Images at Librifly

A House at Sorrento, mid-19th century, Watercolor over graphite with touches of gouache, sheet: 9 11/16 x 4 11/16 in. (24.6 x 11.9 cm), Drawings, Thomas Hartley Cromek (British, London 1809–1873 Wakefield

Design for a Monstrance, 18th century, Ink and gray wash, Anonymous, Italian, 18th century

Bompeix. Eugène. 53 ans, né à St Martin d'Herbus (Haute-Vienne). Conducteur de machines. Anar. 3/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

清 珊瑚童子仙姑像, Daoist immortal and boy, Qing dynasty (1644–1911), 19th century, China, Coral, H. 9 3/16 in. (23.3 cm), Sculpture

Diadem of Senebtisi, Middle Kingdom, late Dynasty 12–early Dynasty 13, ca. 1859–1770 B.C., From Egypt, Memphite Region, Lisht North, Tomb of Senwosret (758), Pit 763, burial of Senebtisi, 1906–07, Gold, H. 3.4 cm (1 5/16 in.); Circ.

Edfou (Apollonopolis Magna), Galerie Latérale de la Cour et Pronaos, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.7 x 30.8 cm. (9 3/4 x 12 1/8 in.), Photographs, Félix Teynard (French, 1817–1892

Gold ring, with stone missing from bezel, Late Archaic, early 5th century B.C., Etruscan, Gold, Diam.: 1 in. (2.5 cm), Gold and Silver, Ring with plain hoop and filigree bezel from a tomb group allegedly from Vulci, one of the richest and

Cup, ca. 1911, Made in Chicago, Illinois, United States, American, Silver, 3 1/2 in. (8.9 cm), Lip diameter: 2 3/4 in. (7 cm), Foot diameter: 3 5/8 in. (9.2 cm) 8 oz. 4dwt (255.6g), Silver, Robert R. Jarvie (American, 1865–1941

Scene from Ancient History: Cup Offered to an Invalid, n.d., Black chalk, 9 7/16 x 11 1/2 in. (24 x 29.2 cm.), Drawings, Jacques Louis David (French, Paris 1748–1825 Brussels

Shilling, ca. 1667–ca. 1682, Made in Boston, Massachusetts, United States, American, Silver, 1 3/16 in., 4.68 Grams (3 cm, 3 dwt), Silver, John Hull (1624–1683), Robert Sanderson Sr. (ca. 1608–1693), In 1652 John Hull and Robert

The Cable Passed From the Works into the Hulk (the Old Frigate Iris) Lying in the Thames at Greenwich, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 7/16 × 10 1/16 in. (16.4 × 25.5 cm), Drawings, Robert Charles Dudley

Sheet of Studies: A Marriage Procession in Sixteenth Century Dress; a Cavalier; and a Trophy of Arms, 1798–1863, Pen and brown ink on brown tracing paper., 8-7/8 x 6-7/8 in. (22.5 x 17.5 cm), Drawings, Eugène Delacroix (French,

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 21r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 4 15/16 × 3 1/4 in. (12.6 × 8.2 cm), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington,

The Chastisement of Luxury, 1817–70, Brush and dark brown wash with traces of red chalk, 10-1/8 x 15-1/4 in. (25.7 x 38.7 cm), Drawings, Eugenio Lucas (Spanish, Madrid 1817–1870 Madrid

Monstrance Surrounded by Cherubs, 1600–1800, Ink and grisaille, 9-1/2 x 9-3/4 in, Drawings, Anonymous, Italian, 17th or 18th century

St. George and the Sorcerer of Dacian, 1555, Pen and brown ink, brush and blue wash, touches of white heightening, extremely faint traces of preliminary drawing in black chalk. Framing lines in pen and brown in, circular sheet: 26.7 cm

Coat of Arms (blank) with Two Putti Holding a Crown, 17th century, Pen and brown ink, brush and brown wash, black chalk, laid, sheet: 8 13/16 x 6 5/16 in. (22.4 x 16.1 cm), Anonymous, German, 17th century (?), Design for a coat of arms. The

Pugahm Myo: Distant View of Gauda-palen Pagoda, August 20–24, 1855, Albumen silver print from waxed(?) paper negative, Image: 25.3 x 34.1 cm (9 15/16 x 13 7/16 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902

Design for [Gas?] Lights for a Church, ca. 1880, Pen and ink, wash and watercolor on tracing paper, sheet: 7 1/16 x 4 1/8 in. (18 x 10.5 cm), Richardson Ellson & Co. (British

Breiner. Jean-Baptiste. 31 ans, né à Bar sur Aube (Aube). Mécanicien. Anarchiste. 5/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Design for a Frieze with Roman Trophies, 1800–1900, Black ink and wash, 4-3/4 x 14-7/8 in, Drawings, Anonymous, Italian, 19th century

'The Husband Beats his Wife's Lover', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Plate, ca. 1885, Made in West Midlands, England, British, Blown satin green with white opaque glass, Diam. 5 in. (12.7 cm), Glass

Toothpick Holder, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed yellow glass, H. 2 3/8 in. (6 cm); Diam. 2 3/8 in. (6 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

Double scabbard, mid-17th century, British, Silk and metal thread on canvas, L. 7 1/4 x W. 1 inches (18.4 x 2.5 cm), Textiles-Embroidered

Lea Castle, Worcestershire, Ante-saloon, Looking North, ca. 1816, Watercolor, sheet: 8 3/8 x 7 in. (21.2 x 17.8 cm), John Carter (British, London 1748–1817 London

Saint Cloud; Study for the frieze at Saint-Vincent-de-Paul, Paris, 1835–64, Red chalk on tracing paper; lined, 8 7/8 x 4 3/16 in. (22.5 x 10.7cm), Drawings

The Adoration of the Magi (Cartoon for an Embroidery), 1587–89, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue-green paper; outlines finely pricked for transfer, sheet: 15 13/16 x 9 9/16

Saints and Scenes from the Life of the Virgin, ca. 1320, Tempera on wood, gold ground, Left wing, overall, with engaged frame, 25 1/4 x 9 1/4 in. (64.1 x 23.5 cm), painted surface 23 3/8 x 7 1/2 in. (59.4 x 19.1 cm); right wing, overall,

Statuette of Isis and Horus, Ptolemaic Period, 332–30 B.C., From Egypt, Faience, H. 17 cm (6 11/16 in); W. 5.1 cm (2 in.); D. 7.7 cm (3 1/16 in.), For the ancient Egyptians the image of the goddess Isis suckling her son Horus was a powerful

Flask, ca. 1836–50, Made in Bridgetown, New Jersey, United States, American, Free-blown molded aquamarine glass, H. 8 1/4 in. (21 cm), Glass, Bridgetown Glass Works

Woman in a black fur, first half 20th century, brush and black ink, gouache, traces of graphite framing lines, sheet: 15 3/16 x 6 1/8 in. (38.5 x 15.5 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 5 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Reclining Child, Ming dynasty (1368–1644), 16th century, China, Jade (nephrite), L. 2 1/2 in. (6.3 cm), Jade

Covered urn with geometric decoration, 손잡이 달린 인화 무늬 합 통일신라, South and North Kingdoms period (676–935), Unified Silla, 8th century, Korea, Stoneware with stamped design, H. 9 in. (22.9 cm), Ceramics, As

Glimpses of the World's Fair. A Selection of Gems of the White City Seen Through a Camera . . ., 1893, Illustrations: photographic process, 4 15/16 × 6 3/4 × 9/16 in. (12.5 × 17.2 × 1.4 cm), Books

SKH Prinzregent Ludwig von Bayern, 1912–13, Platinum print, 23.1 x 15.8 cm (9 1/16 x 6 3/16 in.), Photographs, Frank Eugene (American, New York 1865–1936 Munich

Arched Harp (shoulder harp), New Kingdom, Dynasty 18, late, ca. 1390–1295 B.C., From Egypt, Wood, L. (diagonally) 82 cm (32 5/16 in); l. of sound box 36 cm (14 3/16 in), Egyptian arched harps from Dynasty 4 onward coexisted with a great

Study for an allegorical figure of Justice in the ceiling decoration of the Salon du Roi, Palais Bourbon; verso: studies of allegorical figures, and architectural sketches., 1833, Graphite on wove paper, 8-9/16 x 13-1/2 in. (21.7 x 34.3 cm),

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 26r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Stassburg, Jobin, Bernhard, Swiss, 1535, 1597, 1598

Surprised, or Infidelity Found Out, Oil on canvas, 28 3/4 x 28 5/8 in. (73 x 72.7 cm), Paintings, Christian Wilhelm Ernst Dietrich (German, Weimar 1712–1774 Dresden

Landscape, n.d., Gouache on paper, 3 1/2 x 9 1/8 in. (8.9 x 23.2 cm), Drawings, Jan Frans van Bloemen (Flemish, Antwerp 1662–1749 Rome

Figure 20: Profound suffering, with resignation, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.5 × 20.4 cm (11 1/4 × 8 1/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French,

Portrait of Matthias Buchinger (1674-1739), 1709, Etching, sheet: approx. 7 5/8 x 7 1/4 in. (19.4 x 18.4 cm), Prints, Anonymous

전(傳) 오원 장승업 (1843–1897) 청동기와 화초가 있는 정물화 조선, 傳 吾園 張承業 器皿折枝圖 朝鮮, Still life with bronze vessels and flowering plants, Joseon dynasty (1392–1910), 1894, Korea, Ten-panel

Carpet, 1795–96, Attributed to Turkey, Ladik, Konya, Wool (warp, weft and pile); symmetrically knotted pile, H. 78 in. (198.1 cm), Textiles-Rugs

Leaf of a Writing Tablet, 14th century, Made in Paris, French, French, Ivory, Overall: 4 9/16 x 3 1/16 x 3/16 in. (11.7 x 7.8 x 0.6 cm), Ivories, It is probable that this leaf from a writing tablet, as with many extant writing tablets, was

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/4 x 4 1/4 in. (10.8 x 10.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

The Port, Trouville, 1840–98, Black chalk and charcoal, heightened with white and reddish crayon, Sheet: 7 3/16 x 10 11/16 in. (18.2 x 27.1cm), Drawings, Eugène Boudin (French, Honfleur 1824–1898 Deauville

Goblet, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 6 7/16 in. (16.4 cm); Diam. 3 5/16 in. (8.4 cm), Glass, With the development of new formulas and techniques,

Design for a Frame with Birds, Animals, and Foilage, ca. 1850, 12 x 18-3/8 in, Drawings, Anonymous, Italian, 19th century

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Dado Panel, 10th century, Excavated in Iran, Nishapur, Stucco; carved, with some cast plaster elements, H. 36 1/2 in. (92.7 cm), Stucco

Terracotta bell-krater (mixing bowl) with lid, Classical, late 5th century B.C., Greek, Boeotian, Terracotta; red-figure, H. 7 in. (17.8 cm.), Vases, The hippocamp, a fantastic monster with a horse's body and a fish's tail, was fairly

Illuminated Frontipiece of a Manuscript of the Mantiq al-tair (Language of the Birds), text: dated A.H. 892/ A.D. 1487; illumination: ca. 1600, Made in present-day Afghanistan, Herat. Made in Iran, Isfahan, Ink, opaque watercolor, silver, and

Set of Saddle Plates, ca. 1400, Tibetan or Chinese, Iron, gold, lapis lazuli, turquoise, H. 10 7/8 in. (27.6 cm); L. 23 1/2 in. (59.7 cm); W. 13 3/4 in. (34.9 cm), Equestrian Equipment-Saddles, This set of saddle plates represents a high

Chasuble (Opus Anglicanum), ca. 1330–50, British, Silver and silver-gilt thread and colored silks in underside couching, split stitch, laid-and-couched work, and raised work, with pearls on velvet, Overall (Chasuble): 51 x 30 in. (129.5 x

Allegory of Wealth, Lust and Stupidity, late 16th century, Pen and brush and brown ink, white body color, 11-3/8 x 14-1/16 in. (28.9 x 35.7 cm), Drawings, Joos van Winghe (Flemish, 1542/44–1603

Obstructions in James River near Drewry's Bluff, ca. 1865, Albumen silver print from glass negative, Photographs, William Frank Browne (American

Design for an Elaborate Doorway with a Vaulted Ceiling Behind, and a Curtain Drawn Across the Opening, 1700–1780, Pen and brown ink, brush with gray, mauve, and yellow wash, over ruled and compass constructions in lead point or graphite.

Buckle Shank, 7th century, Visigothic, Copper alloy, tin, 3 5/16 x 1 1/4 x 3/8 in. (8.4 x 3.2 x 1 cm), Miscellaneous-Buckles & Ornament

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 28r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

A Reconstruction of the Thermae of Nero (above) and a View of the Ruins (below), before 1704, Red chalk, pen and black ink, brush and grey wash., 13 1/16 x 8 in. (33.2 x 20.3 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731 Amsterdam

The Adoration of the Shepherds, early 16th–mid 16th century, Black chalk on light brown paper, 9 3/4 x 7 1/2 in. (24.8 x 19.1 cm), Drawings, Attributed to Aertgen Claesz. van Leyden (Netherlandish, Leiden 1498–1564 Leiden

A Young Girl Walking to the Left, mid-17th century, Black and red chalk, sheet: 11 5/8 x 6 15/16 in. (29.6 x 17.7 cm), Drawings, Adriaen van de Velde (Dutch, Amsterdam 1636–1672 Amsterdam

Portrait of a Man, ca. 1540–50, Oil on wood, 6 7/8 x 6 1/8 in. (17.5 x 15.6 cm), Paintings, Attributed to Corneille de Lyon (Netherlandish, The Hague, active by 1533–died 1575 Lyons), Based on the sitter’s costume, this portrait of a

古満休伯作 群鶴蒔絵印籠, Inrō with Cranes and Pines, Edo period (1615–1868), 18th century, Japan, Gold togidashi lacquer ground with gold and silver takamaki-e and hiramaki-e, and black and red lacquer, H. 3 1/16 in. (7.7 cm); W.

Vulture, 1810–75, Watercolor on laid paper, Sheet: 2 15/16 x 4 3/8 in. (7.4 x 11.1cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Book of the Dead of Khaemhor, Late Period, Saite, Dynasty 26, 664–525 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb, in rubbish in pit, 1923–24, Papyrus, ink, Papyrus: L. 295.5 x W. 37 cm (116 5/16 x 14 9/16 in.); Frame

Three Female Figures and Seated Putto, 17th century, Red chalk on light tan paper, 4-3/8 x 5-3/8 in. (11.1 x 13.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Pallaz (ou Pellaz). Péronne. 28 ans, née le 11/8/66 à Aix-les-Bains (Savoie). Cuisière. Anarchiste. 8/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Virgin and Child Enthroned with St. Jerome, St. Francis of Assisi and Three Other Saints, 16th–17th century, Intaglio, Prints, Anonymous, Italian, 16th to 17th century, After Alessandro Gandini (Italian, 1550–1600), After Parmigianino

Saint Elizabeth Carrying Her First-born Son to the Church, ca. 1850, Graphite, sheet: 8 1/8 x 10 1/4 in. (20.6 x 26 cm), Drawings, Ludwig Emil Grimm (German, Hanau 1790–1863 Kassel

Plate, ca. 1800, Made in Mexico, Mexican, Earthenware, Diam. 7 1/4 in. (18.4 cm), Ceramics

Design for a Marble Fireplace, 19th century, Graphite, Anonymous, British, 19th century

Bowl, Mina'i ('enameled') ware, late 12th–early 13th century, Iranian, Mina'i ware. Fritware, stain and overglaze-painted., Diameter: 7 3/8 in. (18.8 cm.), Ceramics-Pottery

Snuff bottle in the shape of corn, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Porcelain with yellow glaze (Jingdezhen ware) and amber stopper, H. 3 in. (7.6 cm), Snuff Bottles

Dish, 1797, Made in Pennsylvania, United States, American, Earthenware; Redware, H. 2 1/4 in. (5.7 cm); Diam. 12 3/4 in. (32.4 cm), Ceramics

Bungalow drawing -- Southern Elevation, late 19th–early 20th century, Watercolor, black ink, pen and red ink over graphite, sheet: 8 x 11 15/16 in. (20.3 x 30.4 cm), Ernest Geldart (British, London 1848–1929

Etiévant. Henri, Achille. 32 ans, né à Flammanville (Manche). Typographe. Anarchiste. 4/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Shaving Mug, ca. 1853, Made in Baltimore, Maryland, United States, China, Mottled brown earthenware, H. 4 3/8 in. (11.1 cm), Ceramics, E. & W. Bennett Pottery (1847–1857

Amuletic figure, Predynastic, Naqada II, ca. 3650–3300 B.C., From Egypt, Limestone (pink), H. 4 x W. 1.9 x D. 1.1 cm (1 9/16 x 3/4 x 7/16 in

Design for Metal Candleholder Supported by a Sphinx, second half 19th century, Graphite, sheet: 6 1/4 x 4 1/2 in. (15.9 x 11.5 cm), Anonymous, British, 19th century

Yastik Cushion Cover, ca. 1600, Attributed to Turkey, Bursa, Silk, cotton, metal wrapped thread; cut and voided velvet (çatma), brocaded, Textile a: H. 50 in. (127 cm), Textiles-Woven, Rectangular silk velvets, such as this textile,

Beaker, 1574, Hungarian, Nagyszeben, Silver, partly gilded, Overall: 3 3/4 x 3 1/8 in. (9.5 x 8 cm), Metalwork-Silver, The Salgo Collection contains two examples of an extremely rare beaker of a graceful type that has its roots in the

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 25 (recto), 1601

Vase, ca. 1891, French, Choisy-le-Roi, Porcelain, brass, confirmed: 20 11/16 × 9 3/4 × 9 3/4 in., 18 lb. (52.5 × 24.8 × 24.8 cm, 8.2 kg), Ceramics-Porcelain, Creating a marbled glaze required an extensive knowledge of chemical reactions

[Elderly Woman Wearing Glasses and a Soft Bonnet], 1850s, Daguerreotype, Image: 6.9 x 5.5 cm (2 11/16 x 2 3/16 in.), Photographs, Unknown (American

Wine cup with cover, Mounts by Affabel Partridge (British, active ca. 1551–1580), ca. 1565, British, London and Chinese, Chinese porcelain, silver-gilt, Overall (confirmed): 7 3/8 x 5 1/4 x 5 1/4 in., 14 oz. 5 dwt. (18.7 x 13.3 x 13.3 cm,

Facade (for Stage Setting), 16th century, Pen and brown ink, brush and red wash, 13-5/8 x 10 in. (34.6 x 25.4 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

The Convalescent (A Portrait of the Artist's Wife), 1872, Pastel, Sheet: 18 3/8 × 17 3/8 in. (46.7 × 44.1 cm), Drawings, Ford Madox Brown (British, Calais 1820–1893 London), As Brown’s mistress in the late 1840s, Emma Hill (1829–1890)

Design for a Classical Chimneypiece with Rams Heads, and Leda and the Swan., 1745–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

[Charlton House with Seated Figures in Foreground], 1850s, Salted paper print from paper negative, 24.5 x 32.5 cm (9 5/8 x 12 13/16 in.), Photographs, Unknown (British

Jacob's Dream, ca. 1567, probably British, Silver, parcel gilt, Overall (confirmed): 5/8 x 7 3/4 in., 8 oz. 16 dwt. (1.6 x 19.7 cm, 0.273kg), Metalwork-Silver, The fine engraving on this set of plates depicts scenes from the Old Testament.

Relief fragments from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint

Three Studies of a Lion, 1815–63, Graphite on tracing paper (mounted on wove paper), 4 5/16 x 5 5/16 in. (11 x 13.5 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Men's Heads, 19th century, Pen and ink, brush and wash, sheet: 5 x 7 13/16 in. (12.7 x 19.8 cm), Drawings, Francisco Domingo y Marqués (Spanish, Valencia 1842–1920 Madrid

Fountain with Neptune and Sea Creatures, 17th century, Pen and brown ink, with brown wash, sheet: 8 1/8 x 10 1/2 in. (20.7 x 26.7 cm), Anonymous, Italian, 17th century

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 44 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella