Images at Librifly

Union Square, New York, 1849, Hand-colored lithograph, image: 18 11/16 x 27 15/16 in. (47.5 x 71 cm), Prints, John Bachmann (American (born Germany or Switzerland), active New York 1849–85

Sacred animal mummy containing a dog, Late Period–Roman Period, ca. 400 B.C.–100 A.D., From Egypt, Western Desert; Kharga Oasis, el-Deir, Roman Cemetery, Dyed and undyed linen, animal remains, mummification materials, H. 32.5 cm (12

Sanitary Commission Office. Convalescent Camp, Alexandria, Virginia, 1861–65, Albumen silver print from glass negative, Photographs

Lamp, Late Imperial, 3rd century A.D., Roman, Cypriot, Terracotta, Overall: 1 1/2 x 3 1/2 in. (3.8 x 8.9 cm), Terracottas

A View of the Wittevrouwenpoort, Utrecht, 1749–86, Pen and brown-black ink and gray wash, heightened with white, sheet: 10 3/16 x 15 13/16 in. (25.9 x 40.2 cm), Drawings, Dirk Verrijk (Dutch, Haarlem 1734–1786 The Hague

Nature morte au lièvre, 1853, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Unknown (French), After learning the British inventor William Henry Fox Talbot’s calotype process, Louis-Désiré

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 16r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Study of a Classical Female Figure (Night), 19th century, Brush and brown and red washes over black chalk (?), touches of pen and black ink on paper discolored brown., 4 3/4 x 3 1/8 in. (12.1 x 7.9 cm), Drawings, Anonymous, German, 19th

Fight Between Perseus And Phineus in the Palace of Cephus, late 17th–early 18th century, Pen and brown ink, brown wash, heightened with white on blue paper., sheet: 6 1/4 x 10 13/16 in. (15.9 x 27.5 cm), Drawings, Circle of Bernard Picart

Panel from a Tent Lining, 1725–50, Attributed to India, Burhanpur, Cotton; plain weave, mordant-painted and dyed, resist-dyed, H. 51 9/16 in. (131 cm), Textiles-Painted and/or Printed, The motifs on this panel, originally one of several

Rebecca at the Well, ca. 1567, probably British, Silver, parcel gilt, Overall (confirmed): 5/8 x 7 3/4 in., 8 oz. 12 dwt. (1.6 x 19.7 cm, 0.2675kg), Metalwork-Silver, The fine engraving on this set of plates depicts scenes from the Old

La fillette, 1860s, Albumen silver print from glass negative, 11.8 x 8.9 cm (4 5/8 x 3 1/2 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Miracle of Saint Gregory, 16th century, Pen and black ink, highlighted with white gouache on brown paper, torn and mounted on a sheet, 7 3/8 x 12 1/2 in. (18.8 x 31.8 cm), Drawings, Anonymous, Netherlandish, 16th century, After Jan de Beer

Lamure. Eugène, Clément. 20 ans, né le 5/11/73 à Paris Ier. Gérant de magasin. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Swamp near Broadway Landing, Appomattox River, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 7 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Decorated ware jar depicting boats, Predynastic, Naqada II, ca. 3500–3300 B.C., From Egypt, Southern Upper Egypt, Hierakonpolis (Nekhen), Fort Cemetery (Hk 27), 1934–35, Pottery, paint, h. 20 x w. 19 cm (7 7/8 x 7 1/2 in

Bellflowers in Basket, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink and color on paper, 10 1/4 x 13 3/8 in. (26 x 34 cm), Paintings, Ogata Kenzan (Japanese, 1663–1743

Sherbet Dish, ca. 1885, Made in West Midlands, England, British, Blown satin white opaque glass, H. 2 1/4 in. (5.7 cm), Glass

Elevation towards Chancel, Organ, Coggeshall Church, Essex (Church of St. Peter-ad-Vincula), ca. 1895, Pen and ink, over graphite, with watercolor, sheet: 20 x 13 1/2 in. (50.8 x 34.3 cm), Ernest Geldart (British, London 1848–1929

Hermes, Venus, and Cupid in a Landscape, early 17th century, Pen and brown ink, brush and brown wash. Framing line in pen and brown ink, sheet: 6 1/8 x 7 7/16 in. (15.5 x 18.9 cm), Drawings, Peter Bruck (German, active Cologne, 1609–29

Splendore delle virtuose giovani, page 3 (verso), 1564, Woodcut, Overall: 7 1/2 x 5 1/2 in. (19 x 14 cm), Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. From top to bottom, and left to right: Design composed of 2 vertical

[Patient, Surrey County Lunatic Asylum], 1850–55, Albumen silver print from glass negative, Image: 18.2 x 12.9 cm (7 3/16 x 5 1/16 in.), Photographs, Hugh Welch Diamond (British, 1808–1886

Design of Scroll (Part of a Cartouche ?)., 18th century, Pen and brown ink over black chalk, on light tan paper, sheet: 11 7/16 x 7 1/4 in. (29 x 18.4 cm), maximum, irregular borders, Anonymous, Italian, Piedmontese, 18th century

'Dervish Leading a Bear', Folio from the Shah Jahan Album, recto: ca. 1630–40; verso: ca. 1530–40, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by Govardhan (active ca.

Cranequin from the Armory of Emperor Maximilan I (reigned 1493/1508–19), ca. 1505–19, Western or Central European, the Netherlands or Austria, Steel, wood (fruitwood, possibly pear), copper alloy, L. 14 7/8 in. (37.7 cm); W. 6 5/16 in.

Plan of a Hotel and Garden, late 17th–early 18th century, Pen and black ink, brush and gray wash, 25 15/16 x 19 1/16 in. (65.9 x 48.4 cm), Drawings, Anonymous, French, 17th century, Anonymous, French, 18th century

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 13r, Publisher, Designer, Woodcut border designed by, Peter Quentel, Anton Woensam von Worms, German, active Cologne, 1518–46, German, active first

Pair of Earflares with Multifigure Scenes, 12th–15th century, Peru, Chimú, Gold, Diam. 5 1/4 in. (13.5 cm), Metal-Ornaments, By the time the powerful Chimú kings had established their desert kingdom on Peru's north coast in the fourteenth

Fragment of a Queen's Face, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt; Probably from Middle Egypt, Amarna (Akhetaten), Yellow jasper, h. 13 cm (5 1/8 in); w. 12.5 cm (4 15/16 in); d. 12.5 cm (4 15/16 in), This

Finger Ring, 6th century, Frankish, Gold (ring and setting); silver-gilt (central inlaid disc) with ..., Overall: 9/16 x 7/8 in. (1.5 x 2.3 cm), Metalwork-Gold, Most rings were purely decorative in nature, sometimes using Christian symbols.

Bodhisattva Maitreya, the Buddha of the Future, 7th century, India (Jammu and Kashmir) or Pakistan (Swat Valley), Bronze inlaid with silver, H. 7 1/8 in. (18.1 cm), Sculpture, The messianic savior Maitreya is identified by the flask he holds

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 40 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Old Woman in a purple dress, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 3/4 x 10 1/16 in. (40 x 25.6 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

[Statue of a Horse; Roman Court, Portrait Busts of Emperors; Doorway of Roman Court, Flanked by Portrait Bust of Nero; Greek Court of Philosophers, Statesmen, and Generals], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3

Bowl, 17th century, Attributed to Iran, Copper; damascened with silver, H. 2 15/16 in. (7.5 cm), Metal

After Supper, 1935, Graphite on cardboard, 14 x 22 1/8 in. (35.6 x 56.2 cm), Drawings, Horace Pippin (American, West Chester, Pennsylvania 1888–1946 West Chester, Pennsylvania

Bowl with two panthers, 1894–95, French, Bourg-la-Reine, Stoneware, Overall (confirmed): 9 9/16 × 14 1/8 × 11 5/8 in., 12.2 lb. (24.3 × 35.9 × 29.5 cm, 5.5 kg), Ceramics-Pottery, This bowl reveals two key traits of Dalpayrat's work:

King of Collars, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Vase with reaper, ca. 1885, French, Paris, Stoneware, confirmed: 15 7/16 × 7 3/4 × 7 3/4 in., 9.6 lb. (39.2 × 19.7 × 19.7 cm, 4.4 kg), Ceramics-Pottery, The cylindrical shape, rough texture, and agricultural theme were inspired by folk

Jardinière with landscape, ca. 1880, French, Paris, Earthenware, confirmed: 8 7/8 × 13 3/8 × 3 7/8 in., 6 lb. (22.5 × 34 × 9.8 cm, 2.7 kg), Ceramics-Pottery, Ceramics decorated using the barbotine method of painting with colored liquid

Sake bottle with flower medallions, Edo period (1615–1868), 18th century, Japan, Stoneware (Ko-Kiyomizu ware), H. 9 7/16 in. (23.9 cm), Ceramics

Mein Grossvater Selinger, 93 Jahre, 1921, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Design of a Greenhouse for the Right Honorable Earl of Coventry, Croome Court, Worcestershire (Elevation), 1760, Pen, grey ink and wash, sheet: 17 3/4 x 25 1/2 in. (45.1 x 64.8 cm), Robert Adam (British, Kirkcaldy, Scotland 1728–1792

Design for One Half of an Altar, with an Angel (of the Annunciation) at the left, 1700–1780, Pen and brown ink, over lead point, Overall: 12 1/2 x 7 15/16 in. (31.7 x 20.1 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Letter with Sketch of Artist Painting Stage Scenery, March 1831, Pen and black ink over graphite, sheet: 7 7/8 x 7 1/8 in. (20 x 18.1 cm), This letter from Pugin relates to stage sets being made for a ballet inspired by Sir Walter Scott's

Triptych, ca. 1385–90, Italian, Tuscan, Poplar ?, 17 1/2 x 18 3/4 in. (44.5 x 47.6cm), Frames, Tuscany

Pierre Louis Dubus (1721–1799), Called Préville, of the Comédie-Française, Ivory laid on card, Diameter 1 5/8 in. (42 mm), Miniatures, Attributed to Jean-Baptiste Massé (French, Paris 1687–1767 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Pretiosa Gemma delle virtuose donne, page 32 (recto), Author, Publisher, Binder, Isabella Catanea Parasole, Gargano, Hardy-Mennil, Italian, ca. 1565/70–ca. 1625, Venetia,

Studies for Grotesque Figures in the Flemish Style, ca. 1545–60, Pen and gray-brown ink over traces of black chalk underdrawing. On off-white paper, 5 x 8-15/16 in. (12.7 x 22.7 cm), attributed to Andrés de Melgar (Spanish, documented S.

Terracotta antefix (roof tile), Archaic, ca. 500 B.C., Greek, Terracotta, Other: 6 in. (15.2 cm), Terracottas, Life-size; from the eave of a building

Roundel with a Winged Female Deity, 1st–2nd century, Pakistan (ancient region of Gandhara), Schist, Diam. 3 3/16 in. (8.1 cm), Sculpture

Sword, 13th century, French, Iron, L. 36 1/8 in. (91.8 cm); L. of blade 29 3/4 in. (75.6 cm); W. 5 1/8 in. (13 cm); Wt. 1 lb. 14 oz. (850.5 g), Swords

The Ruin of Liebenstein Castle near Bornhofen am Rhein, Seen from the North-West, 1803, Pen and black ink, brush and grey ink; framing line in pen and black ink. Laid down, Sheet: 21 1/4 x 29 3/4 in. (54 x 75.5 cm), Drawings, Christian Georg

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 15r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Pitcher, 1845–47, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 8 1/2 in. (21.6 cm), Ceramics, Norton and Fenton (1845–47

Landscape with a Draughtsman Seated by a River, a Bridge and a Cottage Behind, 17th century, Pen and brown ink and brown wash, sheet: 4 3/16 x 6 1/4 in. (10.7 x 15.8 cm), Drawings, Nicolaes Maes (Dutch, Dordrecht 1634–1693 Amsterdam

The Studio, 1910s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Relief fragments from tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint, H. 30.1 cm (11 7/8 in.); W.

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 42r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Chalcedony scaraboid, Archaic, ca. 500 B.C., Greek, Chalcedony, 5/8 × 1/2 × 11/16 in. (1.5 × 1.3 × 1.7 cm), Gems, Archer testing arrow. Epimenes signed his name on a gem. He was probably trained on one of the Aegean islands

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 40 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

The Martyrdom of Saint Paul, ca. 1557–58, Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper., 19 3/16 x 14 13/16 in. (48.8 x 37.7 cm), Drawings, Taddeo Zuccaro (Italian, Sant'Angelo in Vado

Wheel barometer, ca. 1841–45, Made in New York, New York, United States, American, Mahogany, brass, paper, barometric mechanism, and various other materials, 42 × 12 1/4 in. (106.7 × 31.1 cm), Furniture, Louis A. Smith

Figure of a Chinese man, ca. 1730–40, French, Saint-Cloud or Paris, Soft-paste porcelain, Height: 7 in. (17.8 cm), Ceramics-Porcelain

Design for a Stove and Wall Fountain (?), 1598, Pen and brown ink, brush and gray wash over black chalk. Laid paper., 15 3/4 x 12 3/16 in. (40 x 30.9 cm), Workshop of Friedrich Sustris (Netherlandish (possibly born Italy), Venice (?) ca.

Design for a Chalice Surmounted by a Maltese Cross, 1580–1620, Red chalk and leadpoint, Drawings, Anonymous, Italian, Florentine, second half of the 16th century

Dendérah (Tentyris), Temple d'Athôr - Sanctuaire Placé a l'Angle Sud-Ouest de la Plateforme Inférieure, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.1 x 30.8 cm. (9 1/2 x 12 1/8 in.), Photographs, Félix Teynard

Histoire Naturelle Des Deux Éléphans...du Muséum De Paris, 1803, Books

Drawings and Prints, Books Prints Ornament & Archiecture, Fiori di Ricami Nuovamente Posti in Luce, page 5 (recto), Designer, Publisher, Matteo Florimi, Francesco de' Franceschi, Italian, active Siena, ca. 1581–died 1613, Italian,

Landscape with a Canal in the Foreground, 17th century, Pen and brown ink, on brown paper, pasted down., sheet: 4 9/16 x 7 1/8in. (11.6 x 18.1cm), Drawings, Attributed to Johannes Leupenius (Dutch, Amsterdam 1643–1693 Amsterdam

Ornamento delle belle & virtuose donne, page 14 (verso), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

'Portrait of Qilich Khan Turani', Folio from the Shah Jahan Album, recto: ca. 1640; verso: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38.7 cm), Codices, Painting by La'lchand, The sitter of

Livre de Moresques, page 2 (recto), 1546, Woodcut, Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm), Francesco di Pellegrino (Italian, born Florence, died 1552), This book of moresques reproduces designs by the Italian artist Francesco

Piece, ca. 1715 (?), Italian, Silk and metal thread, Overall: 30 1/2 x 21 in. (77.5 x 53.3 cm) (loom width), Textiles-Woven

Balthasar of the Three Kings from an Adoration Group, before 1489, Made in Swabia, Germany, German, Poplar, paint and gilt, 64 1/2 × 25 × 13 1/2 in., 68 lb. (163.8 × 63.5 × 34.3 cm, 30.8 kg), Sculpture-Wood, These three kings, along

Fragment of a Frieze, 11th century, Excavated in Iran, Nishapur, Terracotta; carved, painted, H. 20 1/2 in. (52 cm), Sculpture, This panel is believed to have formed a large frieze along the entrance to a prayer hall that served a densely

Roland Furieux, Poëme Héroique de l'Arioste, 1775–76, Engraving, Overall: 10 1/4 x 8 3/8 x 1 7/16 in. (26 x 21.2 x 3.7 cm), Books

Henry Taylor, 1864, Albumen silver print from glass negative, 26.1 x 20.8 cm (10 1/4 x 8 3/16 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

San Giorgio Maggiore, Venice, 1840–1906, Watercolor and gouache over graphite, Sheet: 5 1/4 × 8 3/4 in. (13.3 × 22.2 cm), Drawings, Hercules Brabazon Brabazon (British, Paris 1821–1906 Oaklands, London

Warrior, Kizil kingdom, ca. 6th–7th century, China (Xinjiang Uyghur Autonomous Region), Pigments on mud plaster, 9 1/4 x 5 3/8 in. (23.5 x 13.7 cm), Paintings, Armored figures are sometimes shown as devotees in the later cave temples at

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Carl Pier, Franz Xavier Habermann, Martin Engelbrecht, Jeremias Wachsmuth, German,

Square-Headed Bow Brooch, second half 6th century, Frankish, Silver-gilt, niello, Overall: 1 5/8 x 3 11/16 x 3/8 in. (4.2 x 9.3 x 1 cm), Metalwork-Silver

Egg Cup, 1870–80, Made in Pittsburgh, Pennsylvania, United States, American, Pressed yellow glass, H. 4 1/4 in. (10.8 cm); Diam. 2 3/4 in. (7 cm), Glass, Adams and Company

No. 7. Ye-nan-gyoung. Pagoda and Kyoung., August 14–16, 1855, Albumen silver print from waxed paper negative, Image: 23.7 x 33.8 cm (9 5/16 x 13 5/16 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902

Mr. Green in the Albion Balloon, Having Ascended from Vauxhall Gardens, August 12, 1842, ca. 1842, Watercolor, Sheet: 8 1/2 x 11 1/2 in. (21.6 x 29.2 cm), Drawings, Anonymous, British, 19th century, This drawing shows a balloon flight made

Illustration for 'Little Peter: A Christmas Morality for Children of Any Age', 1908, Watercolor over graphite with touches of gouache, sheet: 11 5/8 x 7 5/16 in. (29.5 x 18.5 cm), Drawings, Charles Edmund Brock (British, London 1870–1938

Head of Christ, 17th century, Pen and dark brown ink. Some contours reinforced with pen and darker brown ink. On off-white paper, 3-13/16 x 4-1/16 in. (9.7 x 10.3 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Design for a Frame with Putti and Sirens, 1550–1600, Pen and brown ink, brush and brown wash, over black chalk; selectively pricked for transfer., 3 7/8 x 2 9/16 in. (9.8 x 6.5 cm), Anonymous, Italian, second half of the 16th century

Dogwood, 1931, Watercolor and charcoal on paper, 4 7/8 x 6 7/8 in. (12.4 x 17.5 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Bastet, Late Period–Ptolemaic Period, 664–30 B.C., From Egypt, Leaded bronze, precious metal and black bronze inlays, H. 10.5 cm (4 1/8 in.); W. 3.2 cm (1 1/4 in.); D. 3.9 cm (1 9/16 in.), Bastet, here shown as a cat-headed goddess, was

Court Yards (Sketch for Stage Scene ?), 16th century, Pen and brown ink, brush and brown wash, 10-3/4 x 7-3/4 in. (27.3 x 19.7 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

[Stereoscopic Portrait of Man Holding Stereoscopic Viewer], 1840s–60s, daguerreotype, 6.3 x 4.5 cm (2 1/2 x 1 3/4 in. ) each, Photographs, Unknown (American

Head of a beardless royal attendant, possibly a eunuch, Neo-Assyrian, ca. 721–705 B.C., Mesopotamia, Khorsabad (ancient Dur-Sharrukin), Assyrian, Gypsum alabaster, 21 1/2 x 19 in. (54.6 x 48.3 cm), Stone-Reliefs

Perennial Pea, 1749–1805, Pencil and watercolor, sheet: 15 9/16 x 9 7/8 in. (39.6 x 25.1 cm), Drawings, Jan Jansz. van der Vinne (Dutch, Haarlem 1734–1805 Haarlem

Design for a Cartouche with Two Putti Heads inside a Shell, Atop of an Arch, 1700–1780, Pen and brown ink, brush and brown wash, over lead point or graphite, with ruled construction (recto). Black chalk sketches (verso), 9 3/4 x 8 1/16 in.

Gold Belt Mount with Loop, 700s, Avar, Gold, 1 5/16 × 1 15/16 × 9/16 in., 1 Troy Ounces (3.3 × 5 × 1.4 cm, 58g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively

Ort (Place) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate I. First edition, 1881, Etching, drypoint and aquatint on chine collé; first edition, Overall: 18 5/16 x 26 in. (46.5 x 66 cm), Prints, Max

Lamp, Roman, Cypriot, Terracotta, Overall: 7/8 x 2 7/8 in. (2.2 x 7.3 cm), Terracottas, With degenerate rosette, inscribed on base

Ruins near Canal Basin, Richmond, 1865, Albumen silver print from glass negative, 15.8 x 21 cm (6 1/4 x 8 1/4 in. ), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C