Images at Librifly

[Three Men in Shepherd Attire, One with Bagpipes, the Other Two Holding Bread], 1850s, Daguerreotype, Image: 7 x 5.7 cm (2 3/4 x 2 1/4 in.), Photographs, Unknown

Pie Dish, 1800–1830, Made in Huntington, New York, United States, American, Earthenware with slip decoration, Diam. 12 3/8 in. (31.4 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 5 (recto), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Pitcher, 1838–45, Made in Philadelphia, Pennsylvania, United States, American, Porcelain, H. 7 1/2 in. (19.1 cm), Ceramics, Possibly Charles J. Boulter

Male figure in classical costume, 1845–83, Graphite, Sheet: 9 3/16 x 9 1/2 in. (23.4 x 24.2cm), Drawings

鷺蒔絵印籠, Inrō with Captured Heron, Edo period (1615–1868), 19th century, Japan, Black lacquer, black, gold, red, and white hiramaki-e, takamaki-e, ivory, and metal wire, 2 7/16 x 2 3/16 x 7/8 in. (6.2 x 5.5 x 2.3 cm), Inr

Portrait of John Poyntz, early 16th century, Black and red chalk (use of stumping), brush and brown wash and black ink, 5-5/16 x 3-3/4 inches (13.5 x 9.5 cm), Drawings, Attributed to Hans Holbein the Younger (German, Augsburg 1497/98–1543

The Silver Tureen, ca. 1728–30, Oil on canvas, 30 x 42 1/2 in. (76.2 x 108 cm), Paintings, Jean Siméon Chardin (French, Paris 1699–1779 Paris), In 1728 Chardin was admitted to the French Academy, and achieved immediate and lasting fame

Tile from a Mihrab, dated A.H. 722/ A.D. 1322–23, Attributed to Iran, Stonepaste; modeled, painted under transparent glaze, H. 27 3/8 in. (69.5 cm), Ceramics-Tiles, This tile once formed part of a mihrab, or niche, facing Mecca, toward

Design for a Dome Compartment with Figures of Charity and Fortitude?, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light tan paper, 11-5/16 x 7-5/16 in. (28.8 x 18.5 cm), Drawings, Anonymous, Italian,

Hobnail Finger Bowl, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed cranberry and opalescent glass, H. 2 3/4 in. (7 cm); Diam. 5 in. (12.7 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Intaglio, Post-Classical, Lapis lazuli, Other: 15/16 x 3/16 in. (2.3 x 0.4 cm), Gems, On one side, head of Alexander; other, Apollo and Aphrodite

Kneeling Female Figure with Upraised Arms, late 16th–mid-17th century, Red chalk, heightened with white chalk, 10 3/8 x 7 1/16 in. (26.4 x 18 cm), Drawings, Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht

An Opening in a Cloudy Sky (Smaller Italian Sketchbook, leaf 13 recto), 1774–75 (?), Graphite, pen and ink, brown and green wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby

Jordy. Baptiste. 61 ans, né le 8/72/32 à Labardes (Aude). Cordonnier. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Drawing Room at Mar Lodge, Parish of Craithe and Braemar, Aberdeenshire, ca. 1860, Watercolor, sheet: 13 7/8 x 19 1/4 in. (35.2 x 48.9 cm), Drawings, Anonymous, British, 19th century

Panel with Geometric Pattern and Benedictory Inscriptions, late 13th–mid-14th century, Attributed to Spain, Granada, Limestone; carved, H. 30 5/16 in. (77 cm), Stone, This limestone panel exemplifies the style of ornament found on carved

Platter, 1785–90, Made in China, Chinese, for American market, Porcelain, 15 1/8 x 18 3/4 in. (38.4 x 47.6 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered

Sugar Loaf Islands, Farallons, 1868–69, Albumen silver print from glass negative, Image: 40 x 52.4; Mount: 55.3 x 66.3, Photographs, Carleton E. Watkins (American, 1829–1916), Watkins's technical virtuosity was honed in Yosemite, first

Fragment of a Box (?) with Elephants, Gupta period, ca. 5th century, North or West India, Bronze, Overall: 2 1/8 x 1 9/16 x 1/4 in. (5.4 x 4 x 0.6 cm), Sculpture

Family Group Portrait Posed in Doorway, late 1840s, Salted paper print from paper negative, Height: 3 3/8 in. (8.5 cm), Photographs, Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England

Terracotta statuette of Eros playing a lyre, Hellenistic, 3rd–2nd century B.C., Greek, Terracotta, H. 6 13/16 in. (17.3 cm), Terracottas, Nude, playing lyre

Bridge Across Tennessee River at Chattanooga, ca. 1864, Albumen silver print from glass negative, 8.5 x 8.9 cm (3 3/8 x 3 1/2 in. ), Photographs, George N. Barnard (American, 1819–1902

Rigollet. Alexandre. 41 ans, né dans le Loir-et-Cher. Terrassier. Anarchiste. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

[Group of 6 Early Stereograph Views of Birmingham, England], 1860s–80s, Albumen silver prints, Mounts: 8.5 x 17 cm (3 3/8 x 6 11/16 in.), Photographs, Unknown (British

A View of Two Obelisks, One in the Vatican and the Other on the Esqualine Hill., before 1704, Pen and black ink, brush and brown and grey wash, over red chalk. Incised., 12 15/16 x 8 3/16 in. (32.9 x 20.8 cm), Jan Goeree (Dutch, Middelburg

General Butler's Headquarters, Chapin's Farm, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Nude Boy, Walking to the Left, 1840–80, Graphite, heightened with white on brown paper, 13 1/16 x 9 7/16 in. (33.2 x 24 cm), Drawings, Anselm Feuerbach (German, Speyer 1829–1880 Venice

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 22 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Cattle and Sheep at Resting at the Edge of a Forest, 1790–1842, Watercolor and gouache over graphite, with gum arabic and scratching out, sheet: 15 13/16 x 13 1/16 in. (40.2 x 33.2 cm), Drawings, George Barret, the younger (British, London

Bather Stepping into a Tub, ca. 1890, Pastel and charcoal on blue laid paper, mounted at perimeter on backing board, 22 x 18 3/4 in. (55.9 x 47.6 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), Degas’s interest in the motif of

Earring with head of ibex, Ptolemaic Period, 3rd–2nd century BC, From Egypt, Gold, As Worn: H. 1.5 × W. 1.5 cm (9/16 × 9/16 in.), Hoops formed of wound wire with animal head terminals are the commonest type of Hellenistic earring. The heads

[Napoleon III and Empress Eugenie], ca. 1865, Albumen silver print, Image: 9.5 x 6 cm (3 3/4 x 2 3/8 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

The Cloister Sanajia (?) at Kalki, 19th century, Pencil on tracing paper, mounted on laid paper. Small piece of paper with some sketches attached to right margin of mount., 7 3/4 x 10 7/8 in. (19.7 x 27.7 cm) (irregular), Drawings, Franz von

[Young Girl Wearing Gingham Shawl, Resting on Pillow], 1853–56, Daguerreotype, Image: 6.7 x 5.3 cm (2 5/8 x 2 1/16 in.), Photographs, Beckers & Piard

Madonna and Child, Engraving, Prints, Engraved by Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album,

Design for Ecclesiastical Embroidery -- Veil and Bun, late 19th–early 20th century, Watercolor, pen and black ink over graphite, sheet: 9 3/4 x 9 3/4 in. (24.8 x 24.8 cm), Ernest Geldart (British, London 1848–1929

A Sportsman with a Gun, 1670–1702, Pen and brown ink on laid paper, sheet: 3 3/8 x 2 3/16 in. (8.5 x 5.5 cm), Drawings, Marcellus Laroon the Elder (French, The Hague 1653–1702 Surrey), Laroon came to London from The Hague in 1674 and

Engraved Bowl, early 17th century, Country of Origin India, Copper; cast, engraved, tinned, and inlaid with a black compound, Diam. 10 3/4 in. (12.7cm), Metal, The decoration of this bowl combines Persian poetry with a frieze of huntsmen,

Snuff Bottle, Qing dynasty (1644–1911), 19th century, China, Jade (jadeite), H. 2 7/16 in. (6.2 cm), Snuff Bottles

'The Lion and the Elephant Fighting', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Design for the Frontspiece of The British Sportsman, ca. 1812, Brush and watercolor, sheet: 7 1/4 x 5 3/8 in. (18.4 x 13.7 cm), Drawings, William-Samuel Howitt (British, ca. 1756/57–1822/23 London

Terracotta conical rhyton (vase for liquid offerings), Late Minoan I, ca. 1600–1500 B.C., Minoan, Terracotta, H. 11 1/4 in. (28.6 cm), Vases, Among the various forms of rhyton from the latter part of the Bronze Age, the conical type is

A Fantastic Creature, late 16th–early 17th century, Pen and brown ink, brown wash, over black chalk. Framing lines in pen and brown ink, 5-15/16 x 7-7/16 in. (15.1 x 18.9 cm), Drawings, Arent van Bolten (Netherlandish, Zwolle 1573–before

Belt Buckle With Trapezoidal Plate, ca. 500, Germanic, Silver-gilt, Overall: 1/16 x 4 15/16 x 1 15/16 x 3/8 in. (0.1 x 12.5 x 4.9 x 1 cm), Metalwork-Silver

Designs for Book Illustrations, 16th century, Pen and black ink, brush and grey wash. Some traces of black chalk. Some incised for transfer., Smallest: 2 5/16 x 1 5/8 in. (5.8 x 4.1 cm), Drawings, Anonymous, Netherlandish, 16th century

Dish, 16th century, Made in Turkey, Iznik, Stonepaste; polychrome-painted under transparent glaze, H. 2 3/8 in. (6 cm), Ceramics

Marble head of a woman, Early Antonine, ca. A.D. 150, Roman, Marble, 8 × 7 1/2 × 10 1/4 in. (20.3 × 19.1 × 26 cm), Stone Sculpture, Head of a woman with radical reworking. The places that were reworked are easy to detect by their light

Firman of Muhammad Shah Qajar, dated A.H. 1250/A.D. 1835, Made in Iran, Ink, opaque watercolor, and gold on paper, H. 16 1/2 in. (41.9 cm), Codices, In addition to being a historic document with an important message, firmans or royal edicts

Ruins in Columbia, South Carolina No. 2, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Woman and Child Sitting next to a Road, 1760–1818, Pencil and watercolor, sheet: 13 7/8 x 10 7/16 in. (35.2 x 26.5 cm), Drawings, Egbert van Drielst (Dutch, Groningen 1746–1818 Amsterdam

Major General Pleasanton and General Custer, 1863, Albumen silver print from glass negative, Mount: 11 9/16 × 15 13/16 in. (29.4 × 40.1 cm), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Stucco relief panel, Early Imperial, 2nd half of 1st century A.D., Roman, Stucco, Overall: 17 1/4 x 13 3/8 in. (43.8 x 34 cm), Miscellaneous-Stucco, The nude female figure flies to the right with her drapery floating loosely behind her. She

An Allegory of Fortune with Two River Gods, 1624, Pen and black ink and grey and blue wash over black chalk, sheet: 4 1/16 x 11 7/16 in. (10.3 x 29 cm), Drawings, Hans Jakob Ebelmann (German, Speyer ca. 1570–ca. 1625 Speyer

Design for Ecclesiastical Picture Frame, mid-17th century, Pen and brown ink, gray wash, Drawings, Anonymous, Italian, 17th century

Seal, Qing dynasty (1644–1911), 18th century, China, Soapstone (tianhuang type), H. 1 3/4 × W. 1 1/4 × D. 3/4 in. (4.4 × 3.2 × 1.9 cm), Seals

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 23 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

The Metamorphosis of Acteon, 1535–55, Etching, 16 3/4 x 22 1/2 in. (42.6 x 57.2 cm), Prints, Jean Mignon (French, active 1535–ca. 1555), after Luca Penni (Italian, Florence 1500/1504–1557 Paris

Terracotta neck-amphora (jar), Archaic, ca. 575–550 B.C., Etruscan, Terracotta; black-figure, Pontic ware, H. 13 7/8 in. (35.3 cm), Vases, Upper frieze, procession of centaurs, Lower frieze, procession of lions. The unified series of

City Point, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Pontoon Bridge Across the Potomac, Berlin, October 1862, 1862, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Bridge Builders Camp opposite Chattanooga, ca. 1864, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Design for Ticket or an Invitation, 19th century, Graphite, with touches of pen and black ink. Paper pricked in the area of the saints., 4 13/16 x 6 1/2 in. (12.2 x 16.5 cm), Drawings, Anonymous, German, 19th century

The Great Eastern Weighing Anchor Off the Maplin Sands at the Nore, July 15, 1865, 1865–66, Watercolor over graphite with touches of gouache, Image: 8 3/4 × 6 3/16 in. (22.3 × 15.7 cm), Drawings, Robert Charles Dudley (British,

Drawings and Prints, Album Print Ornament & Architecture, Diverses Pieces de Serruriers, page 7 (recto), Artist, Artist, After, Hugues Brisville, Jean Berain, Gabriel Ladame, French, born ca. 1633, active Paris 1663, French,

Standing Male Figure, 17th century, Pen and dark brown ink. On ivory paper, 7-1/16 x 4-5/8 in. (18.0 x 11.7 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

[Thomas Sidney Cooper], 1860s, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

Badge of the Cincinnati Medal, ca. 1783, Made in Paris, France, Gold, L. 2 in. (5.1 cm), Jewelry, In 1783 officers who had served in the Continental Army under General George Washington formed The Society of the Cincinnati, primarily for the

Easy chair, 1810–15, Made in Massachusetts, United States, American, Mahogany, 45 1/4 x 29 x 25 3/8 in. (114.9 x 73.7 x 64.5 cm), Furniture, Although easy chairs were widely produced in the eighteenth century, few examples from the early

Relief-Carved Bowl, 12th–9th century B.C., Mexico, Mesoamerica, Olmec, Ceramic, H. 4 7/16 x Diam. 5 15/16 in. (11.2 x 15 cm), Ceramics-Containers, This straight-sided blackware bowl features a long-beaked bird and a scroll design in low

The Painter's Wife, 1900s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Lamp, 3rd century B.C., Terracotta, Overall: 1 1/4 x 2 3/4 in. (3.2 x 7 cm), Terracottas

Plate, 1841, Made in Pennsylvania, United States, American, Earthenware with slip decoration, Diam. 9 1/2 in. (24.1 cm), Ceramics

Wine jar (Orcio da vino), workshop of the Marmi family, ca. 1597–1620, Italian, Montelupo, Maiolica (tin-glazed earthenware), Height: 40 1/2 in. (102.9 cm), Ceramics-Pottery, workshop of the Marmi family

Tumbler, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed glass, H. 4 1/8 in. (10.5 cm); Diam. 3 1/8 in. (7.9 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

Buffaloes in Combat, late 16th century, Attributed to India, Ink, watercolor, and gold on paper, 6 7/8 x 9 1/2in. (17.5 x 24.1cm), Codices, Attributed to Miskin (active ca. 1570–1604), Animal combats were a favorite form of entertainment

Terracotta amphora (jar), Archaic, ca. 530–525 B.C., Etruscan, Terracotta; black-figure, H. 12 3/4 in. (32.4 cm), Vases, Obverse, symplegma, Reverse, running satyr. An aroused satyr runs from one side of the vase to the symplegma (scene

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 52 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Two Carved-Wood Armchairs, 19th century, Pen and ink, wash and watercolor, with traces of graphite on laid paper, sheet: 8 1/4 x 10 3/4 in. (21 x 27.3 cm), Drawings, Anonymous, French, 19th century

Sideboard, 1800–05, Made in Worcester County, Massachusetts, United States, American, Cherry, lightwood inlays; white pine, 39-1/2 x 70 x 29 in. (100.3 x 177.8 x 73.7 cm), Furniture, Possibly by Nathan Lombard

Renard. Pierre, Alfred. 46 ans, né à Flain (Haute-Saône) le 27/4/46., 1880s–90s, Gelatin silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

Inlay depicting enthroned god Shepsi, Late Period–Ptolemaic Period, 4th century B.C., From Egypt; Possibly from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Faience, H. 15 cm (5 7/8 in.); W. 10.2 cm (4 in.); D. 1 cm (3/8 in.), Shepsi, an

Linen mark, Roman Period, 30 B.C.–A.D. 364, From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, ), 1922–24, Linen, 37.5 x 22 cm

Portrait of Sultan Mustafa I (r. 1617–18; 1622–23), late 17th–early 18th century, Attributed to Turkey, Opaque watercolor on paper, H. 6 1/2 in. (16.5 cm), Codices, There are no known pictures of Mustafa painted during his lifetime and

Battle Ground of Resacca, Georgia No. 4, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 33v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Elsje Christiaens Hanging on a Gibbet, 1664, Pen and brown ink, brush and brown wash, 6 3/4 x 3 9/16 in. (17.1 x 9.1 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Shrine for Anubis fetish (Imiut), Middle Kingdom, Dynasty 12, ca. 1919–1885 B.C., From Egypt, Memphite Region, Lisht South, Mastaba of Imhotep, chamber inside the south enclusure wall, 1913–14, Wood, paint, H. 59.3 cm (23 3/8 in.); W.

Bridge over Tennessee River at Chattanooga, ca. 1864, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Female Fertility Figure, 5000 B.C.– 9th century A.D., Excavated in Iran, Nishapur, Bone; carved, LengtH. 3 1/16 in. (7.8 cm) , Ivories and Bone, The female figure has a carved head, ears and nose, with incised lines to indicate her mouth

The Seven Words, 1898, Platinum print, each approx: 14.0 x 11.5 cm (5 1/2 x 4 1/2 in.), Photographs, F. Holland Day (American, Norwood, Massachusetts 1864–1933 Norwood, Massachusetts), From 1895 to 1898 Day undertook a project that was

Les jambes, 1860s, Albumen silver print from glass negative, 11.7 x 13.0 cm (4 5/8 x 5 1/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

U.S. Monitor Onondaga, James River, 1861–65, Albumen silver print from glass negative, Photographs

Drawings and Prints, Books Prints Ornament & Architecture, Ein new Modelbuch..., page 10 (verso), Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, October 22,

Fragment from a Two-Sided Sanctuary Screen, 5th–6th century, Made in Egypt, Bawit, Limestone, H. 12 1/4 in. (31.1 cm), Sculpture, This fragment was probably part of the waist-high screen that separated the congregation (in the nave of the

The Guitar Player, ca. 1908, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Architecture Study containing Details of One or Several Buildings (possibly part of the street-facing architecture of old Saint Peter's Square in Rome), 1490–1510, Pen and brown ink, washed, 10-5/8 x 7-3/4 in. (27.0 x 19.7 cm), Anonymous,

Cup, 18th century, Possibly made in Italy; Possibly made in Germany, Italian or German, Opaque glass, H. 2 5/8 in. (6.7 cm), Glass

Man Seated, Writing on His Knee, 16th century, Pen and ink, brush and blue gray wash, 9 x 6-3/8 in. (22.9 x 16.2 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Fragment of a Frieze, 11th century, Excavated in Iran, Nishapur, Terracotta; carved, painted, H. 22 1/16 in. (56 cm), Sculpture, This panel is believed to have formed a large frieze along the entrance to a prayer hall that served a densely