Images at Librifly

Fragment, 15th–16th century, Spanish, Cotton and linen, L. 19 x W. 12 3/4 inches (48.3 x 32.4 cm), Textiles-Printed

Design for a Grotto with a Fountain, 17th century, Pen and brown ink, brush and brown wash, brush and pale blue water color, brush and dark blue water color, sheet: 13 1/16 x 10 1/4 in. (33.1 x 26.1 cm), Drawings, Anonymous, Italian, 17th

[House framed by trees]. Brady album, p. 123, 1861–65, Albumen silver print from glass negative, Photographs

Tureen, Finial with Mask, 1800–1900, Pen and wash, 9-1/2 x 16-3/8 in, Drawings, Anonymous, Italian, 19th century

The British Order: Elevation of a Capital and Part of the Fluted Shaft, 1762, Pen and ink, wash and gouache, sheet: 14 7/8 x 12 1/4 in. (37.8 x 31.1 cm), James Adam (British, Edinburgh, Scotland 1732–1794 London

Lamp, Late Antique, 5th century A.D., Roman, Cypriot, Terracotta, Overall: 1 1/4 x 3 1/8 in. (3.2 x 7.9 cm), Terracottas

Nude female figure holding a vase on her head, Third Intermediate Period–Late Period, Dynasty 22–26, ca. 945–525 B.C., From Egypt, Faience, H. 8 cm (3 1/8 in); W. 3.3 cm (1 5/16 in); D. 1.5 cm (9/16 in

清 粉晶石榴花插, Flower holder with pomegranate, Qing dynasty (1644–1911), 18th century, China, Rose quartz, H. 4 5/8 in. (11.7 cm), Hardstone

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 8 x 3 3/8 in. (20.3 x 8.6 cm), Ceramics

Design for a Window with Yellow Drapery, 18th century, Ink and wash and watercolor, sheet: 8 5/16 x 4 1/8 in. (21.1 x 10.4 cm), Drawings, Attributed to Anonymous, German, 18th century

清 碧玉馬寶, Horse carrying books, Qing dynasty (1644–1911), 18th–19th century, China, Jade (nephrite), H. 4 9/16 in. (11.6 cm); W. 4 1/8 in. (10.4 cm); D. 2 1/16 in. (5.3 cm), Jade

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 47), Publisher, Artist, After, Carlo Losi, Jacob

Seated Nude Boy, Red chalk, 9 1/8 x 8 7/8 in. (23.1 x 22.5 cm), Drawings, After Edme Bouchardon (French, Chaumont 1698–1762 Paris

8 of Collars, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 7 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Descent from the Cross, 17th century, Pen and brown ink, brush and brown wash over black chalk on light brown paper. Ruled framing outlines in brown ink, 7-1/16 x 5-9/16 in. (18 x 14.1 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th

Savannah, Georgia, No. 2, 1866, Albumen silver print from glass negative, Image: 25.5 x 36.1 cm (10 1/16 x 14 3/16 in.), Photographs, George N. Barnard (American, 1819–1902), In the last quarter of Photographic Views of Sherman's Campaign,

La Vera Perfettione del Disegno di varie sorti di recami, page 17 (recto), 1567

Nessus Abducting Dejanira, modeled 1814–15, carved 1821–23 or 1826, Danish, sculpted Rome, Marble, Overall (confirmed): H. 39 1/2 x W. 49 1/2 x D. 5 3/4 in. (100.3 x 125.7 x 14.6 cm), Sculpture, Bertel Thorvaldsen (Danish, Copenhagen

Head of Saint John the Baptist on a Charger, ca. 1500, Oil on poplar, Diameter 11 1/8 in. (28.3 cm), Paintings, Aelbert Bouts (Netherlandish, Leuven ca. 1451/54–1549), This grisly depiction of John the Baptist's severed head was once an

Pendant, 6th–7th century, Langobardic, Gold, Overall: 15/16 x 3/4 x 3/8 in., 0.1oz. (2.4 x 1.9 x 1 cm, 4g), Metalwork-Gold

Design for a Token: Bâtiments du Roi, 1748, 1748, Red chalk, 8 1/4 in. x 21 cm diameter, Drawings, Edme Bouchardon (French, Chaumont 1698–1762 Paris

Christ and Mary Magdalen in the Garden, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light tan paper, 8-1/4 x 10-1/8 in. (21 x 25.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Mars as Contemporary Warrior, ca. 1590–1600, Italian, Padua, Bronze, Overall (confirmed): 21 7/8 × 6 7/8 × 6 in. (55.6 × 17.5 × 15.2 cm), Sculpture-Bronze, Tiziano Aspetti (Italian, 1565–1607

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 61r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Four Figures, 17th century, Two male figures: Brush and brown washes., 3-1/4 x 6-7/8 in. (8.2 x 17.5 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Rue Laplace and Rue Valette, Paris, 1926, Gelatin silver print, Image: 22 x 17.6 cm (8 11/16 x 6 15/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Couchot. Jean. 49 ans, né à Bidache (Basses-Pyrénées). Tailleurs d'habits. Anarchiste. 23/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Snuff Bottle with Gold Speckles, Qing dynasty (1644–1911), late 18th century, China, Blue glass with glass stopper, H. 2 7/8 in. (7.3 cm), Snuff Bottles

Battle Scene, ca. 1611–14, Pen and dark brown ink, brush and brown wash, over black chalk. Framing line in dark brown ink., sheet: 9 7/16 x 16 1/8 in. (23.9 x 41 cm), Drawings, Hans Heinrich Waegmann (Swiss, Zurich 1559–ca. 1626 Lucern

Reliquary, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Cloisonné enamel and bronze, H. 19 in. (48.3 cm); W. 7 1/8 in. (18.1 cm); D. 7 1/8 in. (18.1 cm), Cloisonn

Portions of a Ceremonial Armor, ca. 1575–80, French, Steel, copper alloy, gold, leather, textile, Wt.. Overall 17 lb. 7 oz. (7910 g); Wt. of Helmet (a), 4 lbs. 13 oz. (2182.91 g); Wt. of Breastplate (b), 2 lbs. 14 oz. (1304.08 g); Wt. of

Terracotta phiale (libation bowl), Hellenistic, ca. 250–200 B.C., Etruscan, Terracotta; Volsinian Silvered Ware, H.: 1 3/4 in. (4.4 cm), Vases, Clay with ornaments in relief: Silenus head in center; remains of blue and yellow pigments

Oil Bottle, 19th century, Japan, Clay with lines etched through; covered with a transparent glaze (Kiyomizu ware), H. 5 3/4 in. (14.6 cm); Diam. 6 1/2 in. (16.5 cm), Ceramics

An Angel, 17th century, Red chalk on light tan paper, 6-15/16 x 4-3/4 in. (17.7 x 12.1 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Design for a Coffered, Painted Ceiling with Floral Decoration and Colored Border, ca. 1888, Watercolor and graphite with touches of gouache and gold, sheet: 13 9/16 x 18 1/4 in. (34.5 x 46.4 cm), John Dibblee Crace (British, London 1838–1919

Ein ney Furmbüchlein, Page 14, recto, ca. 1525–29

Sleeping Elephant, 1810–75, Watercolor on wove paper, Sheet: 9 13/16 x 11 3/4 in. (24.9 x 29.9cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

The Six Immortal Poets, Edo period (1615–1868), ca. 1810, Japan, Hanging scroll; ink and color on silk, 36 × 12 3/4 in. (91.4 × 32.4 cm), Paintings, Kubo Shunman (Japanese, 1757–1820

Tureen with Cover, 19th century, Pen and wash, 12-1/4 x 17 in, Drawings, Anonymous, Italian, 19th century

The Triumph of Time over Fame, ca. 1500–1530, South Netherlandish, Wool warp; wool and silk wefts, Overall: 150 1/4 x 148 1/4 in. (381.6 x 376.6 cm), Textiles-Tapestries

House Model, 100 B.C.–A.D. 200, Mexico, Nayarit, Nayarit, Ceramic, H. 12 × W. 10 × D. 6 3/4 in. (30.5 × 25.4 × 17.1 cm), Ceramics-Sculpture, This model of a two-story Nayarit house depicts a large and complex feasting scene. It shows

Fragment of an Imported Chinese Bowl, late 7th–first half 8th century, Excavated in Iran, Nishapur. Made in China, Earthenware; applied relief medallion under three color (sancai) glaze, 2 5/8 in. (6.7 cm), Ceramics, Chinese ceramics were

Textile Sample Book, 1846, French, Lyons, H. 13 1/8 x W. 9 7/8 inches, Textiles-Sample Books

Virgin and Child, 15th century, Made in Touraine, Loire, French, Limestone with polychromy, Overall: 64 1/4 x 23 3/8 x 16 in. (163.2 x 59.4 x 40.6 cm), Sculpture-Stone

Beach Scene, ca. 1914, Pastel and chalk on paper, 17 1/4 x 22 in. (43.8 x 55.9 cm), Drawings, William James Glackens (American, Philadelphia, Pennsylvania 1870–1938 Westport, Connecticut

Caster, ca. 1765, Hungarian, Pest, Silver, Overall: 6 7/8 x 2 1/4 in. (17.5 x 5.7 cm), Metalwork-Silver, Sugar was a rare commodity in the eighteenth century and often surrounded by ceremony. The sugar caster, with its pierced domed lid,

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Martin Engelbrecht, Carl Pier, Jeremias Wachsmuth, German,

Summer Landscape, 神農・夏冬山水図, Edo period (1615–1868), 1662, Japan, One from a set of three hanging scrolls; ink and color on silk, 44 1/2 x 15 1/2 in. (113 x 39.4 cm), Paintings, Kano Tan'yū (Japanese, 1602–1672),

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 5r), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Lamp, 2nd century A.D., Roman, Terracotta, Overall: 3/4 x 3 in. (1.9 x 7.6 cm), Terracottas

晚明 剔紅雕漆筆, Writing brush and cover, Ming dynasty (1368–1644), late 16th century, China, Carved red lacquer, L. 9 in. (22.9 cm); Diam. 1/2 in. (1.3 cm), Lacquer

Drawings and Prints, Book Print, The Servant Sending his Fellow Servant to Prison, from The Parable of the Unmerciful Servant, bound in Thesaurus Sacrarum historiarum Veteris et Novi Testamenti, The Parable of the Unmerciful Servant, Publisher,

Studies of Two Groups of Turkish Figures, before 1841, Black chalk, pen, brown ink, sheet: 9 7/16 x 15 11/16 in. (24 x 39.9 cm), Drawings, Sir David Wilkie (British, Cults, Scotland 1785–1841 off Gibraltar

Design for a Coat of Arms with Two Dragons and Initials [?] in center (recto); Three Constructed Circles with Inscriptions (verso), 1700–1780, Pen and brown ink over lead point on brown washed cream laid paper (still partly visible; recto and

Terracotta lamp: on discus, dog, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 3 5/8 in. (2.5 x 9.2 cm), Terracottas

Crucifixion, 1665, Pen and brown ink, brown and gray wash, heightened with white on brown paper. Framing line in pen & brown ink., 8 9/16 x 10 9/16 in. (21.7 x 26.8 cm), Drawings, Attributed to Thomas de Keyser (Dutch, Amsterdam (?)

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 16 (verso), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano, British,

Camp of 30th Pennsylvania Infantry, 1861–65, Albumen silver print from glass negative, Photographs

Ornamental Design of Winged Female Figures and Dragons, 17th century, Pen and brown ink, over leadpoint or black chalk., 1 15/16 x 3 1/8 in. (4.9 x 7.9 cm), Drawings, Anonymous, Italian, 17th century

Design for the Proscenium Arch of an Opera house and the Section Adjacent to the Stage, 18th century, Pen and black ink and gray wash, 10 3/16 x 8 1/16 in. (25.8 x 20.5 cm), Drawings, Philippe de La Guêpière (French, ca. 1715–1773 Paris

Goblet, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 6 5/16 in. (16 cm), Glass, Bakewell, Pears and Company (1836–1882

Design for a fireplace, 1827, Watercolor, pen and black ink, sheet: 10 1/4 x 15 7/8 in. (26 x 40.3 cm), Thomas Heiton (British, active 1827

9 of Collars, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Venus and Cupid, Giacomo Francia (Italian, Bologna ca. 1486-1557 Bologna), ca. 1525

Sentimens des plus Habiles Peintres sur la Pratique de la Peinture et Sculpture, mis en Tables de Preceptes, avec Plusieurs discours Accademiques, 1696, Plates: etching, woodcut, Overall: 15 3/4 x 11 7/16 in. (40 x 29 cm), Books

Snuff bottle with stopper, Qing dynasty (1644–1911), 18th–19th century, China, Rock crystal; pink tourmaline, H. 2 3/4 in. (7 cm), Snuff Bottles

Annunciation Triptych (Merode Altarpiece), ca. 1427–32, Made in Tournai, South Netherlands, South Netherlandish, Oil on oak, Overall (open): 25 3/8 x 46 3/8 in. (64.5 x 117.8 cm), Paintings-Panels, Workshop of Robert Campin (Netherlandish,

The Virgin of the Sacred Heart, ca. 1820, Graphite on paper (watermark: J Wh[atman]/Turke[y mill]/1, sheet: 8 7/8 x 6 3/16 in. (22.5 x 15.7 cm), Drawings, Théodore Gericault (French, Rouen 1791–1824 Paris

Landscape with Ruined Tower, 17th century, Red and black chalk, reworked with brush and brown and red wash on cream paper, 5-1/8 x 7-3/8 in. (12.9 x 18.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Cabinet Design, 19th century, Ink and watercolor over graphite, sheet: 5 1/4 x 6 9/16 in. (13.4 x 16.6 cm), Anonymous, British, 19th century

Prudence, 1760, Fresco, transferred to canvas, Oval, 49 1/8 x 36 1/4 in. (124.8 x 92.1 cm), Paintings, Workshop of Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid), This detached fresco is from a series of four ovals that were

Sketches of Seven Statues: 'Faith, ' 'Paolo and Francesca di RImini, ' 'Charity, ' 'Roman Matron, ' 'Venus Feleste, ' 'Danyatrice, ' and 'Sleeping Amor', ca. 1850, Pen and brown ink, graphite, sheet: 13 13/16 x 8 7/8 in. (35.1 x 22.6 cm),

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 21r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

[Asafi Mosque and the Bara Imambara, Lucknow, India], 1860s–70s, Albumen silver print from glass negative, 20.8 x 27.3 cm (8 3/16 x 10 3/4 in.), Photographs, Unknown

Street Cart, 1914, Watercolor, gouache, and graphite on paper, 12 3/8 x 18 7/8 in. (31.4 x 47.9 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Close Helmet, ca. 1510–20, Milan, Italian, Milan, Steel, gold, H. 13 1/8 in. (33.3 cm); W. 8 1/2 in. (21.6 cm); D. 12 in. (30.5 cm); Wt. 3 lb. 6 oz. (1530 g), Helmets, As the only known work that may be ascribed with reasonable certainty

Situla, ca. 1200, Made in Rhine valley, Germany, German, Copper alloy, iron handle, Overall (with handle up): 11 5/16 x 8 7/8 x 6 11/16 in. (28.7 x 22.6 x 17 cm), Metalwork-Copper alloy

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 52 1/4 x 27 x 3 1/2 in. (132.7 x 68.6 x 8.9 cm), Stone-Reliefs-Inscribed, This panel represents a supernatural protective figure

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 36), Artist, Publisher, After, Georges Reverdy, Jacob

Qing, mid 18th century, China, Chinese, jade with incised gilding, 18 3/4 × 33 × 1 5/16 in. (47.7 × 83.8 × 3.4 cm), Idiophone-Struck

Bead ornaments, triangular, 8, Late Imperial, 3rd century A.D., Roman, Gold, average: 9/16 × 1/16 × 1 3/4 in. (1.4 × 0.2 × 4.4 cm), Gold and Silver, Gold diadems, worn on the head like a crown, were decorated with geometric patterns to

Curtain of the Tabernacle, one of six illustrated leaves from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra, ca. 1360–1380, French, Opaque watercolor, iron-gall ink and gold on vellum, 16 1/2 x 9 3/4 in. (41.9 x 24.8 cm),

The Main Square in Andria (Bari), 1803–94, Pen and brown ink, brush and brown wash, over graphite, 11-7/8 x 15-3/4 in. (30.2 x 40 cm), Drawings, Achille Vianelli (Viennelly) (Italian, Porto Maurizio di Imperia 1803–1894 Benevento

Long Live the Chains! ('Vivan las caenas [cadenas]'), 1807–45, Pen and dark brown ink on off-white paper. Composition outlined with pen and dark brown ink on all sides, 7-1/8 x 5-3/8 in. (18.1 x 13.7 cm), Drawings, Leonardo Alenza y Nieto

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 18 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Les Singuliers et Nouveaux Portraicts... page 13 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 30r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

元 佚名 釋迦三尊圖 軸, Sakyamuni and Attendant Bodhisattvas in a Landscape, Yuan dynasty (1271–1368), late 13th–early 14th century, China, Hanging scroll; ink and color on silk, Image: 38 x 19 1/4 in. (96.5 x 48.9 cm), Paintings,

Dish, ca. 1904, Made in Buffalo, New York, United States, American, Copper, enamel, 7 1/2 in. (19.1 cm), Silver

Candlestick, ca. 1903, Made in Chicago, Illinois, United States, American, Bronze, H. 13 3/4 in. (34.9 cm), Metal, Robert R. Jarvie, whose early advertisements label him 'the Candlestick Maker, ' created some of the most sophisticated metal

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 37), Artist, Publisher, After, Georges Reverdy, Jacob

[Two Young Men, One Embracing the Other], 1880s, Tintype, Image: 9.2 x 6.5 cm (3 5/8 x 2 9/16 in.), Photographs, Unknown (American

[Elevated View of Egyptian Court; Ninevah Court; Monti's Fountain, and Nineveh Court; Assyrian Court with Workers], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip

Pyramides de Gizèh, 1865–69, Albumen silver print from glass negative, Image: 31.1 x 41.8 cm (12 1/4 x 16 7/16 in.), Photographs, Gustave Le Gray (French, 1820–1884

Landscape in Saxony, late 18th–19th century, Pen and brush and gray ink, sheet: 9 1/4 x 11 3/8 in. (23.5 x 28.9 cm), Drawings, Carl August Richter (German, Wachau bei Dresden 1770–1848 Dresden

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, title page (recto), Artist, Domenico da Sera, French, active Italy, 16th century, Sera,

Capital, ca. 1130–40, Made in present-day France, Catalan, Marble, Overall: 17 x 17 1/2 x 17 in. (43.2 x 44.5 x 43.2 cm), Sculpture-Architectural

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 50 (verso), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

[Two Young Men in Straw Hats, One Seated in the Other's Lap], 1870s–80s, Tintype, Image: 8.9 x 6.4 cm (3 1/2 x 2 1/2 in.), Photographs, Unknown (American