Images at Librifly

Rest on the Flight into Egypt, 17th century, Leadpoint or graphite, brush and gray wash, highlighted with lead white on heavy blue paper faded to light brown. Ruled framing outline in black ink, 9-1/16 x 10-7/8 in. (23 x 27.7 cm), Drawings,

Sun Through Tree I, 1934, Watercolor on paper, with selective varnish, 4 5/8 x 5 3/4 in. (11.7 x 14.6 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Peasant of the Alps, June 1, 1771, Etching, plate: 6 x 4 3/16 in. (15.3 x 10.7 cm), Prints, After Sir Henry William Bunbury (British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland

The Lovers, dated A.H. 1039/ A.D. 1630, Attributed to Iran, Isfahan, Opaque watercolor, ink, and gold on paper, Painting: H. 6 7/8 in. (17.5 cm), Codices, Painting by Riza-yi `Abbasi (Persian, ca. 1565–1635), The artist Riza yi 'Abbasi

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 29v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Cathedram S. Petri in interiore templi fronte...Plate 41 from the Album 'Basilica di S. Pietro in Vaticano', 1666 (or after), Engraving (two plates), Plate: 31 5/16 x 20 9/16 in. (79.5 x 52.3 cm), François Spierre (French, Nancy 1639–1681

Finger ring with ancient intaglio, Migration, late 6th–early 7th century A.D., Langobardic (mount), Etruscan (intaglio), Banded agate, gold, Other: 13/16 x 11/16 x 15/16 in. (2.1 x 1.7 x 2.4 cm), Gems, Two warriors supporting a wounded

The Ghost in the Stereoscope, ca. 1856, Albumen silver prints from glass negatives with applied color, Mount: 8.6 x 17.5 cm (3 3/8 x 6 7/8 in.), Photographs, Unknown, Founded in 1854, the London Stereoscopic and Photographic Company was a

Co. D, 21st Michigan Infantry. Sherman's Volunteers, 1861–65, Albumen silver print from glass negative, Photographs

Comb, 6th century, Made in Niederbreisig, Germany, Frankish, Bone, iron pins, Overall: 6 1/2 x 1 3/4 x 11/16 in. (16.5 x 4.5 x 1.7 cm), Ivories-Bone

Design for the Corner of a Cove, 1700–1780, Pen and light brown ink, brush and gray, light brown wash and watercolor, over lead point, with ruled and compass construction, 10 x 6 3/4 in. (25.4 x 17.2 cm) ; cropped at left corner., Drawings,

Design for a Stage set Showing the Interior of a Palace (recto); Architectural Sketch (verso), mid-18th–early 19th century, Pen and black ink, brush with gray wash, touches of mauve, yellow-beige wash over black chalk. Inlayed on paper mount.,

Design for segmental window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache on paper mounted on board, Overall: 8 1/2 x 13 7/8 in. (21.6 x 35.2 cm), Drawings, Possibly Tiffany Glass Company

Descent of Eleven-Headed Kannon, 十一面観音来迎図, Kamakura period (1185–1333), 14th century, Japan, Hanging scroll; ink, color, gold, and cut-out gold on silk, Image: 33 15/16 x 15 1/4 in. (86.2 x 38.7 cm), Paintings, The

Mary Magdalen Penitent, 17th century, Red chalk, sheet: 3 11/16 x 5 3/8 in. (9.4 x 13.7 cm), Drawings, Joachim von Sandrart (German, Frankfurt 1606–1688 Nuremberg

Relief Depicting a Man Inspecting His Stables and Ships Unloading Merchandise, from the Tomb of Meryneith at Saqqara, New Kingdom, Amarna Period - post-Amarna Period, Dynasty 18, ca. 1349–1327 BC, From Egypt, Memphite Region, Memphite

Bathers in Brittany, from the Volpini Suite: Dessins lithographiques, 1889, Zincograph on chrome yellow wove paper; first edition, 9 3/16 x 7 7/8 in. (23.3 x 20.0 cm), Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa,

Interior of a Chapel, 1800–1850, Pen and black ink and gray wash over traces of black chalk, 3-15/16 x 5-7/8 in. (10 x 14.9 cm), Drawings, Anonymous, Italian, 19th century

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Jeremias Wachsmuth, Franz Xavier Habermann, Martin Engelbrecht, Carl Pier, German,

Relief plaque of Hathor emblem, curved as if from a temple frieze, Late Period–Ptolemaic Period, 400–30 B.C., From Egypt, Limestone, H. 24 cm (9 7/16 in.); W. 16.6 cm (6 9/16 in.); D. 9.5 cm (3 3/4 in.); Th. 2.8 cm (1 1/8 in.), Small Late

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 6 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 51r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Carter, the Colorman, ca. 1680, Red chalk heightened with touches of black chalk and graphite, sheet: 10 1/4 x 8 in. (26 x 20.3 cm), Drawings, Charles Beale (British, London 1660–1714 London), Charles Beale II's remarkable red chalk studies

Allegory of Peace, ca. 1520, Pen and brown ink, 4-3/8 x 6 in. (11.1 x 15.2 cm), Drawings, Anonymous, German, 16th century ?, Anonymous, Italian, 16th century

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 3r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Hexagonal dish, 1696, Hungarian, Transylvania, Silver, partly gilded, Diameter: 9 9/16 in. (24.3 cm), Metalwork-Silver, The center of each dish in this set bears an engraved laurel wreath encircling a coat of arms. Small differences in these

Bucranium, Second Intermediate Period, Dynasty 14–17, ca. 1640–1550 B.C., From Egypt, Antler, bone, paint, w. of antlers 45 cm (17 11/16 in

Spouted Bottle, 12th–4th century B.C., Ecuador, Chorrera, Ceramic, H x Diam.: 6 x 6 in. (15.2 x 15.2 cm), Ceramics-Containers, This bottle in the form of a squash is typical of Chorrera ceramics in its minimalist, idealized depiction of the

A French Dragoon, Study for 'The Revolt of Cairo', ca. 1809, Pastel and conté crayon, with some stumping, on gold-colored dyed laid paper, sheet: 23 3/8 x 18 1/2 in. (59.4 x 47 cm), Drawings, Anne Louis Girodet-Trioson (French, Montargis

Human figure, possibly male, Predynastic, Naqada III, ca. 3300–3100 B.C., From Egypt, Ivory, h. 6.6 x w. 2.3 x d. 1.2 cm (2 5/8 x 7/8 x 1/2 in

Shawl, 17th century, Attributed to India, Thanjavur, Cotton, H. 186 in. (472.5 cm), Textiles-Costumes

Coffee Spoon, ca. 1795, Made in Providence, Rhode Island, United States, American, Silver, L. 5 in. (12.7 cm), Silver, David Vinton (1774–1833

Dish, ca. 1765 (?), Austrian, Vienna, Hard-paste porcelain, Diameter: 8 3/8 in. (21.3 cm), Ceramics-Porcelain

Lion Resting, 1810–75, Watercolor on wove paper, lined, Sheet: 5 3/4 x 9 3/16 in. (14.6 x 23.4cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Palazzi di Genova, 1622, Printed text with etched illustrations, 16 5/8 x 11 7/16 x 1 9/16 in. (42.2 x 29.1 x 4 cm), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

Bottle, 1700–1800, Possibly made in Ireland; Possibly made in England, Glass, Overall: 7 3/4 in., 220 Grams (19.7 cm, 7 Troy Ounces), Glass

Platter, 1815–30, Made in Paris, France, French, Porcelain, 1 15/16 x 14 1/4 x 9 15/16 in. (4.9 x 36.2 x 25.2 cm), Ceramics

Group of Standing Saints, 1500–1700, Black, red and blue chalks, pen and brown ink, on light brown paper. Framing outline in brown ink, 8-5/16 x 8-1/16 in. (21.1 x 20.5 cm), Drawings, Anonymous, Italian, 16th to 17th century

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 34r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Les Singuliers et Nouveaux Portraicts... page 46 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Belle Plain. Distant View of Landing, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882), James Gardner (American, born 1832

Landscape, Edo period (1615–1868), 18th–19th century, Japan, Hanging scroll; ink and color on satin, Image: 58 7/16 x 13 1/4 in. (148.4 x 33.7 cm), Paintings, Kushiro Unsen (Japanese, 1759–1811), Unzen, a Nanga artist, trained in

Lacquer Pen Box, probably 1793–94, Country of Origin Iran, Papier-maché; painted and lacquered, H. 2 3/16 in. (5.5 cm), Lacquer, Muhammad Sadiq (active 1740–90s

Fragment, 13th–14th century, Attributed to India. Found Egypt, probably Fustat, Cotton; block-printed and resist-dyed, 12.25 in. high 12.00 in. wide (31.1 cm high 30.5 cm wide), Textiles-Painted and/or Printed

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 20 (recto), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Bow Brooch, first half 6th century, Frankish, Silver-gilt, garnets, Overall: 1 15/16 x 3 5/16 x 1/2 in. (5 x 8.4 x 1.2 cm), Metalwork-Silver, The bow brooch was a component of many Germanic women's dress. In Frankish territory brooches were

Fragment, 14th century, Attributed to India, Gujarat. Found Egypt, probably Fustat, Cotton; painted, mordant and resist-dyed, 16 in. high 12.25 in. wide (40.6 cm high 31.1 cm wide), Textiles-Painted and/or Printed

Design for a Stained Glass Window, Brush and colored washes reworked with colored pencils, 3 7/8 x 2 13/16 in. (9.8 x 7.2 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Left Half Design for Wall Monument with Escutcheon Motif, 17th century, Pen and brown ink, brush and brown wash, sheet: 10 11/16 x 3 7/16 in. (27.2 x 8.8 cm), Drawings, Anonymous, Italian, 17th century

La Vera Perfettione del Disegno di varie sorti di recami, page 16 (recto), 1567

Drawings and Prints, Album Prints Ornament & Architecture, Desseins Arabesques a Plusieurs Usages Inventés par J.B. Toro, Designer, Etcher, Publisher, Jean Bernard Toro, Charles Nicolas Cochin I, Jacques-Nicolas Le Pas Dubuisson, French,

Scene of Martyrdom (Crucifixion of Saint Peter?) (recto); Fragment of Design for Ornamental Border (verso), 17th century, Pen and light brown ink over traces of black chalk. On ivory paper, 3-7/8 x 2-13/16 in. (9.8 x 7.2 cm), Drawings,

Design for the Decoration of the Corner of a Ceiling, 17th century, Pen and brown ink, brush and gray wash and watercolor, over traces of graphite underdrawing and ruled construction, sheet: 5 1/4 x 4 5/8 in. (13.4 x 11.8 cm), Anonymous,

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 17r, Publisher, Designer, Woodcut border designed by, Peter Quentel, Anton Woensam von Worms, German, active Cologne, 1518–46, German, active first

James Hyatt Inhaling Chlorine Gas, 1850–55, Daguerreotype, Image: 2 11/16 × 2 3/16 in. (6.9 × 5.6 cm); visible, Photographs, Peter Welling (American, active c. 1850s), Between 1850 and 1859 Welling operated a daguerreotype portrait studio

[Two Young Workmen with Hatchets], 1860s–70s, Tintype, Image: 7 x 5.6 cm (2 3/4 x 2 3/16 in.), Photographs, Unknown (American

River Scene, 16th century, Pen and brown ink, brown, and red wash, over black chalk; framing lines in brown ink, 5 1/4 x 7 1/2 in. (13.3 x 19.1 cm), Drawings, Circle of Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Mrs. Halford Vaugham, Freshwater, 1873, Albumen silver print, 33.5 x 27.3 cm (13 3/16 x 10 3/4 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Panel painting of a woman in a blue mantle, Roman Period, A.D. 54–68, From Egypt, Encaustic on wood, H. 38 cm (14 15/16 in.); W. 22.3 cm (8 3/4 in.), This young woman is revealed frankly in direct white light, her tiny, elaborate curls and

Scalinata della Trinità dei Monti, ca. 1756–58, Pen and black ink, brush and gray wash, watercolor, over graphite, 13-11/16 x 11-9/16 in. (34.8 x 29.3 cm), Drawings, Giovanni Paolo Panini (Italian, Piacenza 1691–1765 Rome), This

Field and Tournament Armor, ca. 1565, Augsburg, German, Augsburg, Steel, gold, brass, textile, leather, Wt. 61 lb. 1 oz. (27.7 kg), Armor for Man, This armor consists of a mixture of pieces from a large and complex garniture for use in

Egypt, Sinai and Palestine. Supplementary Volume, 1860s, Albumen silver prints, Books, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France

Salt Spoon, 1790–1806, Made in New York, New York, United States, American, Silver, L. 3 3/4 in. (9.5 cm), Silver, Benjamin Halsted (1734–1817

Side Elevation of the Villa of Pope Julius [III.], 1710–27, Pen and brown ink, brush and gray wash, over ruling in graphite, 10-3/16 x 17-1/16 in. (25.9 x 43.4 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome,

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 8r), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Page from Ein new kunstlich Modelbuch...(Page 13v), 1544

Beaker, ca. 1805, Made in New York, United States, American, Silver, H. 4 in. (10.2 cm) 5 oz. 9 dwt (169.4g), Silver, Benjamin Halsted (1734–1817

The Kiss, 1911, Graphite on paper, H. 22, W. 14-3/4 inches, Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Equestrian Portrait of Henry IV, late 18th–early 19th century, Pen and black ink and gray washes, framing lines in brown ink., 16 1/4 x 12 3/8in. (41.3 x 31.5cm), Drawings, Auvrest (French, active late 18th–early 19th century

Wall or Ceiling Decoration with a Young Man (Phaeton?) in a horse-drawn Chariot, 18th century, Pen, 2 x 5 in, Anonymous, Italian, 18th century

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Length 9.2 cm. H. 2.7 cm., Terracottas

Fasciculo di medicina, February 5, 1493 [modern style, 1494], Woodcut, Overall: 12 7/16 x 8 7/16 x 9/16 in. (31.6 x 21.5 x 1.5 cm), Books, This book, a compendium of medical knowledge associated with the obscure author Johannes de Ketham,

Reproductive Print of the Miracles of St. Francis Xavier Altarpiece, 1615–39, Engraving, Sheet: 22 1/2 x 17 9/16 in. (57.2 x 44.6 cm), Prints, Ignatius Cornelis Marinus, Flemish London 1599–1639 Antwerp, After Peter Paul Rubens (Flemish,

Pourry. François, Nicolas. 58 ans, né à Ars-sur-Moselle (Alsace-Lorraine). Ajusteur. Anarchiste. 3/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Three Little Girls in a Room Arguing and Spitting, 1835–1903, Pen and black ink over traces of a graphite underdrawing, touches of white gouache., 7 3/8 x 5 11/16 in. (18.7 x 14.5 cm), Drawings, Lorenz Frølich (Danish, Copenhagen

Opera Nova Universali intitulata Corona di racammi, page 37 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Athena, 1510–50, Engraving, Sheet: 8 13/16 in. × 6 in. (22.4 × 15.2 cm), Prints, Anonymous, Italian, 16th century, In Mariette Album, folio 71, lower left

Chalice adorned with Saints, BIshops and Kings, second half 19th century, Graphite, sheet: 8 9/16 x 4 3/4 in. (21.8 x 12 cm), Anonymous, British, 19th century

Demi-Monde II 57, 1858–68, Albumen silver print from glass negative, Albums, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 5/8 x 3 7/8 in. (4.1 x 9.8 cm), Terracottas

The Crucifixion, 1340s, Tempera and gold leaf on wood, Overall 16 1/2 x 12 1/2 in. (41.9 x 31.8 cm); painted surface 14 1/8 x 10 1/8 in. (35.9 x 25.7 cm), Paintings, Pietro Lorenzetti (Italian, active Siena 1320–44), Pietro Lorenzetti was

A Disheveled Woman with a Group, from Images of Spain Album, 76, 1812–20, Brush and brown wash over black chalk on laid paper, Sheet: 8-1/8 x 5-11/16 in. (20.6 x 14.5cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos

The Infant St. John the Baptist, 1618–82, Pen and brown ink with brush and gray wash over black chalk underdrawing. Composition outlined with black chalk inner line and brush and gray wash outer line. Framing lines ruled in, in pen and

Dress, ca. 1870, British, silk, By 1866 fashion had decreed that the fullness of the skirt hsould be gathered up somewhat at the back, and that an overskirt should be added to the full skirt. In 1868 the great expanse of the skirt narrowed

[Carte-de-Visite Album of Prominent Personages], 1860s–70s, Albumen silver prints, Albums, Mayer & Pierson (French), Robert Jefferson Bingham (British, active France, 1825–70), Neurdein Frères (French, active Paris, 1870s–1900s),

Putti Supporting Coat of Arms above Archway, 17th–18th century, Pen and brown ink, brush and gray-brown wash, over traces of graphite underdrawing, sheet: 8 9/16 x 12 in. (21.8 x 30.5 cm), Anonymous, Italian, 17th or 18th century

Painted Dado Panels, 9th century, Excavated in Iran, Nishapur, Stucco; painted, H. 40 3/8 in. (102.6 cm), Stucco, This dado panel was excavated from a room in the Tepe Madrasa area of Nishapur that once had a lively scheme of painted

Design for a Window Frame, 18th century, Pen and brown ink, brush with gray, yellow, and pink wash, on cream laid paper. Dimensions of height and width of window marked in ruled lines and inscribed 'B.o 3 1/2' and 'B.o 6', 4 x 2-7/8 in. (10.1

Esemplario di Lauori..., page 14 (verso), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore

Hébert. Georges, Henri. 27 (ou 29) ans, né à Bayeux (Calvados). Menuisier. Anarchiste. 23/4/92. , 1892, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

The Apostles Looking at Christ and the Virgin in a Glory of Angels (bottom right plate), 1546, Etching, 15 3/16 x 21 11/16 in. (38.5 x 55.1 cm), Prints, Léon Davent (French, active 1540–56), after Giulio Romano (Italian, Rome 1499?–1546

U.S. Monitor Lehigh, James River, 1861–65, Albumen silver print from glass negative, Photographs

Design for a Painted Wall Decoration, 1800–1830, Pen and brown and gray ink, brush and colored wash, 17-5/16 x 12-15/16 in. (44.0 x 32.9 cm), Drawings, Francesco Stagni (Italian, died Bologna, 1830

Headquarters, Co. F, 11th Rhode Island Infantry, Miner's Hill, Virginia, 1862, Albumen silver print from glass negative, Photographs

Lucretia Preparing to Kill Herself, ca. 1542–43, Engraving, 1st state (before address of Salamanca), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma

清 紫晶立佛, Standing Buddha, Qing dynasty (1644–1911), 18th century, China, Amethystine quartz, H. 2 1/8 in. (5.4 cm), Hardstone

Earrings with ibex head terminal, Ptolemaic Period, 4th–3rd century B.C., From Egypt, Gold, a. As Worn: H. 1.7 × W. 1.8 cm (11/16 × 11/16 in.), Hoops formed of wound wire with animal head terminals are the commonest type of Hellenistic

Processional Standard ('Alam), late 17th–early 18th century, Made in India, probably Hyderabad, Deccan, Brass, H. 38 in. (96.5 cm), Metal, Standards are used in many parts of the Muslim world by the Shi'a community in processions marking

Terracotta Panathenaic prize amphora, Classical, ca. 366/365 B.C., Greek, Attic, Terracotta; black-figure, H. with lid 34 in. (86.3 cm); H. without lid 27 3/4 in. (70.5 cm); diameter of mouth 9 in. (22.9 cm); diameter of foot 5 1/2 in. (14 cm),

Wharves at Richmond, Virginia, 1865, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C