Images at Librifly

Tobacco Pouch, Japan, Lacquer, H. 7 1/8 in. (18.1 cm); W. 3 3/8 in. (8.6 cm); D. 2 5/8 in. (6.7 cm), Tobacco Pouches

Allegory of Air and Earth, 1618, Pen and brown ink with gray and violet wash and white heightening over black chalk and graphite, sheet: 12 1/4 x 7 15/16 in. (31.1 x 20.1 cm), Drawings, Bartholomäus Reiter (German, 1583–1622 (active Munich

Drawings and Prints, Books Prints Ornament & Architecture, Pretiosa Gemma delle virtuose donne, page 15 (recto), Author, Publisher, Binder, Isabella Catanea Parasole, Gargano, Hardy-Mennil, Italian, ca. 1565/70–ca. 1625, Venetia,

Salt Spoon, 1790–1810, Made in Boston, Massachusetts, United States, American, Silver, L. 4 3/8 in. (11.1 cm), Silver, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston, Massachusetts

Ointment vase in the shape of a bulti fish, Middle Kingdom–early New Kingdom, Dynasty 13–17, ca. 1900–1500 B.C., From Egypt, Travertine (Egyptian alabaster

9 of Nooses, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

The Battle Field of Peach Tree Creek, Georgia, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

[Two Young Men Crossing Their Walking Sticks], 1880s, Tintype, Image: 9 x 5.9 cm (3 9/16 x 2 5/16 in.), Photographs, Unknown (American

Distant View of Syracuse and its Harbor, late 18th century, Pen and pale brown ink, gray wash over traces of graphite. Framing lines in dark brown ink., 7 5/8 x 15 9/16 in. (19.4 x 39.5 cm), Drawings, Claude Louis Châtelet (French, Paris

Textile Sample Book, 1860s (?), French, Lyons, H. 12 3/4 x W. 8 3/4 x Th. 1 3/8 inches, Textiles-Sample Books

Table Spoon, 1775–1800, Made in New York, New York, United States, American, Silver, L. 8 7/8 in. (22.5 cm), Silver, Daniel Van Voorhis (1751–1824

Portrait of Joseph-Hilarius Eckehel, ca. 1815, Pen and black ink with brush and brown wash., 7 x 4 5/8 in. (17.8 x 11.8 cm.), Drawings, Antoine Louis François Sergent Marceau (French, Chartres 1751–1847 Nice

Taweret, Ptolemaic Period, 332–30 B.C., From Egypt, Upper Egypt, Qau District (?), Faience, H. 7.3 cm (2 7/8 in.); W. 1.8 cm (11/16 in.); D. 2.3 cm (7/8 in.), This figure depicts the goddess Taweret. She is a hippopotamus with the breasts

Benedikt von Hertenstein (born about 1495, died 1522), 1517, Oil and gold on paper, laid down on wood, Overall 20 1/2 x 15 in. (52.4 x 38.1 cm); painted surface 20 3/8 x 14 5/8 in. (51.4 x 37.1 cm), Paintings, Hans Holbein the Younger (German,

Various Grotesque Figure Studies and a Strapwork Cartouche (recto); Grotesque with Two Figures and Mask; and A Kneeling Cleric (verso), ca. 1545–60, Pen and dark brown ink, and some brush and brown wash (recto); pen and dark brown ink with brush

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 7.3 (2 7/8 in.); W. 10.1 cm (4 in.); D. 1.5 cm

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, title page (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Le Pompe: Opera Nova, page 12 (verso), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design is for bobbin lace and is composed of 2

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

One Quarter of a Design for a Painted Ceiling on Recto. Verso, ornements., 1700–1780, Pen and brown ink, brush with gray ink and gray wash, over lead point, with ruled and compass construction (recto). Architectural drawing in lead point

Cup with grapes, Ming (1368–1644) to Qing (1644–1911) dynasty, early 17th century, China, Rhinoceros horn, H. 3 in. (7.6 cm), Horn, Sometimes symbolic of autumn, grapes and grapevines also represent abundance, both in the sense of

Brunet. Georges. 25 ans, né à Paris. Menuisier. Anarchiste. 4/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a

Openwork Belt Fitting, 600–700, Made in Alamania, Frankish, Bronze, with traces of gilding, Copper alloy; copper alloy with tinned surface, Overall: 2 5/16 x 1/8 in. (5.9 x 0.3 cm), Metalwork-Bronze, Openwork plaques were hung from a belt

Jasper intaglio: Harpocrates riding a lion, Imperial, ca. 2nd–3rd century A.D., Roman, Jasper, red and green, Other: 5/16 in. (0.8 cm), Gems, Harpocrates riding a lion with snaked-headed tail; thunderbolt below

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 3 1/4 in. (7.5 × 8.2 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Cup Plate, 1840–52, Probably made in Sandwich, Massachusetts, United States, American, Lacy pressed glass, Glass

Cittern, ca. 1685, Hamburg, Germany, German, Cypress, ivory, ebony, parchment, brass, Height: 24 7/8 in. (63.2 cm), Chordophone-Lute-plucked, Joachim Tielke (German, 1641–1719), The bell-shaped cittern was a specialty of the city of

拾遺古徳伝絵断簡, Illustrated Biography of Hōnen (Shūikotokūden-e), Kamakura period (1185–1333), ca. 1310–20, Japan, Section of handscroll mounted as hanging scroll; ink and color on paper, Image: 16 x 14 15/16 in. (40.7 x 38

Flat Ornament, 7th century (?), Made in France, Frankish, Copper alloy, 'tinned' surface, Overall: 1 7/16 x 1 3/8 x 5/16 in. (3.7 x 3.5 x 0.8 cm), Metalwork-Copper alloy

George Washington, 1840–83, Made in France, French, Faience, Diam. 8 3/4 in. (22.2 cm), Ceramics, After John Trumbull (American, Lebanon, Connecticut 1756–1843 New York

Lioness (one of a pair), ca. 1732, German, Meissen, Hard-paste porcelain, Overall (confirmed): 19 x 29 7/8 x 13 in. (48.3 x 75.9 x 33 cm); Pedestal: 45 x 34 x 21 in. (114.3 x 86.4 x 53.3 cm), Ceramics-Porcelain

Drawings and Prints, Books Prints Ornament & Archiecture, Fiori di Ricami Nuovamente Posti in Luce, page 13 (recto), Designer, Publisher, Matteo Florimi, Francesco de' Franceschi, Italian, active Siena, ca. 1581–died 1613, Italian,

Deep bowl depicting people, animals, and plants, Predynastic, Naqada II, ca. 3650–3300 B.C., From Egypt, Pottery, paint, h. 24.3 x w. 24 x diam of rim 23.2 cm (9 9/16 x 9 7/16 x 9 1/8 in

Fragment of Frame Design (Recto); Sketch of a Man's Head in Profile (Verso), 17th–18th century, Pen and brown ink, brush and brown wash, over graphite underdrawing (recto); graphite (verso), sheet: 5 7/16 x 3 3/8 in. (13.8 x 8.5 cm),

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor on paper, 29 15/16 × 21 3/4 in. (76 × 55.3 cm), Drawings, Possibly Tiffany Glass Company (1885–92), Possibly Tiffany Glass and

Tumbler, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed colorless and cranberry glass, H. 3 13/16 in. (9.7 cm); Diam. 3 in. (7.6 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Villanneau. Henri, Fernand. 35 ans, né le 11/3/59 à Poitiers. Clerc de notaire. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Entombment, 16th century, Pen and brown ink, 7 x 8-3/16 in. (17.8 x 20.8 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Woodcutters Working at a Deer Park (from the Hunting Parks Tapestries), ca. 1515–35, South Netherlandish, Wool and silk thread, Overall: 134 1/2 x 126 1/2in. (341.6 x 321.3cm), Textiles-Tapestries, In this tapestry, one from a set of four,

A Tusk Figurine of a Man, Predynastic, Late Naqada l– Early Naqada II, ca. 3900–3500 B.C., From Egypt, Ivory (hippopotamus), organic material, h. 22.4 cm (8 13/16 in); w. 3 cm (13/16 in); d. 3.2 cm (1 1/4 in), Tusk figures belong to a

Glass bowl, possibly an inkwell, Mid Imperial, ca. 2nd–3rd century A.D., Roman, Glass; blown, Diam.: 4 in. (10.2 cm), Glass, Colorless, with attachment in same glass., Narrow circular mouth with horizontal rounded lip; concave discus;

竹林七聖図, Seven Sages of the Bamboo Grove, Muromachi period (1392–1573), 1550s, Japan, Hanging scroll; ink and color on paper, Image: 40 5/16 × 20 3/8 in. (102.4 × 51.7 cm), Paintings, Sesson Shūkei (ca. 1504–ca. 1589), During

La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 10 (recto), 1556

[Grand Army Review, Pennsylvania Avenue, Washington], May 23 or 24, 1865, Albumen silver print from glass negative, 8.5 × 10.1 cm (3 3/8 × 4 in.), irregularly trimmed, Photographs, Alexander Gardner (American, Glasgow, Scotland

[Man Wearing Coat and Gloves, Holding Hat, Seated in Front of Painted Outdoor Backdrop], 1840s, Daguerreotype, Image: 12 x 9 cm (4 3/4 x 3 9/16 in.), Photographs, Attributed to Samuel Broadbent Jr. (American, 1810–1880

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 98r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Kilchenstein. Dominique. 48 ans, né à Luneville (Meurthe & Moselle). Marchand au panier. Anarchiste. 23/4/92, 1892, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 18 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Case (Inrō) with Design of Wisteria Trellis, Edo period (1615–1868), mid-19th century, Japan, Case: powdered gold and silver (maki-e) on gold lacquer; Fastener (ojime): glass; Toggle (netsuke): red lacquer carved with design of monkeys, H. 4

Para (ou Parra). Henri. 38 ans, né le 16/5/56 à Paris Ve. Camelot. Anarchiste. 4/9/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Design for Console Table, 1850–1904, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Animal Locomotion. An Electro-Photographic Investigation... of Animal Movements. Commenced 1872 - Completed 1885. Volume VII, Men and Woman (Draped) Miscellaneous Subjects, 1880s, Photogravures, Books, Eadweard Muybridge (American, born

Rue Traversine (from the Rue d'Arras), ca. 1868, Albumen silver print from glass negative, 34.8 x 27.5 cm (13 11/16 x 10 13/16 in. ), Photographs, Charles Marville (French, Paris 1813–1879 Paris

Studies for a Scourging Soldier and the Head of Christ, ca. 1565, Pastel with red chalk on laid light brown paper (formerly blue), Sheet: 15 1/16 x 9 9/16 in. (38.3 x 24.3 cm), Drawings, Jacopo Bassano (Jacopo da Ponte) (Italian, Bassano del

Amorosa Inebriatio from The Life of Saint John of the Cross, 1622–24, Engraving, sheet: 4 5/16 x 2 5/8 in. (10.9 x 6.7 cm), Prints, Antonius Wierix III (Dutch, 1596–1624

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 28 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Les Singuliers et Nouveaux Portraicts... page 2 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. Advice to

Mold Fragment with Musicians, late 11th–early 12th century, Excavated in Iran, Nishapur, Earthenware; carved, 48.5a and b: H. 6 3/8 in. (16.2 cm), Ceramics, This earthenware mold elucidates the manufacturing process of stonepaste, showing

Marble portrait of a man, Severan, first half of the 3rd century A.D., Roman, Marble, H. 9 1/16 in. (23 cm), Stone Sculpture, In this masterful portrait of a man with a deep frown and sunken cheeks, the roughly chiseled hair and beard

Drawings and Prints, Books Prints Ornament & Architecture, Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, title page (verso), Publisher, Alessandro Paganino, Italian, active Salo,

Design for a Wall with a Flower Vase, Birds, Two Gold Fish and Globe Fountains, 19th century, Ink and watercolor, Anonymous, British, 19th century

Female dancer in cubist costume holding a knife, n.d., graphite, watercolor., sheet: 13 1/16 x 9 1/2 in. (33.1 x 24.1 cm), Drawings, Sergey Chekhonin (Russian, 1878–1936

Landscape, early 19th century, Brush, black ink, gray wash, sheet: 3 3/8 x 6 1/8 in. (8.6 x 15.6 cm), Drawings, Anonymous, British, early 19th century

Cup, 1736–95, Made in China, Chinese, Porcelain, H. 1 3/4 in. (4.4 cm); Diam. 2 3/8 in. (6 cm), Ceramics

Buen-Ventura, Savanah, Georgia, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Design for a Mirror, 1800–1900, Sheet: 12 3/4 × 9 1/4 in. (32.4 × 23.5 cm), Drawings, Anonymous, Italian, 19th century

General Robert E. Lee, 1865, Albumen silver print from glass negative, Image: 14 × 9.3 cm (5 1/2 × 3 11/16 in.), Photographs, Mathew B. Brady (American, born Ireland, 1823?–1896 New York), Confederate General Robert E. Lee surrendered his

Whiskey Mug, 1850–70, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 2 7/8 in. (7.3 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had

Pellet and Bolt Crossbow, dated 1573, Northern Italian or French, probably Savoy, Steel, wood (cherry, mahogany), staghorn, ivory (probably elephant), L. 37 3/4 in. (95.9 cm); W. 25 5/16 in. (64.3 cm); Wt. 4 lb. 6 oz. (1, 977 g), Archery

Luna, from Planets, plate 7, 1530–70, Engraving, Sheet: 6 1/8 × 3 3/4 in. (15.5 × 9.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), Formerly attributed to Georges Reverdy (French, active Lyon,

Triumph of the Amazons, 1620s, Oil on canvas, 20 1/4 x 26 in. (51.4 x 66 cm), Paintings, Claude Déruet (French, Nancy ca. 1588–1660 Nancy), In 1619, after several years of study in Rome, Déruet returned to his native Nancy to become the

Coffin, 4th century, Made in Kharga Oasis, Byzantine Egypt, Coptic, Wood, paint, Overall: 16 1/2 x 70 1/4 x 20 3/4 in. (41.9 x 178.4 x 52.7 cm), Woodwork-Miscellany

Woman and Child, 1883, Graphite with touches of watercolor, Overall: 4 1/8 x 3 7/8 in. (10.4 x 9.8 cm), Drawings, Kate Greenaway (British, London 1846–1901 London

Velvet with Figural Imagery, mid-16th century, Attributed to Iran, Silk, metal wrapped thread; cut and voided velvet, Textile: L. 31 in. (78.7 cm), Textiles, Textiles of the Safavid period demonstrate the technical mastery of the weavers as

Jean-Baptiste Faure (1830–1914), 1882–83, Oil on canvas, 23 1/4 x 19 1/2 in. (59.1 x 49.5 cm), Paintings, Édouard Manet (French, Paris 1832–1883 Paris), The noted baritone and collector Jean-Baptiste Faure posed for Manet in the winter

[Edward William Cooke], 1860s, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

Design for a Frame, 1841–84, Graphite, sheet: 13 9/16 x 10 3/8 in. (34.5 x 26.4 cm), Charles Hindley and Sons (British, London 1841–1917 London

Marble right foot wearing a sandal, Imperial, 1st or 2nd century A.D., Roman, Marble, H.: 12 1/8 in. (30.8 cm), Stone Sculpture, Right foot and ankle, wearing a sandal

Parinirvana (Extinction of the Buddha) and Attendant, Ming dynasty (1368–1644), dated 1503, China, Glazed pottery, H. 11 in. (27.9 cm); W. 4 5/8 in. (11.7 cm); D. 4 1/2 in. (11.4 cm), Ceramics, Qiao Bin (Chinese, active 1481–1507),

Gold Earring, 400–500, Ostrogothic (?), Gold, Overall: 1 x 1 1/8 x 3/8 in. (2.5 x 2.9 x 1 cm), Metalwork-Gold, Hoop earrings with polyhedral beads, derived from Late Roman jewelry, were adopted by eastern Germanic women in the fifth

Fragment of a Door Jamb with Geometric and Vegetal Motifs, 5th–6th century, Found Egypt, Bawit, Limestone; traces of paint on plaster, H. 34 1/4 in. (87 cm), Sculpture, The monastic community of Bawit, founded in the 300s by Apa (Father)

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 6v, Designer, Publisher, Woodcut border designed by, Anton Woensam von Worms, Peter Quentel, German, active first half 16th century, died 1538,

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 20 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 3 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc,

Landscape with Figures, 1651, Black chalk, gray and brown wash., 6 13/16 x 10 7/8 in. (17.3 x 27.6 cm), Drawings, Jan van Goyen (Dutch, Leiden 1596–1656 The Hague

Terracotta kantharos (drinking cup), Late Classical, ca. 325–300 B.C., Etruscan, Terracotta; red-figure, H. 6 3/16 in. (15.7 cm), Vases, Obverse and reverse, griffins attacking a deer. The subject of griffins attacking a deer has a long

葦鶴蒔絵重箱, Tiered Box with Reeds and Crane, Edo period (1615–1868), 18th century, Japan, Black lacquer ground with gold and silver hiramaki-e, H. 6 1/4 in. (15.9 cm); W. 4 11/16 in. (11.9 cm); L. 8 3/8 in. (21.3 cm), Lacquer

Candlestick with Enthronement Scene, second quarter 13th century, Attributed to Jazira, probably Mosul. Country of Origin Iraq, Brass; engraved, incised, inlaid with silver, H. 9 9/16 in. (24.4 cm), Metal, This sophisticated candlestick

Bowl imitating realgar, Qing dynasty (1644–1911), early 19th century, China, Opaque mottled red and yellow glass, H. 2 3/4 in. (7 cm); Diam. 7 3/8 in. (18.7 cm), Glass, The mineral realgar, also known as ruby sulphur because of its red and

Design for Domed Ornament, 19th century, Graphite, Anonymous, British, 19th century

U.S. Monitor Onondaga, James River, 1861–65, Albumen silver print from glass negative, Photographs

The Mystic Marriage of St. Catherine, with St. Joseph, an Angel, and a Cross-bearing Saint, Woodcut, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 35

Artillery, Musician, 1866, Albumen silver print from glass negative, Image: 19.9 x 14.9 cm (7 13/16 x 5 7/8 in.), Photographs, Attributed to Oliver H. Willard (American, active 1850s–70s, died 1875), This hand-colored portrait provides a

The Lighthouse at Honfleur, 1886, Conté crayon heightened with gouache on laid paper, 9 1/2 x 12 1/8 in. (24.1 x 30.8 cm), Drawings, Georges Seurat (French, Paris 1859–1891 Paris

Loie Fuller Dancing, ca. 1900, Gelatin silver print, Image: 5 15/16 × 4 3/8 in. (15.1 × 11.1 cm), Photographs, Samuel Joshua Beckett (British, Shadwell, Stepney [London] 1870–1940 Bournemouth

Ornamental Design with Antique-style Mask, 1550–1600, Pen and brown ink, brush and brown wash, over black chalk, with white gouache highlights (now entirely oxidized), sheet: 5 5/8 x 5 11/16 in. (14.3 x 14.4 cm), Anonymous, Italian, 16th

Rape of Proserpina, Gaspero Bruschi (Italian, ca. 1710–1780, active 1737–80), ca. 1750, Italian, Florence, Hard-paste porcelain, Overall (confirmed): 19 1/2 x 13 7/8 x 9 3/8 in. (49.5 x 35.2 x 23.8 cm), Ceramics-Porcelain, Gaspero

Karnak (Thèbes), Cour du Palais - Vue Prise de Point I, 1851–52, printed 1853–54, Salted paper print from paper negative, 30.7 x 25.2 cm. (12 1/16 x 9 15/16 in.), Photographs, Félix Teynard (French, 1817–1892

Faradisation du muscle frontal, 1854–56, printed 1862, Albumen silver print from glass negative, Image: 18.6 × 11.7 cm (7 5/16 × 4 5/8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875), Possibly with

Sketch of Three Vases, ca. 1850, Pen and black ink, sheet: 3 1/2 x 6 1/2 in. (8.9 x 16.5 cm), John Gibson (British, Gwynedd, Wales 1790–1866 Rome