Images at Librifly

[Workman with Tool Box], 1860s–70s, Tintype, Image: 8.6 x 6 cm (3 3/8 x 2 3/8 in.), Photographs, Unknown (American

The Adoration of the Magi, Oil on wood, 29 1/8 x 25 5/8 in. (74 x 65.1 cm), Paintings, Copy after Hugo van der Goes (Netherlandish, late 15th century

August (one of a series representing the labors of the months), 1690 or slightly earlier, Red Chalk, 3 5/16 x 4 3/4 in. (8.4 x 12.1 cm), Drawings, Jonas Umbach (German, Augsburg 1624–1693 Augsburg

Belle Plain, Virginia, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882), James Gardner (American, born 1832

Design for a Stained Glass Window, mid-19th–early 20th century, Pen and black ink, watercolor over graphite with touches of gilt, sheet: 12 7/8 x 11 5/16 in. (32.7 x 28.7 cm), Attributed to John Dibblee Crace (British, London 1838–1919

Coffeepot, 1735–45, Made in United States, American, Silver, Overall: 10 1/16 x 8 11/16 in. (25.6 x 22.1 cm); 31 oz. 5 dwt. (971.4 g), Silver, Marked by I. P

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 51 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Portrait of a Woman, Ivory, Diameter 2 1/2 in. (63 mm), Miniatures, French Painter (ca. 1795

Le Pompe: Opera Nova, page 13 (recto), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design is decorated with a series of intertwining

明永樂 剔紅庭園高仕圖漆盒, Box with garden scene, Ming dynasty (1368–1644), Yongle period (1403–24), 1403–1424, China, Carved red lacquer, H. 2 7/8 in. (7.3 cm); Diam. 8 3/4 in. (22.2 cm), Lacquer, On the cover, two seated

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 5 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Esemplario di Lauori..., page 13 (verso), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore

Study of a Hanekam (Celosia argentea), n.d., Graphite and watercolor, sheet: 14 1/2 x 9 1/2 in. (36.9 x 24.1 cm), Drawings, Alida Withoos (Dutch, Amersfoot ca. 1662–1730 Hoorn

Cap, 17th century, Bolivia or Peru, Bolivia or Peru, Linen, wool, H. 31 3/4 x W. 6 3/4 in. (80.6 x 17.1 cm), Textiles-Woven

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 28r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

The Ferryboat, 1585–1634, Pen and brown ink, watercolor, over graphite. Framing line in pen and brown ink. Laid down., sheet: 2 1/2 x 5 7/8 in. (6.4 x 15 cm), Drawings, Hendrick Avercamp (Dutch, Amsterdam 1585–1634 Kampen

[Stereograph Still-life with Cockatoo, Ornamental Ball, Lace, Peacock Feathers], 1850s, Daguerreotype, Image: 5.9 x 7.1 cm (2 5/16 x 2 13/16 in.), each, Photographs, T. R. Williams (British, born 1825

Tumbler, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed cranberry, colorless and opalescent glass, H. 3 7/8 in. (9.8 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Design for a Ceiling with an Allegorical Subject, ca. 1713, Recto: pen and brown ink and wash over graphite; verso: graphite, sheet: 10 x 3 3/4 in. (25.4 x 9.5 cm), Drawings, Sir James Thornhill (British, Woolland, Dorset (?) 1675/76–1734

[Album Containing Photographs, Engravings, Drawings, and Publications Pertaining to Alexandre Dumas], November 1855, Salted paper print from glass negative, Image: 9 3/8 × 7 5/16 in. (23.8 × 18.5 cm), Albums, Nadar (French, Paris

Locomotive #133, U.S.M.R.R., 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Dagger (Khanjar), 17th–18th century, Indian, Stone (probably marble), steel, L. 13 3/8 in. (34 cm); L. of blade 8 1/16 in. (22 cm), Daggers, The sheep's head pommel of this dagger is extremely distinctive and rare. The great majority of

Saint Jerome, 1713–59, Pen and brown ink, over a sketch in black chalk, sheet: 6 1/2 x 6 7/8 in. (16.5 x 17.4 cm), Drawings, Georg Anton Urlaub (German, Thüngersheim 1713–1759 Würzburg

Square with Warrior, 5th–6th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, 7.75 in. high 6.87 in. wide (19.5 cm high 17.5 cm wide), Textiles, The heads without necks and the large 'jewels' and small pearls

Calligraphic Trompe-l'œil Calendar, 1709, Pen and red, brown, and black ink, brush and grey wash, sheet: 5 5/8 x 4 1/16 in. (14.3 x 10.3 cm), Drawings, Matthias Buchinger (German, Ansbach 1674–1739), Part of a group of calendars that

Kyathos, Archaic, ca. 530–500 B.C., Greek, Attic, Terracotta; black-figure, Overall: 3 3/16 in. (8.1 cm), Vases, Combat of horsemen and foot soldiers

Peasants Drinking, 1610–85, Pen and brown ink, watercolor. Framing line in black ink & chalk, sheet: 5 13/16 x 7 1/2 in. (14.7 x 19.1 cm), Drawings, Attributed to Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Virgin of the Immaculate Conception Standing on Clouds, 17th century, Pen and dark brown ink, with brush and gray wash, over black chalk underdrawing. On off-white paper, 6-9/16 x 4-1/8 in. (16.7 x 10.5 cm), Drawings, Anonymous, Spanish,

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 8 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Two Designs for Illustration, 1820–84, Graphite, 5 11/16 x 4 3/16 in. (14.5 x 10.6 cm), Drawings, Adrian Ludwig Richter (German, Dresden 1803–1884 Dresden

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601, 1601

Mask, Roman Period, 117–138, From Egypt, Plaster, paint, h. 22.7 cm (8 15/16 in); w. 16 cm (6 5/16 in

Medallion with the Feast of Ahasuerus, early 16th century, Netherlandish, Boxwood, Diam. 1 7/8 × 1/4 in. (4.8 × 0.6 cm), Sculpture-Miniature-Wood

Various Insects by a Fungus, 1681, Watercolor and gouache over traces of black chalk. A ruled line in brown ink along the lower edge. , sheet: 7 15/16 x 11 3/4 in. (20.1 x 29.9 cm), Drawings, Rochus van Veen (Dutch, ca. 1640–1693 Beverwijk

Plaque from a Foundation Deposit of Senwosret I, Middle Kingdom, Dynasty 12, ca. 1961–1917 B.C., From Egypt, Memphite Region, Lisht South, Pyramid Temple of Senwosret I, Enclosure, Foundation deposit, 1930–31, Travertine (Egyptian

Berenice, wife of Antiochus Theos, and her son take refuge in Daphne, late 18th–early 19th century, Pen and brown ink, brush and grey wash, Sheet: 3 1/4 x 4 3/4 in. (8.3 x 12 cm), Drawings, Edward Francis Burney (British, Worcester

Opera Nova Universali intitulata Corona di racammi, page 19 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 21 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Design for a Grotesque Decoration; Grotesques with a Lion, Fantastical Creature, Mask, and Bird (verso), ca. 1545–60, Pen and dark brown ink (recto); pen and dark brown ink (verso), 9-1/4 x 8 7/8 in. (23.5 x 22.6 cm), attributed to Andrés

Rocky Landscape with Sleeping Shepherd, 1817, Watercolor. Framing line in pen and ink, sheet: 5 11/16 x 8 3/16 in. (14.5 x 20.8 cm), Drawings, Philip Heinrich Dunker (German, Bern 1780–1836 Nuremberg

Landscape with Roman Ruins, 1609–67, Pen and brown ink, brush and brown, green and gray wash over faint traces of black chalk. Pasted down., sheet: 11 3/16 x 8 in. (28.4 x 20.3 cm), Drawings, Cornelis van Poelenburch (Dutch, Utrecht (?)

An Angel Appearing to Saint Catherine of Alexandria in Prison (recto); Volute (verso), 17th century, Pen and brown ink with brush and brown wash, highlighted with white gouache (now mostly oxidized) over traces of black chalk (recto). Composition

Pedestaled dish with scalloped rim, Late Song (960–1279–Yuan (1271–1368) dynasty, 13th century, China, Red and black lacquer with engraved gold decoration (qiangjin), H. 2 in. (5.1 cm); Diam. 9 in. (22.9 cm), Lacquer

King Herod Receiving the Three Magi, 1440–91, Pen and brown ink retouched with brush and gray ink, touches of white, and pen and black ink, 11 5/8 x 10 13/16 in. (29.6 x 27.5 cm), Drawings, Circle of Martin Schongauer (German, Colmar ca.

Openwork Plaque, 7th–8th century (?), Made in France, Frankish, Copper alloy (leaded bronze), 'tinned' surface, Overall: 2 7/8 x 2 3/16 x 1/16 in. (7.3 x 5.5 x 0.2 cm), Metalwork-Copper alloy

The Wounded Comrade, 1884–89, Sepia wash, Sheet: 11 1/4 x 15 5/8 in. (28.6 x 39.7 cm), Drawings, Nicholas Shiels (British, active Edinburgh, 1884–89

Linen Mark, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, 1920, Linen

H.R.H. Prince Leopold and Prince Johann Albrecht of Bavaria, 1900–1908, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Cabinet Design with a Mirrored Front and Red Shelves, 19th century, Ink and watercolor over graphite, sheet: 5 5/16 x 7 11/16 in. (13.5 x 19.5 cm), Anonymous, British, 19th century

Decorated ware jar illustrating boats and trees, Predynastic, Naqada II, ca. 3650–3500 B.C., From Egypt, Pottery, paint, H: 16.2 cm (6 3/8 in.); Diam: 12.9 cm (5 1/16 in

Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow), 1836, Made in United States, Oil and pencil on composition board, 5 1/2 x 9 3/8 in. (14 x 23.8 cm), Paintings, Thomas Cole (American,

Ferme au toit de chaume, 1850–53, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Unknown (French

Box, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 2 1/2 x 1 7/8 x 3 3/8 in. (6.4 x 4.8 x 8.6 cm), Ceramics

Jewelry design, ca. 1925, Gouache over graphite outline., sheet: 5 1/2 x 3 1/16 in. (14 x 7.7 cm), Drawings, Firm of Fernand Chardon (French, active ca. 1925

Fragment, 5th century, Attributed to Egypt, Silk; tapestry weave, 1.75 in. high 11.50 in. wide (4.4 cm high 29.2 cm wide), Textiles-Woven

The Lyon and the Kid, from Ogilby's Aesopics, ca. 1668, Pen and brown ink, brush and gray wash over graphite; verso prepared with black chalk, sheet: 9 15/16 x 7 5/16 in. (25.3 x 18.5 cm), Drawings, Francis Barlow (British, Lincolnshire ca.

Marble statue of the Diadoumenos (youth tying a fillet around his head), Imperial, 1st–2nd century A.D., Roman, Marble, H. without plinth 67 1/4 in. (170.8 cm), Stone Sculpture, Copy of a Greek bronze statue of ca. 430 B.C. by Polykleitos

Essempio di recammi, page 9 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Passage of Matter Through Matter, July 27, 1878, Albumen silver print from glass negative, Image: 14.3 x 9.5 cm (5 5/8 x 3 3/4 in.), Photographs, Charles Williams (British, active 1870s

Dish (one of a pair) (part of a set), Lewis Mettayer (British, active 1700, died 1740), 1714/15, British, London, Silver gilt, Overall (confirmed): 2 1/8 × 8 5/8 × 8 5/8 in., 17 oz. 1 dwt.(5.4 × 21.9 × 21.9 cm, 530.99g),

Grave. Jean. 38 ans, né le 16/10/54 à Breuil (Puy de Dôme). Typographe. Anarchiste. 9/1/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.), Photographs, Alphonse Bertillon (French,

Study of Animals and Figures, 1609–64, Pen and brown ink, and brush and brown wash, 8-1/16 x 11-9/16 in. (20.4 x 29.3 cm), Drawings, Imitator of Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Vue Proche du Mont-Ferrat, Etching; second state of three, sheet: 15 1/2 x 19 5/8 in. (39.4 x 49.8 cm), Prints, Jean Jacques Le Veau (French, Rouen 1729–1786 Paris), After Joseph Vernet (French, Avignon 1714–1789 Paris

Plaque, ca. 1895, Made in Brooklyn, New York, New York, United States, American, Earthenware, H. 1 1/8 in. (2.9 cm); Diam. 11 3/8 in. (28.9 cm), Ceramics, Charles Volkmar (American, Baltimore, Maryland 1841–1914 Metuchen, New Jersey),

[Albert Sands Southworth], ca. 1845–50, Daguerreotype, Overall: 28.3 × 23.4 cm (11 1/8 × 9 3/16 in.), Photographs, Albert Sands Southworth (American, West Fairlee, Vermont 1811–1894 Charlestown, Massachusetts), Fascinated by François

Table Spoon, 1780–90, Made in Boston, Massachusetts, United States, American, Silver, L. 8 3/8 in. (21.3 cm), Silver, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston, Massachusetts

Belt Buckle, ca. 400, Made in Gaul, Late Roman, Silver-gilt, niello, Overall: 2 3/8 x 1 3/4 x 1/4 in., 1.1oz. (6 x 4.5 x 0.7 cm, 31g), Metalwork-Silver, This object comes from the Vermand Treasure, the most richly appointed

Jar with Four Ring Handles, early Edo period (1615–1868), Kanei era (1624–43), Japan, Porcelain painted in underglaze blue (Arita ware, Imari type), H. 9 in. (22.9 cm); Diam. 7 5/8 in. (19.4 cm), Ceramics

Charrié. Léon, Joseph. 27 ans, né à Paris XVllle. Garçon Plombier. Anarchiste. 1/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

[Lord Brougham and his Family, Cannes], 1862, Albumen silver print from glass negative, Image: 24.8 x 34 cm (9 3/4 x 13 3/8 in.), Photographs, Charles Nègre (French, 1820–1880

Disk Brooch, 7th century (?), Frankish, Gold sheet with filigree and glass inlays, Overall: 1 3/4 x 7/8 in. (4.5 x 2.3 cm), Metalwork-Gold, The dress of Frankish women generally consisted of a tunic, cinched by a belt from which hung an array

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 4r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Stassburg, Jobin, Bernhard, Swiss, 1535, 1597, 1598

Sorrow, 1914, Drypoint, plate: 18-3/4 x 12-1/2 inches (47.7 x 32 cm), Prints, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Drawings and Prints, Books Prints Ornament & Architecture, Splendore delle virtuose giovani, page 16 (verso), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, Venice, Calepino, Foresto, Iseppo,

[Greek Court with Sculpture of Discobolus; Roman Court with Sculptures of Gladiator, Mercury and Fauns; Italian Sculpture near the Great Transept], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each,

Wintry Plum (Han Mei), Ming dynasty (1368–1644), 14th century, China, Hanging scroll; ink and pale color on paper, Image: 41 15/16 x 9 3/4 in. (106.5 x 24.8 cm), Paintings, Ni Jing (Chinese, active late 14th century), The plum, the first

Tray, 1785–90, Made in China, Chinese, for American market, Porcelain, H. 5 1/2 in. (14 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered by Justice Samuel

Design of the arms of the princes of Europe, late 18th–mid-19th century, Pen and brown ink over red chalk, brush and brown and blue washes, sheet: 8 5/16 x 13 1/16 in. (21.1 x 33.2 cm), Edward Francis Burney (British, Worcester 1760–1848

Spray of Canterbury Bells, n.d., Purple, blue, black, and white chalk, 10 5/8 x 9 15/16in. (27 x 25.3cm), Drawings, Antoine Berjon (French, Lyon 1754–1843 Lyon

Earrings, first half 11th century, Attributed to Iran, Gold; filigree and granulation, H. 1-3/8 inches, Jewelry

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 3r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Beaded Necklace, 500–600, Made in Niederbreisig, Germany, Frankish, Glass, agate, shell, glazed earthenware (faience), Overall: length of string 24 5/8 x 1 1/16 in. (62.5 x 2.7 cm), Glass-Beads

Rearing Horse and Trainer, drawn on a letter. Verso: Studies of Women and Children, after 1810, Brush and brown wash, Overall: 9 1/16 x 14 13/16 in. (23 x 37.7 cm), Drawings, William Etty (British, York 1787–1849 York

Wine Palm, Caryota Urens, 1860s–70s, Albumen silver print from glass negative, 27.4 x 20.2 cm (10 13/16 x 7 15/16 in.), Photographs, Unknown

大般若経（中尊寺経）, Great Wisdom Sutra from the Chū sonji Temple Sutra Collection (Chūsonjikyō), Heian period (794–1185), ca. 1175, Japan, Handscroll; gold and silver on indigo-dyed paper, 10 1/16 in. x 24 ft. 5 13/16 in. (25.6

Longitudinal and Cross Sections of the Dining Rooms of the Hôtel de Montholon, 1785–86, Pen and black and gray ink, brush and gray and colored wash. Black border line., 15 3/4 x 21 5/8 in. (40 x 54.9 cm), Jean Jacques Lequeu (French, Rouen

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 88 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

A Reconstruction of the Arch of Domitian (above) and View the Ruins (below), before 1704, Pen and black ink, brush and grey wash over red and black chalk., 3 5/16 x 8 1/8 in. (8.4 x 20.6 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731

Cope, main textile: 1720s; hood textile: mid-17th century, Dutch and Italian, Main textile: silk satin, brocaded, silk and metal-wrapped thread; Hood textile: cloth-of-gold, brocaded, silk and metal-wrapped thread, L. 57 1/2 x Gr. W. 119

Left Half of the Design for an Altar, ca. 1600–1650, Pen and dark brown ink, point of brush and brown wash, over traces of black chalk, 9-11/16 x 3-7/8 in. (24.6 x 9.8 cm), Anonymous, Spanish, 17th century

Ceiling, 17th century, Pen and brown ink, washed, 12-1/2 x 8-3/8 in. (31.8 x 21.3 cm), Drawings, Anonymous, Italian, 17th century

Dainichi Nyorai, 大日如来坐像, Heian period (794–1185), 12th century, Japan, Wood with gold leaf and lacquer decoration, H. 36 3/8 in. (92.4 cm); W. 27 1/2 in. (69.9 cm); D. 19 5/8 in. (49.8 cm), Sculpture, As Supreme Buddha of the

Sketches for an Ecclesiastical Stall (recto and verso), 1830–52, Graphite, pen and brown ink, sheet: 9 11/16 x 15 9/16 in. (24.6 x 39.5 cm), Augustus Welby Northmore Pugin (British, London 1812–1852 Ramsgate

Bacchanal, 17th century, Black chalk, brush and gray wash, incised, 11 3/16 x 8 3/16 in. (28.4 x 20.8 cm), Drawings, Michel Dorigny (French, Saint-Quentin 1616/17–1665 Paris

無款 清末 京劇一百人物像 冊 絹本, One hundred portraits of Peking opera characters, Qing dynasty (1644–1911), late 19th–early 20th century, China, Album of fifty leaves; ink, color, and gold on silk, Image (each): 10 3/8 ×

Funerary Fillet, Migration, early 5th century A.D., Ostrogothic, Gold, 1 × 8 1/16 × 1/16 in. (2.5 × 20.5 × 0.2 cm), Gold and Silver, Gold diadems, worn on the head like a crown, were decorated with geometric patterns to match gold foil

Figure of St. Andrew seated in a Landscape, 1616–68, Pen and light brown ink over traces of black chalk underdrawing on tan paper. Composition outlined with pen and brown ink, 5-7/8 x 3-3/4 in. (14.9 x 9.5 cm), Drawings, Antonio del Castillo y

明 沈周 ， 文徵明合璧山水圖 卷, Joint Landscape, Ming dynasty (1368–1644), , ca. 1509 and 1546, , China, , Handscroll; ink on paper, , Image: 14 1/2 x 56 ft., 8 5/6 in. (36.8 x 1729.3 cm), , Paintings, Shen Zhou (Chinese,

Pair of candlesticks, Paul de Lamerie (British, 1688–1751, active 1712–51), 1734/35, British, London, Silver, Overall (.42, confirmed): 9 x 5 3/8 x 5 3/8 in., 28 oz. 15 dwt. (22.9 x 13.7 x 13.7 cm, 894.5g), Metalwork-Silver, Paul de

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 64 5/8 x 50 1/2 x 3 in. (164.1 x 128.3 x 7.6 cm), Stone-Reliefs-Inscribed, This panel from the Northwest Palace at Nimrud