Images at Librifly

Old and New New York, 1910, printed in or before 1913, Photogravure, 33.2 x 25.5 cm (13 1/16 x 10 1/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 3r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Trinket Box, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 3 x 4 1/4 x 3 in. (7.6 x 10.8 x 7.6 cm), Ceramics

Roubichon. Jean-Marie. né le 14/6/52 à Vannes (Morbihan). Maçon. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Death of Absalom, 17th century, Pen and dark brown ink, brush with light brown and gray washes, over black chalk underdrawing. On off-white paper, 8-1/16 x 11 in. (20.5 x 28 cm), Drawings, Anonymous, Spanish, School of Seville, 17th

Two Rectangular Ornaments with Strapwork, Foliage and an Eagle, 19th century, Graphite and yellow-gold wash, sheet: 20 1/8 x 4 3/16 in. (51.1 x 10.7 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Gold necklace of linked strands, Classical or later, 4th–3rd century B.C. or later, Etruscan, Gold, Other: 10 1/2 in. (26.7 cm), Gold and Silver, Made of linked chain ropes, five cords of eight strands each, united into a single rope by

Pair of quilted panels, ca. 1765, British, Cotton, a: L. 88 x W. 27 inches (223.5 x 68.6 cm), Textiles-Printed

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 22r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Inlay of the squatting god Anhur (Onuris), Late Period–Ptolemaic Period, 4th century B.C., From Egypt; Possibly from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Faience, H. 8.8 cm (3 7/16 in.); W. 3.7 cm (1 7/16 in.); D. 1.5 cm (9/16 in.),

Mountain Landscape with a Castle and a Boatman, mid-to-late 1780s, Black and white chalks with stumping on blue wove paper, Sheet: 10 9/16 x 13 1/8 in. (26.9 x 33.4 cm), Drawings, Thomas Gainsborough (British, Sudbury 1727–1788 London), Once

The Triumph of Galatea, 1612–50, Pen and brown ink, over black chalk, on blue paper. Squared in black chalk, 10-11/16 x 14-15/16 in. (27.1 x 37.9 cm), Drawings, Pietro Testa (Italian, Lucca 1612–1650 Rome

Limestone male figure, Archaic, last quarter of the 6th century B.C., Cypriot, Limestone, H. 75 1/2 in. (191.8 cm), Stone Sculpture, It is possible that the head and body did not originally belong to the same work. The articulation of each

Eyn new kunstlichboich, page 23r, 1529

Basket, 1731/32, British, London, Silver, silver plate, Overall (basket, confirmed): 9 x 17 1/2 x 13 3/4 in., 90 oz. 17 dwg. (22.9 x 44.5 x 34.9 cm, 25kg), Metalwork-Silver, Silver baskets, often referring in their design to wicker

Ceiling Design, Half of a Circle, 19th century, Watercolor with gold, Anonymous, British, 19th century

Vase with Floral Medallions, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Porcelain painted in overglaze enamels and gilding with engraved decoration (Jingdezhen ware), H. 29 1/4in. (74.3 cm); Diam. 15 in. (38.1 cm),

Seascape with Six Figures in the Foreground, 18th century, Brush and grey wash, watercolor. Some remains of black chalk, 2 11/16 x 3 3/4 in. (6.9 x 9.5 cm), Drawings, Nicolaas Aartman (Dutch, Amsterdam 1713–1793 Amsterdam

Bookcase of Cabinet Design, 19th century, Ink on tracing paper, Anonymous, British, 19th century

Straw, ca. 1230–50, German, Silver-gilt, Length: 8 1/2 in. (21.6 cm), Metalwork-Silver

Ceiling Design with Three Panels Divided by Beams, 19th century, Watercolor, sheet: 7 x 9 7/8 in. (17.8 x 25.1 cm), Anonymous, British, 19th century

Bottle, ca. 1760, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 3 1/2 in. (8.9 cm), Glass

Indo-Persian carpet with vine scroll and palmette pattern, middle of the 17th century, Indo-Persian, Wool pile on cotton foundation., Length: 8.2 m., Textiles-Rugs

Memyo Bosatsu, 馬鳴菩薩像, Heian period (794–1185), 12th century, Japan, Hanging scroll; ink and color on paper, Overall: 46 1/4 x 16 1/2 in. (117.5 x 41.9 cm), Paintings, This iconographic drawing represents Memyo Bosatsu, a deity of

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 5.8 (2 5/16 in.); W. 11.9 cm (4 11/16 in.); D.

Panel of Floral and Foliate Ornament, second half 19th century, Ink, wash and watercolor over graphite, sheet: 6 1/4 x 8 3/4 in. (15.9 x 22.3 cm), Anonymous, British, 19th century

Papyrus burnisher, Middle Kingdom–Early New Kingdom, Dynasty 12, late-early 18 or later, ca. 1800–1500 B.C. or later, From Egypt, Upper Egypt, Thebes, Khokha, Tomb (H4), Forecourt, in debris, 1911, Wood, L. 13.3 cm (5 1/4 in.),

Eight-Plate Helmet, 16th–17th century, Tibetan, Iron, leather, H. 8 1/4 in. (21 cm); Diam. 9 in. (22.9 cm); Wt. 2 lbs. 4.8 oz. (1043.3 g), Helmets

Fragment, dated A.H. 328/A.D. 939–40, Made in Egypt, Damietta, Linen, silk; plain weave, embroidered, Textile: H. 16 1/2 in. (41.9 cm), Textiles-Embroidered, Inscribed textiles are called tiraz, from the Persian word for embroidery. Many

[Group of 12 Stereograph Views of Celebrities, Including Popes and Presidents], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, Alfred Hewitt

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (verso), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Seated Putto Holding a Basket of Fruit, 17th century, Black chalk reinforced in some places with pen and dark brown ink. On off-white paper, 5-1/2 x 3-9/16 in. (14.0 x 9.0 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 10 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Landscape near Mödling with figures, 1795, Brush and brown and grey ink, black chalk, sheet: 16 5/8 x 22 3/4 in. (42.2 x 57.8 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna

New Modelbüch, 1615, Hand colored etching, woodcut, Overall: 12 x 8 1/16 in. (30.5 x 20.5 cm), Designed by Andreas Bretschneider, German, ca. 1578-?1640, printed by Henning Gross the younger, Leipzig. Etched hand-colored title page, 29

Marble spouted bowl, Early Cycladic II, ca. 2700–2200 B.C., Cycladic, Marble, H. 3 5/8 in. (9.1 cm), Miscellaneous-Stone Vases, The artistry of Cycladic marble-workers is evident in the stone vases as well as in figures. This example is

Marble head of a bearded man, Imperial, 2nd century A.D., Roman, Marble, H. 12 3/16 in. (31 cm), Stone Sculpture, Copy of a Greek statue of the 4th century B.C.. Since eight other Roman copies of this Greek portrait type are known, it

Candlestick, 1800–1815, Made in Albany, New York, United States, American, Silver, Overall: H. 8 1/8 in. (20.6 cm); 10 oz. 5 dwt. (319.3 g), Silver, Isaac Hutton (American, New York 1766–1855 Albany, New York

Gold trumpet-shaped earrings with relief decoration, Classical, 5th–4th century B.C., Etruscan, gold, Diam.: 1 1/2 in. (3.8 cm)(both), Gold and Silver, Decorated in floral repoussé patterns of palmettes and acanthus leaves

Fragment, 18th century, Made in Turkey, Silk, cotton; embroidered, 16 5/8 x 14 3/8 in. (42.2 x 36.5 cm), Textiles-Embroidered

In front of Petersburg, 1864, Albumen silver print from glass negative, 16.3 x 21.3 cm (6 7/16 x 8 3/8 in. ), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Various Designs of Strapwork and Grotesque Figures (recto); Grotesques with Term Figures (verso), ca. 1545–60, Pen and dark brown ink (recto). On off-white paper. Pen and gray-brown ink (verso), 13-1/4 x 8-3/4 in. (33.7 x 22.2 cm), attributed

Vase with Peony Scroll, Jin dynasty 1115–1234), 12th century, China, Stoneware with cut-glaze decoration (Cizhou ware), H. 13 7/8 in. (35.2 cm); Diam. 7 1/4 in. (18.4 cm), Ceramics

7 of Tethers, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 92 1/4 x 92 x 4 1/2 in. (234.3 x 233.7 x 11.4 cm), Stone-Reliefs-Inscribed, The palace rooms at Nimrud were decorated with large

A Fallen Tree with Ruins, 1700–1762, Pen and brown ink, sheet: 9 1/16 x 13 3/8 in. (23 x 33.9 cm), Drawings, Paul Troger (Austrian, Welsberg 1698–1762 Vienna

[Portrait Collage], ca. 1860, Ambrotypes with applied color, Image: 7 x 5.5 cm (2 3/4 x 2 3/16 in.), Photographs, Unknown

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 5 1/16 × 3 1/16 in. (12.8 × 7.8 cm), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington,

Counter Plate from a Belt Buckle, 675–725, Frankish, Iron with silver inlay and copper alloy rivets, Overall: 4 7/16 x 11/16 x 2 9/16 in. (11.2 x 1.7 x 6.5 cm), Metalwork-Iron, Belts were important features of early medieval dress. Not only

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 29r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Sauce Dish, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, Diam. 4 3/8 in. (11.1 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 54 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 2 (recto), 1601

The Fall of Jericho, 1563–73, Black chalk, pen and brown ink, green-brown wash, heightened with white, sheet: 7 3/8 x 11 7/16 in. (18.7 x 29 cm), Drawings, Gerard van Groeningen (Netherlandish, active Antwerp, 1563–73

Violinist: study from life, second half 19th century, Graphite, Overall: 8 15/16 x 6 3/4 in. (22.7 x 17.1 cm), Drawings, George Du Maurier (British, Paris 1834–1896 London

Drawing for Foreign Office, Westminster, for competition of 1857, 1857, Pen and ink and wash over graphite, sheet: 13 x 19 3/8 in. (33 x 49.2 cm), Sir Robert Smirke (British, London 1780/1781–1867 Cheltenham

Winter Landscape with Skaters on a Frozen Canal, n.d., Watercolor over black chalk, sheet: 8 3/4 x 11 13/16 in. (22.3 x 30 cm), Drawings, Vincent Jansz. van der Vinne (Dutch, 1736–1811

The New Capitol, Columbia, South Carolina, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Seated Multi-Armed Tara (The Buddhist Savioress), Pala period, 9th century, India (Bihar), Bronze, H. 3 1/4 in. (8.2 cm), Sculpture

Sampler, 1822, Made in Delaware, United States, American, Linen, embroidered with silk, 22-1/4 x 20-1/4 in. (56.5 x 51.4 cm), Textiles, Eliza N. Pitner

At the Brasserie Hanneton, 1898, Crayon lithograph printed in brown-black on wove paper, sheet: 18 11/16 x 14 in. (47.5 x 35.5 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Quarter Plan for a Coved Ceiling, ca. 1561, Pen and brown ink, with two shades of brown wash, gay wash, and turquoise and green watercolor, over traces of red chalk, sheet: 10 7/8 x 6 15/16 in. (27.7 x 17.7 cm), Drawings, Antenore Ridolfi

Male Figure with Arms Raised to the Left Seen From the Rear (recto); Male Figures with Arms Raised to the Left (front view of figure on recto) (verso), 17th century, Red chalk on light brown paper. Framing outline in pen and brown ink, 6-3/4 x

Portrait of Ingen (Ch: Yinyuan), Edo period (1615–1868), 1676, Japan, Hanging scroll; ink and color on paper, Image: 47 in. × 22 3/4 in. (119.4 × 57.8 cm), Paintings, Unidentified Artist Japanese, active late 17th century

Counter Plate of a Belt Buckle, late 6th–early 7th century, Frankish, Iron, silver inlay, Overall: 4 3/8 x 2 1/16 x 11/16 in. (11.1 x 5.3 x 1.8 cm), Metalwork-Iron

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 3 3/16 in. (7.5 × 8.1 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

View of the Arch of Constantine, before 1704, Red chalk, brush and grey ink and wash, pen and black ink. On two sheets of paper, joined at center., 13 11/16 x 18 1/16 in. (34.8 x 45.9 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731

Fragment of a Statue of Haremhab bearing a standard, New Kingdom, Amarna Period, Dynasty 18, ca. 1323–1295 B.C., From Egypt; Probably from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Granodiorite, l. 32 cm (12 5/8 in), This fragment

View of the Portal and Principal Entrance of the Cathedral of Palermo during the Festival of Sta. Rosalia, n.d., Pen and black ink, gray wash and watercolor, over traces of graphite. Framing lines in pen and brown ink., 13 7/16 x 8 1/4 in. (34.2

Design for a Centrally Planned Domed Building with Porticos, Perspective, 19th century, Pen and ink, sheet: 12 x 19 in. (30.5 x 48.3 cm), Anonymous, British, early 19th century

Terracotta mortarium fragment, Early Imperial, A.D. 50–85, Roman, Terracotta, Overall: 5 x 2 7/8 x 1 1/4 in. (12.7 x 7.3 x 3.2 cm), Vases, Mortaria were used for mixing and grinding foodstuff that could then be poured out of the spout in one

Terracotta lamp: on discus, bull, Early Imperial, Augustan, late 1st century B.C.–early 1st century A.D., Roman, Cypriot, Terracotta; mold-made, Overall: 1 1/8 x 3 in. (2.9 x 7.6 cm), Terracottas, Bull on discus;with nozzle channel and

Lamp, Roman, Cypriot, Terracotta, Overall: 1 1/4 x 3 1/8 in. (3.2 x 7.9 cm), Terracottas

Square Plaque, 6th–7th century, Frankish, Iron with silver and copper alloy inlays, Overall: 2 3/8 x 1 3/4 x 9/16 in. (6 x 4.5 x 1.5 cm), Metalwork-Iron

Esemplario di Lauori..., page 3 (recto), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore (Giovanni's

청자 상감 구름 학 무늬 모자합 고려, 靑磁象嵌雲鶴文母子盒 高麗, Box from set of five decorated with cranes and clouds, Goryeo dynasty (918–1392), 13th–14th century, Korea, Stoneware with inlaid design under celadon

Autre chaise rustique, 1860s, Albumen silver print from glass negative, 5.7 x 7.6 cm. (2 1/4 x 3 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

A Woman Handing a Mug to an Old Man, from Images of Spain Album (F), 93, 1812–20, Brush and brown wash on laid paper, 8-1/8 x 5-5/8 in. (20.6 x 14.3 cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 6 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Drawings and Prints, Books Prints Ornament & Architecture, Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 10 (recto), Publisher, Alessandro Paganino, Italian, active Salò,

Adoration of the Shepherds, ca. 1549–50, Pen and brown ink, brown wash, and white gouache. Framing line in pen and brown ink., sheet: 5 1/4 x 7 13/16 in. (13.4 x 19.8 cm), Drawings, Master of Liechtenstein (probably Netherlandish, active

View of Dyrehaven, 1838, Pen and brown and grey ink, grey wash, over a light sketch in graphite; framing line in pen and brown ink, by the artist, sheet: 12 5/8 x 17 7/16 in. (32.1 x 44.3 cm), Drawings, Johan Thomas Lundbye (Danish,

Design for a candelabrum, 18th century (?), Ink and wash, sheet: 20 1/2 x 13 1/2 in. (52.1 x 34.3 cm), Attributed to Anonymous, British, 18th century

Vase, Southern Song dynasty (1127–1279), China, Stoneware with crackled blue glaze (Longquan ware), H. 11 in. (27.9 cm), Ceramics

2代由木尾雪雄作, Writing Box (Suzuribako) and Writing Table (Bundai) with Pines at Takasago and Sumiyoshi, Meiji period (1868–1912), early 20th century, Japan, Lacquered wood with gold, silver takamaki-e, hiramaki-e, cut-out gold

Head of a Girl, 1694, Red chalk, sheet: 5 7/16 x 3 5/8 in. (13.8 x 9.2 cm), Drawings, Rudolf Escher (Swiss, Zurich 1662–1721 Zurich

Geometry, 1760, Fresco, transferred to canvas, 146 x 57 7/8 in. (370.8 x 147 cm), Paintings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid) and Workshop, and Girolamo Mengozzi (called Colonna) (Italian, Venetian, 1688–ca.

Limestone head of male votary with fillet, Late Archaic–Early Classical, late 6th or early 5th century B.C., Cypriot, Limestone, Overall: 7 3/4 x 5 1/4 x 6 in. (19.7 x 13.3 x 15.2 cm), Stone Sculpture, Head with a wreath around his head that

Mantel Design, ca. 1775, Ink and watercolor, 7-15/16 x 9-5/8 in, Anonymous, Italian, 18th century

Panel from a polyptych, 14th century, Sienese, Wood, Overall, 52.4 x 17.8 cm., Frames

Terracotta statuette of woman with bird face, Late Cypriot II, ca. 1450–1200 B.C., Cypriot, Terracotta, H. 6 3/16 in. (15.7 cm), Terracottas, This figurine is typical of Cypriot coroplastic art of the Late Cypriot II and III periods. The

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

The Dirty Bride or The Wedding of Mopsus and Nisa, ca. 1566, Pen and black-brown ink on white-prepared partially carved block of applewood, Overall: 10 3/8 x 16 3/8 x 1 1/8 in. (26.4 x 41.6 x 2.9 cm), Blocks, Pieter Bruegel the Elder

Adoration of the Shepherds, n.d., Red chalk, red wash, 10 13/16 x 7 11/16 in. (27.4 x 19.6 cm), Drawings, Nicolas Bertin (French, Paris 1668–1736 Paris

Mary Magdalen Washing Christ's Feet, 17th century, Red chalk, brush and red wash, on light tan paper. Framing outline in red chalk, 7-1/2 x 13-9/16 in. (19.1 x 34.5 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Savanah, Georgia No. 1, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Hevajra Mandala, 15th century, Tibet, Distemper on cloth, Image: 21 1/2 × 17 1/2 in. (54.6 × 44.5 cm), Paintings, Hevajra appears here in his three-headed and four-armed form. This manifestation is drawn from the Hevajra Tantra, a text

Cartouche with Image of Veronica's Veil with Alternate Designs for the Left and the Right Halves, 18th century, Pen and black ink, brush and gray wash, over traces of leadpoint, on cream paper. Center lines in lead and in pen and black ink,

Saint Christopher Bearing the Christ Child, 1484–1539, Pen and brown ink, brush and brown wash, highlighted with white gouache, on blue paper, squared vertically and horizontally in red chalk, diagonally in charcoal, 14 1/4 × 9 3/4 in.

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 59r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608