 1860–70, Albumen silver prints, Mounts approximately: 8.6 x 17.5 cm (3 3/8 x 6 7/8 in.), Photographs, Unknown (British),

[Painter Resting His Hand on Picket Fence], 1860s–80s, Tintype, Image: 7.4 x 6 cm (2 15/16 x 2 3/8 in.), Photographs, Unknown (American

Illustration for 'Maria Morenva' [Tsarevich Ivan at the Castle of the Falcon], ca. 1925, Gouache, metallic inks, and black ink, heightened with white, over graphite., Image: 10 7/8 x 8 3/16 in. (27.6 x 20.8 cm), Drawings, Boris Zvorykin

Man wearing a brown overcoat, cane and pince-nez, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite, graphite framing lines, sheet: 16 11/16 x 8 in. (42.4 x 20.3 cm), Drawings, Sergey Sudeykin (Russian,

View of Kenesaw Mountain, Georgia, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

S-Shaped Brooch, 6th century, Frankish, Copper alloy, garnet, Overall: 1 9/16 x 1 1/16 x 3/8 in. (4 x 2.7 x 0.9 cm), Metalwork-Copper alloy

Elevation of 'An Eye-trap', early to mid-18th century, Pen and black ink, gray wash, sheet: 9 1/8 x 6 3/16 in. (23.1 x 15.7 cm), After Robert Morris (British, Twickenham, Surrey ca. 1701–1754 London

Acorn Knave: A Man Astride a Swine, 1712 or later, Pen and black ink, sheet: 3 9/16 x 2 5/16 in. (9 x 5.9 cm), Drawings, Johannes Brandenberg (Swiss, Zug 1661–1729 Zug

The Judgment of Paris, late 16th–mid 17th century, Pen and brown ink and wash, heightened with white, over black chalk, 7 inches in diameter (17.7 cm), Drawings, Pieter de Jode I (Netherlandish, Antwerp 1570–Antwerp 1634

Hairpin Knob, 1st–4th century, Roman, Bronze-gilt, Overall: 1 x 5/8 in. (2.5 x 1.6 cm), Metalwork-Bronze

釈迦如来像, Shaka Nyorai, Nanbokuchō period (1336–92), 14th century, Japan, Hanging scroll; ink, color, and gold on silk, Image: 50 1/2 × 21 in. (128.3 × 53.3 cm), Paintings, Shaka Nyorai, or the historical Buddha Shakyamuni (the

Neu künstlich Modelbuch (page 17r), 1598

Bacchus returning in Triumph from India, 18th–19th century, Pen and brown ink, brush and grey wash, Sheet: 3 1/4 × 4 9/16 in. (8.3 × 11.6 cm), Drawings, Edward Francis Burney (British, Worcester 1760–1848 London

Design for Panel Decoration Centered on a Passion Flower, 1828–40, Watercolor, pen and black ink, sheet: 12 x 6 5/8 in. (30.5 x 16.9 cm), J. Hulme (British, active 1828–40

Page from Stern des Meschiah, 1477, Woodcut, block: 6 1/8 x 4 1/8 in. (15.6 x 10.4 cm), Prints, Anonymous, German, 15th century

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Carl Pier, Jeremias Wachsmuth, Franz Xavier Habermann, Martin Engelbrecht, German,

Design for interior, ca. 1830, Watercolor, sheet: 14 1/4 x 19 in. (36.2 x 48.3 cm), Drawings, Charles de Brocktorff (Danish, active 1830

The Temptation of Saint Anthony, ca. 1550–60, Oil on wood, Overall 8 7/8 x 13 3/4 in. (22.5 x 34.9 cm); painted surface 8 1/2 x 13 3/8 in. (21.6 x 34 cm), Paintings, Workshop of Herri met de Bles (Netherlandish, Bouvines 1480?–after 1550),

Vase, 1800–1900, Wash, 12 x 7-3/8 in, Drawings, Anonymous, Italian, 19th century

Terracotta lamp, Mid Imperial, 2nd century A.D., Roman, Terracotta, Length 8.4 cm. H. 2.4 cm., Terracottas

Design for a Chimneypiece with Scalloped Moldings, 1743–96, Pen and brown ink, brush and brown wash, graphite, sheet: 9 7/16 x 9 in. (24 x 22.8 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 23r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

'Kalila and Dimna Discussing Dimna's Plans to Become a Confidante of the Lion', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm

Terracotta pyxis (box), Classical, ca. 425–400 B.C., Greek, Attic, Terracotta; red-figure, H. 4 1/2 in. (11.4 cm), Vases, These women are playing knucklebones and another game. The finial on the lid is in the shape of a knucklebone

Design for an Altar with a Celestial Subject Above, 16th century, Pen and brown ink, brush and brown wash, over leadpoint, 15-15/16 x 8-7/8 in. (40.5 x 22.5 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy,

'The Gazelle Becomes Friends with the Crow, the Mouse, and the Tortoise', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

Monkey playing the lyre and carrying a dish on its head, Ptolemaic Period, 332–30 B.C., From Egypt, Cupreous metal, H. 6.5 × W. 2.9 × D. 3.3 cm (2 9/16 × 1 1/8 × 1 5/16 in.), Monkeys performing human activities are a frequent theme. This

'Kai Kavus Attempts to Fly to Heaven', Folio from a Shahnama (Book of Kings), mid-15th century, Attributed to India, Image: Ink, opaque watercolor, and gold on paper, 6.5 in. high 7.50 in. wide (16.5 cm high 19.1 cm wide), Codices, This

Frans Hals (1582/83–1666), probably 1650s, Oil on wood, 12 7/8 x 11 in. (32.7 x 27.9 cm), Paintings, Copy after Frans Hals (Dutch, 17th century

Opera Nova Universali intitulata Corona di racammi, page 38 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Loggia with Caryatids before a Fountain and Landscape, 17th century, Pen and brown ink, brush and brown wash, over black chalk, with ruled stylus incisions, on light tan laid paper. Framing outline with marks at regular intervals in brown ink,

Landscape, 17th century, Black chalk, grey and green wash., 5 5/16 x 7 5/16 in. (13.5 x 18.6 cm), Drawings, Aelbert Cuyp (Dutch, Dordrecht 1620–1691 Dordrecht

Hathor / Bat emblem, New Kingdom, Dynasty 18, ca. 1570–1479 B.C., From Egypt, Elephant ivory, blue pigment, H. 3.1 cm (1 1/4 in); W. 1.9 cm (3/4 in), The face and horns of this early goddess face have the wig, collar and naos acquired when

A Bachelor in His Study (The Sportsman's Breakfast), late 19th century, Watercolor, sheet: 9 3/4 x 12 3/16 in. (24.8 x 30.9 cm), Drawings, J. Buttfield (British, active late 19th century), A gentleman dressed in a suit and slippers, relaxes

Standing Figure of a Robed Man, Charcoal, 10 9/16 x 6 5/8 in. (26.9 x 16.9 cm), Drawings, François-Claudius Compte-Calix (French, Lyon 1813–1880 Chazay d'Azergues

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 32 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Title page, 1698–1768, Etching, plate: 11 13/16 x 16 15/16 in. (30 x 43 cm), Prints, Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697–1768 Venice

Dr. Edward Livingston, ca. 1841, Daguerreotype, Overall: 4 11/16 × 3 11/16 in. (11.9 × 9.4 cm), Photographs, Attributed to John Plumbe Jr. (American, born Wales, 1809–1857

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 90 1/2 x 73 5/8 x 2 1/4 in. (229.9 x 187 x 5.7 cm), Stone-Reliefs-Inscribed, This panel from the Northwest Palace at Nimrud

Jar, ca. 1750, Made in Mexico, Mexican, Tin-glazed earthenware, H. 6 1/4 in. (15.9 cm), Ceramics

View of a Canal with Three Windmills, late 18th–early 19th century, Pen and brown ink, watercolor, over a sketch in black chalk. Framing line in pen and brown ink, sheet: 8 1/8 x 13 1/8 in. (20.7 x 33.4 cm), Drawings, Jan Hulswit (Dutch,

Box, Ming dynasty (1368–1644), 16th–17th century, China, Bronze with gilding, H. 1 1/4 in.; Diam. 2 7/8 in., Metalwork, Attributed to Hu Wenming (Chinese, active late 16th–early 17th century), Implements commonly used for burning

Fragment of a Shawl with Inscription, 8th–9th century, Attributed to Yemen, San'a, Cotton; embroidered in wool, Textile: H. 14 in. (35.6 cm), Textiles-Embroidered, In the medieval period, Yemen had a flourishing textile industry and both

Study Sheet with a Portrait of Carl Julius Senff and Two Italian Women Walking, 19th century, Graphite, sheet: 8 7/8 x 6 1/8 in. (22.5 x 15.6 cm), Drawings, August Ferdinand Hopfgarten (German, Berlin 1807–1896 Berlin

Snuff Bottle, Qing dynasty (1644–1911), late 18th–early 19th century, China, Rock crystal with coral and glass stopper, H. 2 3/4 in. (7 cm); W. 1 7/8 in. (4.8 cm); D. 7/8 in. (2.2 cm), Snuff Bottles

Three Designs for Book Illustrations, 1820–84, Graphite, 8 3/4 x 4 13/16 in. (22.3 x 12.2 cm), Drawings, Adrian Ludwig Richter (German, Dresden 1803–1884 Dresden