Images at Librifly

Design for a Decorated Ceiling, 19th century, Pen and watercolor, 9-3/8 x 15-1/4 in, Anonymous, Italian, 19th century

Milk pot, ca. 1780, Dutch, Loosdrecht, Hard-paste porcelain, Height: 6 in. (15.2 cm), Ceramics-Porcelain

Front Elevation Wennington Church Reredos, 1885, Graphite, sheet: 13 1/4 x 20 1/2 in. (33.7 x 52.1 cm), Ernest Geldart (British, London 1848–1929

10 of Horns, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Mold for a Bowl, Northern Song dynasty (960–1127), 11th–12th century, China, Stoneware with carved decoration (probably Yaozhou ware), Diam. 5 1/2 in. (14 cm), Ceramics, Molds such as this one were widely used in ceramic production in

Bruchaesen. Etienne. 31 ans, né à Mag Levard (Hongrie). Tailleur d'habits. Anarchiste. 11/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Terracotta hydria: kalpis (water jar), Late Archaic, ca. 490 B.C., Greek, Attic, Terracotta; red-figure, H. 14 5/16 in. (36.4 cm), Vases

Side Chair, ca. 1927–28, Lacquered wood, replacement chamois, 35 in. × 17 1/2 in. × 20 1/2 in. (88.9 × 44.5 × 52.1 cm), Furniture, Jean Dunand (French (born Switzerland), Lancy 1877–1942 Paris), Although most Art Deco patrons were

Iohanna Seymovr Regina Henri, 1648, Etching; only state, sheet: 5 3/16 x 4 1/4 in. (13.2 x 10.8 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), Portrait of Jane Seymour; half length, to the right; wearing

'Imperial Visit to the Great Horse Race at the Kaya-no-in Mansion' (Kaya-no-in komakurabe gyōkō emaki), from the Tale of Flowering Fortunes (Eiga monogatari), Kamakura period (1185–1333), 13th–14th century, Japan, Handscroll segment

The Thieves on the Roof Awaken the Merchant', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Les Singuliers et Nouveaux Portraicts... page 21 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Coin of Ptolemy II from a Ptolemaic hoard, Ptolemaic Period, 285/82–246 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Birabi, 1915–16, Bronze, Dia. 4.4 cm (1 3/4 in.), A hoard of 162 Ptolemaic coins that contained issue of Ptolemy II,

Satyrs Preparing for a Festival, n.d., Pen, brown and black ink, over black chalk with pink wash. Framing lines in pen and brown ink., 6 1/4 x 8 1/2 in. (15.8 x 21.6 cm), Drawings, Claude Gillot (French, Langres 1673–1722 Paris

7 of Collars, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Death of Dido, 1620–1640, Pen and brown ink, brush with gray wash, over charcoal (?) on light tan paper (recto); Ruled framing outlines in red chalk, black chalk scribbles (verso), framing outlines in pen and brown ink, 7-15/16 x 11-1/2 in.

Great Wisdom Sutra from the Chūsonji Temple Sutra Collection (Chūsonjikyō), 大般若経（中尊寺経）, Heian period (794–1185), ca. 1175, Japan, Handscroll; gold and silver on indigo-dyed paper, 10 x 7 1/8 in. (25.4 x 18.1 cm),

Metaphysics, 1760, Fresco, transferred to canvas, 146 x 57 7/8 in. (370.8 x 147 cm), Paintings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid) and Workshop, and Girolamo Mengozzi (called Colonna) (Italian, Venetian,

Sketch of Statue of Venus entering the Bath, ca. 1850, Pen and brown ink, graphite, sheet: 7 7/16 x 3 7/16 in. (18.9 x 8.7 cm), Drawings, John Gibson (British, Gwynedd, Wales 1790–1866 Rome

Opera Nova Universali intitulata Corona di racammi, page 29 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Terracotta Little Master cup, Archaic, ca. 565–550 B.C., Greek, Attic, black-figure, Terracotta; black-figure, H. 6 5/8 in. (16.8 cm) diameter 9 7/8 in. (25.1 cm), Vases, : exterior, obverse and reverse, sphinx standing over a nude man.

Study for an Engraving of 'Songs of the Opera of Flora', ca. 1737, Black chalk, graphite, pen and blue ink, with slight traces of red chalk, 2 13/16 x 4 in. (7.2 x 10.1 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773

Scrapbook of Designs for Embroidered Waistcoats, (1785), Pen and ink, Overall: 15 3/8 x 10 7/16 in. (39 x 26.5 cm

Vaulted Side Aisle of a Church, with Figures, 19th century, Pen and brush, gray and brown ink and watercolor., 11 1/2 x 9 5/8 in. (29.2 x 24.4 cm), Drawings, Johannes Bosboom (Dutch, The Hague 1817–1891 The Hague

Dish, 1813–25, Made in East Cambridge, Massachusetts, United States, American, Blown molded glass, 9 1/4 x 6 15/16 in. (23.5 x 17.6 cm), Glass, Probably New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888

Marble palette, Early Cycladic I, ca. 3000–2800 B.C., Cycladic, Marble, width 2 9/16in. (6.5cm), The palette is an established shape in the repertoire of Cycladic marble utensils. Recurrent traces of red pigment, as here, suggest that

King of Tethers, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

[Group of 7 Stereograph Views of the Forth Bridge, Queensferry, Scotland], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, Strohmeyer & Wyman (American), Benneville Lloyd Singley

Funerary Mask, Roman Period, A.D. 1st–4th century, From Egypt, Plaster, paint, h. 19 cm (7 1/2 in); w. 11 cm (4 5/16 in

Design for a Smithy and Two Cottages, late 19th–early 20th century, Pen and ink, over graphite, with watercolor, sheet: 18 1/4 x 11 1/2 in. (46.4 x 29.2 cm), Charles Edward Mallows (British, 1864–1915

Ornamento delle belle & virtuose donne, page 2 (verso), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Saint Anthony Abbot, ca. 1500, Made in Strasbourg, Alsace, present-day France, German, Walnut, 44 1/4 × 17 1/4 × 10 3/4 in., 66 lb. (112.4 × 43.8 × 27.3 cm, 29937g), Sculpture-Wood, Attributed to Nikolaus von Hagenau (German, ca.

Drawings and Prints, Books Prints Ornament & Architecture, Il Monte. Opera Nova di Recami, page 4 (recto), Binder, Designer, Publisher, Chambolle-Duru, Giovanni Antonio Bindoni, Giovanni & Marchio Sessa, French, 19th century, Italian,

Covered Jar, 1825–75, Made in United States, American, Earthenware; Redware, H. 12 1/2 in. (31.8 cm), Ceramics

The Hermit Adrian Shows St. Catherine an Image of Christ and Baptizes Her, ca. 1430, South Netherlandish, Silk and metal thread on linen, Overall: 6 5/8 in. (16.8 cm), Textiles-Embroidered, This roundel was originally part of an extensive

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 18r, Publisher, Designer, Woodcut border designed by, Peter Quentel, Anton Woensam von Worms, German, active Cologne, 1518–46, German, active first

I) Herbarum, Arborum, Fructium, Frumentorum, c. 1540 ... II) De Speciali quarundam plantarum, Frankfurt: Egenolff 1552, 1552, Woodcuts, 7 5/8 x 6 1/8 x 13/16 in. (19.4 x 15.5 x 2 cm), Books

Serving Spoon, ca. 1760, Made in New York, New York, United States, American, Silver, Overall: 1 7/8 x 15 1/2 in. (4.8 x 39.4 cm); 9 oz. 2 dwt. (284.3 g), Silver, Nicholas Roosevelt (1715–1769

Inlay depicting the squatting god Re, Late Period–Ptolemaic Period, 4th century B.C., From Egypt; Possibly from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Faience, H. 8.2 cm (3 1/4 in.); W. 4.2 cm (1 5/8 in.); D. 1.4 cm (9/16 in.), This

Standing Youth, Looking Up, 1820–71, Pencil on wove paper, sheet: 12 1/2 x 5 1/2 in. (31.8 x 14 cm), Drawings, Otto Speckter (German, Hamburg 1807–1871 Hamburg

6 of Tethers, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Asleep, 1943, Oil on canvas board, 9 x 12 in. (22.9 x 30.5 cm), Paintings, Horace Pippin (American, West Chester, Pennsylvania 1888–1946 West Chester, Pennsylvania

四天王立像, Guardian King of the Four Directions, Heian period (794–1185), 12th century, Japan, Wood with traces of color, Overall (figure): H. 33 in. (83.8 cm); W. 10 7/8 in. (27.6 cm); D. 8 1/16 in. (20.5 cm), Sculpture, This statue

Design for Stained Glass, 1628, Pen and black ink, brush and gray wash, bandroll inscription in pen and brown ink. Laid down on paper mount with brown framing lines., 12 1/2 x 7 15/16 in. (31.8 x 20.2 cm), Drawings, Hans Ganting the Younger

Textile Sample Book labeled 'Indiennes et Organdis', 1860s, French, H. 21 x W. 15 x D. 2 1/2 inches, Textiles-Sample Books

誰が袖蒔絵硯箱, Writing Box (Suzuribako) with Screen, Robe Rack, and Shell-Matching Game Set, Meiji period (1868–1912), second half of the 19th century, Japan, Lacquered wood with gold, silver takamaki-e, hiramaki-e,

Beaker, 1760–65, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 7 1/8 in. (18.1 cm), Glass

Covered Vase, ca. 1800, Made in China, Chinese, Porcelain, H. 13 in. (33 cm), Ceramics

Circus Arena with the Clown and Ballet Dancer, ca. 1893–95, Lithograph on silk fan leaf, Fan: 6 1/2 in. (16.5 cm), Prints, Henri-Gabriel Ibels (French, Paris 1867–1936 Paris

Dish with grapes and squirrels, Qing dynasty (1644–1911), 18th century, China, Jade (jadeite), H. 3/4 in. (1.9 cm); W. 2 1/2 in. (6.4 cm); L. 3 1/4 in. (8.3 cm), Jade, The combination of squirrels and grapes is a rebus wishing the owner or

Beaker in the shape of a chrysanthemum, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Jade (nephrite), H. 2 5/16 in. (5.9 cm); W. 3 1/16 in. (7.8 cm), Jade

Veronica's Veil Held by Two Angels and God the Father(?), 17th century, Charcoal, pen and ink on paper, 5-7/8 x 6-7/8 in. (15 x 17.5 cm), Drawings, Anonymous, Italian, Bolognese, 17th century

Abolition Meeting Held at Willis's Rooms in Honor of Harriet Beecher Stowe, 1853, Watercolor, sheet: 8 11/16 x 14 11/16 in. (22 x 37.3 cm), Drawings, William Henry Fisk (British, London 1827–1884 London), After Harriet Beecher Stowe's 'Uncle

Snuff bottle with boy flying a bird, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Coral, H. 2 1/2 in. (6.4 cm); H. incl. stand 3 in. (7.6 cm); W. 1 1/2 in. (3.8 cm); D. 1 in. (2.5 cm), Snuff Bottles

'Six Devotional Subjects', Folio from the Bellini Album, ca. 1600, Attributed to Italy or the Netherlands, Ink, opaque watercolor, and gold on paper, H. 9 in. (22.8 cm), Codices

[Lynching, Russellville, Kentucky], 1908, Gelatin silver print, Image: 11.8 x 9.1 cm (4 5/8 x 3 9/16 in.), Photographs, Minor B. Wade (American, 1874–1932), From the first year of Reconstruction to the early 1940s, lynching was the

An Execution, 18th century, Pen and ink, brush and wash of various colors, 6-3/4 x 5-1/4 in. (17.1 x 13.3 cm), Drawings, Anonymous, Italian, Venetian, 18th century

[Rumi Darwaza and gateway of the Bara Imambara (left) with 'jawab' (Facsimilie Gateway) opposite, ], 1860s–70s, Albumen silver print from glass negative, 20.3 x 26.3 cm (8 x 10 3/8 in.), Photographs, Unknown

Jar, 1750–80, Made in Mexico, Mexican, Tin-glazed earthenware, H. 10 1/2 in. (26.7 cm), Ceramics

Window at Tewkesbury. Chimney, Chepstow Castle; Bridge at Chepstow (verso), 19th century, Graphite, ink and wash, sheet: 4 15/16 x 7 15/16 in. (12.5 x 20.2 cm), Anonymous, British, 19th century

New Year's Day at the Ōgiya Brothel, Yoshiwara, Edo period (1615–1868), ca. 1804, Japan, Pentaptych of polychrome woodblock prints; ink and color on paper, Oban, pentaptych: 14 15/32 x 48 1/2 in. (36.8 x 123.2 cm), Prints, Katsushika

Earring with disc, chains, Etruscan, Gold, Other: 9/16 x 7/16 x 1 11/16 in. (1.4 x 1.1 x 4.3 cm), Gold and Silver, Disc set with garnet, with suspended amphora of garnet and four chains

Covered Sugar Bowl, 1770–1830, Made in China, Chinese, Porcelain, H. 5 3/4 in. (14.6 cm), Ceramics

Asia from The Four Continents, 16th century, Engraving, Sheet: 8 5/8 x 11 1/16 in. (21.9 x 28.1 cm), Prints, After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Ceiling of Staircase, Palazzo Mattei, ca. 1750–55, Pen and gray wash, sheet: 14 1/2 x 10 in. (36.8 x 25.4 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 14v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Forum of Augustus, hemicycle, Attic base, elevation and sculpted detail; Ionic capital, elevation; Palazzo Baldassini, cortile, elevation (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines,

Samuel P. Avery (1822–1904), 1876, Oil on wood, 24 x 19 1/4 in. (61 x 48.9 cm), Paintings, Raimundo de Madrazo y Garreta (Spanish, Rome 1841–1920 Versailles), Samuel P. Avery was one of the most successful of the many art dealers active in

Dead Confederates, Fort Mahone, 1864, Albumen silver print from glass negative, Photographs, Thomas C. Roche (American, 1826–1895

Edouard Manet at the Races, ca. 1865, Graphite and black chalk on beige wove paper, Sheet: 12 5/8 x 9 11/16 in. (32.1 x 24.6cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris

Lapis lazuli ring stone, Post-Classical, Lapis lazuli, Other: 13/16 x 5/8 x 1/8 in. (2.1 x 1.6 x 0.3 cm), Gems, Athena with armor

Already They Are Going ('Ya se van'), 1807–45, Pen and dark brown ink. Composition outlined with pen and dark brown ink on all sides. On off-white paper, 6-7/8 x 4-7/8 in. (17.5 x 12.4 cm), Drawings, Leonardo Alenza y Nieto (Spanish, Madrid

Pontoon Bridge at Deep Bottom, James River, 1864, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Relief fragments from tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint

[Men Seated in Front of Cloud Backdrop, Books and Top Hat on Table], 1850s, Daguerreotype, Image: 6.2 x 4.8 cm (2 7/16 x 1 7/8 in.), Photographs, Unknown

Male Saint Standing on Clouds Supported by Putti, Holding Infant Christ, 17th century, Pen and dark brown ink over traces of black chalk underdrawing. Ground line drawn in pen and dark brown ink. On off-white paper, 4-7/16 x 2-15/16 in. (11.2 x

Glass two-handled bottle (amphora), Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass, purple; blown, H.: 12 1/8 in. (30.8 cm), Glass, Translucent purple, with same color handles., Everted rim, folded over, in

Milk jug with cover, ca. 1770, Swiss, Zurich, Hard-paste porcelain, Height: 5 9/16 in. (14.1 cm), Ceramics-Porcelain

Christabel, 1866, Albumen silver print from glass negative, 33.2 x 26.9 cm (13 1/16 x 10 9/16 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Tumbler, 1770–1820, Probably made in Bohemia, Czech Republic, Non-lead glass with engraved decoration, H. 8 1/4 in. (21 cm), Glass

Design for Shallow Two Handled Dish and Four Perfume Bottles, 16th century, Pen and black ink, brush and gray wash over black chalk, 16 7/16 x 11 1/4 in. (41.7 x 28.6 cm), Drawings, Erasmus Hornick (Netherlandish, Antwerp ca. 1520–1583

A Man Resting Under a Tree, n.d., Black chalk and watercolor, sheet: 13 7/8 x 10 7/16 in. (35.2 x 26.5 cm), Drawings, Egbert van Drielst (Dutch, Groningen 1746–1818 Amsterdam

Portrait of a Man, 1537, Oil on alder, 22 x 16 3/4 in. (55.9 x 42.5 cm), Paintings, Circle of Lucas Cranach the Elder

[View Across the Egyptian Court; View through Egyptian Columns into Classical Sculpture Gallery; Side View of Egyptian Colonnade; Facade of the Hall of Columns], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16

The Prodigal Son Kneeling Repentant among Swine, 1615–73, Pen and brown ink, brown wash, on brownish paper, 15-1/4 x 10-15/16 in. (38.7 x 27.8 cm), Drawings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome), Painter, draftsman,

Marble Screen in the Sumon Burj or Queen's Baths, Delhi, 1860s–70s, Albumen silver print from glass negative, 23.6 x 18.3 cm (9 5/16 x 7 3/16 in.), Photographs, Unknown

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 3 3/4 in. (2.5 x 9.5 cm), Terracottas

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 2 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

A Seated Personification of Charity with two Children, 1539–91, Pen and black ink, sheet: 2 13/16 x 2 1/8 in. (7.1 x 5.4 cm), Drawings, Jost Amman (Swiss, Zurich before 1539–1591 Nuremberg

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 2 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Seated Female Nude Seen from the Back, 1819, Graphite, sheet: 8 3/8 x 11 1/8 in. (21.2 x 28.2 cm), Drawings, Samuel Amsler (Swiss, Schinznach 1791–1849 Munich

Gold Finger Ring with Inscription, late 6th–early 7th century, Made in Northern France, Frankish, electrum (?) /gold, Overall: 3/8 x 13/16 in. (0.9 x 2.1 cm), Metalwork-Electrum

Miniature Coffin, early 16th century, Netherlandish, Boxwood, Open: 4 × 1 1/4 × 2 3/8 in. (10.1 × 3.2 × 6.1 cm), Sculpture-Miniature-Wood, Most surviving boxwood carvings from this period are in the form of miniature altarpieces and rosary

[Young Man], 1850s, Daguerreotype, Image: 7 x 5.7 cm (2 3/4 x 2 1/4 in.), Photographs, Knickerbocker Gallery (American, active ca. 1841–59

Louvain Church Grille, second half 19th century, Ink and watercolor, sheet: 9 3/4 x 4 7/16 in. (24.7 x 11.2 cm), Anonymous, British, 19th century

Stela of Aafenmut, Third Intermediate Period, Dynasty 22, ca. 924–889 B.C., From Egypt, Upper Egypt, Thebes, Khokha, Tomb of Aafenmut, Pit 2, 1914–15 (White), Wood, paint, h. 23 cm (9 1/16 in); w. 18.2 cm (7 3/16 in); th. 3.5 cm (1

Trade card for Samuel P. Avery, New York, ca. 1873, Watercolor and graphite, sheet: 2 3/8 x 3 7/8 in. (6 x 9.8 cm), George Cruikshank (British, London 1792–1878 London

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 3r), Publisher, Designer, Jacob Frölich, Hans Hoffman, German, active Strasbourg, 1556, Strassburg, Frölich, Jacob, Hoffman,

Landscape with Bridge, 17th century, Pen and brown ink, pale green and brown wash. Framing line in pen and brown ink., 5 9/16 x 7 7/16 in. (14.2 x 18.9 cm), Drawings, Anthonie van Borssom (Dutch, Amsterdam 1630/31–1677 Amsterdam

Lobed bottle vase, ca. 1880, British, Glazed earthenware, Overall (confirmed): 16 1/8 × 10 1/2 × 10 1/2 in. (41 × 26.7 × 26.7 cm), Ceramics-Pottery, This unusual and ambitious vase form designed by Christopher Dresser may have been inspired