Images at Librifly

Saltcellar, ca. 1820, Made in Mexico, Mexican, Tin-glazed earthenware, H. 2 5/8 in. (6.7 cm), Ceramics

Lion and Dragon in Combat, second half 18th century, Made in Iran, Ink and watercolor on paper, H. 5 1/2 in. (14 cm), Codices, Painting by Muhammad Baqir (Iranian, active 1735–90), A significant number of works by Muhammad Baqir survive,

Unloading Supplies for U.S. Military Railroad opposite Richmond, Virginia, ca. 1865, Albumen silver print from glass negative, Photographs

Bronze mirror, Hellenistic, ca. 250–200 B.C., Etruscan, Bronze, length 10 5/8 in. (27 cm.); diameter 5 3/16 in. (13.2 cm.), Bronzes, Engraved design with two men and two women: two outer figures are men wearing Phrygian hats and boots.

Two Vases, 18th century, Ink and wash, 9-3/4 x 6-1/8 in, Anonymous, Italian, 18th century

Design for Two Mirrors over Mantels, 1840–99, Ink, watercolor and gouache, Anonymous, British, 19th century

Plaque, 1776–1883, Made in France, French, Porcelain, Diam. 2 7/8 in. (7.3 cm), Ceramics

Flying Putti, Surrounding Archangel Raphael, 1631–32, Pen and brown and black ink, gray and brown wash, heightened in white, sheet: 8 5/8 x 6 7/16 in. (21.9 x 16.3 cm), Drawings, Conrad Meyer (Swiss, Zürich 1618–1689 Zürich

Mr. Blanchard as Pantaloon, 19th century, Watercolor, pen and black ink, sheet: 9 1/2 x 7 5/16 in. (24.1 x 18.5 cm), Drawings, Anonymous, British, 19th century

Openwork Plaque, 7th century, Frankish, Copper alloy, silvered or 'tinned' surface, Overall: 1 1/2 x 1 7/16 x 3/8 in. (3.8 x 3.6 x 0.9 cm), Metalwork-Copper alloy

Design for the Headpiece of the 'Gazette de France', 18th century, Black chalk, 7 5/16 x 4 7/16 in. (18.5 x 11.3 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Drawings and Prints, Album Print Ornament & Architecture, Copies after the 'Livre contenant passement de moresques' (plate 2), Artist, After, Jacques Androuet Du Cerceau, French, Paris 1510/12–1585 Annecy, Du Cerceau, Jacques Androuet,

Incense burner in the shape of an archaic vessel, Qing dynasty (1644–1911), 19th century, China, Jade (jadeite), H. 6 in. (15.2 cm); W. 6 in. (15.2 cm), Jade

Portrait of a Man, ca. 1650, Oil on canvas, 27 1/4 x 22 1/4 in. (69.2 x 56.5 cm), Paintings, Workshop of Velázquez (Spanish, Seville 1599–1660 Madrid

Five drawings showing processes of weaving and spinning, 19th century, Graphite and white chalk on gray paper, sheet: 9 1/8 x 7 1/2 in. (23.2 x 19.1 cm), Drawings, Anonymous, British, 19th century

Goblet, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, H. 6 3/8 in. (16.2 cm), Glass, Challinor, Taylor and Company (1866–1891

Claret jug, 1820–30, Cut glass, 11 1/16 in. (28.1 cm), Glass, Apsley Pellatt

Oeuvres de Joseph Vernet...representant divers ports de mer en France et d'Italie, ca. 1750–1800, Plates: etchings and engravings, Overall: 24 13/16 x 19 11/16 x 2 9/16 in. (63 x 50 x 6.5 cm), Books

Reclus. Paul. Pas d'informations sur la fiche. 23/12/93, 1893, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished family

Flagon (one of a pair), Attributed to Richard Blackwell II (British, active ca. 1646–1670), 1646–47, British, London, Silver gilt, Overall (confirmed): 14 × 9 1/4 × 7 1/4 in., 58 oz. 5 dwt. (35.6 × 23.5 × 18.4 cm, 1.8 kg),

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, part of sheet, 1920, Linen

Group of Women, 18th century, Pen and bistre, over red chalk, 7-1/4 x 5 in, Drawings, Anonymous, Italian, 17th or 18th century

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 8 3/8 x 3 7/8 x 3 3/4 in. (21.3 x 9.8 x 9.5 cm), Ceramics

Flying Figure Holding a Crown, Reclining River God, n.d., Black chalk, 6 7/16 x 5 1/2 in. (16.3 x 14 cm.), Drawings, Jacques Louis David (French, Paris 1748–1825 Brussels), As a student at the French Academy, David filled sketchbooks with

Framing Element with Figures (?), 17th century, Pen with brown and black ink, over graphite, 8 9/16 x 6 1/4 in. (21.7 x 15.9 cm), Anonymous, Italian, 17th century

Le montagnard, 1860s, Albumen silver print from glass negative, 8.6 x 11.7 cm. (3 3/8 x 4 5/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Studies of Figures on Clouds, 17th century, Pen and brown ink, brush and brown wash, over traces of black and red chalk on light brown paper. Fragments of framing outlines visible at left, right, and upper edges, 6-1/16 x 5-5/8 in. (15.4 x

Landscape with a Gnarled Tree and a Farm, early 17th century, Pen and brown ink., 8 1/2 x 12 5/8 in. (21.6 x 32.1 cm), Drawings, Anthony van Dyck (Flemish, Antwerp 1599–1641 London

[Montage of Ecclesiastical Figures Posed in Political Satire], 1860s, Albumen silver print, Image: 14.1 x 18.1 cm (5 9/16 x 7 1/8 in.), Photographs, Unknown (British

不動明王四童子種字像, Fudō Myōō with Four Attendants, Outlined in Seed Syllables, Muromachi period (1392–1573), 15th century, Japan, Hanging scroll; ink and color on paper, Image: 39 15/16 × 17 1/16 in. (101.5 × 43.4 cm),

Two Towers - New York, 1911, printed 1913, Photogravure, 19.5 x 15.9 cm. (7 11/16 x 6 1/4 in.), Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Design for the Decoration of the Window Door Wall of a Rococo Room with a Coved Ceiling and Coved Central Fanlight (Section), mid-18th century, Pen and ink and wash, plate: 11 3/4 x 16 in. (29.8 x 40.6 cm), Attributed to Thomas Lightoler

Christ and the Woman of Samaria, 1715–20, Oil on copper, 15 × 12 1/8 in. (38.2 × 30.9 cm), Paintings, Benedetto Luti (Italian, Florence 1666–1724 Rome), The picture shows Christ in conversation with a Samaritan woman (John 4:1–28),

Military Procession, 16th century, Pen and brush and brown ink, heightened with white bodycolor, sheet: 7 3/16 x 10 1/4 in. (18.2 x 26 cm), Drawings, Hans Mont (Netherlandish, ca. 1545–after 1585

Study from a Statue of a River God, 17th century, Red chalk on cream paper, 7-1/4 x 9-1/8 in. (18.4 x 23.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Convivio delle Belle Donne, page 4 (recto), August 1532

Dish, ca. 1850, Made in New Jersey, United States, American, Earthenware, 2 3/8 x 5 7/8 in. (6 x 14.9 cm), Ceramics

Floral Design, n.d., Purple, pink, black, and white chalk, 12 15/16 x 9 11/16in. (32.8 x 24.6cm), Drawings, Antoine Berjon (French, Lyon 1754–1843 Lyon

[Cloud Study over Paris], 1850s, Albumen silver print, 16.7 x 20.6 cm. (6 9/16 x 8 1/8 in.), Photographs, Charles Marville (French, Paris 1813–1879 Paris

Female Figure Holding a Coin and Image of a Fountain, before 1704, Pen and black and brown ink, brush and grey wash, over red chalk. Incised., 5 1/4 x 7 5/8 in. (13.3 x 19.4 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731 Amsterdam

Leballeur. Jules, Léon. 29 (ou 30) ans, né à Rouissé Jassée (Sarthe). Cordonnier. Anarchiste. 1/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Sampler, 1825, British, probably Birmingham, Linen, silk; wood frame, Framed dimensions: H. 15 1/2 x W. 15 3/8 x D. 1 3/8 inches, Textiles-Embroidered

Baroness von P. --- Kimono, 1900s, Photogravure, Frank Eugene (American, New York 1865–1936 Munich

Paradise, 1565–77, Pen and brown ink, brush and brown wash, watercolor, gouache, highlighted with white gouache, left and central sections squared in red chalk, on three sheets of brown paper, joined vertically. A piece of brown paper with

Designs for the Decoration of the Jaw and Profile of the Cock of a Firearm, ca. 1795–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 2 1/4 x 3 1/8 in. (5.7 x 7.9 cm), Works on Paper-Drawings

Design for Grotesque Ornament, with Fragment of Border Decoration Below, ca. 1545–60, Pen and brown ink. Ruled lines in pen and brown ink at right border and lower middle of sheet, 4-7/8 x 3-1/8 in. (12.4 x 7.9 cm), attributed to Andrés de

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 5 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolo Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

The Caves of Acradina near Syracuse in Sicily, 1797, Brush and brownish gray ink, brush and brownish gray wash over black chalk. Framing line in pen and dark brown ink., sheet: 16 5/16 x 13 1/4 in. (41.5 x 33.6 cm), Drawings, Jacob Wilhelm

Disk Brooch, 6th century, Frankish, Silver, wire, copper alloy rim, paste cabochons or stone, remnant of iron pin, Overall: 1 1/8 x 3/8 in. (2.9 x 1 cm), Metalwork-Silver

Whorl-Shaped Brooch, ca. 550–650, Frankish, Silver-gilt, glass paste, remnant of iron pin, Overall: 1 1/4 x 3/8 in. (3.2 x 1 cm), Metalwork-Silver

Studies of Indian Chiefs Made at Fort Laramie, ca. 1859, Made in Fort Laramie, Wyoming, United States, Oil and graphite on paper, 13 x 16 7/8 in. (33 x 42.9 cm), Paintings, Albert Bierstadt (American, Solingen 1830–1902 New York),

Vase with Scholar in a Landscape (one of a pair), Republic period (1912–49), ca. 1915–35, China, Porcelain painted with sepia and colored enamels over a transparent glaze (Jingdezhen ware), H. 6 3/8 in. (16.2 cm); Diam. 4 5/8 in. (11.7 cm),

A Crucifixion, 17th century, Red chalk, 28-1/8 x 17-1/2 in. (71.4 x 44.5 cm), Drawings, Anonymous, Italian, Venetian, 17th century

Jaipur, Sanganeer - Ka - Chopal, 1860s–70s, Albumen silver print from glass negative, 18.3 x 23.6 cm (7 3/16 x 9 5/16 in.), Photographs, Unknown

Marie Françoise de La Cropte de St. Abre, Marquise d'Argence, 1744, Oil on canvas, 32 1/2 x 25 1/2 in. (82.6 x 64.8 cm), Paintings, Jean Marc Nattier (French, Paris 1685–1766 Paris), The marquise's name and the date are inscribed on the

Plate with Jacob Is Shown Joseph’s Coat, ca. 1560–75, Italian, probably Urbino, Maiolica (tin-glazed earthenware), Overall (confirmed): 1 1/4 × 10 7/8 in. (3.2 × 27.6 cm), Ceramics-Pottery, Probably painted by Gironimo Tomasi (Italian,

Loie Fuller Dancing, ca. 1900, Gelatin silver print, Image: 5 15/16 × 4 7/16 in. (15.1 × 11.2 cm), Photographs, Samuel Joshua Beckett (British, Shadwell, Stepney [London] 1870–1940 Bournemouth

Coin of Ptolemy II from a Ptolemaic hoard, Ptolemaic Period, 285/82–246 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Birabi, 1915–16, Bronze, diam. 4.5 cm (1 3/4 in), A hoard of 158 Ptolemaic coins that contained issue of Ptolemy II,

H.R.H. King Friedrich August of Saxony, Taken Shortly Before Dethronement, ca. 1913, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

[Two Children], ca. 1900, Gelatin silver print, Image: 14 5/16 × 10 11/16 in. (36.4 × 27.2 cm), Photographs, Wilhelm von Gloeden (Italian, born Germany, 1886–1931

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 34 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Tell el-Yahudiya juglet, Middle Kingdom, Dynasty 13, ca. 1802–1640 B.C., From Egypt, Memphite Region, Lisht North, Expedition House area, House pit 1, 1925, Pottery, H. 15 cm (5 7/8 in); Diam. 11 cm (4 5/16 in), The name of this type of

Les Singuliers et Nouveaux Portraicts... page 56 (verso), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

The Alms House, 1855, Albumen silver print from glass negative, Mount: 17 1/4 in. × 11 15/16 in. (43.8 × 30.4 cm), Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 6 (recto), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, 1564, Calepino, Foresto, Iseppo, Italian, 1500,

Piece, late 18th century, probably French, Jouy-en-Josas, Cotton and linen, L. 51 x W. 31 inches, Textiles-Printed

Frau Clara G., 1900–1908, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

King Lion and Fox, 17th century, Brush and gray wash. Mounted on board with black and brown framing lines., 5 9/16 x 3 3/4 in. (14.1 x 9.5 cm), Drawings, attributed to Anonymous, Dutch, 17th century

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Carl Pier, Jeremias Wachsmuth, Franz Xavier Habermann, German,

Box Fragment Illustrating a Royal Servant, Early Dynastic, Dynasty 1, ca. 3100 B.C., From Egypt, Northern Upper Egypt, Abydos, Umm el-Qaab, Tomb of Aha (B 17), Egypt Exploration Fund excavations, Ivory with black organic material in

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 40r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Medallion between Cornucopia, ca. 1780–1820, Pen and brown and black ink, and graphite, sheet: 5 1/8 x 7 1/4 in. (13 x 18.4 cm), Drawings, Anonymous, German, 19th century

Terracotta gorgoneion antefix (roof tile), Classical, 2nd half of the 5th century B.C., Greek, South Italian, Tarentine, Terracotta, H. 7 5/8 in. (19.4 cm.), Terracottas, The style of this gorgoneion antefix is of a transitional type between

Portrait of Cornelis de Vos, 16th century, Black chalk on white paper., 9 3/8 x 6 11/16 in. (23.8 x 17 cm), Drawings, Anonymous, Flemish, 17th century ?, After Anthony van Dyck (Flemish, Antwerp 1599–1641 London

Cuirass, ca. 1825, Klingenthal, Alsace, French, Klingenthal, Alsace, Steel, gold, copper alloy, leather, H. 17 1/2 in. (44.5 cm); W. 14 1/8 in. (35.9 cm); D. 12 3/4 in. (32.4 cm); Wt. 12 lb. 2.2 oz. (5505.5 g); breastplate: H. 17 1/2 in.

Jar for Eye Paint (kohl) with Attached Stand, Middle Kingdom, late Dynasty 12–early Dynasty 13, ca. 1878–1749 B.C., From Egypt, Northern Upper Egypt, Abydos, Cemetery V, Tomb V21, Egypt Exploration Fund excavations, 1904, Anhydrite,

La veste de cygne, 1860s, Albumen silver print from glass negative, 5.1 x 8.6 cm. (2 x 3 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Fragment of a marble votive relief dedicated to a hero, Late Classical or Hellenistic, 4th–3rd century B.C., Greek, Marble, Overall: 7 3/4 x 5 1/2 x 1 1/2in. (19.7 x 14 x 3.8cm), Stone Sculpture, Relief fragment with funerary banquet

City Square with Fireworks, ca. 1796, Brush and gray ink, pen and brown ink, with white heightening, 4-5/16 x 6-9/16 in. (11.0 x 16.7 cm), Drawings, Dirk Langendijk (Dutch, Rotterdam 1748–1805 Rotterdam

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 22 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Tea Caddy, ca. 1720, Made in New York, New York, United States, Silver, 4 3/8 × 2 3/4 × 2 3/8 in. (11.1 × 7 × 6 cm), Silver, Simeon Soumaine (baptized 1685–ca. 1750), Rare survivals in early American silver, this pair of octagonal tea

Portrait of George Graham, ca. 1739, Red chalk, sheet: 10 5/8 x 6 7/8 in. (27 x 17.5 cm), Drawings, Thomas Hudson (British, Devonshire 1701–1779 Twickenham), In Hudson's busy studio, normally made preparatory designs for portraits, so few

The Certosa, Florence, 1905, Etching, plate: 4 3/4 x 8 5/8 in. (12.1 x 21.9 cm), Prints, Donald Shaw MacLaughlan (American (born Canada), Charlottetown 1876–1938 Marrakesh

Saint Jerome Praying in His Study, 17th century, Pen and brown ink, brush and brown wash with touches of white and red chalk., sheet: 10 1/4 x 8 5/16 in. (26 x 21.1 cm), Drawings, School of Rembrandt (Rembrandt van Rijn) (Dutch, Leiden

Pendant with Lion and Scorpion, 10th century, Found Iran, Nishapur, Bronze; cast, Diam. 15/16 in. (2.4 cm), Metal, This circular metal pendant is believed to be a talisman, an object that provides protection for the wearer. The pseudo-writing

The Crucifixion, from The Passion, 1511, Engraving, sheet: 4 9/16 x 2 15/16 in. (11.6 x 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Amerapoora: Shwe-doung-dyk Pagoda, September 1–October 21, 1855, Albumen silver print from waxed paper negative, Image: 25.8 x 34.6 cm (10 3/16 x 13 5/8 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902

Buff Ware Bowl with Geometric Patterns, 9th century, Attributed to Iran, Nishapur. Excavated in Iran, Nishapur, Earthenware; polychrome decoration under transparent glaze (buff ware), H. 4 1/16 in. (10.3 cm), Ceramics, A typical composition

Plate with reclining zebu, Early–Middle Bronze Age, ca. late 3rd–early 2nd millennium B.C., Eastern Iran, Copper alloy, Diameter: 22.9 cm (9 in.), Metalwork-Vessels, Made from a sheet of copper alloy with a rim that has now broken away,

Fragment, 4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, weft loop weave, 19 11/16 in. high 18 7/8 in. wide (50 cm high 48 cm wide), Textiles

Les Singuliers et Nouveaux Portraicts... page 68 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Saucer, 1760–70, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, Diam. 6 in. (15.2 cm), Glass

Drawings and Prints, Print Ornament & Architecture, Fête pour la Paix Générale donnée à Paris le 18 Brumaire. Pont du Carrousel., Artist, Francesco Piranesi, François Jean Sablet, Italian, Rome 1758–1810 Paris, French, Morges

Still Life No. 2, ca. 1921–23, Oil on canvas, 21 1/2 x 36 1/8 in. (54.6 x 91.8 cm), Paintings, Marsden Hartley (American, Lewiston, Maine 1877–1943 Ellsworth, Maine

The Madonna and Child with St. Bernardino of Sienna and St. Jerome, Engraving, Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

Terracotta trefoil oinochoe (jug), Archaic, ca. 575–550 B.C., Etruscan, Terracotta; bucchero pesante, H. 13 11/16 in. (34.8 cm), Vases, This standard bucchero shape is transformed into an exotic pitcher by incorporating numerous clay rams'

Standing man holding statuette of Nebethetepet or Nehemetaui, Late Period–Ptolemaic Period, Dynasty 26, 600–200 B.C., From Egypt, cupreous metal, H. 7.7 × W. 2.3 × D. 2.2 cm (3 1/16 × 7/8 × 7/8 in.), This small figure depicts a man in

Hab.t de Loango from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Framed Port scene with two figures, Pen and brown ink, brown wash, over black chalk, heightened with white, 11 1/2 x 5 9/16 in. (29.2 x 14.2 cm), Drawings, Dominique Barrière (French, Marseille 1610–1678