Images at Librifly

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 77 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 2 (verso), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc,

Partial Design for a Chimneypiece, 1740–1800, Pen and brown ink, brush and gray wash, sheet: 9 9/16 x 6 9/16 in. (24.3 x 16.7 cm), Attributed to Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Vase, 1890–1905, Made in Biloxi, Mississippi, United States, American, Earthenware, H. 7 1/2 in. (19.1 cm), Ceramics, George E. Ohr (American, Biloxi, Mississippi 1857–1918 Biloxi, Mississippi

Essempio di recammi, page 21 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Portrait of a Girl in a Round Pendant, late 18th–early 19th century, Attributed to Iran, Gold; enamel-painted, Diam. 1 5/16 in. (3.3 cm), Jewelry, The enamels of Qajar Iran are figurative, and closely resemble in style oil paintings produced

Insects, Butterflies, and a Grasshopper, 17th century, Black chalk, watercolor and gouache on parchment, sheet: 4 1/4 x 9 1/2 in. (10.8 x 24.1 cm), Drawings, Jan van Kessel (Flemish, 1626–1679

Half Armor, 1610–20, Nuremberg, German, Nuremberg, Steel, Wt. 41 lb. 15 oz. (19.01 kg), Armor for Man-1/2 Armor, Although made in Nuremberg, this cavalryman’s armor is an unusual mix of different regional styles. The helmet is based on

Plate, 1785–90, Made in China, Chinese, for American market, Porcelain, Diam. 9 in. (22.9 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered by Justice Samuel

Christ Blessing, ca. 1311, Tempera on wood, gold ground, Overall, with shaped top, 15 1/2 x 9 1/2 in. (39.4 x 24.1 cm); painted surface 14 x 8 1/8 in. (35.6 x 20.6 cm), Paintings, Segna di Buonaventura (Italian, active Siena by 1298–died

Hermes and Athena (?), 1750–1850, Engraving, Prints, Anonymous, German, 19th century

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 48r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Design for a Standing Frame and End Table, 1841–84, Pen and black ink, ink wash, sheet: 8 1/4 x 11 in. (20.9 x 28 cm), Charles Hindley and Sons (British, London 1841–1917 London

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 39r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1598, 1598

Remond. Émile, Adolphe. 34 ans, né à Bagnolet (Seine). Carrier. Anarchiste. 26/2/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 28 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Frauenhand, 1896, Photogravure, Image: 10 3/16 × 4 1/4 in. (25.9 × 10.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director of an

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, H. 4.5 (1 3/4 in.); W. 5.1 cm (2 in.); D. 1.1 cm

Africa and America, n.d., Pen, black ink, brown wash, heightened with white on paper, 5 5/8 x 7 1/4 in. (14.3 x 18.4 cm), Drawings, Claude Louis Desrais (French, Paris 1746–1816 Paris

Scourging of Christ, 16th century, Pen and brown ink, washed, 13-3/8 x 9-1/4 in. (34.0 x 23.5 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Les Singuliers et Nouveaux Portraicts... page 14 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Opera Nova Universali intitulata Corona di racammi, page 28 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Design for a Decorative Vessel, 16th century, Pen and light brown ink, brush and light brown wash, highlighted with white gouache, sheet: 8 7/16 x 4 1/8 in. (21.5 x 10.5 cm), Anonymous, Italian, 16th century, After Polidoro da Caravaggio

The Martyrdom of Saint Andrew (recto); Back of a Woman Wearing a Long Dress with a Ruff (verso), 1689–1767, Pen and brown ink, brush and gray and brown wash, over slight traces of lead or graphite (recto). Drawing executed with arched top.

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 42r), Designer, Printer, Andreas Bretschneider, Henning Gross the younger, German, Dresden ca. 1578–ca. 1640 Leipzig, Bretschneider, Andreas, Gross, Henning

Apothecary Jar, 1800–1825, Made in Mexico, Mexican, Tin-glazed earthenware, H. 10 1/8 in. (25.7 cm), Ceramics

Selle. Louis- Désiré-Honoré. 31 ans, né à Bougival. Cordonnier. Anarchiste. 26/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Les Singuliers et Nouveaux Portraicts... page 12 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Study of a tree, mid-16th–early 17th century, Brush and black ink, gray wash, green, yellow, and brown watercolor, white, and green gouache. Traces of framing lines in pen and black ink, sheet: 8 7/8 x 6 1/8 in. (22.5 x 15.6 cm),

Textile Fragment with Inscription, 10th–11th century, Probably made in Iraq, Cotton, gold, ink; plain weave, painted, Textile: H. 4 in. (10.2 cm), Textiles-Painted and/or Printed, Only the inscribed portion of this textile has survived.

Ornament Design with Three Nymphs, 19th century, Black chalk, graphite, stumping, heightened with white, on pink prepared paper, sheet: 22 5/8 x 10 3/16 in. (57.5 x 25.9 cm), Drawings, Anonymous, French, 19th century

Design for a Ceiling in Pompeian Style, 18th century, Pen and red ink, brush and yellow, green, blue, red, and gray watercolor, over lead or graphite, on cream laid paper, 9 5/16 x 12 1/16 in. (23.6 x 30.7 cm), Anonymous, Italian, first

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 11r, Publisher, Designer, Woodcut border designed by, Peter Quentel, Anton Woensam von Worms, German, active Cologne, 1518–46, German, active first

Terracotta lamp, Early Imperial, Augustan, early 1st century A.D., Roman, Terracotta; mold-made, Overall: 1 x 3 1/4 in. (2.5 x 8.3 cm), Terracottas

Shackled to His Treasure ('Preso á su tesoro'), 1807–45, Pen and dark brown ink with brush and brown-gray wash. Composition outlined with pen and dark brown ink on all sides. On off-white paper, 7-5/16 x 5-3/16 in. (18.6 x 13.2 cm), Drawings,

Marble portrait of a young woman, Trajanic, ca. A.D. 98–117, Roman, Marble, H. 14 3/4 in. (37.5 cm), Stone Sculpture, Said to be from Greece. This portrait of an attractive young woman has a simplified version of the hairstyle popular during

Scroll back side chair, 1810–15, Made in New York, American, Mahogany, 33 x 19 x 21 1/2 in. (83.8 x 48.3 x 54.6 cm), Furniture, Attributed to Duncan Phyfe (1770–1854), Attributed to Charles-Honoré Lannuier (France 1779–1819 New York

Tea Spoon, 1775–1800, Made in New York, New York, United States, American, Silver, L. 5 1/4 in. (13.3 cm), Silver, Daniel Van Voorhis (1751–1824

Breton. Ernest, Jean. 28 ans, 27/10/63. Anarchiste 24/1/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished

Design for a Painted Ceiling, 1825–75, Watercolor, 6-5/8 x 11-3/4 in, Drawings, Anonymous, Italian, 19th century

Landscape with Trees and Distant Hills (Smaller Italian Sketchbook, leaf 37 recto), 1774–75 (?), Gray ink and wash, touch of brown wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby

Francis Alofsen, 1855, Daguerreotype, Image: 7 x 5.8 cm (2 3/4 x 2 5/16 in.), Photographs

[Three Carpenters, Standing, Holding a Ruler, Hammer, and Sheet of Paper], 1850s–1860s, Ambrotype, Image: 7.3 x 6 cm (2 7/8 x 2 3/8 in.), Photographs, Unknown (American

An Itinerant Peddler in a Village, 1693, Black chalk, pen and gray ink, brush and gray wash, framing line in black ink, sheet: 7 15/16 x 12 5/16 in. (20.2 x 31.2 cm), Drawings, Cornelis Dusart (Dutch, Haarlem 1660–1704 Haarlem

Church with a Tiled Roof and Tower (Smaller Italian Sketchbook, leaf 36 recto), 1774–75 (?), Graphite, pen and brown ink and wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby

Two Imitation Splashware Bowls, 9th–10th century, Excavated in Iran, Nishapur, Earthenware; white slip, incised and splashed with polychrome glazes under transparent glaze (sgraffito ware), H. 2 13/16 in. (7.2 cm), Ceramics

[Advertisement for Sarony's Photographic Studies], 1880s, Albumen silver print from glass negative; lithograph, 7 3/4 x 9 5/16, Photographs, Napoleon Sarony (American (born Canada), Quebec 1821–1896 New York

Ivory portrait head of the emperor Augustus, Early Imperial, Augustan, ca. 27 B.C.–A.D. 14, Roman, Ivory, H. 1 9/16 in. (4 cm), In addition to life-sized statues in bronze and marble, small-scale portraits of Augustus were disseminated on

The Illmatched Couple, 1602, Black and red chalk, brush and green wash. Laid down on blue cardboard mount with framing lines in gold, brown and red, Circular drawing. Diameter: 7 3/4 in. (19.7 cm). Mount: 13 9/16 x 13 in. (34.5 x 33 cm),

Vase, 1880–90, Made in England, Pressed purple marble glass, H. 3 3/4 in. (9.5 cm), Glass

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 100 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Gravesend War Memorial, 1920, Graphite, pen and ink and wash, sheet: 18 1/2 x 10 in. (47 x 25.4 cm), Ernest Geldart (British, London 1848–1929

Costumes for 'New Faces' (?), Radio City, Female Dominoes, 1938 (?), Watercolor and pencil, sheet: 9 7/8 x 8 in. (25.1 x 20.3 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 4 (verso), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

誰ヶ袖蒔絵重箱, Stacked Food Box (Jūbako) with “Whose Sleeves?” (Tagasode) Design, Edo period (1615–1868), 18th century, Japan, Lacquered wood with gold, silver hiramaki-e, gold and silver foil application, and mother-of-pearl

Marble portrait of a young woman, Antonine, ca. A.D. 139–150, Roman, Marble, H. 10 1/8 in. (25.7 cm), Stone Sculpture, This girl’s hair in a braided coil toward the back of the head imitates the style worn by Faustina the Younger, wife of

Hathor Head Amulet, Late Period, Dynasty 26–29, 664–332 B.C., From Egypt, Faience, L. 3.2 cm (1 1/4 in); w. 3 cm (1 3/16 in); d. 1.1 cm (7/16 in), The goddess face on this small piece is less angular than those seen on many sistra:

View of Interior for Paris Exhibition 1925, Bookcase Wall Elevation, 1924, Pen and black ink, brush and watercolor and gouache, laid down on board., Image: 2 3/8 x 3 3/4 in. (6.1 x 9.6 cm), Drawings, Erik Gunnar Asplund (Swedish, Stockholm

Opera Nova Universali intitulata Corona di racammi, page 10 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Design for a Fireplace, mid-18th century, Pen and brown ink, brush and pale brown and green wash, sheet: 9 7/16 x 5 13/16 in. (24 x 14.8 cm), Sir Henry Cheere (British, London 1703–1781 London

Harlequin Family, ca. 1740–45, French, Villeroy, Soft-paste porcelain, Overall (confirmed): 14 5/16 × 8 3/16 × 6 3/8 in. (36.4 × 20.8 × 16.2 cm), Ceramics-Porcelain, The figure group is based on a Meissen example modeled by Johann

Ointment vase in the shape of a bulti fish, Middle Kingdom, Dynasty 12–17, ca. 1800–1550 B.C., From Egypt; Said to be from Northern Upper Egypt, Girga (Thinis), Anhydrite

[Group of 23 Stereograph Views of Railroad Bridges], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.2 x 17.1 cm (3 1/4 x 6 3/4 in.) to 10 x 17.8 cm (3 15/16 x 7 in.), Photographs, Littleton View Company (American), Benneville

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 19r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Aurora and Cephalus, mid-18th century, Red chalk over traces of black chalk, 10 x 12 3/8 in. (25.4 x 31.5 cm), Drawings, After François Boucher (French, Paris 1703–1770 Paris

Design for an Interior with a Window into a Garden, 1800–1850, Watercolor, 9-1/4 x 7-3/8 in, Drawings, Anonymous, Italian, early 19th century

Kern. Jacob, Hermann. 33 ans, né le 26/8/60 à Berlinger (Suisse). Comptable. Anarchiste. 10/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

A Mill Near Colchester, 1833, Watercolor over traces of graphite, with scratching out and a touch of pen and brown ink on the horizon, evidence of squaring for transfer in graphite, with a color wash test verso, sheet: 5 3/4 x 7 3/4 in. (14.6 x

Two Frieze Designs: Decorated with Birds, Reptiles and Vines, Griffins and Vases, 1776–79, Graphite, sheet: 7 13/16 x 14 3/16 in. (19.9 x 36 cm), Attributed to Thomas Hardwick (British, London 1752–1829 London

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 11 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Box with lid, Ming (1368–1644)–Qing dynasty (1644–1911), 1368–1911, China, Black lacquer with inlay, H. 2 5/16 in. (5.8 cm); W. 7 in. (17.8 cm); L. 12 5/8 in. (32 cm), Lacquer

Incense holder with scholars in a landscape, Ming dynasty (1368–1644), late 16th–early 17th century, China, Bamboo, Overall (including new wooden ends) H. 7 in. (17.8 cm), Bamboo, Zhu Sansong (active ca. 1573–1619), The ubiquitous motif

Portrait of a Woman (Marianna Panciatichi, marchesa Paolucci delle Roncole, 1835–1919, or her sister-in-law, Beatrice Ferrari-Corbelli di Reggio, contessa di Lucciano), 1864, Oil on canvas, 25 3/16 x 20 1/2 in. (64 x 52 cm), Paintings,

Standing Nude Man (recto); Three Studies of Soldiers (verso), 1550, Red chalk, highlighted with traces of white gouache (recto); red chalk (verso), 16-9/16 x 11-5/16 in. (42 x 28.7 cm), Drawings, Taddeo Zuccaro (Italian, Sant'Angelo in Vado

Allegory of the Redemption of the World, 1528–88, Pen and black ink, brush and gray wash, highlighted with white gouache, on gray washed paper, 24 1/8 x 16 9/16in. (61.3 x 42cm), Drawings, Paolo Veronese (Paolo Caliari) (Italian, Verona

Portrait of a Man, 1796, Graphite, Overall: 10 x 7 9/16in. (25.4 x 19.2cm), Drawings, George Dance (British, London 1741–1825 London

Loom Width with Serrated Leaf Design, ca. 1600–1625, Attributed to Turkey, Bursa, Silk, metal wrapped thread; lampas (kemha), Textile: H. 63 1/2 in. (161.3 cm), Textiles-Woven, This lampas-woven fragment features large-scale leaves executed

Seated Bodhisattva Vajrapani, Central Javanese period, 9th century, Indonesia (Java), Bronze, H. 4 1/2 in. (11.4 cm), Sculpture

'Bizhan Forces Farud to Retreat into his Fort', Folio from a Shahnama (Book of Kings), ca. 1430–40, Attributed to India, Ink, opaque watercolor, and gold on paper, 7.87 in. high 7.37 in. wide (20 cm high 18.7 cm wide), Codices, This

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Jeremias Wachsmuth, Carl Pier, Franz Xavier Habermann, Martin Engelbrecht, German,

Tabernacle of Cherves, ca. 1220–1230, Made in Limoges, France, French, Copper (plaques): engraved, scraped, stippled, and gilt; (appliqués): repoussé, chased, engraved, scraped, and gilt; champlevé enamel: medium blue, turquoise,

Snow Falling on a Dutch Town, n.d., Gouache and watercolor; framing lines in pen and black ink and in gilt., 8 7/16 x 13 1/8 in. (21.5 x 33.4 cm), Drawings, Abraham Rademaker (Dutch, Lisse, near Haarlem 1675–1735 Haarlem

Teapot, 1830–70, Probably made in Bennington, Vermont, United States, American, Probably mottled brown earthenware, H. 6 in. (15.2 cm); Diam. 5 3/4 in. (14.6 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 49v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Snake bracelet for a child, Ptolemaic Period, 332–30 B.C. or later, From Egypt, Gold, L. 4.5 × W. 3.5 cm (1 3/4 × 1 3/8 in.), Snake bracelets are known in the eastern Mediterranean and Greece from the 8th-7th centuries BC. They only appear

The Summer Song, ca. 1908, Halftone, Frank Eugene (American, New York 1865–1936 Munich

Schouppe. Placide. (dit Ricken, Franz). 31 ans, né à Dickenvenne (Belgique). Mécanicien. Vol., 1889, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Cup Plate, 1825–60, Lacy pressed glass, Glass

Limestone figure of kneeling Herakles, Archaic, late 6th or early 5th century B.C., Cypriot, Limestone, H. 28 in. (71.1 cm), Stone Sculpture, This very fine sculpture shows Herakles as an archer. He has a quiver and scabbard, and was probably

Collot. Marie, Eugénie. 36 ans, né à Paris Xle. Tapissier. Anarchiste. 11/3/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

A Funeral with Honors ('Valientes exequias'), 1807–45, Pen and dark brown ink on off-white wove paper. Composition outlined with pen and dark brown ink on all sides, 7-1/4 x 5-3/16 in. (18.4 x 13.2 cm), Drawings, Leonardo Alenza y Nieto

Spoon, 1700–1725, Made in New York, New York, United States, American, Silver, L. 7 1/2 in. (19.1 cm), Silver, Benjamin Wynkoop (baptized 1675–1751

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 25 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Manuel Osorio Manrique de Zuñiga (1784–1792), 1787–88, Oil on canvas, 50 x 40 in. (127 x 101.6 cm), Paintings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), The sitter is the son of the Count and

Bathers (recto) ; Still Life (verso), n.d., Watercolor over graphite (recto); watercolor (verso), Sheet: 8 5/16 x 10 11/16 in. (21.1 x 27.2cm), Drawings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence

Design for a Smallsword Hilt, ca. 1780, French, Pen, ink, colored wash, chalk, paper, 9 x 7 in. (23 x 17.8 cm), Works on Paper-Drawings, This rare drawing gives us a glimpse of how an elegant sword hilt was custom designed for an individual

Belisarius, 1806, Engraving with etching, image: 19 5/16 x 14 7/8 in. (49 x 37.8 cm), Prints, Auguste Gaspard Louis Boucher Desnoyers (French, Paris 1779–1857 Paris), After baron François Gérard (French, Rome 1770–1837 Paris

Design for a Scene in de Laujon's 'L'Amoureux de quinze ans, ou la Double-Fête...', ca. 1771, Pen and black ink over graphite underdrawing, 5 1/4 x 3 5/16 in. (13.4 x 8.4 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773

Platter with Drainer, 1736–95, Made in China, Porcelain, 13 x 16 in. (33 x 40.6 cm), Ceramics

Le Kaire, Mosquée du Sultan Haçan (le Tombeau), 1851–52, printed 1853–54, Salted paper print from paper negative, 25.2 x 30.5 cm. (9 15/16 x 12 in.), Photographs, Félix Teynard (French, 1817–1892