Images at Librifly

Limestone head of bearded male votary with wreath of leaves, 1st century B.C., Cypriot, Limestone, Overall: 11 x 6 3/4 x 8 1/2 in. (27.9 x 17.1 x 21.6 cm), Stone Sculpture, The face, with a short beard and a drooping, delicately combed

Candelabrum, 18th century, Gray wash and pen and ink, sheet: 8 3/8 x 5 1/2 in. (21.3 x 14 cm), Anonymous, British, 18th century

Gold statuette of Zeus Serapis, Mid-Imperial, 2nd century A.D., Roman, Gold, H.: 1 1/8 in. (2.9 cm), Gold and Silver, Serapis was essentially a construct of the Ptolemaic Greek rulers of Egypt, a conflation of the local gods Osiris and Apis.

'The Birds and the Monkeys with the Glow Worm', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Vision of Constantine, copy after a drawing by Giacinto Gimignani, 17th century, Black chalk?, brush and gray wash, over leadpoint? underdrawing on light tan paper. Framing outlines in black chalk? over leadpoint?, 10-13/16 x 12-11/16 in. (27.5

Marble head of a horned youth wearing a diadem, Hellenistic, 3rd–2nd century B.C., Greek, Marble, Overall: 13 7/8 x 7 5/8 x 9 7/8 in. (35.2 x 19.4 x 25.1 cm), Stone Sculpture, The diadem and horns of this portrait head signify a divinised

Hilly Landscape with Travellers, late 18th–mid-19th century, Black chalk, pen and brown and black ink, brush and gray ink, heightened with white body color on beige paper, sheet: 9 x 11 13/16 in. (22.9 x 30 cm), Drawings, Johann Georg von

Studio delle virtuose Dame, page 11 (recto), 1597

Landscape with Figures, 18th or early 19th century, Graphite, brush and gray wash, on buff wove paper, Sheet: 7 11/16 x 5 7/8 in. (19.5 x 15 cm), Drawings, Possibly by George Frost (British, Barrow 1745–1821 Ipswich), Formerly attributed

Disk Brooch, 600–650, Vendel, Copper alloy, gilt, Overall: 1 5/8 x 3/8 in. (4.1 x 0.9 cm), Metalwork-Copper, This brooch is from the Vendel period in Swedish history, which precedes the Viking age. Abstractly designed small brooches like

Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso), 1764–70, Pen and brown ink over graphite

Disk Brooch, 6th century, Frankish, Silver-gilt on iron core, metal foil, inlaid garnet or paste, Overall: 7/8 x 1/4 in. (2.2 x 0.6 cm), Metalwork-Silver

[Wilhelm Amberg], 1860s, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs, Loescher & Petsch (German, active ca. 1860–90

Brush holder, Edo period (1615–1868), 18th century, Japan, Stoneware with polychrome enamels (Ko-Kiyomizu ware), H. 5 in. (12.7 cmm) ; W. 5 1/2 in. (14 cm), Ceramics

Tobacco pouch, Edo period (1615–1868), 18th century, Japan, Iron, L. 4 3/4 in. (12.1 cm); W. 2 3/8 in. (6 cm), Tobacco Pouches

Oinochoe, ca. 800–700 B.C., Cypriot, Terracotta, H.: 9 1/2 in. (24.1 cm), Vases, Ovoid body and long neck; red bucchero

Title Page from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI. First edition, 1881, Title-page with an etching; housed in original portfolio; first edition, Overall: 18 5/16 x 26 in. (46.5 x 66 cm), Prints, Max

Sugar tongs, ca. 1772, Made in New York, New York, United States, American, Silver, 15/16 x 5 1/4 in. (2.4 x 13.3 cm); 1 oz. 8 dwt. (43.1 g), Silver, Attributed to Myer Myers (1723–1795

Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 14 (recto), 1620

A Seated Woman in Profile, n.d., Pen and brown ink, sheet: 8 7/8 x 6 1/8 in. (22.5 x 15.5 cm), Drawings, David-Pierre Giottino Humbert de Superville (Dutch, The Hague 1770–1849 Leiden

Study of a Standing Youth in a Hat, 17th century, Oil on paper, sheet: 11 1/8 x 6 in. (28.3 x 15.3 cm), Drawings, Dirck Hals (Dutch, Haarlem 1591–1656 Haarlem

Noren with Design of Oak-Leaf Crest, Plovers, and Waves, Meiji period (1868–1912), Japan, Resist-dyed plain weave, probably hemp, 48 x 78 in. (121.9 x 198.1 cm), Textiles-Dyed, We can almost hear the cry of these plovers as they glide

Mother and Child, 17th century, Red chalks over traces of black chalk on cream paper, 14-1/8 x 10-3/4 in. (35.9 x 27.3 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Terracotta head of a woman, Late Classical, 4th century B.C., Etruscan, Terracotta, 6 5/16 x 4 1/2 x 3 3/4 in. (16 x 11.43 x 9.53 cm), Terracottas, The figure wears an elaborate diadem and ornate necklace, types of jewelry often depicted on

Tumbler, 18th century, Made in Bohemia, Czech Republic, Non-lead glass with enamel decoration, H. 4 in. (10.2 cm), Glass

Dish with Bush Clover Design, Edo period (1615–1868), 18th century (?), Japan, Porcelain painted with overglaze enamels (Hizen ware, Nabeshima type), H. 3 1/2 in. (8.9 cm); Diam. 11 1/2 in. (29.2 cm), Ceramics

Man wearing a purple and red vest, with a pince-nez and bowler, first half 20th century, brush and black ink, gouache, watercolor, sheet: 16 x 8 7/16 in. (40.6 x 21.4 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 21v), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

'Who Got it from the Fruit-woman': Peeriwinkie the Puddock, from 'Topsy-Turvy Tales', ca. 1923, Pen and ink and wash, sheet: 14 1/2 x 9 3/8 in. (36.8 x 23.8 cm), Drawings, William Heath Robinson (British, London 1872–1944 Highgate, London),

Relief fragments from tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint

A Nobleman Reading, ca. 1750–75, Country of Origin India, Opaque watercolor on paper, H. 6 3/4 in. x H. 6 1/2 in., Codices, This unfinished painting depicts a seated figure who appears to be floating in space, as his chair has not yet been

Gold and amber fibula (safety pin), Archaic, 7th–6th century B.C., Italic, Gold, amber, Other: 2 11/16 in. (6.8 cm), Gold and Silver, Eight amber fragments form the fibula's bow.642d9843d4364_AM170720_055662.jpg | Initial 'V' from the

Initial 'V' from the commentary of Nehemiah, one of six illustrated leaves from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra, ca. 1360–1380, French, Opaque watercolor, iron-gall…

Saint Margaret Ponting to Heaven, with a Globe Next to Her, 1693, Pen and grey ink, brush and grey wash, traces of graphite. Framing line in gold., sheet: 5 3/8 x 3 5/8 in. (13.7 x 9.2 cm), Drawings, Maria Clara Eimmart (German, Nuremberg

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 8 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Coin, dated A.H. 1028/ A.D. 1619, Made in India, Agra, Gold, Diam. 13/16 in. (2.1 cm), Coins, Bearing signs of the zodiac, the coins conceived of and issued by Emperor Jahangir were a development of earlier Mughal coinage, which included

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 61 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 93 x 70 x 4 1/4 in. (236.2 x 177.8 x 10.8 cm), Stone-Reliefs-Inscribed, This panel from the Northwest Palace at Nimrud (ancient

Funerary Mask of a Woman, New Kingdom, Dynasty 18, ca. 1427 B.C.–1390 B.C., From Egypt, Upper Egypt, Thebes; Probably from TT A 7, Cartonnage, gesso, paint, gold, copper alloy, faience, H. 38 cm (14 15/16 in.); W. 40.5 cm (15 15/16

Landscape with Two Figures Conversing, 17th century, Black chalk, brush and gray wash, some black and brown ink. Traces of framing line in pen & brown ink., sheet: 4 1/2 x 9 in. (11.5 x 22.8 cm), Drawings, Attributed to Salomon van Ruysdael

Brunet. Felix. 21 ans, né le 21/2/73 à Paris XVe. Peintre en voiture. Anarchiste. 7/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Double Bottle (One of a Pair), Qing dynasty (1644–1911), Qianlong period (1736–95), China, Cloisonné enamel, H. 8 3/4 in. (22.2 cm); W. 5 3/4 in. (14.6 cm), Cloisonn

Battery Going into Action, Fredericksburg, December 13, 1862, 1862, Albumen silver print from glass negative, 14.7 x 19.9 cm (5 13/16 x 7 13/16 in. ), Photographs, Andrew Joseph Russell (American, 1830–1902

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 92 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Floor Covering or Hanging (Pha Kiao), 18th century, India (Coromandel Coast), for the Thai market, Cotton (painted resist and mordant, dyed), Overall: 83 x 43 1/8 in. (210.8 x 109.5 cm), Textiles-Painted and Printed, Luxury painted cotton

Covered Vase, 1790–1800, Made in China, Chinese, Porcelain, H. 11 1/4 in. (28.6 cm), Ceramics

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, Mummy, 1920, Linen, ink

Le Pompe: Opera Nova, page 9 (recto), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design is for bobbin lace and is composed of 2

Teapot in the Shape of a Plum Blossom, Qing dynasty (1644–1911), early 17th century, China, Stoneware (Yixing ware), H. 3 3/4 in. (9.5 cm), Ceramics, Shi Dabin (Chinese, active 1620–40), The invention of the teapot is often credited to

F.e de la B. des Manilles from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Artists Judging Works of Art, 1916, Lithograph, image: 14 1/2 x 19 1/4 in. (36.8 x 48.9 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Italian Farmhouse, 1871–3, Watercolor with touches of gouache, sheet: 10 9/16 x 14 1/2 in. (26.8 x 36.8 cm), Drawings, Walter Crane (British, Liverpool 1845–1915 Horsham

Les Singuliers et Nouveaux Portraicts... page 62 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

White cross-lined bowl with four legs, Predynastic, Late Naqada I–Early Naqada II, ca. 3700–3500 B.C., From Egypt, Pottery, paint, H: 15.6 cm (6 1/8 in.); diam: 19.7 cm (7 3/4 in

Two alternate Designs for a frame of door, 1700–1780, Pen and brown ink, brush and gray wash over lead point, with ruled and compass construction, 11 11/16 x 7 1/2 in. (29.7 x 19 cm), Drawings, Anonymous, Italian, Piedmontese, 18th

[Rildhauer Wolff], after 1867, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

Studies for a Crucifixion, 16th century, Pen and brown ink, brush and brown wash, over red chalk, 4 x 4 5/8 in. (10.1 x 11.7 cm), Drawings, Alessandro Casolani (Italian, Mensano or Colle Val d'Elsa 1552 - 1607 Siena

The Arrival of the Princely Carriage at the Starting Point of the Hunt, ca. 1756, Pen and brown ink, grey wash, over a sketch in graphite or black chalk. Framing line in pen and brown ink (lower and right edge) and graphite (upper edge). ,

Venus and Cupid in a Landscape, after Annibale Carracci (recto); A Warrior Holding a Shield and Sword, Seen from the Back (verso), 1816–17, (r.) Pen and brown ink, wash, watercolor, and white gouache over graphite and traces of red chalk;

Spring, Etching, engraving and drypoint, sheet: 7 15/16 x 10 1/8 in. (20.2 x 25.7 cm), Prints, Louis Félix de La Rue (French, Paris 1731–1765 Paris), After François Boucher (French, Paris 1703–1770 Paris

Carpet, 17th century, Attributed to present-day Afghanistan, Herat, Wool (warp, weft and pile); asymmetrically knotted pile, Gr. L. 301 1/8 in. (764.9 cm), Textiles-Rugs

Alternate Designs for a Chimneypiece, 18th century, Pencil, 8-3/8 x 10 in, Drawings, Anonymous, Italian, 18th century

Fallen Soldiers, 1800–1824, Graphite on laid paper, 8 1/8 x 11 in. (20.7 x 28 cm), Drawings, Théodore Gericault (French, Rouen 1791–1824 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Prima parte de' fiori, page 11 (recto), Author, Printer, Publisher, Giovanni Battista Ciotti, Nicolo Moretti, Francesco de' Franceschi, Italian, born Siena, ca. 1560, Italian,

[Two Plumbers in Overalls], 1880s, Tintype, Image: 7.9 x 6.5 cm (3 1/8 x 2 9/16 in.), Photographs, Unknown (American

Man in a black suit, smoking, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 164 3/16 x 8 1/8 in. (417 x 20.6 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Tumbler, 1770–1820, Probably made in Bohemia, Czech Republic, Glass with engraved decoration, H. 6 3/8 in. (16.2 cm), Glass

中野期明画　『尾形流百図』, One Hundred Paintings of the Ogata Lineage (Ogata ryu hyakuzu), Meiji period (1868-1912), 1892, Japan, Set of two Woodblock printed books; ink on paper, Image (a): 10 x 7 3/8 x 1/2 in. (25.4 x 18.8 x 1.2

Walking in the Park, 19th century, Pen and brown ink, brush and gray and black wash, and touches of yellow wash. Laid down., 7 7/8 x 9 7/8 in. (20 x 25.1 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

Samuel Bernard (1651–1739), ca. 1727, French, Paris, Marble, Overall without base (confirmed): 36 1/8 x 27 7/8 x 14 5/8 in. (91.8 x 70.8 x 37.1 cm), Sculpture, Guillaume Coustou the Elder (French, Lyons 1677–1746 Paris), The banker

Snuff Bottle in the Shape of an Eggplant, Qing dynasty (1644–1911), late 18th century, China, Nephrite (jade), H. 2 7/16 in. (6.2 cm); W. 1 5/16 in. (3.3 cm); D. 1 in. (2.5 cm), Snuff Bottles

Covered Bowl, ca. 1825, Made in Mexico, Mexican, Earthenware, Diam. 5 3/4 in. (14.6 cm), Ceramics

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 5 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Bowl with Two Boys among Foliage, Northern Song dynasty (960–1127), 11th–12th century, China, Stoneware with mold-impressed decoration under celadon glaze (Yaozhou ware), H. 2 3/8 in. (6 cm); Diam. 7 1/8 in. (18.1 cm), Ceramics, Although

A Standing Woman, Seen from the Back, 1840–50, brush and ink and watercolor on wove paper, sheet: 9 1/8 x 9 1/4 in. (23.2 x 23.5 cm), Drawings, Anonymous, Peruvian, 19th century

Black Stork in a Landscape, ca. 1780, Made in India, probably Lucknow, Opaque watercolor on European paper, Painting: H. 21 1/2 in. (54.6 cm), Codices, The distinctive white neck feathers, purple-streaked wings, and red-tinged beak identify

Russian Bassoon in C, 1825–40, Lyons?, France?, French, Wood, brass, L. 1150 mm., Diam. of bell ca. 140 mm, Aerophone-Lip Vibrated-horn

Watch, Watchmaker: Firm of Bautte et Moynier (Swiss, partnership 1826–31), ca. 1826–31, Swiss, Geneva, Case: enameled gold; Movement: gilded brass and steel with ruby endstones, Diameter: 1 11/16 in. (4.3 cm), Horology, Watchmaker: Firm

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 43 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 13/16 × 2 7/8 in. (7.2 × 7.3 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Syout, Constructions Modernes - le Divan, etc., 1851–52, printed 1853–54, Salted paper print from paper negative, 23.7 x 29.8 cm. (9 5/16 x 11 3/4 in.), Photographs, Félix Teynard (French, 1817–1892

[Two Musicians], 1870s, Albumen silver print, Photographs, Unknown

St. Francis Receiving the Stigmata, 1611–78, Pen and brown ink, brush and gray wash, over black and red chalk on beige paper. Lined. Ground line and left border line in black chalk, 9-9/16 x 6-15/16 in. (24.3 x 17.7 cm), Drawings, Antonio de

Silver and gilt pyxis (box with lid), Hellenistic, early 3rd century B.C., Apulian, possibly Tarentine, Silver, gold, H. with cover 3 5/16 in. (8.4 cm), Gold and Silver, The Bolsena silver. The inscriptions in Etruscan must have been added

Design for 'Orthographia' pl.5, late 17th–mid-18th century, Pen and black ink, brush and gray wash over black chalk. Inlayed on paper mount with green and black framing lines. Incised(?), 5 15/16 x 11 in. (15.1 x 28 cm), Johann Daniel

[Santa Pudenziana, Rome], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

George Frederick Watts, 1860s, Albumen silver print, 21.7 x 16.4 cm (8 9/16 x 6 7/16 in.), Photographs, David Wilkie Wynfield (British (born India), 1837–1887 London

Dancers in the Rehearsal Room with a Double Bass, ca. 1882–85, Oil on canvas, 15 3/8 x 35 1/4 in. (39.1 x 89.5 cm), Paintings, Edgar Degas (French, Paris 1834–1917 Paris), Degas used an elongated frieze format for more than forty rehearsal

Design for a Triumphal Arch, 1500–1700, Pen and brown ink, brush and brown wash, over traces of leadpoint (?), 13-3/16 x 9-9/16 in. (33.5 x 24.3 cm), Anonymous, Italian, 16th to 17th century

[Civil War View], 1860s, Albumen silver print from glass negative, Photographs, Thomas C. Roche (American, 1826–1895) , et al

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 19 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Saint Agatha, 19th century, Graphite on tracing paper, 4 15/16 x 3 3/4 in. (12.5 x 9.5 cm), Drawings, Paul Flandrin (French, Lyons 1811–1902 Paris

Joseph (from a group with the Adoration of the Magi), ca. 1175–1200, Made in Burgos, Castile-León, Spain, Spanish, Limestone, 50 × 20 1/4 × 19 1/2 in. (127 × 51.4 × 49.5 cm), Sculpture, The Virgin with Christ seated on her lap is

Rearing Horse in Rear Three-Quarter View, 16th century, Black and white chalk on paper prepared with violet wash, 13- 11/16 x 7- 5/16 in. (34.8 x 18.6 cm), Drawings, Anonymous, Italian, Florentine, 16th century

Mug, 18th century, Made in Bohemia, Czech Republic, Non-lead glass with enamel decoration, H. 4 1/8 in. (10.5 cm), Glass

[Mrs. Thomas Ustick Walter and Her Deceased Child], ca. 1846, Daguerreotype, Visible: 4 11/16 x 3 1/2, Case: 5 15/16 x 4 5/8 x 5/8, Photographs, William Langenheim (American, born Germany, Schöningen 1807–1874

Guillemard. Isidore, François. 46 ans, né à St-Michel des Andaines (Orne). Menuisier. Anarchiste 28/2/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

[Tree], ca. 1858, Albumen silver print from glass negative, Mount: 14 1/16 in. × 17 3/4 in. (35.7 × 45.1 cm), Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland), Essential to the stalker's

Guitar, ca. 1630–50, Venice, Italy, Italian, Spruce, bone, parchment, snakewood, ivory, Height: 37 5/8 in. (95.6 cm), Chordophone-Lute-plucked-fretted, Attributed to Matteo Sellas (German, Füssen ca. 1599–1654 Venice), During the

Small Crossbow (Schnepper), Probably for a Woman or Child, dated 1738, Dresden, Saxony, German, Dresden, Steel, wood (fruitwood, probably plum or cherry), staghorn, hemp, wool, gold, horn, L. 22 7/32 in. (56.4 cm); W. 16 15/16 in. (43