Images at Librifly

High chest of drawers, 1700–1730, Probably made in Boston, Massachusetts, United States, American, Maple, black walnut, poplar, eastern white pine, 61 1/2 x 39 1/4 x 22 3/8 in. (156.2 x 99.7 x 56.8 cm), Furniture, The striking maple

Vajrabhairava, 15th century, Tibet, Black stone with traces of polychromy, H. 7 in. (17.8 cm), Sculpture, Vajrabhairava is one of the wrathful deities that preside over the great tantras (ritual texts) of the highest yoga as supreme protectors

[Constantine, Algeria], 1853–54, Salted paper print from paper negative, Image: 9 3/16 × 11 13/16 in. (23.4 × 30 cm), Photographs, John Beasley Greene (American, active France, 1832–1856

Design for the high altar of the Gesù Nuovo, Naples, 1700–1773, Graphite over compass and ruled construction lines in graphite, 20-1/16 x 14-7/16 in. (50.9 x 36.6 cm), Drawings, Luigi Vanvitelli (Italian, Naples 1700–1773 Caserta

Peasants Gathered at an Inn, mid-17th century, Black chalk on vellum, sheet: 12 5/8 x 11 7/16 in. (32 x 29 cm), Drawings, Cornelis Bega (Dutch, Haarlem 1631 or 1632–1664 Haarlem

Reclining Model in Chemise and Stockings, 1917, Charcoal on paper, 18 1/4 x 11 3/4 in. (46.4 x 29.8 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Two Late Mughal Letters, ca 1780, Country of Origin India, Ink and gold on paper, H. 40 in (101.6 cm), Codices

Goose (Hamsa) with Floral Tail, Khotan Kingdom, 6th–7th century, China (Xinjiang Autonomous Region), Stucco with color, 6 1/2 x 7 1/2 in. (16.5 x 19.1 cm), Sculpture, This panel was the interior base molding of a Buddhist temple. This goose

Panel from a Ceiling, 14th–15th century, Made in Spain, probably Granada, Wood; mortised, tenoned, mitered, rabbeted, and painted, H. 102 1/8 in. (259.4 cm), Wood, This wooden ceiling panel probably came from a palace or villa in

[The Scene of the Execution of Emperor Maximilian I of Mexico], 1867, Albumen silver print from glass negative, Image: 22.1 × 16.1 cm (8 11/16 × 6 5/16 in.), Photographs, François Aubert (French, 1829–1906

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 3/4 × 2 7/8 in. (7 × 7.3 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 14 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Landscape with Architectural Structure, 17th century, Red chalk highlighted with white gouache on light brown paper. Reworked counterproof, 7-5/8 x 10-15/16 in. (19.4 x 27.8 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

U.S. Gunboat 'Mendota', James River, 1861–65, Albumen silver print from glass negative, Photographs

Tiraz Textile Fragment, ca. 991–1031, Attributed to Iraq, Linen; plain weave, embroidered in silk, Textile: H. 4 5/8 in. (11.7 cm), Textiles-Embroidered, This rectangular textile fragment of white linen is embroidered with an Arabic

Dutch Gap Canal, 1865, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902), Egbert Guy Fowx (American, born 1821

Roundel with Annunciation to the Virgin, 1500–1510, South Netherlandish, Colorless glass, vitreous paint and silver stain, Overall: 8 7/8 in. (22.5 cm), Glass-Stained

Design for a Wall Fountain, 1550–1620, Pen and brown ink, brush and green wash, over lead point or graphite, with ruled and compass construction; framing outlines in lead point or graphite, 14 5/8 x 9 3/4 in. (37.2 x 24.7 cm), Drawings,

Figure 27: Expression proportionally more pained, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.4 × 20.3 cm (11 3/16 × 8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French,

Bench, ca. 1927–28, Lacquered wood, goatskin, 18 × 40 × 21 in. (45.7 × 101.6 × 53.3 cm), Furniture, Jean Dunand (French (born Switzerland), Lancy 1877–1942 Paris), Although most Art Deco patrons were French, one of the era’s most

Ring, 18th century, Made in United States, American, gold, garnets, 3/8 h. x 7/8 diam. in. (1 x 2.2 cm), Jewelry

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 10v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

[Seated Young Woman with Hand Raised to Jawline], 1840s–1850s, Daguerreotype, Image: 6.5 x 5.2 cm (2 9/16 x 2 1/16 in.), Photographs, Unknown (American), The daguerreotype, the first photographic process, was invented by

Archangel Holding a Lily in a Landscape with Clouds Bearing Putti (Fragment of a Scene of the Annunciation), 18th century, Pen and brown ink. Traces of framing outlines in pen and brown ink from the old mount on drawing surface, 10-1/8 x 4-15/16

Mr. T. P. Cooke as Newton Foster, 19th century, Watercolor, pen and black ink, over graphite, sheet: 9 5/16 x 7 5/8 in. (23.6 x 19.3 cm), Drawings, Anonymous, British, 19th century

'Portrait of Maharaja Bhim Kanwar', Folio from the Shah Jahan Album, verso: ca. 1615–29; recto: ca. 1540, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38.7 cm), Codices, Painting by Nanha, Maharaja Bhim

Pines on the Coastline, n.d., watercolor over black chalk, Sheet: 6 13/16 x 9 3/4 in. (17.3 x 24.7cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair

Oak Struck by Lightning, Badger, 1856., 1856, Albumen silver print from paper negative, Image: 18 x 22.7 cm (7 1/16 x 8 15/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896), Cure joined the army at age eighteen, rising through

色絵ウオム形筆置, Brush Rest with White Cockatoo, Edo period (1615–1868), mid-18th century, Japan, Porcelain with underglaze blue and overglaze enamels (Hirado ware), H. 2 in. (5.1 cm); L. 6 1/4 in. (15.9 cm), Ceramics

Les Singuliers et Nouveaux Portraicts... page 6 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

The Priest Aaron, ca. 1170, Made in Noyon, Picardy (Oise), French, Limestone, Overall: 50 x 16 1/2 x 13 1/2 in. (127 x 41.9 x 34.3 cm), Sculpture-Stone, This sculpture of Aaron and the opposite figure of Moses form part of a rare ensemble of

Fragment, Qing dynasty (1644–1911), 19th century, China, Enamel, H. 1 1/4 in. (3.2 cm); W. 1 3/8 in. (3.5 cm), Enamels

Matchsafe, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 4 1/4 x 3 1/4 x 2 in. (10.8 x 8.3 x 5.1 cm), Ceramics

Rosettes of Senebtisi, Middle Kingdom, late Dynasty 12–early Dynasty 13, ca. 1859–1770 B.C., From Egypt, Memphite Region, Lisht North, Tomb of Senwosret (758), Pit 763, burial of Senebtisi, 1906–07, Gold, Each: W. 1.2 cm (1/2 in.);

Man in a Nightshirt Reaching for a Bottle Labeled 'Fountain of Youth', 1803–47, Pen and brown ink on wove paper, laid down on brown wove paper, sheet: 11 7/8 x 9 3/16 in. (30.2 x 23.4 cm), Drawings, J. J. Grandville (French, Nancy

[Smiling, Nude Baby Holding Foot, Seated on Furniture Draped with Floral Print Fabric], 1850s, Daguerreotype, Image: 7 x 5.5 cm (2 3/4 x 2 3/16 in.), Photographs, Unknown (American

Design for a Ceiling with Cove Showing, 1700–1780, Brush and gray wash, over black chalk. Framing lines in lead point, 17 5/16 x 11 3/4 in. (44 x 29.8 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Transports, Tennessee River, 1864, Albumen silver print from glass negative, Photographs

Designs for windows, late 19th–early 20th century, Made in New York, United States, American, Watercolor on paper mounted on board, Overall: 12 3/4 x 19 1/4 in. (32.4 x 48.9 cm), Drawings, Tiffany Studios (1902–32

Girl with Book, 18th century, Pen and brown ink, washed, on grey paper, 5 x 4-3/8 in. (12.7 x 11.1 cm), Drawings, Anonymous, Italian, Bolognese, 18th century

Dhoolie Bearers - Benares, 1860s–70s, Albumen silver print from glass negative, 18.4 x 23.6 cm (7 1/4 x 9 5/16 in.), Photographs, Unknown

Gold cup, Late Helladic I, ca. 1550–1500 B.C., Helladic, Mycenaean, Gold, Height: 2 x 3 1/4 in. (5.1 x 8.3 cm), Gold and Silver, Gold cup with narrow foot and flared rim

清中期 納紗繡戯服男帔, Theatrical Robe for a Male Role, Qing dynasty (1644–1911), second half of the18th century, China, Silk florentine stitch embroidery on silk gauze, Overall: 55 3/8 x 89 1/4 in. (140.7 x 226.7 cm),

Belt, mid-18th century, Hungarian, Kolozsvár, Gilded silver, pearls, garnets, Overall: 32 5/16 in. (82 cm), Metalwork-Silver, This belt and another, are among the last pieces that Salgo acquired. Complete belts are rare, and in 1996,

Design for a Balcony, 1700–1780, pen and brown ink over fine black chalk in two sheets glued together (recto). Construction lines in lead point (verso), 7-11/16 x 11-7/8 in. (19.6 x 30.2 cm) = (12.5 x 12.9) + (19.3 x 19.5), Drawings,

De Florum Cultura. Rome, 1633, 1633, Engraving, woodcut, Overall: 9 13/16 x 6 11/16 x 1 13/16 in. (25 x 17 x 4.6 cm), Books, Giovanni Battista Ferrari (Italian, Siena 1584–1655 Siena

Ancienne Ferme à Pérenchies, 1854, Salted paper print from paper negative, Image: 23.5 x 29.4 cm (9 1/4 x 11 9/16 in.), Photographs, Alphonse Le Blondel (French, Bréhal 1814–1875 Lille), Le Blondel took up photography during its earliest

Design for a Rattle and Whistle (recto); Crude Sketches of an Equine Animal and a Figure in Exotic Costume (verso), 16th century, Pen and brown ink, with a plumbline in leadpoint; red chalk (unrelated sketches), 8-3/16 x 3-13/16 in. (20.8 x 9.7

Adoration of the Shepherds, 18th century, Pen and ink touched with gouache, 11 × 9 3/16 in. (27.9 × 23.3 cm), Drawings, Anonymous, Italian, 18th century

[Maneuvers, Union Cavalry, Winter Quarters]. Brady album, p. 127, 1861–65, Albumen silver print from glass negative, Photographs

[Egyptian Court, Eastern Wall of Principal Court; Egyptian Court, Principal Facade towards the Nave; Lions in the Egyptian Court; [Colonnade Adorned with Egyptian Paintings], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Length 9 cm. H. 2.2 cm., Terracottas

Fétis. Julien. 26 ans, né à New York (USA). Couvreur. Anarchiste. 3/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into

Essempio di recammi, page 8 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Travertine cinerary urn, Hellenistic, 2nd century B.C., Etruscan, Travertine, Overall: 22 9/16 x 5 1/8in. (57.3 x 13cm), Stone Sculpture, The reclining woman on the lid holds a fan in her right hand and a pomegranate in her elongated left

Half design for the decoration of an Altar with Putti., 1700–1780, Pen and ink over graphite; framing outlines in graphite (recto); pen and ink (verso), 9 3/4 x 7 3/8 in. (24.8 x 18.7 cm), Drawings, Anonymous, Italian, Piedmontese, 18th

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 17 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Illustration for 'L'oiseau de Feu' [Tsarenvna Elena the Fair with her Servants], ca. 1925, Gouache, metallic inks, and black ink, heightened with white, over graphite., Image: 10 7/8 x 8 3/16 in. (27.6 x 20.8 cm), Drawings, Boris Zvorykin

[Mason Holding a Trowel], 1850s, Daguerreotype, Image: 6.8 x 5.6 cm (2 11/16 x 2 3/16 in.), Photographs, Unknown (American

Bull Run, Virginia, 1861–62, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902), Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Broken Tree in Moutainous Landscape, early to mid-19th century, Graphite, 11 7/8 x 15 15/16 in. (30.2 x 40.5 cm), Drawings, Alexandre Calame (Swiss, Vevey 1810–1864 Menton

Mud jar sealing with King Narmer's name, Predynastic, Late Naqada III, ca. 3100 B.C., From Egypt, Fayum Entrance Area, Tarkhan, Tomb 414, BSAE excavations 1911-1913, Clay (mud), H. 11.4 cm (4 1/2 in); W. 12.4 cm (4 7/8 in); Th. 4.6 cm (1

Figure 78: Scene of coquetry, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.5 × 20.3 cm (11 1/4 × 8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875), Adrien

Portrait of Cesare Bonesana, Marchese di Beccaria, n.d., Brush and brown wash over graphite underdrawing., 6 13/16 x 4 9/16in. (17.3 x 11.6cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Cloisters in a Nunnery, ca. 1835, Watercolor, Drawings, Simon Quaglio (German, Munich 1795–1878 Munich

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 74 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Table Spoon, 1780–90, Made in Boston, Massachusetts, United States, American, Silver, L. 8 3/8 in. (21.3 cm), Silver, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston, Massachusetts

Allegorical Figure of Fame, ca. 1590, Graphite and red chalk, highlighted with white gouache, on light brown paper, 9 13/16 x 6 1/4in. (25 x 15.9cm), Drawings, Cavaliere d'Arpino (Giuseppe Cesari) (Italian, Arpino 1568–1640 Rome), The

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 81r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Les Singuliers et Nouveaux Portraicts... page 46 (verso), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Terracotta kylix (drinking cup), Archaic, ca. 490 B.C., Greek, Attic, Terracotta; red-figure, H. 3 3/4 in. (9.5 cm), Vases, Interior, youth wearing phorbeia (lip band) and holding double flute (aulos); inscribed the boy is fair Exterior,

Seighton Buzzard Church, Ironwork on Door, West Front, second half 19th century, Graphite on tracing paper, sheet: 15 1/16 x 9 7/8 in. (38.2 x 25.1 cm), Anonymous, British, 19th century

Study for Christ as Mediator, Graphite, 6 13/16 x 6 13/16 in. (17.3 x 17.3 cm), Drawings, Jean Daret (French, Brussels 1613/15–1668 Aix-en-Provence

Gravediggers; Images of Spain Album (F), page 51, ca. 1812–20, Brush with brown and gray-brown wash on laid paper, Sheet: 8-1/8 x 5-5/8 in. (20.6 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828

L'Amour from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Two Designs for Mantels in the Adam Style, 18th century, Brush and pen and black ink, brush and black wash, sheet: 5 1/4 x 7 5/8 in. (13.3 x 19.4 cm), Anonymous, British, 18th century

Box, ca. 1730, German, Meissen, Hard-paste porcelain, 2 × 3 11/16 in. (5.1 × 9.4 cm), Ceramics-Porcelain, Probably once part of a toilet service, this five-lobed box is based on a Japanese lacquer prototype and may have been placed on a

Group at Secret Service Department, Headquarters, Army of the Potomac, Antietam, October 1862, 1862, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Side Chair, 1770–1800, Made in United States, American, Mahogany, 39 3/4 x 22 x 17 1/2 in. (101 x 55.9 x 44.5 cm), Furniture

The Populace Begin to Gather in Front of the City Hall to Witness the Arrival of the Embassy on Their Visit to the Governor and Mayor, 1860, Albumen silver print from glass negative, Image: 7.6 x 14.2 cm (3 x 5 9/16 in.), Photographs, Edward

Autumn, Etching, engraving and drypoint, sheet: 7 15/16 x 10 1/8 in. (20.1 x 25.7 cm), Prints, Louis Félix de La Rue (French, Paris 1731–1765 Paris), After François Boucher (French, Paris 1703–1770 Paris

Portrait of Frederick II of Prussia, after Antoine Pesne, 1730–1808, Graphite, 15 3/4 x 11 3/8 in. (40.0 x 28.9 cm), Drawings, Attributed to Johann Georg Wille (German (active France), Köningsberg 1715–1808 Paris

Miss Mary Cruikshank, only sister of James Cruikshank, 1781, Watercolor, charcoal, colored chalks over graphite, sheet: 9 x 7 1/2 in. (22.9 x 19 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales), This image

Berthe, January 22, 1862– April 1862, Albumen silver print from glass negative, Image: 20.1 × 23.3 cm (7 15/16 × 9 3/16 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Glass oinochoe (perfume jug), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 3 3/4 in. (9.5 cm), Glass, Translucent cobalt blue, with handle in same color; trails in opaque yellow and

Guitarra septima (seven string guitar), ca. 1880, Mexico, Mexican, Spruce, rosewood, mother-of-pearl, Height: 51 3/8 in. (130.5 cm), Chordophone-Lute-plucked-fretted, M. Fernandez (Mexican), Mariano Fernández, Guitarra Séptima

IVe Station. Jésus rencontre sa très Sainte Mère. Cette station est située a quelques pas a peine de la précédente. La tradition la place a l'arcade que l'on voit représentée ici, 1860 or later, Albumen silver print from paper negative,

Bass Ophicleide in B-flat, ca. 1830, Germany?, possibly German, Brass, nickel-silver, L. (end to end) ca. 1135 mm., Diam. of bell 226 mm., Aerophone-Lip Vibrated-horn

The Swearing In of a Knight of the Tuscan Order of Saint Stephen (or Malta), 1600–1620, Pen and brown ink, brush brown wash, over red and black chalk. Squared in black chalk, 12-9/16 x 9-15/16 in. (31.9 x 25.3 cm), Drawings, Anonymous,

Spoon Holder, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 5 1/4 in. (13.3 cm), Glass, Bakewell, Pears and Company (1836–1882

色絵松竹梅文徳利　二口, Pair of Sake Bottles with Pine, Bamboo, and Plum, Edo period (1615–1868), 18th century, Japan, Stoneware with overglaze polychrome enamels and gold (Ko-Kiyomizu ware), Each: H. 11 × W. 4 in. (27.9 × 10.2

Terracotta lamp, Mid Imperial, 2nd century A.D., Roman, Terracotta, Overall: 1 3/8 in., 3.4 cm (3.5 x 3.4 cm), Terracottas

Fragment of a Carpet with Cartouche Border, late 16th century, Made in Iran, Silk (warp and weft), wool (pile); asymmetrically knotted pile, Rug: L. 43 1/4 in. (109.9 cm), Textiles-Rugs, This carpet bears flowers on winding stems, birds, and

Saint Sebastian, 1849–50, Charcoal on wove paper, Sheet: 12 11/16 x 7 3/8 in. (32.2 x 18.7cm), Drawings, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

Head of Bearded Old Man Shown in Profile, Looking Up, 17th century, Red chalk on cream paper. Reworked counterproof?, 5-1/16 x 5-1/8 in. (12.8 x 13 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Circumcision in the Temple, before 1577, Pen and brown ink, brown wash, traces of black chalk, heightened with white, sheet: 10 7/8 x 10 1/4 in. (27.6 x 26 cm), Drawings, Attributed to Hans Speckaert (Netherlandish, Brussels ca. 1540–1577

Bone Trumpet, Yotoco period (Pre-Columbian), 2nd–5th century, Calima, Colombia, Calima, Malagana, Condor bone, Height: 12 in. (30.5 cm), Aerophone-Lip Vibrated-trumpet / trombone

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Franz Xavier Habermann, Jeremias Wachsmuth, Carl Pier, Martin Engelbrecht, German,

Lower Manhattan, 1910, printed 1911, Photogravure, 16.0 x 19.8 cm. (6 5/16 x 7 13/16 in.), Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 11r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604