Images at Librifly

Elephant Group, 1860s–70s, Albumen silver print from glass negative, 24.8 x 30.6 cm (9 3/4 x 12 1/16 in.), Photographs, Unknown, The technology for photography arrived in India in the 1840s and quickly became popular among the local

The Colossus of Rhodes, 18th–19th century, Pen and brown ink, brush and grey wash, Sheet: 3 5/16 × 4 3/8 in. (8.4 × 11.1 cm), Drawings, Edward Francis Burney (British, Worcester 1760–1848 London

Cabinet Design with a Central Urn Ornament, 19th century, Graphite and scratching on grey ground, sheet: 4 15/16 x 4 1/8 in. (12.5 x 10.4 cm), Anonymous, British, 19th century

Design (Full-Scale Working Drawing) for a Large Oval Silver Dish with Silver Gilt Border Showing Vulcan's Forge, 1646–1722, Pen and brown ink, brush and brown wash, yellow and blue watercolor over black chalk. Framing lines in pen and brown

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 12 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

第二次エチオピア戦争図長襦袢, Man’s Under-Kimono (Nagajuban) with “Italy in Ethiopia” Symbols, Shōwa period (1926–89), ca. 1935–45, Japan, Printed silk, Overall: 53 × 52 in. (134.6 × 132.1 cm), Textiles-Costumes,

'Happy Thought', 1845–91, Pen, brush, and brown ink over graphite with touches of white gouache, Sheet: 4 7/16 × 7 1/8 in. (11.3 × 18.1 cm), Drawings, Charles Samuel Keene (British, Hornsey, Middlesex 1823–1891 London

Chalice from St. Michael's York, second half 19th century, Graphite on tracing paper, sheet: 6 1/16 x 4 1/8 in. (15.4 x 10.4 cm), Anonymous, British, 19th century

Villetard. Jules, Pierre. 42 ans, né à Ligny-le-Chastel (Yonne). Terrassier. Anarchiste. 5/3/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Gold sheet appliques, Migration, 1st half of the 5th century A.D., East Germanic or nomadic (?), Gold, (Type A): 9/16 × 3/8 × 1/16 in. (1.4 × 1 × 0.2 cm), Gold and Silver, These delicate objects come from the Crimea in the Ukraine, where

Knife Sheath, 1850–60, Canada, British Columbia, Tahltan, Wool and cotton trade cloth, glass and metal beads, Native-tanned skin, H. 40 1/8 x W. 3 1/4 in. (101.9 x 8.3 cm), Textiles-Beadwork

Design for a Medal Commemorating the Treaty of Paris, 1814, 19th century, Pen and brown ink, brown wash., 15 3/8 x 10 9/16 in. (39.1 x 26.9 cm), Drawings, Jacques Édouard Gatteaux (French, Paris 1788–1881 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 7 (recto), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, 1564, Calepino, Foresto, Iseppo, Italian, 1500,

Facade (for Stage Setting), 16th century, Pen and brown ink, washed with red, 14 x 2-3/4 in. (35.6 x 7.0 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Cartouche, 1830–1904, Ink, Robert William Hume (British, London 1816–1904 Long Island City

Death of Aridaeus and Eurydice, 18th–19th century, Pen and brown ink, brush and grey wash, Sheet: 3 3/16 × 4 1/2 in. (8.1 × 11.4 cm), Drawings, Edward Francis Burney (British, Worcester 1760–1848 London

Springer. François. 21 ans, né le 17/9/72 à Duisburg (Allemagne). Menuisier. Anarchiste. 17/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Floral Design, n.d., Red, black, white, and yellow chalk, 11 x 9 9/16in. (28 x 24.3cm), Drawings, Antoine Berjon (French, Lyon 1754–1843 Lyon

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 26 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Goblet with Applied Decoration, 11th–early 12th century, Attributed to Iran, Colorless glass with greenish tinge; blown, applied decoration, H. 4 1/2 in. (11.4 cm), Glass, This dainty goblet with a flange, or projecting ridge, and a

Portrait of the Emperor Joseph II as Military Commander, early to mid-18th century, Brush and grey ink, grey wash, heightened with white bodycolour, over a sketch in graphite; on blue paper, sheet: 14 3/4 x 11 1/2 in. (37.5 x 29.2 cm),

The Adoration of the Shepherds, Etching, Prints, Etched by Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)), Designed by Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

Gold Earring with Garnets, 5th–6th century, Ostrogothic, Gold, garnet, Overall: 1 9/16 x 3/8 in. (3.9 x 1 cm), Metalwork-Gold, Hoop earrings with fourteen-sided beads derived from late Roman jewelry and were adopted in the 400s by eastern

Speculum Romanae Magnificentiae: The Pantheon, 1649, Engraving; second state of two (Robert-Dumesnil), Plate: 18 3/16 x 18 5/16 in. (46.2 x 46.5 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Leopard Lying Down, 1810–75, Watercolor on wove paper, Sheet: 6 7/16 x 8 15/16 in. (16.3 x 22.7cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 33v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Square-Headed Bow Brooch, first half of 6th century, Langobardic, Copper alloy, gilt, silvered on inner face, Overall: 2 1/2 x 1 1/4 x 1/2 in. (6.4 x 3.2 x 1.2 cm), Metalwork-Copper alloy

Allegory with a radiant figure beset by dark spirits (Images of Spain Album, 45), 1812–20, Brush and irongall wash on laid paper, Sheet: 8-1/16 x 5-9/16 in. (20.5 x 14.2cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish,

Bucranium, Second Intermediate Period, Dynasty 14–17, ca. 1640–1550 B.C., From Egypt and Sudan, Nubia, Found in Egypt, Antler, bone, paint, h. of skull 13.5 cm (5 5/16in); w. of antlers 13 cm (5 1/8 in

Seated Girl, 1820–40, Black and white chalks on blue paper, sheet: 7 x 4 1/8 in. (17.8 x 10.4 cm), Drawings, George Jones (British, London 1786–1869 London), The draftsman of this sketch was one of Britain's most successful battle painters

View of London from Greenwich, 1825, Watercolor and ink and traces of graphite, sheet: 8 3/8 x 11 in. (21.3 x 28 cm), Drawings, Joseph Mallord William Turner (British, London 1775–1851 London), Turner here offers a panorama of greater London

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 8r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Comb, late 15th or early 16th century, North French, Ivory, Overall: 4 3/4 x 5 15/16 x 1/4 in. (12.1 x 15.1 x 0.7 cm), Ivories

Interior showing Staircase and Skylight, 19th century, Watercolor over graphite with touches of gilt, image: 13 1/16 x 9 3/16 in. (33.1 x 23.4 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son, John Dibblee Crace

Purse Mount, first half of the 7th century, Made in Northern France, Frankish, base silver or copper alloy (frame and cloisons), glass, Overall: 4 13/16 x 1 1/8 x 3/8 in. (12.3 x 2.8 x 1 cm), Metalwork

Saint Sebastian Exhorts the Christian Prisoners, 18th century, Pen and black ink, brush and brown wash, highlighted with white gouache, 9-3/16 x 13-9/16 in. (23.3 x 34.5 cm), Drawings, Anonymous, Italian, first half of the 18th century

Disk Brooch, first half 6th century, Frankish, Silver-gilt, garnets with patterned foil backings., Overall: 1 7/16 x 1/4 in. (3.6 x 0.6 cm), Metalwork-Silver, Garnets, worked in the cloisonné technique, featured prominently in the luxury

Condiment Dish, 1885, Made in Brooklyn, New York, United States, American, Porcelain, 4 7/8 x 3 15/16 in. (12.4 x 10 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Union Porcelain Works was one of the most important and inventive

Fish-shaped palette, Predynastic, Naqada III, ca. 3300–3100 B.C., From Egypt, Southern Upper Egypt, Hierakonpolis (Nekhen), Fort Cemetery (Hk 27), Tomb 23, 1934–35, Greywacke, H: 11.9 cm (4 11/16 in.); W: 23.5 cm (9 1/4 in

Snuff bottle with god of longevity and deer, Qing dynasty (1644–1911), 18th–19th century, China, Rock crystal with tourmaline stopper, H. 3 1/8 in. (7.9 cm); W. 2 1/8 in. (5.4 cm); D. 1 1/8 in. (2.9 cm), Snuff Bottles

Louise Abigdon, 1866, Albumen silver print from glass negative, Image: 18.4 × 24.8 cm (7 1/4 in., 24.8 cm), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Drawings and Prints, Book Prints Ornament & Architecture, Ein ney Furmbüchlein, Page 6, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, ca. 1525–29

Book illustration: Knight and Monk, 1820–48, Sepia Wash, Sheet: 5 3/8 x 6 1/16 in. (13.7 x 15.4 cm), Drawings, John William Wright (British, London 1802–1848 London

Design for Panelled Ceiling with Figures and Carving, 19th century, Graphite, black and brown ink, sheet: 21 1/4 x 15 1/4 in. (54 x 38.7 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Carnelian scarab, ca. 325–200 B.C., Etruscan, Carnelian, Other: 3/8 x 1/2 x 5/8 in. (0.9 x 1.3 x 1.6 cm), Gems, Man kneeling on a deer, perhaps Herakles and the Arcadian stag

Design for a Ceiling With an Elaborate Cove, 1700–1780, Pen and gray and brown ink, brush and gray wash over black chalk underdrawing, with ruled and compass construction in lead point. Scales at bottom., 13 9/16 x 12 9/16 in. (34.5 x 31.9

Opera Nova Universali intitulata Corona di racammi, page 20 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

元 黑漆嵌螺鈿人物故事圖九方盤, Tray with Figures in a Landscape, Yuan dynasty (1271–1368), 14th century, China, Black lacquer with mother-of-pearl inlay, H. 2 1/8 in. (5.4 cm); Diam. 19 1/4 in. (48.9 cm); Diam. of foot 17 in.

Soup Dish, 1815–30, Made in Paris, France, French, Porcelain, H. 1 3/4 in. (4.4 cm); Diam. 9 1/4 in. (23.5 cm), Ceramics

Relief fragment: foreigner with feather in his hair and Nubian, Middle Kingdom, Dynasty 12, ca. 1961–1917 B.C., From Egypt, Memphite Region, Lisht South, Pyramid Temple of Senwosret I, Causeway, 1912–13, Limestone, paint, H. 22.5 cm

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 18 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Study of a man pushing a plow, ca. 1870, Pen and black ink, sheet: 5-7/8 x 4-1/8, Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

'Yusuf is Drawn Up from the Well', Folio from a Yusuf and Zulaikha of Jami, second half 16th century, Attributed to Iran, Shiraz, Opaque watercolor, and gold on paper, Painting: Ht. 8 in. (20.3 cm), Codices

Tumbler, ca. 1883–88, Made in East Cambridge, Massachusetts, United States, American, Blown glass, H. 4 3/16 in. (10.6 cm); Diam. 2 1/4 in. (5.7 cm), Glass, Probably New England Glass Company (American, East Cambridge, Massachusetts,

Médînet-Abou (Thèbes), Constructions Postérieures - Fragment de Sculptures Sur la Face Nord-Est, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.6 x 30.1 cm. (9 11/16 x 11 7/8 in.), Photographs, Félix Teynard

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 68 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Allegory of Christian Virtues, 1746, Black chalk, grey wash, white bodycolour, on blue paper, sheet: 8 11/16 x 6 9/16 in. (22 x 16.6 cm), Drawings, Johann Elias Ridinger (German, Ulm 1698–1767 Augsburg

Designs for Sideboard with Elliptic Plinth, 1835–1900, Ink, graphite on pink paper, Robert William Hume (British, London 1816–1904 Long Island City

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 19 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

明中期 剔紅四季花卉紋拂塵, Fly whisk with the Flowers of the Four Seasons, Ming dynasty (1368–1644), 16th century, China, Carved red lacquer, L. (of handle) 11 1/4 in.(28.5 cm), Lacquer, This grouping of bamboo, chrysanthemums,

Mer de Glace from Montanvert, 1852, Photogravure, 6.9 x 6.7 cm. (2 3/4 x 2 5/8 in.), William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 3r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Il Monte. Opera Nova di Recami, page 9 (verso), after 1557

Design for a Suburban Villa (Perspective), after 1862, Watercolor and graphite, sheet: 11 x 7 in. (27.9 x 17.8 cm), Attributed to William Richardson (British, active 1842–77

Funerary Stele with Architectural Frame, 6th–7th century, Made in Egypt, Limestone; carved and painted, H. 20 11/16 in. (52.5 cm), Sculpture, Funerary stelae from the Byzantine period in Egypt, carved in stone and usually painted, were

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 49), Artist, Publisher, Artist, After, Jacob Floris,

Vase, 1835–45, Made in Sandwich, Massachusetts, United States, American, Pressed glass, H. 11 1/2 in. (29.2 cm), Glass, Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts

Bronze neck-amphora (jar) with lid and bail handle, Archaic, last quarter of the 6th century B.C., Greek, Bronze, H. with handle 21 11/16 in. (55.1 cm), Bronzes, Metal vases are far more rare than their ceramic counterparts because fewer were

日本　瀬戸天目茶碗 (18世紀), Teabowl with “Hare’s-Fur” Glaze, Edo period (1615–1868), 18th century, Japan, Stoneware with iron-oxide glaze (Seto ware), Diam. 4 3/4 in. (12.1 cm), Ceramics, First opened in the twelfth

Europe, 1728–74, Graphite, 9 1/4 x 13 3/16 in. (23.5 x 33.5 cm), Drawings, Gottfried Bernhard Goetz (German, Velehrad 1708–1774 Augsburg

Bull Run. Orange and Alexandria R.R. near Union Mills, 1861–65, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882), George N. Barnard (American, 1819–1902

Perspectival Study with a View of a Medieval City, 1600–1650, Pen and black ink, touches of red chalk, 6-3/4 x 11-3/8 in. (17.2 x 28.9 cm), Drawings, Attributed to Matthäus Merian the Elder (Swiss, Basel 1593–1650 Schwalbach

Standing Roman, late 1860s–70s, Pen and gray ink, brush and gray wash, sheet: 10 1/2 x 7 1/16 in. (26.6 x 18 cm), Drawings, Attributed to Sir Lawrence Alma-Tadema (British (born The Netherlands), Dronrijp 1836–1912 Wiesbaden), A noble

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 64 x 49 1/2 x 4 1/2 in. (162.6 x 125.7 x 11.4 cm), Stone-Reliefs-Inscribed, This panel from the Northwest Palace at Nimrud

Sèriè à la Ristori, 1860s, Albumen silver print from glass negative, 9.8 x 13.3 cm. (3 7/8 x 5 1/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Presentation Box, late Ming dynasty (1368–1644), first half of the 17th century, China, Carved red lacquer with gilded ground, H. 4 in. (10.2 cm); W. 28 in. (71.1 cm); D. 7 in. (17.8 cm), Lacquer, Until recent times, boxes for presenting

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 25r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Pyramus and Thisbe, ca. 1580, Brush and brown and black gouache, heightened with white bodycolor, 3 1/2 x 4 3/4 in. (8.9 x 12.1 cm), Drawings, Anonymous, German, 17th century

Trionfo Di Virtu. Libro Novo..., page 7 (verso), 1563

Esemplario di Lauori..., page 6 (verso), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore (Giovanni's

Design for a Tomb, with Ducal Crown at the Center, 18th century, Pen and wash, 11-3/4 x 9 in, Drawings, Anonymous, Italian, 18th century

Hercules (?), ca. 1550–55 (?), Etching, Prints, Etched by Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 47, bottom right

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 33 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Christ Appearing to St. Bernard, 1700–1766, Pen and brown ink, brush and gray wash over black chalk, sheet: 15 9/16 x 9 5/16 in. (39.5 x 23.7 cm), Drawings, Johann Georg Wolcker (German, Burgau 1700–1766 Augsburg

Human-headed cat, Third Intermediate Period–Late Period, Dynasty 22–26, ca. 945–525 B.C., From Egypt, Faience, H. 3.9 x W. 2.7 x D. 1.3 cm (1 9/16 x 1 1/16 x 1/2 in.), This figure is part of a repertoire of figures created in a

唐 三彩鴻雁紋盤, Tray, Tang dynasty (618–907), 8th century, China, Earthenware with three-color (sancai) glaze, H. 2 3/8 in. (6 cm); Diam. 11 3/8 in. (28.9 cm), Ceramics, The shape of this tray emulates silver examples imported from

Eliezer and Rebecca, mid-17th century, British, Silk on canvas, H. 17 1/4 x W. 20 3/4 inches (43.8 x 52.7 cm); Framed: H. 19 1/2 x W. 23 1/4 x D. 1 1/4 inches (49.5 x 59.1 x 3.2 cm), Textiles-Embroidered

Terracotta hydria (water jar), Archaic, ca. 510 B.C., Greek, Attic, Terracotta; black-figure, H. 21 5/16 in. (54.1 cm), Vases, On the body, Achilles and Ajax playing board game at Troy, On the shoulder, chariot departing. The scene on the

Covered Vase, ca. 1800, Made in China, Chinese, Porcelain, H. 13 in. (33 cm), Ceramics

Marble head of a boy wearing a wreath, Antonine, mid–2nd century A.D., Roman, Marble, H. 8 1/4 in. (21 cm), Stone Sculpture, The child wears a wreath of grape clusters and leaves, associating him with the cult of the god Dionysos

Standing Figure, 2nd century B.C.–A.D. 1st century, United States, Alaska, Old Bering Sea, Ivory (walrus), H. 8 7/8 in. (22.5 cm), Bone/Ivory-Sculpture, In the last two millennia before the Common Era, the peoples who established

Design for a fireplace, mid-18th–late 18th century, Ink, watercolor, sheet: 10 3/4 x 17 3/8 in. (27.3 x 44.1 cm), Drawings, Attributed to Robert Adam (British, Kirkcaldy, Scotland 1728–1792 London

Interior view of Fountains Abbey, Yorkshire, mid-18th–early 19th century, Ink, blue and gray wash, Sheet: 9 5/8 x 11 1/2 in. (24.4 x 29.2 cm), Drawings, Thomas Sunderland (British, Whittington Hall, Lonsdale 1744–1828 Littlecroft),

Pictorial Photographs. A Record of the Photographic Salon of 1897. In Seventeen Plates Reproduced in Photogravure, 1897, Photogravures, Each sheet: 14 3/4 × 10 1/2 in. (37.5 × 26.7 cm), Books, W. Thomas (British), Paul Martin, Heinrich Kühn

Leopard and Serpent, 1810–75, Watercolor on laid paper, Sheet: 6 5/8 x 9 7/8 in. (16.8 x 25.1cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Rattle, cow, New Kingdom, Dynasty 18, ca. 1550–1295 B.C., From Egypt, Pottery, L. 9.8 cm (3 7/8 in.); H. 9 cm (3 9/16 in.); W. 2.6 cm (1 in.), This rattle has the form of a cow with stumps indicating the protruding knees of its legs folded

Lamp, saucer-shaped, 4th century B.C., Cypriot, Terracotta, Overall: 1 5/8 x 3 7/8 in. (4.1 x 9.8 cm), Terracottas

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 14v), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Parisot. Louis. 37 ans, né à Saint-Avalet (Moselle). Employé au 'Petit Journal'. Anarchiste. 2/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Jar with Carved Benedictory Arabic Inscription in Thuluth Script, 12th–13th century, Attributed to Syria, Raqqa, Stonepaste; carved and painted under transparent glaze, H. 5 1/2 in. (14 cm), Ceramics