Images at Librifly

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 3v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

S-Shaped Brooch, 6th century, Frankish, Silver-cast relief and settings; chased, punched; garnets, gilt; iron pin., Overall: 1 9/16 x 1 1/16 x 3/8 in. (4 x 2.7 x 0.9 cm), Metalwork-Silver

Easy Chair, ca. 1927–28, Lacquered wood, goatskin, 35 3/4 in. × 24 3/4 in. × 42 in. (90.8 × 62.9 × 106.7 cm), Furniture, Jean Dunand (French (born Switzerland), Lancy 1877–1942 Paris), Although most Art Deco patrons were French, one

Limestone relief of a youth, from a funerary building, Late Classical, ca. 300 B.C., Greek, South Italian, Tarentine, Limestone, Overall: 5 1/2 × 7 3/4 in. (14 × 19.7 cm), Stone Sculpture, This fragmentary metope, noteworthy for the

Head of a Woman, ca. 1440–60, French, Colorless glass, vitreous paint, and silver stain, Overall: 5 3/8 x 3 1/2 x 1/8 in. (13.6 x 8.9 x 0.3 cm), Glass-Stained

Buddha with Halo and Mandorla, Khotan Kingdom, 6th–7th century, China (Xinjiang Autonomous Region), Terracotta, 1 x 1 1/2 in. (2.5 x 3.8 cm), Sculpture

Bowl, 1st century B.C.–A.D. 4th century, Peru, Nasca, Ceramic, H. 2 5/16 x Diam. 6 1/2 in. (6 x 16.5 cm), Ceramics-Containers

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 39), Publisher, Artist, After, Carlo Losi, Jacob

Projection of Ceiling Over Plan of the Small Theater in the Palace at Caserta, 1700–1773, Pen and black-gray ink, brush and gray wash over freehand underdrawing in graphite (figures) and compass and ruled construction lines in graphite, 13-3/16

Top of standard with male figure and flanking ibexes attacked by dogs, Middle Elamite, ca. 1500–1100 B.C., Southwestern Iran, Elamite, Bronze, 11 3/4 x 4 3/4in. (29.8 x 12.1cm), Metalwork-Sculpture, One of a pair, this cast bronze element

'Orthographia' pl.8, late 17th–mid-18th century, Etching, 6 1/8 x 11 1/8 in. (15.6 x 28.3 cm), Johann Daniel Preissler (German, Nuremberg 1666–1737 Nuremberg

Sample of Cloth, Third Intermediate Period, Dynasty 21, ca. 1070–945 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Royal Cache, Tomb of Inhapi (TT 320), Mummy of Queen Henettawy, Egyptian Antiquities Service/Maspero excavations,

Study of a Château, Pen and black ink, 7 1/8 x 6 7/16 in. (18.1 x 16.4 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 30v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Bocquet. Alexandre, Émile. 17 ans, né à Paris XVlle. Menuisier. Vol. Fiché le 14/4/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Wine Bottle, ca. 1760, Probably made in England, British, probably, Free-blown glass, H. 11 in. (27.9 cm), Glass

Gravestone of Muhammad ibn Abi Bakr, died Shawwal A.H. 532/ June/July A.D. 1138, dated A.H. 532/A.D. 1138, Probably from Iran, Nishapur, Steatite; carved, H. 16 in. (40.6 cm), Stone, The inscription states that it is the tombstone of “the

Panel from a Mantle or Apron, early 17th century, Attributed to India, Bengal, Satgaon-Hugly, Cotton, tasar silk; plain weave, embroidered, Textile a: H. 46 3/4 in. (118.7 cm), Textiles-Embroidered, A distinctive group of Bengal

[La Comtesse with Group on a Rocky Beach], 1860s, Albumen silver print from glass negative, 21.3 x 17.8 cm (8 3/8 x 7 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Medieval Silver Cup, 1870–1900, Graphite on tracing paper, sheet: 5 1/8 x 7 in. (13 x 17.8 cm), Anonymous, British, 19th century

[Self-Portrait in Eastern Costume], 1855–60, Albumen silver print from glass negative, Image: 18.7 x 13.8 cm (7 3/8 x 5 7/16 in.), Photographs, Charles Nègre (French, 1820–1880

Seed Stand, 1800–1825, Made in New Lebanon, New York, United States, American, Shaker, Pine, maple, 24 1/4 x 19 1/2 x 12 5/8 in. (61.6 x 49.5 x 32.1 cm), Furniture

Crossbow Brooch, second half A.D. 4th century, Late Roman or Byzantine, Gilt copper alloy with niello inlay, Overall: 3 7/16 x 2 7/16 x 1 1/4 in. (8.8 x 6.2 x 3.2 cm), Metalwork-Bronze

'The Traveller Rescues the Goldsmith from the Pit Against the Advice of the Animals', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm

Egg Cup, 1830–70, Made in East Cambridge, Massachusetts, United States, American, Pressed glass, 5 x 8 1/4 x 10 in. (12.7 x 21 x 25.4 cm), Glass, Possibly New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888

Carpet, 17th century, Attributed to Northwestern Iran, Wool (warp, weft and pile); asymmetrically knotted pile, H. 215 in. (546.1 cm) with fringe, Textiles-Rugs

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 9v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Genzano and Lake Nemi, early 19th century, Watercolor over graphite., 13 7/8 x 19 3/4 in. (35.3 x 50.2 cm), Drawings, Josephus Augustus Knip (Dutch, Tilburg 1777–1847 Berlicum

Catafulque for Fernando I, Duke of Tuscany, from Descritione dell'Esequie fatte in Roma dalla Natione Fiorentina al Serenissimo Ferdinando III Gran Duca di Toscana Il dì 22 di Giugno 1609, 1609, Etching, sheet: 9 5/8 x 6 15/16 in. (24.5 x 17.6

Perrette, ou la petite laitière, 1786, Graphite, pen and black ink, 8 3/4 x 7 11/16 in. (22.3 x 19.6 cm), Drawings, Montbrian De Chateauvieux, Pierre Antoine Baudouin (French, Paris 1723–1769 Paris

Leaving the Theater, 19th century, Pen and brown ink, brush and black, gray, red, blue, and yellow wash, 6 7/8 x 9 3/4 in. (17.4 x 24.8 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

Terracotta Megarian bowl, Hellenistic, 3rd century B.C., Greek, Asia Minor, Terracotta; mold made, H. 7.01 cm., Vases

Gourd-Shaped Sake Bottle (Tokkuri), Edo period (1615–1868), ca. 1700–1730, Japan, Stoneware with plum tree (Ko-Kiyomizu ware), H. 9 × W. 7 in. (22.9 × 17.8 cm), Ceramics

山形奇石, Soaring Peak, Qing dynasty (1644–1911), 18th century, China, Sea-green hornblende with yellow markings; carved wood stand, Overall (with base): H. 28 1/2 in. (72.4 cm); W. 11 1/2 in. (29.2 cm); D. 7 1/4 in. (18.4 cm),

Essempio di recammi, page 28 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Design for a Square Trompe L'Oeil Ceiling with the Four Evangelists, 18th century, Pen and brown ink, brush and blue-gray wash, over black chalk, with ruler, and compass-work; glued onto secondary paper support, 11-3/8 x 10-11/16 in,

Design for Easy Chair, François Premier Style, 1835–1900, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Angel Seated on Clouds, 17th century, Pen and dark brown ink. On off-white paper, 6-5/16 x 6-5/16 in. (16 x 16 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Everhard Jabach (1618–1695) and His Family, ca. 1660, Oil on canvas, 110 1/4 × 129 1/8 in. (280 × 328 cm), Paintings, Charles Le Brun (French, Paris 1619–1690 Paris), This painting combines the domestic intimacy and descriptive richness

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 3 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Toilet jar, Middle Kingdom–Early New Kingdom, Dynasty 12–18, ca. 1981–1802 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Tomb R 5, Burial R 5 x, coffin, 1915–16, Travertine (Egyptian alabaster), h. 5.3 cm (2

[Bank of the Rhumel, near Constantine, Algeria], ca. 1855–56, Salted paper print from paper negative, 9 3/8 x 12 1/8, Photographs, John Beasley Greene (American, active France, 1832–1856

Putti grouped around a rectangular panel, pen and black ink with red highlights, 3-3/8 x 5-1/8 in. (8.6 x 13.0 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Design for Wall Elevation and Ceiling, 1740–50, Pen, brush, and brown ink, 7-5/8 x 11 in, Drawings, Anonymous, Italian, 18th century

The Reels of Gutta-percha Covered Conducting Wire Conveyed into Tanks at the Works of the Telegraph Construction and Maintenance Company, at Greenwich, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 7/16 × 9 9/16 in. (16.3

Mountainous River Landscape, 17th century, Pen and brown ink, sheet: 6 5/8 x 7 7/8 in. (16.8 x 20 cm), Drawings, Jacob Esselens (Dutch, Amsterdam 1626–1687 Amsterdam

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 4 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

The Meditation on the Passion, ca. 1490, Oil and tempera on wood, Overall 27 3/4 x 34 1/8in. (70.5 x 86.7cm); painted surface 26 3/16 × 33 1/4 in. (66.5 × 84.5 cm), Paintings, Vittore Carpaccio (Italian, Venice 1460/66?–1525/26 Venice),

Creamer, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 6 9/16 in. (16.7 cm), Glass, Bakewell, Pears and Company (1836–1882

Design for Curtains, 1841–1900, Graphite with touches of brown wash, sheet: 12 13/16 x 9 1/4 in. (32.5 x 23.5 cm), Charles Hindley and Sons (British, London 1841–1917 London

A Study of Two White Lilies, n.d., Upper Right: white, grey, green and yellow gouache, 11 7/8 x 9 5/8in. (30.2 x 24.5cm), Drawings, Antoine Berjon (French, Lyon 1754–1843 Lyon

Christ on the Cross Between Mary and Saint John, 1620–71, Pen and black ink, brush and brown wash, heightened with white over black chalk., 12 13/16 x 6 1/4 in. (32.6 x 15.9 cm), Drawings, Johann Christophorus Storer (German, Konstanz ca.

Coin, Hellenistic, 2nd–1st century B.C., Greek, Cretan, Silver, Diameter: 1 × 3/16 in., 0.4oz. (2.5 × 0.4 cm, 11.15g), Coins

Landscape with Resting Cavaliers and a Shepherd with his Flock, 18th century, Pen and black ink, brush and gray wash. Some remains of black chalk., 3 13/16 x 5 1/2 in. (9.7 x 14 cm), Drawings, Nicolaas Aartman (Dutch, Amsterdam 1713–1793

Design for a Box-Lid, 17th century, Black chalk with graphite, 3 3/16 x 3 3/16 in. (8.1 x 8.1 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Baptism of Christ, 16th century, Pen and brown ink, brush and brown wash, heightened with white, over traces of black chalk, 12 5/16 x 16 3/8 in. (31.3 x 41.6 cm), Drawings, Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Musical Clock with Spinet and Organ, ca. 1625, Augsburg, Germany, German, Ebony, gliding, brass, silver gilt, gilt brass, iron, various wood and metals, wire, parchment and leather, Height: 30 3/4 in. (78.1 cm), Chordophone, Veit

Ring, 17th century, Attributed to India, Deccan, Gold, Max. Diam.: 1 1/8 in. (2.9 cm), Jewelry, The flower-shaped bezel of this ring is flanked by two birds resting on scroll brackets. Birds of this form are popular motifs found on South

Box with pommel scroll design, 元至明初 朱面剔犀劍環紋漆盒, Yuan (1271–1368) or Ming (1368–1644) dynasty, late 14th century, China, Carved red and black lacquer, H. 5 3/4 in. (14.6 cm); Diam.13 1/8 in. (33.2 cm), Lacquer, At

Hilly Coastal Landscape with Hunters, with an elaborate border of Fishes and Birds, 1584, Pen and brush and brown ink, 5 3/4 x 8 5/16 in. (14.6 x 21.1 cm), Drawings, Hans Bol (Netherlandish, Mechelen 1534–1593 Amsterdam

Head of a Saint (profile to the right), after Fra Angelico, n.d., Black chalk, heightened with white, on pink-beige paper, Sheet: 9 1/16 x 4 3/16 in. (23 x 10.6cm), Drawings

'Hack' Madeira, 1880s, Albumen silver print from glass negative, 15.0 x 20.4 cm (5 15/16 x 8 in.), Photographs, Unknown

Small Pellet Crossbow in the 16th-Century Style, ca. 1850–90, possibly Paris, probably French, possibly Paris, Steel, copper alloy, gold, L. 25 7/8 in. (65.7 cm); W. 16 9/16 in. (42 cm); Wt. 2 lb. 1 oz. (925 g), Archery

Uprising (Aufruhr), 1899, Etching, drypoint, and aquatint; seventh state of nine, plate: 11 5/8 x 12 5/8 in. (29.5 x 32.1 cm), Prints, Käthe Kollwitz (German, Kaliningrad (Königsberg) 1867–1945 Moritzburg

Hanover Junction, Pennsylvania, 1861–65, Albumen silver print from glass negative, Photographs

Jasper hexagonal intaglio: Standing Pan, Imperial, ca. 2nd–3rd century A.D., Roman, Jasper, black, Other: 7/16 x 5/16 x 1/4 in. (1.1 x 0.9 x 0.7 cm), Gems

Frank Eugene with Herr von Martine and Others, 1920, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

The Last Judgment, 1570–90, Black chalk on brownish paper, 10-11/16 x 17-1/16 in. (27.2 x 43.4 cm), Drawings, School of Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome

Design for an Oval Ceiling with Four New Testament Scenes, 1711–65, Pen, brown ink and wash, Drawings, Bartolommeo Tarsia (Italian, 1711?–1765 St. Petersburg

Box with Daoist Immortals, Ming dynasty (1368–1644), Jiajing mark and period (1522–66), mid-16th century, China, Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), H. 4 in. (10.2 cm); Diam.15 1/2 in. (39.4 cm),

Disk Brooch, 6th–7th century, Frankish, Silver-gilt, blue and pale amber glass, copper alloy support (gilt?), Overall: 1 1/16 x 7/16 in. (2.7 x 1.1 cm), Metalwork-Silver

Le bournous, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Vishnu, Pallava period, first half of the 9th century, South India (Tamil Nadu), Copper alloy, H. 8 1/2 in. (21.6 cm); W. 3 3/4 in. (9.5 cm); D. 1 3/8 in. (3.5 cm), Sculpture, The Pallavas, centered at their imperial capital of Kanchipuram,

元末明初 黑漆嵌螺鈿梅鵲紋委角長方盤, Tray with Flowering Plum and Birds, Yuan (1271–1368)–Ming dynasty (1368–1644), late 14th century, China, Black lacquer with mother-of-pearl inlay, H. 1 3/4 in. (4.4 cm); W. 11 3/4 in.

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 21 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Sketches of Miscellaneous Egyptian Details and Figures (recto and verso), 1805–40, Pen and brown ink, sheet: 7 1/16 x 4 7/8 in. (18 x 12.4 cm), Drawings, William Pitts (British, London 1790–1840 London

Design for a Doorway, 16th century, Pen and black ink with white heightening, 7-3/4 x 6 in. (19.8 x 15.1 cm), Monogrammist HT (German, 16th century

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 13 (recto), Illustrator, Publisher, Woodcut of Lucrezia designed by, Giuseppe Salviati (Giuseppe Porta, called Il

Marble portrait of a young girl, Flavian, A.D. 81–96, Roman, Marble, H. 12 1/4 in. (31.1 cm), Stone Sculpture, The often-changing hairstyles of ladies at the imperial court are well documented, making possible the approximate dating of many

Idyllic Landscape with Temple, 1770, Pen and gray ink and watercolor; framing lines in black ink, sheet: 8 15/16 x 11 5/16 in. (22.7 x 28.8 cm), Drawings, Johann Heinrich Müntz (Swiss, Mulhouse 1727–1798 Kassel

Les Singuliers et Nouveaux Portraicts... page 20 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Fort Agra, The Delhi Gate, 1850s, Albumen silver print from paper negative, Image: 38.6 x 44.5 cm (15 3/16 x 17 1/2 in.), Photographs, John Murray (British, Blackhouse, Aberdeenshire, Scotland 1809–1898 Sheringham, Norfolk county,

Sleep Escaping from the Wrath of Jupiter – 'But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd' (Pope's Iliad, Book 14, line 293), 1793, Pen and black ink over graphite, Sheet: 11 x 8 5/16 in. (27.9

Insects, Butterflies, and a Dragonfly, 17th century, Black chalk, watercolor and gouache on parchment, sheet: 4 1/4 x 9 1/2 in. (10.8 x 24.1 cm), Drawings, Jan van Kessel (Flemish, 1626–1679

Basin, 1849–58, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 4 3/4 in. (12.1 cm); Diam. 15 in. (38.1 cm), Ceramics, Lyman, Fenton & Co. (1849–52

Relief fragment from Tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint, H. 17.5 cm (6 7/8 in.); W 23.5

Perfume decanter, 1866–70, Made in Cambridge, Massachusetts, United States, American, Green cased over colorless lead glass; blown, cut and gilded, 9 1/2 in. (24.1 cm), Glass

Ornamento delle belle & virtuose donne, page 23 (recto), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Portrait of Charles Bonnet, n.d., Brush and brown wash over graphite underdrawing., 6 11/16 x 4 5/8in. (17 x 11.7cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Border of a Luxurious Floor Covering, ca. 1600, Attributed to Iran, Silk, silver, gold thread; lampas, Textile: H. 33 1/4 in. (84.5 cm), Textiles-Brocades, This U-shaped fragment was once part of the border of a larger textile. The border

Sword with Scabbard of Faustin I (1782–1867), Emperor of Haiti, 1850, Birmingham, British, Birmingham, Steel, silver, gold, wood, textile (velvet), H. with scabbard 38 1/8 in. (96.8 cm); H. without scabbard 37 in. (94 cm); W. 6 in. (15.2

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 7 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

Drawings and Prints, Print, Tu Marcellus Eris, Artist, After, Charles Simon Pradier, Jean Auguste Dominique Ingres, French, Geneva 1783–1847 Haute-Savoie, French, Montauban 1780–1867 Paris, Pradier, Charles Simon, Ingres, Jean

Fabric, 18th–19th century, Chinese, Silk, Height: 114.2 cm., Textiles-Woven, Chinese , Qing Dynasty

四季花鳥図, Pheasants among Trees: Flowers of the Four Seasons, Muromachi (1392–1573), probably 1560s, Japan, Pair of hanging scrolls; ink and color on paper, Image (a): 37 3/8 × 18 3/8 in. (95 × 46.6 cm), Paintings, Kano Shōei

Goblet, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the

Chattanooga Valley from Lookout Mountain, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Sword Guard (Tsuba), 16th century, Japanese, Copper-gold alloy (shakudō), gold, copper, H. 3 in. (7.6 cm); W. 2 3/4 in. (7 cm); thickness 3/16 in. (0.5 cm); Wt. 5.2 oz. (147.4 g), Sword Furniture-Tsuba

鶏柄小袖, Kosode Robe with Roosters and Hens, Edo period (1615–1868), 19th century, Japan, Silk, metallic thread; embroidered figured crepe, 66 1/2 x 55 in. (168.9 x 139.7 cm), Costumes, This cheerful robe layers high and low

The Connoisseur, 1780–1800, Ink washed with watercolor, Sheet: 9 x 11 3/8 in. (22.9 x 28.9 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London