Images at Librifly

River Landscape with Wagons on a Road near a Village, late 16th–mid 17th century, Pen and brown ink, brown wash, traces of black chalk, sheet: 9 1/4 x 14 9/16 in. (23.5 x 37 cm), Drawings, Joos de Momper the Younger (Netherlandish, Antwerp

Beauties and Young Gallants, Edo period (1615–1868), 17th century, Japan, Album leaves; ink and color on paper, Image: 10 3/4 x 14 1/2 in. (27.3 x 36.8 cm), Paintings

Fragment, first half 16th century, Made in Turkey, probably Istanbul, Silk, metal wrapped thread; taqueté (seraser), Textile: H. 17 7/8 in. (45.4 cm), Textiles-Brocades, Expensive materials were woven in a sophisticated technique, using

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 43r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1598, 1598

Folio from a Qur'an Manuscript, probably 15th century, Attributed to India, Ink, opaque watercolor, and gold on paper, 20 9/16 x 12 3/8in. (52.2 x 31.4cm), Codices, A unique cursive script was used for Indian Qur'ans between the late

Karnak (Thèbes), Palais - Salle Hypostyle - Décoration de la Paroi Intérieure au Point L, 1851–52, printed 1853–54, Salted paper print from paper negative, 30.1 x 25.0 cm. (11 7/8 x 9 13/16 in.), Photographs, Félix Teynard (French,

Drawings and Prints, Drawing Ornament & Architecture, Design for a Mural with the Battle between the Gods of Olympus and the Giants, Artist, Paul Chenavard, French, Paris 1808–1895 Paris, Chenavard, Paul, French, 1808, 1895, ca.

Pontoon Bridge at Deep Bottom, James River, 1864, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

The Rubens Hat, 1875, Etching printed in brown ink on wove paper, Plate: 10 x 6 7/16 in. (25.4 x 16.3 cm), Prints, James Tissot (French, Nantes 1836–1902 Chenecey-Buillon

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Martin Engelbrecht, Jeremias Wachsmuth, Carl Pier, German,

Lamp, Roman, Cypriot, Terracotta, Overall: 1 1/4 x 3 in. (3.2 x 7.6 cm), Terracottas

Allegory of the Transience of Life, 1651, Pen and black ink, sheet: 4 1/16 x 6 3/16 in. (10.3 x 15.7 cm), Drawings, Conrad Meyer (Swiss, Zürich 1618–1689 Zürich

Minnehaha, 1868, Made in Rome, Italy, Marble, 11 5/8 × 7 1/4 × 4 7/8 in. (29.5 × 18.4 × 12.4 cm), Sculpture, Edmonia Lewis (American, 1844–1907), Like many American sculptors of the nineteenth century, Lewis, an artist of

Vase with scenes of storm on land, ca. 1790–95, French, Paris, Hard-paste porcelain, confirmed: 18 5/16 × 7 1/4 × 7 1/4 in. (46.5 × 18.4 × 18.4 cm), Ceramics-Porcelain, These two vases were made at the time of the French Revolution, at

Serpent in C, early 19th century, United Kingdom, British, Wood, leather, ivory, brass, sheet iron, Length 725 mm, Diam. of bell 105 mm, Length of crook ca. 247 mm, Aerophone-Lip Vibrated-horn

[Female Portrait Bust on Pedestal], 1890s, Woodburytype, Image: 17.4 x 9.5 cm (6 7/8 x 3 3/4 in.), Photographs, Ritz & Hastings (American, active ca. 1880s–1890s

Europa and the Bull, 17th century, Red chalk, 8-1/8 x 10- 3/8 in. (20.6 x 26.4 cm), Drawings, Anonymous, Italian, Bolognese, 17th century

Horned Figure, Shaman (?), 2nd century B.C.–A.D. 3rd century, Mexico, Mesoamerica, Colima, Colima, Ceramic, H. 13 5/8 x W. 11 x D. 6 1/2 in. (34.6 x 27.9 x 16.5 cm), Ceramics-Containers, The sculpture of Colima is as stytistically

Plate with Vegetal Decoration in a Seven-pointed Star, 17th century, Attributed to Kirman. Made in Iran, Stonepaste; polychrome painted under transparent glaze, H. 2 1/2 in. (6.4 cm), Ceramics

Catacombs, Convento dei Cappucini, Palermo, ca. 1895, Albumen silver print from glass negative, 18.6 x 25.3 cm (7 5/16 x 9 15/16 in. ), Photographs, Eugenio Interguglielmi (Italian, Palermo 1850–1911 Palermo), More than eight thousand

Ships and Sailors, late 18th–early 19th century, Watercolor, image: 5 1/16 x 8 9/16 in. (12.9 x 21.7 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 18 (recto), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

南宋 黑面剔犀山茶紋漆盒, Box with Camellias, Southern Song dynasty (1127–1279), 13th century, China, Carved black and red lacquer, H. 1 3/16 in. (3 cm); Diam. 4 1/8 in. (10.5 cm), Lacquer, The lacquer body is built on a

Christ Appearing to the Apostles, 1656, Etching, plate: 6 7/16 x 8 3/16 in. (16.4 x 20.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Virgin and Child Worshipped by Three Bishops, 16th century, Pen and brown ink, brown wash, over traces of black chalk, 10-11/16 x 8-1/8 in. (27.2 x 20.7 cm) (irregular), Drawings, Anonymous, Italian, 16th century (Italian, active Central

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 14 (verso), Designer, Publisher, Iseppo Foresto, Jeronimo Calepino, Italian, active Venice, 1557, 1564, Foresto, Iseppo, Calepino, Italian, 1520,

Femme turque en toilette de ville, 1870s, Albumen silver print from glass negative, Image: 22.2 x 16.4 cm (8 3/4 x 6 7/16 in.), Photographs, Félix Bonfils (French, 1831–1885), This arresting image of a veiled Turkish woman is one of a large

Le Pompe: Opera Nova, page 15 (recto), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design is decorated with intertwining lines that

[William Collingwood], 1860s, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

New Künstlichs Modelbuch, 1600, Woodcut, Overall: 6 5/16 x 8 1/4 in. (16 x 21 cm), Published by Bernhard Jobin, Strassburg (?). Illustrated title page, poem (2 pages), and 45 pages of designs. According to Lotz loc.cit. editions appeared in

Winter Landscape with Peasants Gathering and Chopping Wood, 1784, Pen and grey ink, grey wash, over black chalk. Framing line in pen and brown ink., 6 1/4 x 9 1/16 in. (15.9 x 23 cm), Drawings, Jacob Cats (Dutch, Altona 1741–1799 Amsterdam

Flap of Bookbinding, 14th century, Attributed to Egypt, Leather, silk, and gold; cut, tooled, 14 3/16 x 5 15/16 in. (36 x 15.1 cm), Codices, A corollary of luxury book production was the development of the art of bookbinding. The envelope

Saint Benedict Receiving a Warrior (recto); Sketch of Crowded Narrative Scene (verso), 17th century, Pen and brown ink, brush with blue-green wash over charcoal? on light tan paper (recto). Framing outline in brown ink along bottom edge. Charcoal?

Peony Sheltered by Rice Straw, Edo period (1615–1868), Japan, Hanging scroll; ink and color on silk, 44 1/4 x 16 in. (112.4 x 40.6 cm), Paintings, Attributed to Sakai Hōitsu (Japanese, 1761–1828

Bronze belt, Late Classical or Hellenistic, ca. 350–325 B.C., Italic, Samnite, Bronze, Other: 13 1/8 in. (33.3 cm), Bronzes, Thin bronze belts with parallel rows of perforations for attaching leather or cloth linings were frequently worn by

[Kraus], 1860s, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs, Ernst Milster (German, born 1835

Model quatrefoil 4-story lily capital, Ptolemaic Period, 400–30 B.C., From Egypt, Pottery, H. 14 cm (5 1/2 in.); Dia. 12.6 cm (4 15/16 in.), Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or

Amulet of the God Pataikos, Late Period, Dynasty 26, 664–332 B.C., From Egypt, Faience, H. 7.2 cm (2 13/16 in); W. 3 cm (1 3/16 in.); D. 3.2 cm (1 1/4 in

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 10 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Design for Cabinet Pianoforte, Louis Quinze Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Snuff Bottle, Qing dynasty (1644–1911), late 18th–early 19th century, China, Agate with coral stopper, H. 2 3/8 in. (6 cm); W. 1 7/8 in. (4.8 cm); D. 1 1/8 in. (2.9 cm), Snuff Bottles

'The Assassination of Khusrau Parviz', Folio 742v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1535, Made in Iran, Tabriz, Opaque watercolor, ink, silver, and gold on paper, Painting: Ht. 11 3/16 in. (28.4 cm), Codices, Painting

Pugahm Myo: Thapinyu Pagoda, August 20–24, 1855, Image: 25.1 x 34.5 cm (9 7/8 x 13 9/16 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport), Here the Thapinyu Pagoda, the tallest structure at Pugahm

Dawn (Head of Hypnos), after 1870, Blue, red, brown and black chalks, with framing lines in black chalk, Image: 11 1/4 x 9 1/4 in. (28.6 x 23.5 cm), Drawings, Simeon Solomon (British, London 1840–1905 London

Teapot, 1770–95, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 5 1/2 x 9 1/8 x 4 13/16 in. (14 x 23.2 x 12.2 cm); 19 oz. 6 dwt. (600 g), Silver, John Letelier Sr. (ca. 1740–1798

Come and Go. A Book of Changing Pictures., ca. 1890, Illustrations: color lithography and commercial process., 9 13/16 x 7 11/16 x 9/16 in. (25 x 19.5 x 1.5 cm), Books

A Dancing Pair Accompanied by a Blindfolded Fortune, 1693, Pen and grey ink, brush and grey wash, sheet: 2 15/16 x 4 3/4 in. (7.5 x 12.1 cm), Drawings, Monogrammist EF (?) (active late 17th century

Coffin and Mummy of the Estate Manager Khnumhotep, Middle Kingdom, Dynasty 12, ca. 1981–1802 B.C., From Egypt, Middle Egypt, Khashaba excavations, 1910; Probably from Meir, Painted wood (Ficus sycomorus), human remains, linen,

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 45), Artist, Publisher, After, Georges Reverdy, Jacob

Canal Landscape with a Fisherman, 17th century, Black chalk, brush and gray wash. Framing line in pen & brown ink, sheet: 5 1/16 x 7 15/16 in. (12.9 x 20.2 cm), Drawings, Attributed to Jacob van Ruisdael (Dutch, Haarlem 1628/29–1682

Larkspur, designed 1874, Block-printed wallpaper, sheet: 27 x 21 1/2 in. (68.6 x 54.6 cm), Wallpaper

Bow Brooch, 400–450, East Germanic, Silver with gold-sheet overlay and garnets, Overall: 6 9/16 x 2 7/16 x 1 3/8 in. (16.7 x 6.2 x 3.5 cm), Metalwork-Gold, This brooch is a luxury version of the kind worn by eastern Germanic women living

Golden Cock and Hen, Joseon dynasty (1392–1910), 19th century, Korea, Hanging scroll; ink and color on paper, Image: 45 × 18 in. (114.3 × 45.7 cm), Paintings, Unidentified Artist, Paintings of auspicious symbols were popular in the late

The Creation of Eve, 18th century, Pen and brown ink, brush and brown wash over black chalk on light brown paper, 11-1/8 x 15-11/16 in. (28.2 x 39.8 cm), Drawings, Étienne Parrocel (French, Avignon 1696–1776 Rouen), Formerly attributed to

2 of Tethers, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Studies of Saint John the Baptist, after 1455, Flemish, Metalpoint on gray prepared paper, 4 5/8 x 7 1/8 in. (11.8 x 18.1 cm), Drawings, Copy after Rogier van der Weyden (Tournai, 1399–Brussels, 1464), This highly accomplished sheet of

La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 5 (verso), 1556, Woodcut, Overall: 8 1/4 x 6 1/8 in. (21 x 15.5 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice. From top to bottom, and left to right: Design

Vaulted Interior with Catalfalque, Coffin and Attendants, 1822, Brush and gray and black ink with watercolor, sheet: 12 5/8 x 15 3/8 in. (32.1 x 39.1 cm), Robert Mackreth (British, 1766–1860

Elements from a Necklace, late 15th–16th century, Made in Granada, Spain, Spanish, Gold, cloisonnè enamel, f:wheel shaped medallion: 3 x 3/16 in. (7.6 x 0.5 cm), Metalwork-Gold, The consummate skill of goldsmiths in Nasrid Granada is

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 28 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Soup plate, ca. 1760, British, Tin-glazed earthenware, Diameter: 8 3/4 in. (22.2 cm), Ceramics-Pottery

Landscape with Architecture, n.d., Pen and brown ink, brush and brown and black ink over traces of black chalk., sheet: 11 5/8 x 9 1/4 in. (29.5 x 23.5 cm), Drawings, Isaac de Moucheron (Dutch, Amsterdam 1667–1744 Amsterdam), In Holland at

Project for Ceiling Decoration, 16th century, Pen and brown ink, 4-5/8 x 6-7/16 in. (11.7 x 16.4 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

The Morning, 1732–67, Gouache and watercolor, sheet: 6 1/2 x 8 7/16 in. (16.5 x 21.5 cm), Drawings, Johann Georg Wagner (German, Meissen 1732–1767 Meissen

Cayuga Lake Sheldrake L.V.R.R., ca. 1895, Albumen silver print from glass negative, Mount: 17 1/2 in. × 20 13/16 in. (44.5 × 52.8 cm), Photographs, William H. Rau (American, 1855–1920), Born in Philadelphia, Rau photographed extensively

Bowl with painted decoration, Early Harappan, ca. early to mid-3rd millennium B.C., Indus Region, Damb Sadaat, Indus, Ceramic, paint, 6.02 in. (15.29 cm), Ceramics-Vessels, Damb Sadaat, located in Baluchistan, was outside the area

An Allegory of Chastity, 1600–1675, Pen and black ink and gray wash over black lead, heightened with white, 6-3/4 in. (17.3 cm) diameter, Drawings, Hans Ulrich Franck (German, Kaufbeuren ca. 1590/95–1675 Ausburg

Cake Plate, ca. 1780, Possibly made in Paris, France, French, possibly, Porcelain, Diam. 8 3/4 in. (22.2 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 15r, Publisher, Designer, Woodcut border designed by, Peter Quentel, Anton Woensam von Worms, German, active Cologne, 1518–46, German, active first

Table Design, 19th century, Ink and watercolor, sheet: 4 5/16 x 5 3/8 in. (11 x 13.6 cm), Anonymous, British, 19th century

Serpent in C, ca. 1840, London, England, United Kingdom, British, Wood, leather, fabric, brass, Length 73.5 cm, Diameter of bell 10.1 w/o brass garland, Thickness: +/- 0.6 cm (measured 4 cm in from bell), +/- 0.7 cm at mouthpipe socket,

Relief fragment, tomb of Meketre, hieroglyphs, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 25 1/4 x 31 1/2 x 3 in., 140lb. (64.1 x 80 x 7.6 cm, 63.5kg), Stone-Reliefs, This panel from the Northwest Palace at Nimrud

Schwartz. Auguste. 31 ans, né à Paris Xlle le 23/1/63. Maroquinier. Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Gettysburg from the West, 1863, Albumen silver print from glass negative, Photographs

Kalamkari Panel with Niche, late 17th–early 18th century, Attributed to India, Deccan, Burhanpur, Cotton; plain weave, mordant painted and dyed, resist dyed, Textile: H. 55 in. (139.7 cm), Textiles-Painted and/or Printed, Burhanpur in the

Ointment jar in the shape of a baboon, Middle Kingdom, Dynasty 13–17, ca. 1800–1550 B.C., From Egypt; Said to be from Northern Upper Egypt, Girga (Thinis), Anhydrite, H. 13.3 cm (5 1/4 in.); W. 5.9 cm (2 5/16 in.); D. 8.2 cm (3 1/4 in

Bear Killing a Bull, 1810–75, Watercolor on wove paper, Sheet: 8 3/8 x 13 3/8 in. (21.3 x 34cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Adoration of the Burning Heart: Ceiling Design, 17th century, Pen and brown ink, brush and brown wash over traces of black chalk on cream paper, 6-5/8 x 8-7/8 in. (16.8 x 22.6 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Tumbler, 1830–70, Made in United States, American, Pressed glass, H. 2 15/16 in. (7.5 cm); Diam. 2 5/8 in. (6.7 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late

Basin with peony decoration, 청자 상감 모란 무늬 주전자 받침 고려, Goryeo dynasty (918–1392), second half of the 12th century, Korea, Stoneware with inlaid design under celadon glaze, H. 3 3/8 in. (8.6 cm); Diam. 6 1/2 in.

Lamp, Late Imperial, 3rd century A.D., Roman, Cypriot, Terracotta, Overall: 1 1/8 x 2 7/8 in. (2.9 x 7.3 cm), Terracottas

Oblong Vegetable Dish, 1800–1900, Pen and wash, 9-1/8 x 14-1/2 in, Drawings, Anonymous, Italian, 19th century

Dish, 1828–32, Probably made in Massachusetts, United States, American, Glass, L: 11 1/ 8 in (28.3 cm), W: 7 3/4 in (19.7 cm), H: 2 1/4 in (5.7 cm), Glass, America's greatest contribution to glassmaking technology was the invention of the

Landscape with cattle in Weißbach on the Rhön, 1841, Pen and brown ink, (yellow-)brown wash, sheet: 14 7/16 x 12 15/16 in. (36.6 x 32.8 cm), Drawings, Carl Wagner (German, Rossdorf 1796–1867 Meiningen

元 緙絲 須彌山曼陀羅, Cosmological Mandala with Mount Meru, Yuan dynasty (1271–1368), 14th century, China, Silk tapestry (kesi), Overall: 33 x 33 in. (83.8 x 83.8cm), Textiles-Tapestries, The elaborate tapestry-woven mandala, or

1/4 Design for a Painted Ceiling, architectural perspective, 1700–1780, Brush and gray wash over lead point or graphite, with ruled and compass construction. Scale at bottom of drawing in pen and gray ink over lead point, 9-3/4 x 10-15/16 in.

A Sleeping Swine, mid-17th century, Black chalk; framing line in pen and brown ink, sheet: 4 3/8 x 6 3/4 in. (11.1 x 17.1 cm), Drawings, Adriaen van de Velde (Dutch, Amsterdam 1636–1672 Amsterdam

City Point, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Table Valance with Winter Garden, Qing dynasty (1644–1911), 18th century, China, Silk, metallic thread, and feather tapestry (kesi), Overall: 29 1/2 x 37 in. (74.9 x 94 cm), Textiles-Tapestries, Among the winter plants in this table

King Clothar I, ca. 1250, French, Limestone, originally polychromed., Overall: 74 1/2 in. (189.2 cm), Installations, According to tradition, the monastery of Moutiers-Saint-Jean was founded by the first Christian kings of France, Clovis and

Design for Te Deum window, 1914, Made in New York, United States, American, Watercolor, gouache, graphite, photograph, and collage on artist board with original mat, Overall: 18 7/8 x 15 11/16 in. (48 x 39.8 cm), Drawings, Tiffany Studios

Terracotta lamp, Mid Imperial, ca. A.D. 150–225, Roman, Cypriot, Terracotta; mold-made, Overall: 1 1/2 x 3 5/8 in. (3.8 x 9.2 cm), Terracottas, With ring-handle; peacock on discus, and impressed leaf pattern on shoulder

The Nativity, Tempera and gold on wood, Overall, with engaged frame, 15 1/4 x 11 1/2 in. (38.7 x 29.2 cm); painted surface 13 x 9 1/8 in. (33 x 23.2 cm), Paintings, Zanobi Strozzi (Italian, Florence 1412–1468 Florence), Although long

Design for a Ceiling: Male Figure with a Trident and Another Figure in a Horse Drawn Chariot, 16th century, Brush and brown wash, highlighted with white, on brown washed paper, 8-1/8 x 11-3/4 in. (20.6 x 29.9 cm), Drawings, Anonymous,

Terracotta beak-spouted jug, Geometric, ca. 750–690 B.C., Late Villanovan, Terracotta; impasto, H.: 12 1/2 in. (31.8 cm), Vases, The distinctive beak-spout of this jug indicates that it is a local imitation of a type imported to Italy from

The Annunciation, 1639, Pen and black ink, brush and gray wash, sheet: 8 1/8 x 7 15/16 in. (20.7 x 20.2 cm), Drawings, Gabriel Hornstain (German, Steiermark (?), active ca. 1639

Woman Holding a Lyre, ca. 1850, Pen and brown ink, graphite, sheet: 10 5/8 x 6 5/8 in. (27 x 16.9 cm), Drawings, Attributed to John Gibson (British, Gwynedd, Wales 1790–1866 Rome

Design for a Coffer, 19th century, Ink, 7-1/2 x 16-1/2 in, Drawings, Anonymous, Italian, 19th century

Bowl, 1440–1460, Spanish, Tin-glazed earthenware, Overall: 8 7/8 x 13 3/8 in. (22.5 x 34 cm), Ceramics