Images at Librifly

Second Palace at Mitla, Mexico., February 1860, Albumen silver print from glass negative, Image: 13 1/8 × 16 7/8 in. (33.3 × 42.9 cm), Photographs, Désiré Charnay (French, 1828–1915), Between 1857 and 1860, Désiré Charnay traveled

Le Pompe: Opera Nova, page 15 (verso), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design composed of 7 horizontal registers. Each

An Allegory of the Arts with Isis and Geometry Attending the Three-headed Figure of Painting and Sculpture, a Putto Crowning her with Laurels, 17th century, point of the brush and black ink and gray wash, with brown ink, heightened with white

Equestrian Portrait of Napoleon, n.d., Pen and black ink and gray wash, framing lines in brown ink., 16 1/4 x 12 5/16in. (41.2 x 31.3cm), Drawings, Auvrest (French, active late 18th–early 19th century

Design for a Gothic Cabinet, 1841–84, Pen and black ink over graphite, sheet: 9 5/8 x 7 1/2 in. (24.5 x 19 cm), Charles Hindley and Sons (British, London 1841–1917 London

Cup Plate, 1825–60, Lacy pressed glass, Glass

Design for a Boss Carved with Acanthus, 1819, Ink and wash, sheet: 8 x 10 in. (20.3 x 25.4 cm), Anonymous, British, 19th century

A poet in a blue blazer, first half 20th century, brush and black ink, gouache, watercolor, sheet: 16 x 8 1/2 in. (40.7 x 21.6 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Detail of Ceiling, Palazzo Massimi, ca. 1750–55, Pen and gray wash, sheet: 7 1/2 x 9 1/4 in. (19 x 23.5 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Camp near Brandy Station, 1863–64, Albumen silver print from glass negative, Photographs, James Gardner (American, born 1832), Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Corbel with Human Bust and Acanthus Leaves, 5th–6th century, Made in Egypt, Limestone, traces of paint, Overall: H. 15 3/4 in. (40 cm), Sculpture

Furniture Plaque, 7th–8th century, From Egypt, Bone; carved, D. 13/16 in. (2 cm) , Ivories and Bone, These plaques, one with an unusual purple hue, were attached to wooden furniture with nails or pegs. They are made from the cylindrical

Bowl, 1885, Made in Brooklyn, New York, United States, American, Porcelain, 2 5/16 x 9 13/16 x 7 15/16 in. (5.9 x 24.9 x 20.2 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Union Porcelain Works was one of the most important and

Drawings and Prints, Cut Paper cut-out with The Lord's Prayer, Artist, Martha Anne Honeywell, American, Lempster, New Hampshire ca. 1787–1848, Honeywell, Martha Anne, 1782, 1848, ca. 1830, 1825

Herbarum vivae eicones, 1530, Woodcut, Overall: 12 5/16 x 8 7/16 x 1 3/8 in. (31.2 x 21.4 x 3.5 cm), Books, Hans Weiditz the Younger (German, Freiburg im Breisgau before 1500–ca. 1536 Strasbourg

Kohl Tube, double, New Kingdom, Dynasty 18, early, ca. 1550–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 2, Burial C 1, In coffin, 1915–16, Wood, bronze or copper alloy, H. 4.5 cm (1 3/4 in

Chalice cover, late 15th century, Georgian, Abkhasia, Silk and metal thread embroidery on a foundation of silk satin backed with linen plain weave, 16 3/4 × 17 in. (42.5 × 43.2 cm), Textiles-Embroidered, This veil formed a boxlike cover for

Vessel with openwork design, Edo period (1615–1868), 18th century, Japan, Stoneware with polychrome enamels, H. 8 1/8 in. (20.6 cm), Ceramics

Bowl, ca. 1904–09, American, Porcelaneous earthenware, 6 in. (15.2 cm), Ceramics, Tiffany Studios (1902–32), Louis Comfort Tiffany (1848–1932) is renowned not only for his work in glass but also for his artistic endeavors in virtually

Christ in Glory, early to mid-18th century, Pen and black ink, brush and gray wash, white heightening over traces of black chalk. Black chalk framing lines. Brown paper laid onto oatmeal paper., 5 13/16 x 3 5/8 in. (14.7 x 9.2 cm), Drawings,

Les Petits Buveurs de lait (The Little Milk Drinkers), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi, 1751, Etching and engraving, Sheet: 7 5/16 × 5 13/16 in. (18.6 ×

House of Pompey at Albano, 1753–56, Black chalk touched with white, Sheet: 8 5/8 x 15 in. (21.9 x 38.1 cm), Drawings, Richard Wilson (British, Penegoes, Wales 1712/13–1782 Denbighshire, Wales), Wilson began his career as a portraitist

Co. B, 30th Pennsylvania Infantry, 1861–65, Albumen silver print from glass negative, Photographs

Tunisian View, 1914, Chalk on paper, 4 1/8 x 6 1/8in. (10.5 x 15.6cm), Drawings, August Macke (German, Meschede 1887–1914 near Perthes-les-Hurlus

Pharmacy jar (albarello), ca. 1500–1510, Italian, Montelupo, Maiolica (tin-glazed earthenware), Overall (confirmed): 10 5/16 × 5 1/2 × 5 1/2 in. (26.2 × 14 × 14 cm), Ceramics-Pottery, Storage vessels were among the most frequently

Pellet and Bolt Crossbow Combined with a Wheel-Lock Gun, ca. 1570–1600, Central European; possibly Southern German or Austrian, Steel, wood (cherry), staghorn, hemp, felt, L. 28 1/2 in. (72.4 cm); W. 26 1/2 in. (67.2 cm); Wt. 11 lb. 7 oz.

Bowl, Tang dynasty (618–907), 9th century, China, Stoneware with white slip and glaze, Diam. 4 1/4 in. (10.8 cm), Ceramics, Although this porcelain bowl appears at first glance to be relatively modest, in the ninth century it was the most

Willow, designed 1874, Color woodblock printed paper, Sheet: 25 3/4 x 17 13/16 in. (65.4 x 45.2 cm), Wallpaper, William Morris (British, Walthamstow, London 1834–1896 Hammersmith, London

Medallion, 1776–1883, Made in France, Plaster, Diam. 6 1/8 in. (15.6 cm), Ceramics, Possibly after Jean Martin Renaud (French, Sarreguemines 1746–1821 Paris

Desseins a Plusieurs Usages Inventés par M. B. Toro, 1718 or after

Architectural Rendering of a Gothic Revival Church, 1850–70, Watercolor, sheet, oval at top: 13 1/8 x 8 1/2 in. (33.3 x 21.6 cm), Anonymous, British, 19th century

Saint Andrew, ca. 1326, Tempera on wood, gold ground, 22 1/2 x 14 7/8 in. (57.2 x 37.8 cm), Paintings, Simone Martini (Italian, Siena, active by 1315–died 1344 Avignon), This panel is from an important five-part portable altarpiece that

Europa from The Four Continents, 16th century, Engraving, Sheet: 8 13/16 x 11 in. (22.4 x 27.9 cm), Prints, Julius Goltzius (Netherlandish, died ca. 1595), After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Fragment of an Ottoman Court Carpet, last quarter 16th century, Probably made in Egypt, Wool (warp, weft and pile); asymmetrically knotted pile, Rug: L. 62 in. (157.5 cm), Textiles-Rugs, Although Mamluk Cairo fell to the Ottomans in 1517, the

Figure of the Dead Christ with Mourning Angel (The Lamentation), 17th century, Black chalk. On off-white paper, 3-9/16 x 4 in. (9.0 x 10.2 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Bull Run, Mrs. Henry's House, 21 July 1861, 1861, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Bossard. Célestin. 33 ans, né le 5/3/61 à Gonbretière (Vendée). Cordonnier. Anarchiste. 2/7/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Nude female holding monkeys, Third Intermediate Period–Late Period, Dynasty 22–26, ca. 945–525 B.C., From Egypt, Pale blue faience, H. 20.7 × W. 0.8 × D. 2.9 cm (8 1/8 × 5/16 × 1 1/8 in.), This figure is part of a repertoire of

Marble head and torso of Athena, Imperial, 1st–2nd century A.D., Roman, Marble, Pentelic, Overall: 26 1/2 x 12 3/4 x 11 5/8 in. (67.3 x 32.4 x 29.5 cm), Stone Sculpture, The goddess Athena is rendered as a beautiful young woman. The lining

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 22 (recto), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Terracotta vase with janiform heads, Late Classical, 4th century B.C., Etruscan, Terracotta, H. 5 1/2 in. (14 cm), Vases, Vases with janiform (back-to-back) heads were produced by Athenian potters near the end of the sixth century B.C. The

Sugar Bowl, ca. 1800, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 9 13/16 x 4 1/8 in. (24.9 x 10.5 cm); 14 oz. 10 dwt. (451 g), Silver, Attributed to Christian Wiltberger (American, Philadelphia,

The Chariot of Apollo, 1905–16, Oil on canvas, 26 x 32 in. (66 x 81.3 cm), Paintings, Odilon Redon (French, Bordeaux 1840–1916 Paris), Between 1905 and 1916 Redon devoted a number of oils, pastels, and watercolors to the theme of horses

Classical Landscape, n.d., Pen and brown ink, brush and brown-gray ink. Framing line in pen & brown ink., sheet: 6 7/8 x 11 5/16 in. (17.5 x 28.7 cm), Drawings, Isaac de Moucheron (Dutch, Amsterdam 1667–1744 Amsterdam

Kohl jar, Second Intermediate Period–Early New Kingdom, Dynasty 17–Early Dynasty 18, ca. 1635–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 1, Burial A 1, In toilet box, 1915–16, Serpentinite, H. 4.9

Frieze with Putti, 1800–1900, Ink on tan, 4 x 8-7/16 in, Drawings, Anonymous, Italian, 19th century

Favre. Sébastien. 36 ans, né à St Étienne (Loire). Négociant. Port d'arme prohibée, anarchiste. 20/2/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 20r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Flail of Hapiankhtifi, Middle Kingdom, Dynasty 12, ca. 1981–1802 B.C., From Egypt, Middle Egypt, Meir, Tomb of Hapiankhtifi, Mummy, Khashaba excavations, 1910–12, Wood, carnelian, faience, gold leaf, L. 52.8 cm (20 13/16 in

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Martin Engelbrecht, Jeremias Wachsmuth, Carl Pier, German,

Water Battery at Yorktown, 1861–65, Albumen silver print from glass negative, Photographs, James F. Gibson (American, born 1828

Double snuff bottle, Qing dynasty (1644–1911), 19th century, China, Crystal, Gr. H. 2 3/8 in. (6 cm); Gr. W. 1 3/4 in. (4.4 cm); Gr. D. 1 5/8 in. (4.1 cm), Snuff Bottles

John D. Rockefeller, Jr., ca. 1925, Gelatin silver print, Image: 19.2 x 23.8 cm (7 9/16 x 9 3/8 in.), Photographs, Arnold Genthe (American (born Germany), Berlin 1869–1942 New Milford, Connecticut

Le Midi de la France, 1850s–60s, Albumen silver prints, 24.4 x 29.4 x 6.3 cm (9 5/8 x 11 9/16 x 2 1/2 in. ), Albums, Charles Nègre (French, 1820–1880

Bronze handle with dogs flanking a reclining youth, Late Classical, 4th century B.C., Etruscan, Bronze, H.: 7 x 9 9/16 in. (17.8 x 24.3 cm), Bronzes, This magnificent handle may well represent the sleeping Endymion, the beloved hunter of

Saint Peter, 1610–69, Brush and brown ink and brown wash, sheet: 11 7/16 x 6 11/16 in. (29 x 17 cm), Drawings, Attributed to Ludolf Büsinck (German, Hanoversch Münden 1599 or 1602–1669 Hanoversch Münden

Backplate of an Armor for Vincenzo Luigi di Capua (d. 1627), ca. 1595, Milan, Italian, Milan, Steel, gold, leather, copper alloy, H. approx. 15 in. (38 cm); W. approx. 11 in. (28 cm), Armor Parts-Backplates, This backplate is part of a

Studies for the decoration of the Library, Palais Bourbon, Paris: standing nude athlete; seated man with a lyre; centaur; and seven putti (three with wings), 1798–1863, Pen and brown ink, faint graphite indications (lyre of seated figure) on

Section of a Kiln for the Production of Majolika, ca. 1796, Pen and brown ink with colored washes, over traces of leadpoint, 12 15/16 x 8 9/16in. (32.8 x 21.7cm), Pietro Bandiera (Italian, documented 1796

Kitchen Staff (recto); Mountainous Landscape with Hiker (verso), 1837–64, Recto: watercolor, pen and brown ink over graphite; Verso: watercolor over graphite, Sheet: 5 1/8 x 6 3/8 in. (13 x 16.2 cm), Drawings, John Leech (British, London

The Story of Lot, third quarter 17th century, British, Silk, metal, isinglass on satin, seed pearls, H. 13 x W. 19 inches (33.0 x 48.3 cm); Framed: H. 15 1/2 x W. 21 1/2; D. 1 1/2 inches (39.4 x 54.6; 3.8 cm), Textiles-Embroidered

Cup with cover, R W (British), 1590–91, British, London, Mother of pearl, silver gilt, Overall (confirmed): 7 3/4 x 3 7/8 x 3 7/8 in., 11 oz. 7 dwt. (19.7 x 9.8 x 9.8 cm, 0.354kg), Metalwork-Silver In Combination, R W (British

Wooded Landscape with a Creek, 1770–1806, Brush and grey and brown ink, over a graphite (?) sketch, sheet: 7 1/4 x 10 3/8 in. (18.4 x 26.4 cm), Drawings, Christoph Nathe (German, Nieder-Bielau 1753–1806 Schadewalde

Cabuzac. Jean. 25 ans, né le 23/7/68 à Ivry la Bataille (Eure). Ciseleur. Anarchiste. 12/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Belt Buckle with Struggling Animals, 6th–7th century, Visigothic, Copper alloy, with gilding, Overall: 3 7/16 x 1 x 3/8 in. (8.7 x 2.5 x 0.9 cm), Metalwork-Bronze

Ein ney Furmbüchlein, Page 12, verso, ca. 1525–29

The Worship of Cupid, ca. 1775–90, French, probably Aubusson, Wool, silk (22 warps per inch, 9-10 per cm.), 29 × 23 in. (73.7 × 58.4 cm), Textiles-Tapestries, After an engraving by C. L. Jubier (active 1760–70) based on a painting by

Henri Fantin-Latour (1836–1904), 1861, Oil on canvas, 18 × 14 7/8 in. (45.7 × 37.8 cm), Paintings, Carolus-Duran (Charles-Auguste-Émile Durant) (French, Lille 1837–1917 Paris), Young art students Carolus-Duran and Fantin met while

Tumbler, ca. 1883–88, Made in East Cambridge, Massachusetts, United States, American, Blown glass, H. 4 3/16 in. (10.6 cm); Diam. 2 1/4 in. (5.7 cm), Glass, Probably New England Glass Company (American, East Cambridge, Massachusetts,

Mathieu. Gustave. (avec une barbe postiche), 1880s–90s, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished family of

Senwosret III as a Sphinx, Middle Kingdom, Dynasty 12, ca. 1878–1840 B.C., From Egypt; Possibly from Upper Egypt, Thebes, Karnak, Gneiss, L. 73 × W. 29.5 × H. 42.5 cm, 114.3 kg (28 3/4 × 11 5/8 × 16 3/4 in., 252 lb.), Because of

Carlo Bertinazzi (1713–1783), Attributed to the Hewelke manufactory, ca. 1761–63, Italian, Venice, Hard-paste porcelain, Height (without frame): 18 1/4 in. (46.4 cm); Framed: 21 × 16 1/2 in. (53.3 × 41.9 cm), Ceramics-Porcelain,

Mug, 18th century, Made in Bohemia, Czech Republic, Non-lead glass with enamel decoration, H. 5 1/8 in. (13 cm), Glass

Bird-Shaped Brooch, second half 6th century, Frankish, Silver-gilt, Overall: 5/8 x 1 1/4 x 1/4 in. (1.6 x 3.2 x 0.7 cm), Metalwork-Silver, The dress of Frankish women generally consisted of a tunic, cinched by a belt from which hung an array

Drawings and Prints, Album Print Ornament & Architecture, Copies after the 'Livre contenant passement de moresques' (plate 14), Artist, After, Jacques Androuet Du Cerceau, French, Paris 1510/12–1585 Annecy, Du Cerceau, Jacques Androuet,

Orbiculus (Roundel) with Grapevine Inhabited by Two Purple Birds Emerging from a Pot, 5th–7th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 8 in. high 8.00 in. wide (20.32 cm high 20.32 cm wide), Textiles, Tunics and

David. Armand, Auguste. 27 ans, né à Gien (Loiret). Faïencier. Anarchiste. 1/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Disk Brooch, 7th century (?), Frankish, Gold, glass, mother-of-pearl, copper alloy, Overall: 2 3/8 x 7/8 in. (6.1 x 2.3 cm), Metalwork-Gold

Horae in Laud. Beatiss. semper V.M., January 16, 1525, Books

Wall Tomb with Putti, 17th century, Point of brush and brown wash, over red chalk, sheet: 7 1/16 x 7 5/16 in. (18 x 18.6 cm), Drawings, Anonymous, Italian, 17th century

Saint John the Evangelist Raises Drusiana, ca. 1460, Tempera and gold on wood, 9 3/8 x 8 7/8 in. (23.8 x 22.5 cm), Paintings, Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398–1482 Siena

Interior of a Chapel with Altar, 19th century, Watercolor over graphite, sheet: 12 7/16 x 15 1/8 in. (31.6 x 38.4 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son, John Dibblee Crace (British, London 1838–1919 London

Cavalry Officer's Saber, ca. 1810, Baltimore, Maryland, American, Baltimore, Steel, silver, wood, gold, H. 39 7/8 in. (101.3 cm); H. of blade 34 1/4 in. (87 cm); W. 3 3/4 in. (9.5 cm); Wt. 1 lb. 9.6 oz. (725.7 g), Swords, This saber

Photographic Views of Sherman's Campaign, 1860s, Albums, George N. Barnard (American, 1819–1902), George N. Barnard, an early daguerreian portraitist working in Oswego, New York, is best known for his ambitious Civil War publication,

Crowd in a Park, from Images of Spain Album (F), page 31, ca. 1812–20, Brush and irongall ink, with scraping on laid paper, Sheet: 8-1/8 x 5-5/8 in. (20.6 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos

Bird Jar, 12th–9th century B.C., Mexico, Mesoamerica, Olmec, Ceramic, H. 3 1/2 in. (8.9 cm), Ceramics-Containers, This small vessel is in the form of a bird, probably a sea bird, its long beak resting on its chest. Its wings, bearing

Drawings and Prints, Books Prints Ornament & Architecture, La vera perfettione del disegno di varie sorti di recami, page 4 (verso), Publisher, Giovanni Ostaus, Italian, active Venice ca. 1554–91, Venice, Ostaus, Giovanni, Italian,

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 97r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

No. 204. Iowa Central Railway Bridge at Keithsburg, Illinois, 1889, Cyanotype, Sheet: 14 1/2 × 17 3/16 in. (36.8 × 43.7 cm), Photographs, Henry P. Bosse (American, born Germany, 1844–1893

Water jar, Edo period (1615–1868), ca. 1624–1643, Japan, Porcelain with underglaze cobalt (Hizen ware, early Imari type), H. 6 3/4 in. (17.1 cm); W. 6 3/4 in. (17.1 cm), Ceramics

Diana and Callisto, 1725–61, Red chalk and red wash on greenish paper, sheet: 5 1/2 x 7 15/16 in. (14 x 20.2 cm), Drawings, Philipp Hieronymus Brinckmann (German, Speyer 1709–1761 Mannheim

Pitcher, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 4 7/8 x 4 x 3 9/16 in. (12.4 x 10.2 x 9 cm), Ceramics

[Temple of the Golden Cow, Benares], 1860s–70s, Albumen silver print from glass negative, 20.8 x 27.4 cm (8 3/16 x 10 13/16 in.), Photographs, Unknown

A Fleet, mid-17th–early 18th century, Black chalk, pen and brown ink, gray wash., sheet: 10 9/16 x 17 3/8 in. (26.8 x 44.1 cm), Drawings, Willem van de Velde II (Dutch, Leiden 1633–1707 London

The Conversion of St. Paul (recto); The Execution of the Prisoner (verso), 18th–early 19th century, Pen and brown ink, brush and brown wash, heightened with white gouache, over black chalk (recto); black chalk (verso), sheet: 18 1/16 x 11

The Bode Valley with Rocks and Trees; verso: Landscape Studies, 1800–1840, Graphite, brush and gray wash, sheet: 6 11/16 x 8 11/16 in. (17 x 22 cm), Drawings, Karl Blechen (German, Cottbus 1798–1840 Berlin

Jasper ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Jasper, Other: 3/4 x 5/8 x 3/16 in. (2 x 1.6 x 0.4 cm), Gems, Janus head

Terracotta caricature of Eros as an old man, Hellenistic, 2nd–1st century B.C., Greek, Asia Minor, Smyrna, Terracotta, H. 2 9/16 in. (6.5 cm), Terracottas, Statuette of Eros

Vase (one of a pair), Ming dynasty (1368–1644), 15th century, China, Bronze, H. 10 1/2 in. (26.7 cm); Diam. 6 in. (15.2 cm), Metalwork