Images at Librifly

Design for a Wall Monument, ca. 1490, Pen and brown ink, brush and brown wash, blue gouache, on vellum, 7 1/4 x 7 1/4 in. (18.4 x 18.4 cm), Drawings, Francesco di Giorgio Martini (Italian, Siena 1439–1501 Siena), Francesco di Giorgio was

Opera Nova Universali intitulata Corona di racammi, page 33 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Carpet, late 16th–early 17th century, Attributed to Iran, probably Kashan, Silk, metal wrapped thread; tapestry weave, Textile: H. 87 in. (221 cm), Textiles-Rugs, This tapestry-woven carpet with threads wrapped in precious metal belongs to

Beaker, ca. 1805, Made in New York, United States, American, Silver, H. 4 in. (10.2 cm) 5 oz. 4 dwt (161.2g), Silver, Benjamin Halsted (1734–1817

Male Nude Reclining on a Divan, ca. 1793, Black chalk, rubbed, 6 7/8 x 9 1/2 in. (17.4 x 24.2 cm), Drawings, Anne Louis Girodet-Trioson (French, Montargis 1767–1824 Paris

Sixpence, ca. 1667–ca. 1682, Made in Boston, Massachusetts, United States, American, Silver, 3/4 in., 2.5 Grams (1.9 cm, 1 dwt), Silver, John Hull (1624–1683), Robert Sanderson Sr. (ca. 1608–1693), In 1652 John Hull and Robert

Sèriè à la Ristori, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Design for Bed and Canopy, 1841–84, Graphite with touches of white gouache, sheet: 14 7/16 x 10 9/16 in. (36.7 x 26.9 cm), Charles Hindley and Sons (British, London 1841–1917 London

Dress, ca. 1840, American, silk

Design for the Proscenium Arch of a Theatre with Two Trumpeting Angels Holding a Cartouche, 1700–1780, Pen and black ink, brush with gray, brown and pink wash, over lead point or graphite, 11 x 8-7/16 in. (27.9 x 21.5 cm), Drawings,

Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 12 (recto), 1620

Textile Sample Book, 1895, possibly French, Silk, H. 12 1/8 x W. 9 3/4 x Th. 2 1/2 inches, Textiles-Sample Books

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and black and blue ink, black chalk, and graphite, 2 13/16 x 3 15/16 in. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Drawings and Prints, Album Print Ornament & Architecture, Diverses Pieces de Serruriers, page 16 (recto), Artist, Artist, After, Hugues Brisville, Jean Berain, Gabriel Ladame, French, born ca. 1633, active Paris 1663, French,

Yoga Narasimha, Vishnu's Man-Lion Incarnation, Chola period (880–1279), 12th century, India (Tamil Nadu), Copper alloy, H. 18 3/4 (47.6 cm); W. 13 in. (33 cm); D. 9 1/2 in. (24.1 cm), Sculpture, Narasimha was an avatar of Vishnu who

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 46r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Theatrical Collar, Qing dynasty (1644–1911), 18th century, China, Silk, metallic thread, jade, gilt metal, kingfisher feathers, amber, mother-of-pearl, malachite, faux pearls, glass, various stones, Overall: 23 1/2 x 21in. (59.7 x

Pitcher, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 6 1/2 in. (16.5 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had

Bronze double-ax head, Middle Minoan III–Late Minoan I, ca. 1700–1450 B.C., Minoan, Bronze, Overall: 2 15/16 x 1 9/16 in. (7.4 x 3.9 cm), Bronzes, Votive axe-head

Cuneiform tablet: letter of Sin-sharra-ishkun to Nabopolassar, ca. 2nd century B.C., Mesopotamia, probably from Babylon (modern Hillah), Clay, 4.82 x 2.37 x 1.32 in. (12.24 x 6.02 x 3.35 cm), Clay-Tablets-Inscribed, This tablet is a later copy

Sauce Dish, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, H. 2 3/8 in. (6 cm); Diam. 4 in. (10.2 cm), Glass, Challinor, Taylor and Company (1866–1891

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 21 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Dutch Ships in a Bay, mid-17th–early 18th century, Pen and brown ink, brush and gray wash, over black chalk, sheet: 3 7/8 x 8 5/8 in. (9.8 x 21.9 cm), Drawings, Willem van de Velde II (Dutch, Leiden 1633–1707 London

Sketch sheet, 1878, pen and black ink, 8-3/4 x 8-1/16 in. (22.2 x 20.5 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Masnavi of Jalal-al Din Rumi, dated A.H. 894/A.D. 1488–89, Attributed to Iran, Ink, opaque watercolor, and gold on paper; leather binding, 11 1/8 x 7 1/4in. (28.3 x 18.4cm), Codices, The frontispiece of this six book manuscript depicts a

Designs for Two Corner Couches, 1841–84, Graphite, sheet: 8 5/8 x 13 1/2 in. (21.9 x 34.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Queen of Tethers, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4

Mirror Case with Design of Boys at Play, Qing dynasty (1644–1911), 19th century, China, Silk and metallic-thread embroidery on silk gauze, Overall: 16 1/2 x 16 1/2 in. (41.9 x 41.9 cm), Textiles-Embroidered

Celestial Figure Emerging from a Flower, Khotan Kingdom, 6th–7th century, China (Xinjiang Autonomous Region), Stucco with color, 6 1/2 x 5 1/4 in. (16.5 x 13.3 cm), Sculpture, This female celestial (apsara) from of a complex halo springs

Portrait of a Young Man, 1470s, Tempera on wood, Overall 11 1/8 x 7 3/4 in. (28.3 x 19.7 cm); painted surface 10 3/4 x 5 1/2 in. (27.3 x 14 cm), Paintings, Cosmè Tura (Cosimo di Domenico di Bonaventura) (Italian, Ferrara ca. 1433–1495

Temple de Cathers a Saqqarah, 1880s, Albumen silver print from glass negative, Photographs, Unknown

Fountains in Gardens of Villa D'Este, Tivoli (Cento Fontanelle), 18th century, Pen and brown ink, brush and gray and blue wash, over black chalk, sheet: 5 7/8 x 7 11/16 in. (15 x 19.6 cm), Drawings, Anonymous, Italian, first half of the

Snuff Bottle with Scene of Dragon-Boat Festival, Qing dynasty (1644–1911), Qianlong mark and period (1736–95), China, Porcelain with overglaze enamel colors, malachite stopper, H. 2 5/8 in. (6.7 cm), Snuff Bottles

Bust of a Man Looking Left, 17th century, Red chalk, sheet: 3 5/8 x 2 13/16 in. (9.2 x 7.1 cm), Drawings, Anonymous, 17th century

Bronze statuette of a satyr, Archaic, 6th century B.C., Etruscan, Bronze, H.: 4 9/16 in. (11.6 cm), Bronzes, An unusual detail of this striding or dancing satyr is that he wears a perizoma, a kind of short pants or brief worn by both Etruscan

Rocaille cartouches with flowers, ca. 1735–50, French, probably Beauvais, Wool, silk (20-22 warps per inch, 8 per cm.), Back: H. 27 1/2 x W. 24 in. (69.9 x 61 cm); seat: H. 29 x W. 31 in. (73.7 x 78.7 cm), Textiles-Tapestries

Jar, 2nd–4th century, Mexico, Mesoamerica, Nayarit, Nayarit (Chinesco), Ceramic, H. 7 1/4 x 9 3/4 in. (18.4 x 24.8 cm), Ceramics-Containers, This sizable jar has a flat bottom with strongly flaring walls which curve in at the shoulder

One Half Design for a Doorway, 1700–1780, Pen and gray ink, brush with gray, brown and yellow wash, over ruled and compass construction in graphite or lead point, 19 5/8 x 13 5/16 in. (49.9 x 33.8 cm), Drawings, Anonymous, Italian,

Bottle, 1820–40, Possibly made in Zanesville, Ohio, United States, American, Blown pattern-molded glass, H. 7 3/8 in. (18.7 cm), Glass

The Baptism of Christ, 1725–75, Brush and grey ink, over a sketch in graphite or black chalk., sheet: 15 3/8 x 9 in. (39 x 22.8 cm), Drawings, Joseph Esperlin (German, Degernau 1707–1775 Beromuenster

Bronze mirror, Hellenistic, 3rd–2nd century B.C., Etruscan, Bronze, Other: 5 5/16 x 10 13/16 in. (13.5 x 27.5 cm), Bronzes, The Dioskouroi flanking Minerva and an unidentified nude male. Inscribed on reflecting side: Cracna (perhaps the

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, brown, and black ink, and graphite on paper mounted on board., Overall: 14 15/16 x 11 3/4 in. (37.9 x 29.8 cm), Drawings, Possibly

Pair of Tiles with Qur'anic Inscription from Sura 36 (Ya-Sin): 9 and 15, second half 13th century, Made in Iran, Kashan, Stonepaste; molded and luster-painted on opaque white glaze under transparent glaze, Ceramics-Tiles

Essempio di recammi, page 18 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Pitcher, 1876, Made in New York, United States, American, porcelain, 9 1/2 in. (24.1 cm), Ceramics, Edward Lycett (1833–1910

Tile, late 15th century, Attributed to present-day Pakistan, Multan, Stonepaste; polychrome painted under transparent glaze, 7 7/8 x 7 7/8 in. (20 x 20 cm), Ceramics-Tiles

Silver Earring, 5th–6th century, Ostrogothic, Silver, Overall: 1 1/16 x 1/4 in. (2.7 x 0.7 cm), Metalwork-Silver

Seated Cavalier with Glass, mid-17th century, Black chalk heightened with white on blue gray paper. Pasted down., sheet: 10 3/16 x 7 5/8 in. (25.8 x 19.4 cm), Drawings, Gabriël Metsu (Dutch, Leiden 1629–1667 Amsterdam

Startled Figure of a Soldier Seated on a Block, 17th century, Pen and light brown ink with brush and light brown wash over black chalk underdrawing. On off-white paper, 4-3/4 x 3-9/16 in. (12.1 x 9.0 cm), Drawings, Anonymous, Spanish, School

Wine Glass, 1830–70, Made in United States, American, Pressed glass, H. 4 1/8 in. (10.5 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time,

A Man, seen from behind, holding a trophy of arms, from Nouveau Livre de diverse Figures (New Book of Various Figures), 1751, Etching; second state of two (Baudicour), Sheet: 9 7/16 x 7 in. (24 x 17.8 cm), François Boucher (French, Paris

[Interborough Rapid Transit (IRT) Construction, Broadway Looking North at 101st Street, New York City], 1900, Platinum print, Image: 19 x 24 cm (7 1/2 x 9 7/16 in.), Photographs, William B. (American, active ca. 1900–1939

Empire wall hanging, 1805–15, French, Lyon, Silk satin with chenille thread embroidery and painted silk velvet appliqué, Overall: 129 15/16 x 21 5/8 in. (330 x 55 cm), Textiles-Embroidered

Esemplario di Lauori..., page 11 (verso), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore

Benjamin Franklin (1706–1790), Oil on canvas, Oval, 27 5/8 x 22 1/4 in. (70.2 x 56.5 cm), Paintings, Workshop of Joseph Siffred Duplessis (French, Carpentras 1725–1802 Versailles), This is a replica of the portrait exhibited at the Salon

Plate, Cypro-Archaic I, ca. 750–600 B.C., Cypriot, Terracotta, 2 3/4in. (7cm), Vases

Sheet of Studies of Heads, 1615–41, Pen and brown ink., 5 1/16 x 7 1/16 in. (12.8 x 18 cm), Drawings, Anthony van Dyck (Flemish, Antwerp 1599–1641 London

Opera Nova Universali intitulata Corona di racammi, page 26 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

The Judgment of Paris, ca. 1543–46 (?), Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice

Standing Figure in a Long Coat, 19th century, Black chalk highlighted with white chalk, Sheet: 14 3/4 x 8 3/8 in. (37.5 x 21.3 cm), Drawings, Anonymous, British, 19th century, This drawing of a coat worn by a lightly sketched form comes from

Dupuis. Augustin. 53 ans, né le 24/6/41 à Dourdan (Seine & Oise). Charron, forgeron. Anarchiste. 3/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Terracotta statuette of woman with bird face, Late Cypriot II, ca. 1450–1200 B.C., Cypriot, Terracotta; hand-made, H. 5 3/16 in. (13.21 cm), Terracottas, The statuette is handmade and solid and has a shaved surface. She is holding an infant

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 5 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc,

Inlay depicting the god Shepsi, Late Period–Ptolemaic Period, 4th century B.C., From Egypt; Possibly from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Faience, H. 15.3 cm (6 in.); W. 10 cm (3 15/16 in.); D. 1 cm (3/8 in.), Shepsi, an

Studies for Standing and Seated Figures., 1634–1645, Pen and brown ink, brush with gray and brown wash, over leadpoint or graphite, sheet: 8 9/16 x 14 in. (21.7 x 35.6 cm), Drawings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673

Pouget. Émile, Jean, Joseph. 31 ans, né le 12/10/60 à Rodez (Aveyron). Publiciste. Anarchiste. 26/4/92. , 1892, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Terracotta vase in the form of an astragal (knucklebone), Classical, ca. 460 B.C., Greek, Attic, Terracotta; red-figure, H. 3 15/16 in. (10 cm); length 6 7/8 in. (17.4 cm); H. with handle 4 15/16 in. (12.6 cm), Vases, Eros. Astragals were

Lion furniture leg, Late Period, 4th century B.C., From Egypt; Possibly from Eastern Delta, Hihya, Faience, H. 34.5 cm (13 9/16 in.); W. 10 cm (3 15/16 in.); D. 8 cm (3 1/8 in.), Made in fine, dense faience, the frontal part of a lion was

Wine Glass, 1860–70, Made in East Cambridge, Massachusetts, United States, American, Pressed glass, H. 4 5/16 in. (11 cm), Glass, New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888

Altra Veduta della Fontana in Piazza Navona [Fontana dei Quattro Fiumi]. From 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)'., 1691 or after, Etching, Plate: 11 5/16 x 8 3/8 in. (28.7 x 21.2 cm), Giovanni Battista Falda (Italian,

Designs for Two Chairs, 1841–84, Watercolor over graphite, sheet: 10 1/16 x 14 1/4 in. (25.6 x 36.2 cm), Charles Hindley and Sons (British, London 1841–1917 London

Ein ney Furmbüchlein, Page 13, recto, ca. 1525–29

Bucranium, Second Intermediate Period, Dynasty 14–17, ca. 1640–1550 B.C., From Egypt, Antler, bone, paint, w. of antlers 34 cm (13 3/8 in

[Government Troops Firing on Demonstrators, Corner of Nevsky Prospect and Sadovaya Street, St. Petersburg, Russia], July 4, 1917, Gelatin silver print, 12.2 x 21.5cm (4 13/16 x 8 7/16 in.), Photographs, Karl Karlovich Bulla (Russian, born

Candelabra Grotesque with a Vase with Fruit and an Amazon Shield, 1540 after, Pen and black ink, brush and gray wash, Sheet: 9 1/8 x 5 1/4 in. (23.1 x 13.3 cm), Anonymous, Italian, 16th century ?, After Cornelis Bos (Netherlandish,

Compendium of Architectural Books by Sebastiano Serlio (Books I-V), 1544, 1545, 1547, Printed books with woodcut illustrations

Fragment, 4th–5th century, Attributed to Egypt, Wool, H. 15 1/2 in. (39.4 cm), Textiles-Woven

Wünsche (Yearnings) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate III. First edition, 1881, Etching, drypoint and aquatint on chine collé; first edition, Overall: 18 5/16 x 26 in. (46.5 x 66 cm),

Equestrian Portrait of Napoleon as First Consul, n.d., Pen and black ink and gray washes, with brown ink framing lines., 37.9 x 28.5 cm, Drawings, Auvrest (French, active late 18th–early 19th century

Bottle, 1760–70, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 4 1/8 in. (10.5 cm), Glass

Frieze with Medici Coat of Arms and Putti (Embroidery Design?), 16th century, Pen and brown ink, watercolor, on vellum, sheet: 1 15/16 x 11 1/4 in. (5 x 28.5 cm), Anonymous, Italian, 16th century

The Birth of Venus, with Neptune, Cybele and the Chariot of the Sun (Homage to Venus), ca. 1670–80, Pen and brown ink, brush and brown wash over black chalk, highlighted with white on beige paper, 9 5/8 x 16 1/8in. (24.4 x 41cm), Drawings,

'Repository for Rubbish, vol. I, L.F.C 1828', Illustration for children's book, 1828, Pen and ink and wash, sheet: 9 1/4 x 7 1/8 in. (23.5 x 18.1 cm), Drawings, Charles Kirkpatrick Sharpe (British, Hoddam, Scotland 1781–1851 Edinburgh,

Corporal Israel Spotts, Company G, 200th Pennsylvania Volunteers, April–May 1865, Albumen silver print from glass negative, Image: 18.9 x 13.1 cm (7 7/16 x 5 3/16 in.), oval, Photographs, Reed Brockway Bontecou (American, 1824–1907),

Saints Adrian and Natalia, 19th century, Graphite on beige paper, 11 5/8 x 7 1/8 in. (29.5 x 18.1cm), Drawings

Design for a Standing Frame, 1841–84, Pen and black ink, ink wash, sheet: 10 3/8 x 7 3/16 in. (26.3 x 18.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 2 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 96 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Pagoda, 18th century, British, L. approx. 53 x W. 27 1/2 inches (approx. 134.6 x 69.9 cm), Textiles-Printed

[Adolph Menzel], 1860s, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

Sari Border, 17th century, Attributed to India, Silk, metal wrapped thread; double weave with supplementary twill, brocaded, Textile: L. 17 1/2 in. (44.5 cm), Textiles-Costumes

竹鶴蒔絵名刺入れ, Card Case with Crane and Bamboo, Edo period (1615–1868), mid-19th century, Japan, Black lacquer ground with gold and silver hiramaki-e, H. 2 7/8 in. (7.3 cm); W. 4 3/8 in. (11.1 cm), Lacquer

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 47 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

[Group of 28 Stereograph Views of Children], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, Benneville Lloyd Singley (American, Union Township, Pennsylvania 1864–1938 Meadville,

Drawings and Prints, Album Print Ornament & Architecture, Diverses Pieces de Serruriers, page 9 (recto), Artist, Artist, After, Hugues Brisville, Jean Berain, Gabriel Ladame, French, born ca. 1633, active Paris 1663, French,

Palette Fragment Illustrating a Wild Dog, Naqada III, ca. 3300–3100 B.C., From Egypt; Said to be from Eastern Delta, Munagat, Graywacke, H. 17.8 x W. 6.5 x Th. 1.6 cm (7 x 2 9/16 x 5/8 in

Pier Glasses, 1850–1904, Ink, Robert William Hume (British, London 1816–1904 Long Island City

Snuff Bottle, Qing dynasty (1644–1911), 19th century, China, Lacquer on metal, patterned with colored stones, H. 3 1/16 in. (7.8 cm), Snuff Bottles

Terracotta volute-krater (bowl for mixing wine and water), Late Classical, ca. 340–300 B.C., Etruscan, Terracotta; red-figure, H. 19 in. (48.3 cm), Vases, Every aspect of this vase - shape, ornament, figural scenes - displays Etruscan

Claret Glass, 1850–70, Pressed glass, H. 4 15/16 in. (12.5 cm), Glass