Images at Librifly

Textile Fragment with Inhabited Vine in an Eight-Pointed Star, 5th–6th century, Made in Byzantine Egypt, Coptic, Linen, wool, Overall: 10 5/8 x 12 1/2 in. (27 x 31.8 cm), Textiles-Woven

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 18 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Visitation, 17th century, Pen and dark brown ink. Border line drawn along bottom of sheet and suggested at right side of sheet in pen and dark brown ink. On off-white paper, 5-7/8 x 4-3/16 in. (14.9 x 10.6 cm), Drawings, Anonymous, Spanish,

Shawl, ca. 1849, French, Paris, Goat fleece, silk, 147 1/4 × 62 1/2 in. (158.8 × 374 cm), Textiles-Woven, The 1849 jury reports for an innovative gold-medal-winning shawl, which virtually describe the one illustrated here, suggest that it

Plate, ca. 1825, Made in Mexico, Mexican, Earthenware, Diam. 14 3/8 in. (36.5 cm), Ceramics

Opera Nova Universali intitulata Corona di racammi, page 26 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Perugia, 1905, Etching; second state of two, plate: 5 7/16 x 8 3/8 in. (13.8 x 21.3 cm), Prints, Donald Shaw MacLaughlan (American (born Canada), Charlottetown 1876–1938 Marrakesh

Drawings and Prints, Books Prints Ornament & Architecture, Ein new Modelbuch..., page 11 (verso), Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, October 22,

[Man with Chinstrap Beard], 1840s, Daguerreotype, Image: 7.6 x 6.6 cm (3 x 2 5/8 in.), Photographs, John Plumbe Jr. (American, born Wales, 1809–1857

Lace sample book, ca. 1840, British, No dimensions recorded., Textiles-Methods and Materials

Standing Bodhisattva Maitreya or Manjushri(?), late 7th–early 9th century, Indonesia (Sumatra), Bronze, H. 9 1/4 in. (23.5 cm); W. 2 3/4 in. (7 cm); D. 1 7/8 in. (4.8 cm), Sculpture

[Family Posing on Bow Bridge, Central Park, New York], 1865–1875, Tintype, Image: 12 x 8.7 cm (4 3/4 x 3 7/16 in.), Photographs, Unknown (American

A Parade, ca. 1850, Pen and brown ink over graphite, Overall: 3 1/8 x 4 1/16 in. (7.9 x 10.3 cm), Drawings, George Cruikshank (British, London 1792–1878 London

Reliquary, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Cloisonné enamel and bronze, H. 19 in. (48.3 cm), Cloisonn

Diana (leaf in Italian Sketch Book, 1750–52), 1750–52, Graphite, sheet: 7 3/8 x 5 1/8 in. (18.8 x 13 cm), Sketchbooks, Sir Joshua Reynolds (British, Plympton 1723–1792 London

Bather Sponging Her Knee, ca. 1883–84, Charcoal, pastel, and gray wash on off-white laid paper, Sheet: 12 1/8 x 9 3/8 in. (30.8 x 24.8cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris

Samuel Annointing David; verso: sketch of two figures, ca. 1591, Pen and brown ink, brush and brown and gray wash. Pasted down. Verso: pen and brown ink, incised and rubbed with black chalk, 9-1/16 x 12-3/8 in. (23.0 x 31.4 cm), Drawings,

Design for a Wall Tomb., ca. 1524, Pen and brown ink, over stylus-ruled and compass-incised construction marks, on light tan laid paper, 14-3/8 x 9-1/16 in. (36.5 x 23 cm), Drawings, Anonymous, Central-Italian, 16th century

Drawings and Prints, Drawing, St. John the Evangelist, Artist, John Flaxman, British, York 1755–1826 London, Flaxman, John, British, 1755, 1826, ca. 1811, 1806, 1816

Landsknecht, early 16th century, Pen and iron gall ink, sheet: 10 x 6 15/16 in. (25.4 x 17.6 cm), Drawings, Hans Schäufelein (German, Nuremberg ca. 1480–ca. 1540 Nördlingen

Ein new Modelbuch..., October 22, 1524, Woodcut, 7 5/16 x 5 3/8 in. (18.5 x 13.6 cm), Published by Johann Schӧnsperger the Younger, Zwickau. Illustrated woodcut title page, page with author's signature and colophon, 29 pages of designs

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 5.5 cm (2 3/16 in.); W 7.8 cm (3 1/16

Winter Landscape, 神農・夏冬山水図, Edo period (1615–1868), 1662, Japan, One from a set of three hanging scrolls; ink and color on silk, 44 1/2 x 15 1/2 in. (113 x 39.4 cm), Paintings, Kano Tan'yū (Japanese, 1602–1672),

Peasant of the Alps, April 2, 1771, Etching, plate: 6 x 4 3/16 in. (15.3 x 10.7 cm), Prints, After Sir Henry William Bunbury (British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland

Christ Brought Before Pontius Pilate, 17th century, Pen and light brown ink, brush and light brown wash, reinforced with pen and dark brown ink, highlighted with white gouache (oxidized) on figure of Pilate and throne, over traces of black

Wall decoration with geometric and floral decoration, Sasanian, ca. 6th century A.D., Mesopotamia, Ctesiphon, Sasanian, Stucco, 13.5 x 23.5 in. (34.29 x 59.69 cm), Stucco-Reliefs, The slightly curved surface of this fragmentary panel

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 23r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

'Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait', Folio from the Shah Jahan Album, recto: 1627–28; verso: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices,

The Annunciation, 17th century, Pen and dark brown ink. Composition outlined in the same, by the artist. On off-white paper, 5-11/16 x 4-3/16 in. (14.5 x 10.7 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Mandala of the Forms of Manjushri, the Bodhisattva of Transcendent Wisdom, late 14th century, Tibet, Distemper on cloth, 33 1/16 x 29 1/8 in. (83.9 x 74 cm), Paintings, At center sits Manjushri, the peaceful form of Manjuvajra, a bodhisattva

Purse with scenes from the story of Patient Griselda, 14th century, French, Silk and metal thread on canvas, Overall: 6 x 5 5/8in. (15.2 x 14.3cm), Textiles-Embroidered, This embroidered scene depicts the popular medieval tale of Griselda, a

Camels Reposing, Tangiers, 1838–74, Brush and watercolor over black graphite underdrawing. On off-white paper, 8-1/4 x 14-3/4 in. (21.0 x 37.5 cm), Drawings, Mariano Fortuny Marsal (Spanish, Reus 1838–1874 Rome

Ve Station. Jésus aidé par Simon de Cyrène. Une marque dans le mur indique seule cette station. La maison que l'on voit au fond est celle du mauvais riche, 1860 or later, Albumen silver print from paper negative, Image: 11 3/16 × 8 1/4 in.

A Youth and Two Girls Singing, 17th century, Black chalk, brown wash, heightened with white, on blue paper, sheet: 4 15/16 x 7 1/16 in. (12.6 x 18 cm), Drawings, Jacob Jordaens (Flemish, Antwerp 1593–1678 Antwerp

Design for the Decoration of the Surround of the Ramrod Pipe of a Firearm, ca. 1795–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 3 1/4 x 1 7/8 in. (8.3 x 4.8 cm), Works on Paper-Drawings

나전 칠 넝쿨 무늬 꽃 모양 반 조선, 螺鈿漆唐草文菱花形盤 朝鮮, Ogival tray with decoration of floral scroll, Joseon dynasty (1392–1910), 15th–16th century, Korea, Lacquer inlaid with mother-of-pearl, H. 1 5/8 in.

Saint Roch, early 16th century, Made in Normandy, France, French, Oak, paint, gilt, 62 1/4 × 20 1/2 × 13 3/4 in., 140 lb. (158.1 × 52.1 × 34.9 cm, 63.5 kg), Sculpture-Wood, Saint Roch’s celebrity derives from his reputation for

Chasuble, 16th century, French, Canvas, silk and metal thread, L. 49 1/2 in. (125.7 cm), Textiles-Embroidered

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 22r), Binder, Publisher, Riviere & Son(s), Hermann Gülfferich, London, 1542–1554, Frankfurt am Main, Riviere & Son(s),

Berenice prevents Ptolemy judging Condemned Persons while playing at Dice, 18th–19th century, Pen and brown ink, brush and grey wash, Sheet: 3 3/16 × 4 5/8 in. (8.1 × 11.7 cm), Drawings, Edward Francis Burney (British, Worcester

Vase, ca. 1890–1900, French, Saint-Amand-en-Puisaye, Stoneware, confirmed: 13 3/4 × 5 × 4 1/4 in., 9.1 lb. (34.9 × 12.7 × 10.8 cm, 4.1 kg), Ceramics-Pottery, Hoentschel was an interior decorator and a collector of medieval and

Tobias and the Angel, 1552–1616, Black chalk, pen and brown ink, brown wash, sheet: 9 x 8 1/16 in. (22.9 x 20.5 cm), Drawings, Hans von Aachen (German, Cologne 1552–1616 Prague

Roundel with Saints Barbara and Catherine, ca. 1500–1510, Made in Germany, German, Colorless glass, vitreous paint, and silver stain, 6 1/4 × 1/16 in. (15.9 × 0.2 cm), Glass-Painted, The artist who painted this roundel, probably from

Outer Confederate Line, Petersburg, Captured June 15, 1864, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Pitcher, after 1885, Possibly made in United States, American, Blown satin blue glass, H. 7 3/8 in. (18.7 cm), Glass

Mathilde, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Design for a Book Illustration with a Man and Tree Branches, first half 20th century, Brush and black and gray ink, white gouache on board., 3 11/16 x 5 in. (9.4 x 12.7 cm), Drawings, Hugo Steiner-Prag (Czech, 1880–1945

H.M.S. Agamemnon Laying the Atlantic Telegraph Cable in 1858: a Whale Crosses the Line, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 15/16 × 9 13/16 in. (17.7 × 25 cm), Drawings, Robert Charles Dudley (British,

Flower Pot, ca. 1700–1750, Made in Mexico, Mexican, Tin-glazed earthenware, H. 17 in. (43.2 cm), Ceramics

Cana. Eugène, Pierre. 47 ans, né à Paris XIe. Monteur en bronze. Anarchiste. 2/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Dwelling house at Esher for Mrs. Wethered: Two plans, 1907, Pen and ink, over graphite, with watercolor, sheet: 12 1/4 x 20 3/4 in. (31.1 x 52.7 cm), Ernest Geldart (British, London 1848–1929

Human-headed cat, Third Intermediate Period–Late Period, Dynasty 22–26, ca. 945–525 B.C., From Egypt, Faience, H. 3.5 cm (1 3/8 in.); W. 1.2 cm (1/2 in.); D. 2.2 cm (7/8 in.), This figure is part of a repertoire of figures created in a

[Group of 4 Stereograph Views of the Coronation of Edward VII, London, England], 1850s–1910s, Albumen silver prints, Mounts: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, R. Y. Young, Benneville Lloyd Singley (American, Union Township,

Statuette of the steward Senbi, Middle Kingdom, Dynasty 12, early, ca. 1950–1900 B.C., From Egypt; Probably from Middle Egypt, Meir, Wood, paint, copper, travertine (Egyptian alabaster), paste, H. 41 cm (16 1/8 in.); W. base 4 cm (1

Landscape with Ornamental Frame, ca. 1730, Pen and brown ink, brush and gray wash(landscape), Drawings, Johann Melchior Füssli (Swiss, Zurich 1677–1736 Zurich

Fragment of an Ornamental Design, 16th century, Pen and ink on paper, Sheet: 8 1/4 x 4 1/8 in. (21 x 10.4 cm), Drawings, Anonymous, Netherlandish, 16th century

Face from a statuette, Predynastic, Naqada III, ca. 3300–3100 B.C., From Egypt, Ivory, h. 2.3 x w. 1.8 x th. 0.5 cm (7/8 x 11/16 x 3/16 in

明/清 陳洪綬 準提佛母法像圖 軸, Bodhisattva Guanyin in the Form of the Buddha Mother, Ming dynasty (1368–1644), dated 1620, China, Hanging scroll; ink on paper, Image: 49 1/4 x 19 1/16 in. (125.1 x 48.4 cm), Paintings, Chen

Elevation of the South, or River Front of the New Building at Somerset Place, mid-18th–late 18th century, Ink and wash, sheet: 30 x 40 in. (76.2 x 101.6 cm), After Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 7, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Tankard, ca. 1650, Hungarian, Brassó, Gilded silver, Overall: 8 1/8 x 4 1/2 in. (20.6 x 11.5 cm), Metalwork-Silver, The harmonious proportions, the careful distinction between matte and polished areas, and the powerful lid with its

Excised Knee Joint. A Round Musket Ball in the Inner Condyle of the Right Femur [Gardiner Lewis, Company B, Nineteenth Indiana Volunteers], 1866–67, Albumen silver print from glass negative, 19 x 15.3cm (7 1/2 x 6in.), Photographs, William

Botanical Garden, 1860s–70s, Albumen silver print from glass negative, 19.9 x 27.2 cm (7 13/16 x 10 11/16 in.), Photographs, Unknown

H.R.H. Prince Leopold and His Hobbyhorse, 1900–1908, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Egg Cup, 1870–80, Made in Pittsburgh, Pennsylvania, United States, American, Pressed yellow glass, H. 4 1/4 in. (10.8 cm); Diam. 2 3/4 in. (7 cm), Glass, Adams and Company

里芋菊蒔絵重箱, Stacked Food Box (Jūbako) with Taro Plants and Chrysanthemums, late Edo (1615–1868)–early Meiji (1868–1912) period, mid-19th century, Japan, Lacquered wood, gold and silver hiramaki-e, takamaki-e, and colored

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 20r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Animal-Shaped Spit Rest, 9th–10th century, Probably from Iran, Nishapur, Steatite; carved, H. 4 1/2 in. (11.4 cm), Sculpture, Made of fire-resistant stone, this object has been identified as a spit rest. Two such rests would have been

Wine pot and cover, early 19th century, Japanese, for European market, Hard-paste porcelain, Height: 5 11/16 in. (14.4 cm), Ceramics-Porcelain-Export

Buff Ware Fragment with Horned Animals, 9th–10th century, Attributed to Iran, Nishapur. Excavated in Iran, Nishapur, Earthenware; polychrome decoration under transparent glaze (buff ware), W. 3 3/4 in. (9.5 cm), Ceramics

Drawings and Prints, Albums Prints Ornament & Architecture, Schon newes Modelbuch...Page 7(r), Designer, Sigismundus Latomus, German, active 1599–ca. 1627, Latomus, Sigismundus, German, 1599, 1632, 1617, 1617

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 18v), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Cloud Rock, Ming dynasty (1368–1644), 16th–mid-17th century, China, Hanging scroll; ink on silk, Image: 51 1/2 x 17 7/8 in. (130.8 x 45.4 cm), Paintings, Ni Yuanlu (Chinese, 1593–1644

Design for an Antependium: The Madonna della Misericordia with Saints John the Baptist and John the Evangelist, the Circumcision, and the Presentation of the Virgin, ca. 1370, Pen and brown ink, yellow watercolor in the backgrounds of the

Three Studies of Seated Nude Male with Raised Arm, Seen from Below., 17th century, Red chalk, on light brown paper. Partly reworked with red crayon, 10-3/8 x 7-3/4 in. (26.4 x 19.7 cm), Drawings, Anonymous, Italian, Bolognese, 17th century

He Will Not Laugh ('Y el no se rie'), 1807–45, Pen and dark brown ink on off-white paper. Composition outlined with pen and dark brown ink on all sides, 7-1/4 x 5-1/4 in. (18.4 x 13.3 cm), Drawings, Leonardo Alenza y Nieto (Spanish, Madrid

Ruined Castle, 1802–42, Watercolor over graphite, on off-white wove paper, Sheet: 8 1/16 × 10 11/16 in. (20.5 × 27.1 cm), Drawings, Attributed to John Sell Cotman (British, Norwich 1782–1842 London

Female Personification of Summer or Abundance, 1619–71, Pen and brown ink with brush and brown wash over black chalk underdrawing on off-white paper. Composition outlined in pen and dark brown ink on all sides, 8-3/8 x 10-9/16 in. (21.3 x 26.8

Cabinet Design, 19th century, Ink and watercolor, sheet: 5 13/16 x 4 5/8 in. (14.7 x 11.7 cm), Anonymous, British, 19th century

Henry Taylor, 1867, Albumen silver print from glass negative, Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Belt buckle, 16th century, Hungarian, Silver, partly gilded, pearls, rubies, Overall: 9 1/8 in. (23.2 cm), Metalwork-Silver, The snake-shaped hook at the left of this buckle would have engaged with a nearly identical one at the other end of

鳳凰蒔絵棗, Tea Container (Natsume) with Phoenix, Edo period (1615–1868), 19th century, Japan, Nashiji ground with gold maki-e, H. 2 3/8 in. (6 cm); W. 2 1/4 in. (5.7 cm), Lacquer

Lamp, Late Antique, 4th–5th century A.D., Roman, Cypriot, Terracotta, Overall: 1 1/8 x 3 1/8 in. (2.9 x 7.9 cm), Terracottas

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 15 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Cuirass, 17th century, Attributed to Iran, Steel, inlaid with gold, H. 14.50 in. (36.8 cm), Arms and Armor, Steel armor, such as this steel cuirass, was frequently inscribed with pious inscriptions and verses from the Qur'an. The

Drawings and Prints, Books Prints Ornament & Architecture, Pretiosa Gemma delle virtuose donne, page 8 (recto), Author, Publisher, Binder, Isabella Catanea Parasole, Gargano, Hardy-Mennil, Italian, ca. 1565/70–ca. 1625, Venetia,

Knob (?) with the cartouche of Aya, New Kingdom, Amarna Period, Dynasty 18, ca. 1327–1323 B.C., From Egypt, Faience, diam. 6 cm (2 3/8 in

A Cottage, n.d., Black chalk, 10 7/16 x 16 in. (26.5 x 40.7 cm), Drawings, Imitator of François Boucher (French, Paris 1703–1770 Paris

23rd New York Infantry, ca. 1861, Albumen silver print from glass negative, Photographs

Studies for Figures of Five Angels, 17th century, Pen and light brown ink over black chalk underdrawing. Traces of brush and gray wash. On off-white paper, 5-5/16 x 5-3/16 in. (13.5 x 13.2 cm), Drawings, Anonymous, Spanish, School of Seville,

Keys, second half 19th century, Graphite on tracing paper, sheet: 6 3/8 x 4 1/16 in. (16.2 x 10.3 cm), Anonymous, British, 19th century

Oarsmen and an Official, Old Kingdom, Dynasty 4–5, ca. 2465–2458 B.C., From Egypt, Memphite Region, Lisht North, Pyramid Temple of Amenemhat I, 1920–22, Limestone, paint traces, h. 60 cm (23 5/8 in); w. 30 cm (11 13/16 in), In the

Drawings and Prints, Print, Design for the Washington Memorial, New York, Artist, Designed by, Robert Kerr, British, Aberdeen, Scotland 1823–1904, Kerr, Robert, British, Scottish, 1823, 1904

Les Singuliers et Nouveaux Portraicts... page 59 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

A Duck, 1725–92, Watercolor and gouache, sheet: 14 x 10 1/2 in. (35.6 x 26.7 cm), Drawings, Aert Schouman (Dutch, Dordrecht 1710–1792 The Hague

Young Couple Seen From Behind, mid-19th century, Watercolor over graphite, 8 5/8 x 6 1/8 in. (21.9 x 15.5 cm), Drawings, Hippolyte-Omer Ballue (French, Paris 1820–1867 Paris

Design for a Wall Fountain, 1550–1620, Pen and brown ink, brush and green wash, over lead point underdrawing, 14 5/8 x 9 13/16 in. (37.1 x 24.9 cm), Drawings, Anonymous, Italian, Lombard, 16th century

Marble bust of a man, Early Imperial, Julio-Claudian, mid-1st century A.D., Roman, Marble, H. 14 3/8 in. (36.5 cm), Stone Sculpture, Although the surface of this piece has been strongly cleaned and even recut in places, evidence of a heavy