Images at Librifly

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 11 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolo Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Pretiosa Gemma delle virtuose donne, 1600, Woodcut, Overall: 4 3/4 x 6 11/16 in. (12 x 17 cm), Written by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Lucchino Gargano, Venice, bound by Hardy-Mennil. Title page with

Terracotta stamnos (jar), Archaic, late 6th century B.C., Greek, Attic, Terracotta; black-figure, H. 13 3/8', Vases, Obverse, chariot setting out, Reverse, five hoplites (foot soldiers). Representations of Attic symposia (drinking parties)

Wilcox Landing, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Apothecary Jar, 1660–80, Made in Mexico, Mexican, Tin-glazed earthenware, H. 10 5/8 in. (27 cm), Ceramics, Attributed to Damián Hernández (Mexican, active 1607–70

Teapot Stand, 1796, Made in Boston, Massachusetts, United States, American, Silver, 7/8 x 7 7/16 x 5 in. (2.2 x 18.9 x 12.7 cm); 6 oz. 9 dwt. (200.8 g), Silver, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston,

Stoneware jar, 1873, Made in Anna, Illinois, United States, American, Stoneware, 12 3/4 × 7 in. (32.4 × 17.8 cm), Ceramics, Cornwall Kirkpatrick (1814–1890), Wallace Kirkpatrick (1828–1896

Design for Cast-iron Grate with Green Metal Surround, ca. 1814, Pen and ink, brush and wash, sheet: 7 1/16 x 8 7/16 in. (18 x 21.5 cm), Benjamin Dean Wyatt (British, London 1775–1850 Camden Town

Mandolin, ca. 1770, Naples, Italy, Italian, Spruce, maple, tortoiseshell, mother-of-pearl, ivory, Label: 17.8 x 58.4cm (7 x 23in.), Chordophone-Lute-plucked-fretted, Attributed to Vincentius Vinaccia (Italian, Naples active 1769–1795

Bronze handle from a cista (toiletries box), Late Classical, 4th century B.C., Praenestine, Bronze, H.: 4 1/2 in. (11.4 cm), Bronzes, This nude youth, doing an arching back-bend, makes a perfect handle for a cista lid

Floral Design, n.d., Pen and brown, black, and gray ink, brush and gray wash, 12 1/16 x 9 1/8in. (30.6 x 23.1cm), Drawings, Antoine Berjon (French, Lyon 1754–1843 Lyon

Jérusalem, 1860 or later, Albumen silver print from paper negative, Image: 8 1/8 × 31 1/2 in. (20.7 × 80 cm), Photographs, Louis de Clercq (French, 1837–1901

Miniature bronze greave, Classical, 5th century B.C., Etruscan, Bronze, Other: 2 5/8 in. (6.7 cm), Bronzes, Miniature replica of a bronze greave

Design for a Book Illustration, 17th century, Brush and gray wash, pen and brown ink over graphite, sheet: 5 1/8 x 3 1/2 in. (13 x 8.9 cm), Drawings, Attributed to William Faithorne the Elder (British, London ca. 1616–1691 London

Damascus Room, dated A.H. 1119/A.D. 1707, From Syria, Damascus, Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass,

Terracotta female figure in three-legged chair, Late Helladic IIIB, 13th century B.C., Helladic, Mycenaean, Terracotta; hand-made, H. 3 1/8 in. (8.9 cm), Terracottas, Such representations are often interpreted as thrones with a deity

Tambour (autre), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 24 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Woman Holding a Garland, ca. 1880, Graphite with gold, image: 7 3/8 x 5 5/8 in. (18.7 x 14.3 cm), Charles Edward Holloway (British, Hampshire 1838–1897 London

[Plaster Casts of Bodies, Pompeii], ca. 1875, Albumen print from glass negative, Image: 27.3 x 38.4 cm (10 3/4 x 15 1/8 in.), Photographs, Giorgio Sommer (Italian, born Germany, 1834–1914), Much as photography fixes a moment in time, the

Elevation of a wall with partial pilasters, reliefs, and niche figures, 16th century, Pen and brown ink, brush and brown wash, over traces of leadpoint (?) underdrawing, 9 1/16 x 9 in. (23 x 22.9 cm), Drawings, Anonymous, Italian?, 16th

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on paper, Overall: 16 1/2 x 12 5/16 in. (41.9 x 31.3 cm), Drawings, Tiffany Studios (1902–32

Mandolin, 1781, Naples, Italy, Italian, Spruce, tortoiseshell, mother-of-pearl, gold alloy, ivory, various other materials, Height: 23 in. (58.4 cm), Chordophone-Lute-plucked-fretted, Antonius Vinaccia (Italian, Naples active

De humani corporis fabrica (Of the Structure of the Human Body), 1555, Woodcut, Overall: 15 9/16 x 10 1/2 x 3 1/4 in. (39.5 x 26.7 x 8.3 cm), Books, John of Calcar (John Stephen Calcar) (Netherlandish, Calcar, Cleves 1499–1546/50 Naples

Putti with a Medallion, Oil on wood, Oval, 25 1/2 x 21 1/4 in. (64.8 x 54 cm), Paintings, Charles Dominique Joseph Eisen (French, Valenciennes 1720–1778 Brussels), Eisen was a book illustrator trained by his father and in the Paris studio of

Design for a Girandole Composed of Three Clasping Arrows and Candle-branches Terminating in Cockerel Heads, 1743–97, Pen and wash, sheet: 15 15/16 x 10 1/2 in. (40.5 x 26.6 cm), Sir William Chambers (British (born Sweden), Göteborg

Surgand. Alphonse. 21 ans, né à Lyon. Réparateur de chaussures. Anarchiste. 4/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Theuriet. Jean Baptiste. 30 ans, né à Lyon. Gérant-coiffeur. Anarchiste. 2/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Design for Curtains, 1841–1917, Graphite, sheet: 14 5/8 x 9 11/16 in. (37.1 x 24.6 cm), Charles Hindley and Sons (British, London 1841–1917 London

Bungalow drawing -- Floor Plan, late 19th–early 20th century, Watercolor, black ink, pen and red ink over graphite, sheet: 8 1/16 x 11 15/16 in. (20.4 x 30.4 cm), Ernest Geldart (British, London 1848–1929

Terracotta antefix (roof tile) with head of a maenad, Late Classical, late 4th century B.C., Etruscan, Cerveteri, Terracotta, 19 1/2 x 20 1/2in. (49.5 x 52.1cm), Terracottas, On temple roofs, maenad antefixes often alternate with satyr-head

A Canal in Venice, ca. 1875, Oil on canvas, 19 3/4 x 26 3/4 in. (50.2 x 67.9 cm), Paintings, Martín Rico y Ortega (Spanish, Madrid 1833–1908 Venice

Lamp, Late Imperial, Late 3rd century A.D., Roman, Cypriot, Terracotta, Overall: 1 5/8 x 3 7/8 in. (4.1 x 9.8 cm), Terracottas

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 4 3/4 x 2 1/4 in. (12.1 x 5.7 cm), Ceramics

Marble votive relief of a horseman, Classical or Hellenistic, 4th–3rd century B.C., Greek, Marble, Overall: 16 1/2 x 18 3/4in. (41.9 x 47.6cm), Stone Sculpture, Fragment with youth riding to right; part of shield and spear visible in front

Joan of Arc; costume design for Jeanne d'Arc by the Paris Opera Company, 1897, 1897, Pen and black ink, watercolor, sheet: 12 5/16 x 9 7/16 in. (31.2 x 23.9 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris

Sample of Cloth, Old Kingdom, Dynasty 5, ca. 2353–2323 B.C., From Egypt, Memphite Region, Saqqara, Pyramid of Kiing Unis, Mummy chamber, Linen, 10 cm square

Piece, ca. 1765, British, London, Linen, L.33 x W. 28 inches (83.8 x 71.1 cm), Textiles-Printed

Netsuke in the Shape of a Gourd and Cicada, Edo period (1615–1868), 19th century, Japan, Ivory, H. 1 in. (2.5 cm); W. 1 5/8 in. (4.1 cm); D. 1 in. (2.5 cm), Netsuke

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Jeremias Wachsmuth, Carl Pier, Martin Engelbrecht, Franz Xavier Habermann, German,

Qur'an Manuscript, late 18th–early 19th century, Attributed to India, Kashmir, Ink, gold, and lapis on paper; leather binding, H. 6 3/4 in., Codices, The lavish illumination found at the opening to nine of the suras, or chapters, of this

Design for Floral Brackets for a Church, ca. 1880, Pen and ink, wash and watercolor, sheet: 7 7/8 x 5 in. (20 x 12.7 cm), Attributed to Richardson Ellson & Co. (British

Marble portrait of Livia, Early Imperial, Tiberian, ca. A.D. 14–37, Roman, Marble, Other: 9 7/8 x 7 1/4 x 6 3/8 in. (25.1 x 18.4 x 16.2 cm), Stone Sculpture, This well-executed head does not seek to be a lifelike portrait but depicts Livia

Architectural Design with a Cartouche Flanked by a Siren, 18th century, Pen and brown wash, 6-5/8 x 3-5/16 in (16.9 x 8.4 cm), Anonymous, Italian, 18th century

Jérusalem. Synagogue juive et environs, 1860 or later, Albumen silver print from paper negative, Image: 8 in. × 10 1/4 in. (20.3 × 26 cm), Photographs, Louis de Clercq (French, 1837–1901

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 7r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Deep Vessel with Handles, 把手付深鉢形土器, Middle Jōmon period (ca. 3500–2500 B.C.), 3500–2500 BC, Japan, Earthenware with carved and incised decoration, Gr. H. 13 in. (33 cm); Gr. W. 12 1/2 in. (31.8 cm); Diam. at mouth 9 1/2 in.

Design for a table with a cat mask and goat legs, 1600–1640, Pen and brown ink, grey wash, sheet: 4 3/4 x 7 in. (12.1 x 17.8 cm), Attributed to John Payne (British, active 1600–1640 died London

Old and New New York, 1910, printed 1911, Photogravure, 20.2 x 15.8 cm. (7 15/16 x 6 1/4 in.), Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

The Hermaphrodite, ca. 1861, Albumen silver print from glass negative, Image: 6 3/8 in. × 13 in. (16.2 × 33 cm), Photographs, Robert Macpherson (British, Tayside, Scotland 1811–1872 Rome

Les Singuliers et Nouveaux Portraicts... page 71 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 16 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 24v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Crowd in a Circle; Images of Spain Album (F), page 42, 1812–23, Brush and brown wash on laid paper, Sheet: 8-1/8 x 5-5/8 in. (20.7 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Design for Three Panels for a Library, 1745–85, Pen and brown ink, brush and grey wash, Sheet: 10 1/8 x 5 11/16 in. (25.7 x 14.4 cm), Giovanni Battista Cipriani (Italian, Florence 1727–1785 Hammersmith (active London

[Three Children, One Seated Holding an Open Book, the Other Two Standing, in Front of a Light Background], ca. 1845, Daguerreotype, Image: 8.5 x 6.7 cm (3 3/8 x 2 5/8 in.), Photographs, Unknown (French

Field Marshall Lord Raglan, Crimea, 1855, Salted paper print from collodion glass negative, Image: 7 13/16 × 5 7/8 in. (19.9 × 14.9 cm), Photographs, Roger Fenton (British, 1819–1869

Bottle, 1700–1800, Possibly made in Ireland; Possibly made in England, Glass, Overall: 7 7/16 in., 184 Grams (18.9 cm, 5 Troy Ounces), Glass

Back Plate from a Belt Buckle, 7th century, Frankish, Iron with silver inlay; one rivet a copper alloy (restoration?) …, Overall: 2 3/8 x 2 3/8 x 3/4 in. (6 x 6 x 1.9 cm), Metalwork-Iron, Belts were important features of early medieval dress.

Telegraph House, Trinity Bay, Newfoundland: Interior View of the Mess Room, 1858, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 1/2 × 9 7/16 in. (16.5 × 24 cm), Drawings, Robert Charles Dudley (British,

Letter with textile samples, late 18th–early 19th century, French, No dimensions recorded., Textiles-Archives

The Front of Kenesaw Mountain, Georgia, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Gold Back Plate, ca. 600, Langobardic, Gold and silver, Overall: 3/4 x 9/16 x 3/16 in. (1.9 x 1.4 x 0.5 cm), Metalwork-Gold, This group of objects was found in the grave of a Langobardic horseman, who was buried in his warrior dress, with

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, H. ( in.); W. cm ( in.); D. cm ( in

Letter, early 19th century, French, 9 9/16 x 8 1/8 in. (24.2 x 20.6 cm), Textiles-Woven

'Lotus, Pagoda' lamp, ca. 1900–15, Made in New York, New York, United States, American, Leaded Favrile glass and patinated bronze, 31 1/2 in. (80 cm), Glass, Tiffany Studios (1902–32), Although Tiffany Studios is famous for

Detail of Staircase at [Gerrard?] House, Gerrard Street, Soho, London, 1825–71, sheet: 10 13/16 x 7 3/8 in. (27.4 x 18.8 cm

Fauvel. Louis. 27 ans, né le 14/4/67 à Écouché (Orne). Tourneur. Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Rebel Fortifications in front of Atlanta, ca. 1864, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

The Resurrection, ca. 1515–25, South Netherlandish, Wool warp; wool, silk, silver, and gilt wefts, Overall: 87 3/4 x 93 1/4in. (222.9 x 236.9cm), Textiles-Tapestries

[Civil War View], 1860s, Albumen silver print from glass negative, Photographs, Thomas C. Roche (American, 1826–1895) , et al

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 6 3/4 x 4 1/8 in. (17.1 x 10.5 cm), Ceramics

Shell pestle/polisher, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Spondylus shell (aragonite), 1 7/16 × 1 in. (3.7 × 2.6 cm), Miscellaneous-Shell, Pestle or polisher carved from a piece of shell

Drawings and Prints, Books Prints Ornament & Architecture, La vera perfettione del disegno di varie sorti di recami, page 4 (recto), Publisher, Giovanni Ostaus, Italian, active Venice ca. 1554–91, Venice, Ostaus, Giovanni, Italian,

Gentleman's formal attire, first half 20th century, Graphite, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 16 15/16 x 8 9/16 in. (43 x 21.8 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946

Large Forest., 17th century, Pen and brown ink, brown wash, white heightening. Verso: pen, brown ink and brown wash over black chalk., sheet: 10 7/8 x 17 13/16in. (27.7 x 45.3cm), Drawings, Attributed to Johannes Leupenius (Dutch, Amsterdam

Metal Ornament for Church, second half 19th century, Gouache, sheet: 3 3/8 x 2 15/16 in. (8.6 x 7.5 cm), Anonymous, British, 19th century

Kalamkari Rumal, ca. 1640–50, Attributed to India, Deccan, Golconda, Cotton; plain weave, mordant painted and dyed, resist dyed, Textile: H. 32 in. (81.3 cm), Textiles-Painted and/or Printed

流水に花丸模様袋帯, Obi with Large Floral Roundels and Stream, late 19th–early 20th century, Japan, Twill-weave silk with supplementary weft patterning and brocading, 12 x 156 in. (30.5 x 396.2 cm), Costumes

Hairpin, 7th century, Frankish, Bronze, Overall: 6 9/16 x 3/16 in. (16.7 x 0.5 cm), Metalwork-Bronze

Young Man, Seated, in a Velvet Beret, after Rembrandt, 1857, Etching; only state, plate: 4 11/16 x 3 3/4 in. (11.9 x 9.5 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden

Frank Johnson, Leader of the Brass Band of the 128th Regiment in Saratoga, with his wife, Helen, 1842–44, Cut paper silhouettes mounted on board, Sheet: 11 5/16 × 9 5/16 in. (28.8 × 23.6 cm), Cut Paper, Auguste Edouart (French,

古満安匡作 梅鳥蒔絵印籠, Inrō with Bird on a Blossoming Plum Tree, Edo period (1615–1868), 19th century, Japan, Black lacquer and nashiji ground with gold and silver iroe togidashi maki-e, 3 1/16 x 3 1/8 x 13/16 in. (7.7 x 8 x 2.1

Hercules, Nessus the Centaur, and Deianeira; part of a cycle depicting the Labors of Hercules, 17th century, Pen and brown ink over black chalk on light tan paper, 8-1/4 x 5-3/4 in. (21.0 x 14.6 cm), Drawings, Anonymous, Italian,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 4v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 16 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Compote, 1860–80, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 9 1/8 in. (23.2 cm); Diam. 10 1/2 in. (26.7 cm), Glass, Bakewell, Pears and Company (1836–1882

Head of a Woman Looking Up, 1800–1862, Pencil on light brown paper, sheet: 10 11/16 x 9 3/8 in. (27.2 x 23.8 cm), Drawings, Wilhelm Schadow (German, Berlin 1788–1862 Düsseldorf

Textile swatch, early 19th century, French, No dimensions recorded., Textiles-Woven

Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer (.2); Mercury Rescuing Io from Argus (.3), late 17th century, Black chalk, pen and brown ink, brown and gray wash, each sheet: 6 1/2 x

An Infantryman Drawing his Sword, 1640–91, Brush and gray and light brown wash, heightened with white, on gray-green prepared paper, sheet: 7 1/4 x 5 1/2 in. (18.4 x 13.9 cm), Drawings, Jacob Matthias Weyer (German, Hamburg 1620–1691

Dendérah (Tentyris), Mammisi - Décoration Extérieure de la Face Sud, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.0 x 30.0 cm. (9 7/16 x 11 13/16 in.), Photographs, Félix Teynard (French, 1817–1892

A Cavalry Battle before a City, 1686–ca. 1755, Pen and brown ink, brush and gray wash, over black chalk, 13-15/16 x 26-1/8 in. (35.4 x 66.4 cm), Drawings, Francesco Antonio Simonini (Italian, Parma 1686–ca. 1755 Venice or Florence

Map of Ancient Rome Illustrating Major Monuments and the Seven Hills, before 1704, Brush and grey wash, pen and grey and brown ink over red and black chalk., 13 x 8 1/16 in. (33.0 x 20.5 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 13 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Tumbler, 1830–70, Made in United States, American, Pressed glass, H. 4 3/16 in. (10.6 cm); Diam. 2 5/8 in. (6.7 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late

Design for a Facade, 18th century, Pen and brown ink, brush and brown wash, 10 x 14 in (25.5 x 35.4 cm), Drawings, Anonymous, Italian, 18th century

'Phil May's Bust. Has he?', ca. 1882, Pen and black ink, sheet: 4 1/2 x 1 5/8 in. (11.4 x 4.2 cm), Drawings, Phil May (British, New Wortley, Leeds 1864–1903 London

Design for the Transeptal Altars in the Klosterkirche Zwiefalten, 1709–72, Pen and grey ink, grey and grey-blue wash, and graphite. Framing lines in pen and black ink., sheet: 28 3/4 x 20 1/4 in. (73 x 51.4 cm), Drawings, Johann Michael

[Women Grinding Paint, Calcutta], ca. 1845, Daguerreotype, Image: 9.4 x 14.4 cm (3 11/16 x 5 11/16 in.), Photographs, Unknown, With the invention of photography, the eighteenth-century British passion for recording exotic flora and fauna and