Images at Librifly

Ionic Entrance Hall, 19th century, Pen and ink, and brush and brown wash, sheet: 9 1/2 x 13 in. (24.1 x 33 cm), Anonymous, British, 19th century

Heroinae Nobilissimae Ioannae Darc Lotharingae..., 1612, Books

Terracotta kylix (drinking cup), Archaic, ca. 540–520 B.C., Greek, Chalcidian, Terracotta; black-figure, H. 2 5/8 in. (6.7 cm), Vases, Obverse and reverse, large eyes and animal ears

Portrait of a Boy, June 1870, Black, red, and white chalk on wove paper, 10 13/16 x 8 3/8 in. (27.4 x 21.3 cm), Drawings, Ernest-Antoine-Auguste Hébert (French, La Tronche 1817–1908 La Tronche

Antique Naval Battle (recto); A Battle Scene (verso), ca. 1550–55, Pen and brown ink, brush and brown wash, squared for transfer in black chalk (recto); black chalk (verso), 4-15/16 x 12-1/8 in. (12.5 x 30.8 cm), Drawings, Lattanzio Gambara

清 瑪瑙鼻煙壺, Snuff Bottle, Qing dynasty (1644–1911), late 18th century, China, Murrhina agate with amethyst stopper, H. 3 in. (7.6 cm), Snuff Bottles

Design for double panel, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on paper, 6 7/16 x 7 7/8 in. (16.4 x 20 cm), Drawings, Possibly Tiffany Glass Company (1885–92), Possibly Tiffany

Return of Commander Selfridge and his Reconnaissance Party from an Expedition in the Interior of Darien, 1870, Albumen silver print from glass negative, 9 x 11 3/8 (irregular and torn), Photographs, Timothy H. O'Sullivan (American, born

Terracotta chalice, Archaic, ca. 550 B.C., Etruscan, Terracotta; bucchero pesante, H.: 5 1/2 in. (14 cm), Vases, The stamped frieze of circles and dots was made with a cylinder seal rolled across the clay before firing. This type of seal has

Ornamento delle belle & virtuose donne, page 16 (recto), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

[Tree in Formal Garden Outside Palazzo], 1860s–70s, Albumen silver print from glass negative, Photographs, Giacomo Caneva (Italian, 1812–1865

Mansion of Thomas Hope, Flemish Picture Gallery, ca. 1824, Graphite, pen and ink and wash, sheet: 7 5/8 x 4 3/4 in. (19.4 x 12.1 cm), H. Ansted (British, active ca. 1824–26

Tilt-top Tea Table, 1760–80, Made in New York, United States, American, Mahogany, H. 27 x Diam. 24 in. (68.6 x 61.0 cm), Furniture

Folio from a Qur'an Manuscript, 14th century, Attributed to India or Iran, Ink, opaque watercolor, and gold on paper, 19 1/2 x 14 in. (49.5 x 35.5 cm), Codices, This Qur’an which probably belongs to fourteenth century Iran is written in

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 17r), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Head of an Apostle, early 17th century, Black and white chalk on blue paper, 10 1/2 x 8 1/16 in. (26.7 x 20.4 cm), Drawings, circle of Anthony van Dyck (Flemish, Antwerp 1599–1641 London

Hettich (ou Hettig). Eugène. 17 ans, né le 6/1/77 à Paris XXe. Cocher. Anarchiste. 16/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 74 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 8 (verso), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

The Fruit Bowl, Paris, 1915-16, Graphite, wax crayon, and gouache on blue wove paper-faced paperboard, 10 11/16 × 8 1/2 in. (27.1 × 21.6 cm), Drawings, Juan Gris (Spanish, Madrid 1887–1927 Boulogne-sur-Seine), Gris collaborated with his

Bronze funnel-strainer, Archaic, ca. 550–500 B.C., Etruscan, Bronze, H. 6 9/16 in. (16.7 cm); length 13 1/2 in. (34.3 cm), Bronzes, The Etruscans used metal and sometimes ceramic sieves to strain wine when ladling it from large mixing

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 4 3/16 × 3 7/16 in. (10.7 × 8.7 cm), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington,

Design for Settee, 18th century, Graphite and pen and black ink, sheet: 7 x 7 1/4 in. (17.8 x 18.4 cm), Drawings, Anonymous, German, 18th century

Appliqué Plaque with a Tree and Four Birds, 12th century, Attributed to Iran or Iraq, Brass; cast, gilded, H. 2 1/2 in. (6.4 cm), Metal, This small but powerfully rendered plaque depicting heraldic birds highlights the varied uses of brass in

Celery vase, 1850–55, Made in New York, New York, United States, American, Blue-cut-to-clear glass, Height: 8 in. (20.3 cm), Glass, New York City was an important center for machine-cut luxury glass in the middle of the nineteenth century.

10 of Nooses, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Sketch of Building, 19th century, Pencil. Squared in pencil., 7 11/16 x 9 3/4 in. (19.5 x 24.8 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883

Young Man with Bow and Arrow, 1832, Graphite. Framing line in graphite, sheet: 10 1/16 x 8 3/16 in. (25.6 x 20.8 cm), Drawings, François Jacques Fleischbein (German, Godramstein (Bavaria) 1804–1868 New Orleans

Dakkeh, 1853–54, Salted paper print from paper negative, Image: 9 3/16 × 11 7/8 in. (23.4 × 30.2 cm), Photographs, John Beasley Greene (American, active France, 1832–1856), While Greene was a member of the Société Asiatique and a

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 30v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 5 1/16 × 2 3/4 in. (12.8 × 7 cm), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Le derrière, 1860s, Albumen silver print from glass negative, 9.5 x 12.7 cm. (3 3/4 x 5 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Sisyphus and Tantalus, 16th century, Pen and brown ink, 6 x 5-3/4 in. (15.2 x 14.6 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Jar, Qing dynasty (1644–1911), Kangxi period (1662–1722), China, Porcelain: dense, heavy, H. 9 in. (22.9 cm), Ceramics

Cabinet Design, 19th century, Graphite and watercolor, sheet: 5 1/16 x 5 13/16 in. (12.8 x 14.8 cm), Anonymous, British, 19th century

Acacia Bead Girdle of Senebtisi, Middle Kingdom, late Dynasty 12–early Dynasty 13, ca. 1859–1770 B.C., From Egypt, Memphite Region, Lisht North, Tomb of Senwosret (758), Pit 763, burial of Senebtisi, 1906–07, Gold, carnelian,

Sheet of Studies with Female Figure Kneeling and Embracing Standing Figure, 1775–1826, Pen and black ink, gray wash, graphite, Overall: 6 15/16 x 4 5/16in. (17.7 x 11cm), Drawings, John Flaxman (British, York 1755–1826 London

Marble head of a youth, Early Hellenistic, 3rd century B.C., Greek, Marble, H. 5 3/4 in. (14.6 cm.), Stone Sculpture, The soft modeling, deep-set eyes, and upward turn of the head mark this as a work of the early Hellenistic period

Onyx intaglio: Incantation in Greek letters, Imperial, ca. 2nd–3rd century A.D., Roman, Onyx, H.: 1 1/8 in. (2.8 cm), Gems, Amulet with inscriptions on both sides

Beads from a Necklace, 6th century, Frankish, Glass, copper alloy rings, Overall (length of string): 28 1/8 x 1 in. (71.5 x 2.6 cm), Glass-Beads, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though

Vessel, Early Dynastic II (?), ca. 2700–2600 B.C. (?), Mesopotamia, Diyala region, Ceramic, H. 29.9 cm (11 3/4 in.), Ceramics-Vessels

Hunting with a Hawk (from the Hunting Parks Tapestries), ca. 1515–35, South Netherlandish, Wool and silk thread, Overall: 134 1/2 x 95 1/2in. (341.6 x 242.6cm), Textiles-Tapestries, This tapestry belongs to a larger set of four, featuring

U.S. Monitor Onondaga, James River, 1861–65, Albumen silver print from glass negative, Photographs

Town by a Large Body of Water, mid-17th–mid-18th century, Black chalk, pen and brown ink, brush and gray wash. Framing line in pen & black ink., sheet: 7 1/16 x 12 3/8 in. (18 x 31.4 cm), Drawings, Abraham Rademaker (Dutch, Lisse, near

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

The Mansion House, 1850s–1910s, Albumen silver prints, Mount: 8.7 x 17.5 cm (3 7/16 x 6 7/8 in.), Photographs, Unknown

Studies of a Goat, 1798–1863, Graphite on wove paper, 6-1/4 x 8-5/8 in. (15.9 x 21.9 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Schön Neues Modelbuch (Page 16 recto), 1597

Draped Figure, 16th century, Pen and brown ink, 8-1/2 x 4-3/4 in. (21.6 x 12.1 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Wharf opposite Richmond, ca. 1865, Albumen silver print from glass negative, Photographs, John Reekie (American, active 1860s), Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Ein ney Furmbüchlein, Page 16, verso, ca. 1525–29

Allegorical Scene (Temptations of a Wealthy Man?), first half 17th century, Pen and black ink, brush and gray wash, sheet: 8 1/4 x 6 5/16 in. (21 x 16.1 cm), Drawings, Attributed to Master of the Stockholm Wolf Huber Copies

Table screen with landscape scene, 清 翡翠山水圖屏, Qing dynasty (1644–1911), 18th–19th century, China, Jade (jadeite), H. 6 13/16 in. (17.3 cm); W. 9/16 in. (1.5 cm), Jade

Jérusalem. Église Ste Anne appartenant à la France, 1860 or later, Albumen silver print from paper negative, Image: 8 7/16 in. × 11 in. (21.4 × 28 cm), Photographs, Louis de Clercq (French, 1837–1901

Sketch of Balcony and Pier (?) With Standing Female and a Reclining Satyr, 18th century, Pen and brown ink over graphite or lead on cream paper, 8-9/16 x 5-1/2 in. (21.7 x 13.9 cm), Anonymous, Italian, first half of the 18th century

Fables Nouvelles, Dediées au Roy, 1719, Printed book with etched illustrations, Overall: 10 1/16 x 8 1/8 x 1 7/16 in. (25.5 x 20.6 x 3.7 cm), Books, Claude Gillot (French, Langres 1673–1722 Paris), Although he was not trained as a

Shoe Buckle, 7th century, Byzantine, Silver, Overall: 7/8 x 1 1/8 x 5/16 in. (2.3 x 2.9 x 0.8 cm), Metalwork-Silver

Design for a Ceiling with an Oval Trompe L'Oeil Painting, 17th century, Pen and brown ink, brush and brown wash, and watercolor, over traces of graphite underdrawing and ruled construction, sheet: 7 13/16 x 3 15/16 in. (19.8 x 10 cm),

Assumption of the Virgin, 1842, Pencil, pen and black ink touched with gold., 10 1/8 x 8 9/16 in. (25.7 x 21.7 cm), Drawings, Monogrammist NL (Polish or German (?), 19th century

Terracotta statuette of a nude woman, Late Cypriot II, ca. 1450–1200 B.C., Cypriot, Terracotta; hand-made, H. 8 9/16 in. (21.79 cm), Terracottas, The statuette is hollow. The groove on the left breast is accidental. Such figures were placed

Necklace with Pendant Crosses, 6th–7th century, Made in probably Constantinople, Byzantine, Gold, pearl sapphire, smokey quartz, quartz, Overall: 17 13/16 in. (45.2 cm), Metalwork-Gold, Multicolored, or polychrome, jewelry was very

Design for a Painted Ceiling, 1800–1900, Watercolor, Drawings, Anonymous, Italian, 19th century

Snuff bottle, Qing dynasty (1644–1911), 19th century, China, Agate with coral stopper, H. 2 in. (5.1 cm), Snuff Bottles

Twin Stars, 1851–96, Brush and watercolor on off-white paper, 16-1/2 x 8-1/2 in. (41.9 x 21.6 cm), Drawings, Luis Falero (Spanish, Granada 1851–1896 London

Toilet casket, 1700–1715, French, Wood veneered with marquetry of tortoiseshell and brass, rosewood; gilt bronze, steel, Overall (confirmed): 5 1/16 x 13 5/8 x 10 1/4 in. (12.9 x 34.6 x 26 cm), Woodwork, Known in French as a carré de

Two Sketches of Boats, 19th century, Pen, black ink, brush, black wash over graphite, sheet: 8 3/8 x 6 11/16 in. (21.3 x 17 cm), Drawings, Anonymous, British, 19th century

Archaic-style Vase (hu), Ming dynasty (1368–1644), 15th–16th century, China, Bronze, H. 7 1/4 in. (18.4 cm); Diam. 6 in. (15.2 cm), Metalwork

Deep Bottom, James River, 1864, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 7 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolo Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

The Adoration of the Shepherds, mid-17th century, Black chalk, heightened with white, on brown paper, framing lines in pen and black ink., 14 3/16 x 11 9/16 in. (36.1 x 29.3 cm), Drawings, Sébastien Bourdon (French, Montpellier 1616–1671

Bowl with Enthroned Figure, Attendants, and Peacocks, 12th–13th century, Attributed to Iran, Stonepaste; glazed in opaque turquoise, in-glaze- and overglaze-painted, Diam. 7 1/2 in. (19.1 cm); H. 2 in. (5.1 cm), Ceramics

In the Evening, Lying on Her Bed, She Reread the Letter from Her Artilleryman at the Front (Le Soir, Couchée dans son lit, elle relisait la lettre de son artilleur au front), published in Les Mots en liberté futuristes, Created 1917,

Female Figure, 16th century, Pen and brown ink, 7-1/8 x 5-1/8 in. (18.1 x 13.0 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Funerary Mask, Roman Period, A.D. 2nd century, From Egypt, Plaster, paint, h. 19 cm (7 1/2 in); w. 10.5 cm (4 1/8 in

Mothers, Give from your Abundance (Mütter gebt von eurem Überfluss), 1926, Lithograph, sheet: 20 7/8 x 16 in. (53.1 x 40.7 cm), Prints, Käthe Kollwitz (German, Kaliningrad (Königsberg) 1867–1945 Moritzburg

Hobnail Pitcher, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed cranberry, opalescent and colorless glass, H. 7 5/8 in. (19.4 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

La scène des deux carrosses, ca. 1712–16, Pen and black ink, brush and red wash, Sheet: 6 1/4 x 8 3/8 in. (15.9 x 21.3 cm), Drawings, Claude Gillot (French, Langres 1673–1722 Paris), Primarily a graphic artist, Claude Gillot specialized

Terracotta dish with barbotine decoration, late 2nd century A.D., Roman, Terracotta; Gaulish red slip ware, 4 3/8in. (11.2cm), Vases, Red-glazed bowl with leaf and bird pattern in barbotine; terra sigillata

Comb with a giraffe, Predynastic, Late Naqada l–Naqada II, ca. 3900–3500 B.C., From Egypt, Ivory (elephant), h. 18.9 x w. 6.2 x th. 1.1 cm (7 7/16 x 2 7/16 x 7/16 in

Coastal Landscape, 1818–75, Black chalk, colored chalks, sheet: 3 15/16 x 5 1/2 in. (10 x 14 cm), Drawings, Anton Melbye (Danish, Copenhagen 1818–1875 Paris

An Eagle Preaching to the Animals, 16th century, Pen and brown ink, over red chalk., 4 7/16 x 6 3/8 in. (11.3 x 16.2 cm), Drawings, Attributed to Marcus Gheraerts the Elder (Flemish, Bruges ca. 1520–ca. 1590 London (?) (active England)) ,

장경호 삼국 (신라), 長頸壺 三國 (新羅), Footed Jar, Three Kingdoms period, Silla Kingdom (57 B.C.–A.D. 676), mid-5th century, Korea, Stoneware with traces of ash glaze, H. 13 in (33cm), Ceramics, Vessels of this

Design for a Wall Panel, n.d., Pen and black and grey ink, brush and grey wash, 12 3/8 x 8 1/2 in. (31.4 x 21.6 cm.), Drawings, Jean Démosthène Dugourc (French, Versailles 1749–1825 Paris

Standing Nude Man Supporting Fainting Female (Ludovisi Gaul in the Uffizi), 1780–1827, Watercolor, Sheet: 8 11/16 x 6 15/16 in. (22.1 x 17.6 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Serving Spoon, 1730–40, Made in Boston, Massachusetts, United States, American, Silver, 2 1/16 x 16 5/16 x 3 in. (5.2 x 41.4 x 7.6 cm); 7 oz. 2 dwt. (220.2 g), Silver, Jacob Hurd (American, Boston, Massachusetts 1702/3–1758 Boston,

Peasants, 17th century, Pen and brown ink, brush and gray wash, sheet: 5 3/4 x 8 1/8 in. (14.6 x 20.6 cm), Drawings, Willem van de Velde I (Dutch, Leiden 1611–1693 London

Cupid Seated on a Garland, 1770–90, French, Oil on canvas, 19 x 34-3/4 in. (48.3 x 88.3 cm), Paintings-Decorative

Chair seat cover, ca. 1770, Made in Effingham, New Hampshire, United States, American, Wool on linen, 24 × 18 in. (61 × 45.7 cm), Textiles, Anna Poor Parsons (American, 1738–1783), This chair seat cover is fully embroidered with

Folio from a Qur'an Manuscript, ca. 1180, Attributed to Eastern Iran or present-day Afghanistan, Ink, opaque watercolor, and gold on paper, 11.75 in. high 8.75 in. wide (29.8 cm high 22.2 cm wide), Codices, Written in Eastern or new style

Rue Neuve-Coquenard (from the Rue Lamartine), 1870s, Albumen silver print, 32.6 x 27 cm (12 13/16 x 10 5/8 in. ), Photographs, Charles Marville (French, Paris 1813–1879 Paris), Trained as a painter and an illustrator, Marville began

Horn-Shaped Drinking Cup, Three Kingdoms period, Silla Kingdom or Gaya Federation, 5th century, Korea, Stoneware, H. 9 1/4 in. (23.5 cm), Ceramics

The Bagpipe Player, Black chalk and watercolor, Sheet: 11 9/16 x 11 1/8 in. (29.3 x 28.3cm), Drawings, Guillaume Bodinier (French, 1795–1872

Two-Handled Jar with Stag, early 1400s, Made in Florence or its vicinity, Tuscany, Italy, Italian, Tin-glazed earthenware, Overall: 7 13/16 x 8 3/8 x 6 13/16 in. (19.9 x 21.3 x 17.3 cm), Ceramics, A manuscript from the early 1400s gives a

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 2 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, pen and inks, and graphite on artist board, Overall: 22 1/4 x 17 1/16 in. (56.5 x 43.3 cm), Drawings, Possibly Tiffany Glass Company

寛文美人図, Beauty of the Kanbun Era, Edo period (1615–1868), late 17th century, Japan, Hanging scroll; ink, color, and gold on paper, Image: 24 1/8 × 9 5/8 in. (61.3 × 24.4 cm), Paintings, Kanbun bijin, or “Beauties of the

Herdsmen with Cattle and Sheep in Italianate Landscape, mid-17th–late 17th century, Black chalk, brush and gray wash, 10 3/8 x 8 in. (26.6 x 20.7 cm), Drawings, Nicolaes Berchem (Dutch, Haarlem 1621/22–1683 Amsterdam

Sake bottle with pine, bamboo and plum, Edo period (1615–1868), mid-17th century, Japan, Stoneware (Mizoro ware), H. 11 7/16 in. (29 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 46v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

View of the Courtyard of the Castle at Döben, 1800–1869, Graphite and brush and brown wash, sheet: 11 1/16 x 15 3/16 in. (28.1 x 38.5 cm), Drawings, Carl Gustav Carus (German, Leipzig 1789–1869 Dresden