Images at Librifly

Inlay depicting Thoth as the ibis with a maat feather, Late Period–Ptolemaic Period, 4th century B.C., From Egypt; Possibly from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Faience, H. 15.5 cm (6 1/8 in.); W. 1 cm (3/8 in.); L. 15.6 cm (6

Encaustic Tile, ca. 1890, Made in Zanesville, Ohio, United States, American, Earthenware, 12 1/8 x 18 in. (30.8 x 45.7 cm), Ceramics

Design for One Half of a Ceiling, 18th century, Pen and brown ink, brush and gray wash, over black chalk, with ruled and compass construction, sheet: 11 3/8 x 8 13/16 in. (28.9 x 22.4 cm), Drawings, Anonymous, Italian, Piedmontese, 18th

Anchira-taisho Jochi, 安底羅大将図像(付.裏書), Heian period (794–1185), 1164, Japan, Pair of hanging scrolls; ink on paper, Image (a): 21 7/8 x 12 5/8 in. (55.6 x 32.1 cm), Paintings, The subject of this iconographic drawing,

Les Chiens, 1875–80, Albumen silver print from glass negative, 22.7 x 16.8 cm (8 15/16 x 6 5/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), The countess conceived a sort of mortuary chapel around the little corpse of her

Ernest Chassériau (?), 1851, Conté crayon, with touches of white chalk, on wove paper, Sheet: 9 3/8 x 7 3/4 in. (23.8 x 19.7 cm), Drawings, Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris), The

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 13r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Interior of a Morning Room with Wainscoting, Striped Curtains, and Painted Walls, 19th century, Watercolor over graphite, sheet: 12 9/16 x 10 1/8 in. (31.9 x 25.7 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son, John

Tieback, ca. 1860, Made in United States, American, Gilt bronze, blown glass, Glass

The Fall of Simon Magus, 18th century, Red chalks on beige paper, 13-3/8 x 8-7/16 in. (34 x 21.5 cm), Drawings, attributed to Anonymous, Italian, first half of the 18th century

Design for Wall including Chimney and Red Banquette, 19th century, Ink and watercolor, Anonymous, British, 19th century

Woman Drying Her Foot, 1885–86, Pastel on buff wove paper, affixed to original pulpboard mount, 19 3/4 x 21 1/4 in. (50.2 x 54 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), In this pastel and another of 1885–86 (Musée

Inrō with Dragonflies, 蜻蛉蒔絵印籠, Edo period (1615–1868), second half of the 18th century, Japan, Three cases; lacquered wood with gold, red lacquer takamaki-e, hiramaki-e with mother-of-pearl inlay on black lacquer ground;

'The Old Snake Tells the Tale of Biting the Ascetic's Son by Mistake', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

Vase, 1760–65, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 6 3/8 in. (16.2 cm), Glass

Portrait of the Postillion Johann Heinrich Matheis, 1800–1865, Pen and black ink, sheet: 7 13/16 x 5 3/16 in. (19.9 x 13.1 cm), Drawings, Gerhardt Wilhelm von Reutern (German, 1794–1865 Frankfurt

Design for Library or Dining Room Ceiling, Coffered and Painted Rust and Olive Green, 1888, Graphite, watercolor and gilt, sheet: 13 3/8 x 19 3/4 in. (34 x 50.2 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son, John

Design for a Ceiling with Apollo on his Wagon in the Central Compartment, 18th century, Pen, wash, and watercolor, 6-5/8 x 12-7/16 in, Anonymous, Italian, 18th century

Three National Child Labor Committee Exhibition Panels, 1913–14, Gelatin silver print, 8.9 x 15.0 cm (3 1/2 x 5 15/16 in.), Photographs, Lewis Hine (American, 1874–1940), Trained as a sociologist at Columbia University, Lewis Hine gave up

Bowl, 1736–95, Made in China, Chinese, Porcelain, H. 4 1/8 in. (10.5 cm); Diam. 9 in. (22.9 cm), Ceramics

Mask, 13th–14th century, United States, Williams Island reportedly, Tennessee, Mississippian, Shell, H. 6 5/16 x W. 5 1/8 x D. 1 5/8 in. (16.1 x 13 x 4.2 cm), Shell-Ornaments

Design for a Chimneypiece in the Garden Hall, Manresa House, Roehampton, Surrey, ca. 1760, Pen and brown ink, brush and gray wash, sheet: 6 1/2 x 12 in. (16.5 x 30.5 cm), After Sir William Chambers (British (born Sweden), Göteborg

Cupid and Minerva, 1788, Pen and brown ink, brush and gray wash over graphite, Overall: 6 15/16 x 5 5/16in. (17.6 x 13.5cm), Drawings, Richard Cosway (British, Oakford, Devon 1742–1821 London), Demonstrating close study of classical and

[Group of 3 Stereograph Views of Fleet Street, London, England], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, J. F. Jarvis (American), Benneville Lloyd Singley (American, Union

Landscape with the Baptism of Christ, 17th century, Pen and brown ink over traces of black chalk on light brown paper, 7-13/16 x 10-11/16 in. (19.8 x 27.2 cm), Drawings, Anonymous, Italian, Bolognese, 17th century

The Evacuation of Fort Sumter, April 1861, April 1861, Albumen silver print from glass negative, Image: 1 15/16 × 3 1/8 in. (5 × 7.9 cm), Photographs

Mother and Child and a Female Figure, 19th century, Graphite, 6 1/8 x 9 1/4 in. (15.5 x 23.5 cm), Drawings, Narcisse-Virgile Diaz de la Peña (French, Bordeaux 1808–1876 Menton

Saints Augustine and Francis, a Bishop Saint, and Saint Benedict, Tempera on paper, laid down on canvas, transferred from wood, 56 x 39 1/2 in. (142.2 x 100.3 cm), Pastels & Oil Sketches on Paper, Fra Filippo Lippi (Italian, Florence ca.

Box for Tooth Black with Design of Saltmaking Hut on the Shore (Suma no ura), Muromachi period (1392–1573), 15th century, Japan, Gold maki-e on black lacquer, H. 1 3/8 in. (3.5 cm); W. 2 1/8 in. (5.4 cm); L. 3 1/8 in. (7.9 cm), Lacquer

小倉百人一首和歌巻断簡, Two Poems from One Hundred Poems by One Hundred Poets (Ogura hyakunin isshu), Momoyama period (1573–1615), ca. 1615–20, Japan, Section of scroll; ink, silver, and gold on paper, Image: 13 in. × 23 3/4

Upper part of a naos sistrum, Third Intermediate Period–Late Period, Dynasty 22-26, ca. 945–525 BC, From Egypt, Blue faience, H. 19 cm (7 1/2 in.); W. 7.3 cm (2 7/8 in.); D. 3.5 cm (1 3/8 in.), This upper part of a naos sistrum preserves

Candlestick with Three Branches, 18th century, Pen and brown ink, gray and brown washes, over graphite, 12-1/4 x 8-1/2 in, Drawings, Anonymous, Italian, 18th century

A Blot-Lake with Boat, Surrounded by Trees, 1735–86, Brush and black ink, Sheet: 6 3/8 x 8 1/4 in. (16.2 x 21 cm), Drawings, Alexander Cozens (British, Russia 1717–1786 London

Duprat. François, Louis. 34 ans, né à St-Martin (Gers). Marchand de vins. Anarchiste. 27/4/92., 1892, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Plate, 1880–88, Made in Sandwich, Massachusetts, United States, American, Blown amber glass with applied threaded decoration, Diam. 6 5/16 in. (16 cm), Glass, Possibly Boston & Sandwich Glass Company (American, 1825–1888, Sandwich,

Elevator Screen, Farwell Building, late 19th–early 20th century, Made in New York, United States, American, Black ink and graphite with watercolor and compass construction on wove paper, mounted on illustration board, Overall: 25 1/2 x 38

Saint Martin Brings a Dead Man to Life, 1430–35, Flemish, Linen plain weave underlaid with linen plain weave and embroidered with silk and gilt-metal-strip-wrapped silk in split and stem stitches, laid work, and couching, including or nué,

Study of Hibiscus Plants, 1828, Oil on paper, 10 1/8 x 14 3/4 in. (25.7 x 37.5 cm), Drawings, Adolf Senff (German, Halle 1785–1863 Ostrau

[Two Tinsmiths], 1860s–70s, Tintype, Image: 8.8 x 5.8 cm (3 7/16 x 2 5/16 in.), Photographs, Unknown (American

The Crest of Mission Ridge, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Saucer, 18th century, Possibly made in Italy; Possibly made in Germany, Italian or German, Opaque glass, Diam. 4 1/2 in. (11.4 cm), Glass

Spoon, 1720–30, Made in Boston, Massachusetts, United States, American, Silver, L. 7 3/8 in. (18.7 cm), Silver, Jonathon Reed (active ca. 1730–42

Textile Fragment from the Dalmatic of San Valerius, 13th century, Made in Spain, Silk, gilt animal substrate around a silk core; tapestry weave, Textile: H. 3 1/8 in. (8 cm), Textiles-Woven, This brocaded textile was originally applied to a

Ceiling Design for the Boudoir, Ardgowan, ca. 1868, Watercolor over graphite, sheet: 13 1/2 x 16 1/2 in. (34.3 x 41.9 cm), Attributed to J. S. Pearse (British, active 1854–68

Saltcellar, ca. 1820, Made in Mexico, Mexican, Tin-glazed earthenware, H. 2 5/8 in. (6.7 cm), Ceramics

Abâzîz, Intérieur d'un Village Arabe, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.0 x 30.3 cm. (9 7/16 x 11 15/16 in.), Photographs, Félix Teynard (French, 1817–1892

Saint Nicholas with the Three Boys in the Pickling Tub, ca. 1500, South Netherlandish, Oak, Overall: 42 1/2 x 20 x 15 1/2 in. (108 x 50.8 x 39.4 cm), Sculpture-Wood, According to popular legend, Saint Nicholas restored life to three youths who

[Church Portal with Mosaic of Christ Enthroned in Majesty], 1880s, Albumen silver print, Photographs, Unknown

Bead shaped like a Coleoptera beetle, Predynastic, Naqada III–Early Dynastic Period, ca. 3300–2650 B.C., From Egypt, Bone (mineralized), L. 4.2 x Diam. 1.3 cm (1 5/8 x 1/2 in.), A bead in the form of a click beetle (Coleoptera

Drawings and Prints, Books Prints Ornament & Architecture, Prima Parte de' Fiori, e Disegni di varie sorti di Ricami Moderni, page 13 (recto), Author, Publisher, Giovanni Battista Ciotti, Francesco de' Franceschi, Italian, born Siena, ca.

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 10 (verso), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Shabti coffin of Wahneferhotep, Middle Kingdom, Dynasty 12–13, ca. 1981–1640 B.C., From Egypt, Memphite Region, Lisht South, Pyramid Temple of Senwosret I, Causeway, Northern lane, 1913–14, Wood, paint, gold leaf., L. 25.1 cm (9

Drawings and Prints, Print, Temple de Venus et de Rome, from Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore, Artist, Publisher, Printer, Engraver, After, Jean

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 60 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

[Four Pugilists with a Bottle at Their Feet], 1870–80s, Tintype, Image: 11.3 x 8.2 cm (4 7/16 x 3 1/4 in.), Photographs, Unknown (American

The Annunciation, ca. 1465–70, Oil on wood, 73 1/4 x 45 1/4 in. (186.1 x 114.9 cm), Paintings, Hans Memling (Netherlandish, Seligenstadt, active by 1465–died 1494 Bruges), One of the largest surviving depictions of the Annunciation, this

如意輪観音坐像, Nyoirin Kannon, Edo period (1615–1868), dated 1693, Japan, Wood with gold, gold leaf, lacquer, and crystal inlay, H. 16 9/16 in. (42.1 cm); W. 12 1/8 in. (30.8 cm); D. 10 1/4 in. (26 cm), Sculpture, The bodhisattva

Glass Beaker with White Trails, late 6th–early 7th century, Frankish, Glass, Overall: 5 7/16 x 2 1/2 in. (13.5 x 6.4 cm), Glass-Vessels

Camp Barry near Bladensberg, Maryland. Stables, 1861–65, Albumen silver print from glass negative, Photographs

Brother Richard, a Franciscan Monk; costume design for Jeanne d'Arc by the Paris Opera Company, 1897, 1897, Pen and black ink, brush and brown wash, sheet: 12 3/8 x 9 7/16 in. (31.4 x 24 cm), Drawings, Charles Bianchini (French, Lyons

[Loie Fuller Dancing], ca. 1900, Gelatin silver print, 10.3 x 13.3 cm (4 x 5 1/4 in.), irregularly trimmed, Photographs, Samuel Joshua Beckett (British, Shadwell, Stepney [London] 1870–1940 Bournemouth), The American dancer Loie Fuller

Dish, Italic, Villanovan, Terracotta, Overall: 3 7/8in. (9.9cm), Vases

Oak Carving from Fireplace in the Jerusalem Chamber, Westminster, 1820–71, Watercolor, sheet: 10 5/8 x 7 1/2 in. (27 x 19.1 cm), Charles James Richardson (British, London 1806–1871 London

Guardroom Scene, 1744, Brush and gray and brown ink, colored gouaches, sheet: 11 1/2 x 12 3/8 in. (29.2 x 31.4 cm), Drawings, Cornelis Troost (Dutch, Amsterdam 1696–1750 Amsterdam

An Italian City with a Crowd Watching Actors in an Outdoor Theater, 1642–90, Black chalk, pen and brown ink, gray wash, black lead framing lines, sheet: 10 13/16 x 14 3/8 in. (27.4 x 36.5 cm), Drawings, Hendrick Verschuring (Dutch,

Terracotta spiral amphora (jar), Archaic, ca. 675–650 B.C., Etruscan, Terracotta; bucchero, H. 4 1/4 in. (10.8 cm), Vases, This distinctive shape, frequently incised with double spirals, is indigenous to Italy. The thin, flat handles and

[George Vicat Cole], 1860s, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

Hematite intaglio: Mummy of Osiris, Imperial, ca. 2nd–3rd century A.D., Roman, Hematite, Other: 7/8 x 1 1/8 in. (2.2 x 2.9 cm), Gems, Mummy of Osiris carried on the back of a lion, accompanied by Anubis and flanked by two winged goddesses

Prisoners, 1810–20, Brush with brown and black wash over red chalk on wove paper, 5-15/16 x 3-5/8 in. (15.1 x 9.2 cm), Drawings, Attributed to Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 46 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Tumbler, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 7/8 in. (9.8 cm); Diam. 3 1/2 in. (8.9 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Stela of the Steward Mentuwoser, Middle Kingdom, Dynasty 12, ca. 1944 B.C., From Egypt; Probably from Northern Upper Egypt, Abydos, Limestone, paint, H. 103 cm (40 9/16 in.); W. 50.5 cm (19 7/8 in.); Th. 8.3 cm (3 1/4 in.), This rectangular

A Panoramic Landscape with a Herdsman and His Flock, 17th century, Pen and brown ink, brush and brown wash, over black chalk, sheet: 6 7/16 x 12 1/4 in. (16.4 x 31.1 cm), Drawings, Jan Ruischer (Dutch, born Franeker, ca. 1625–after 1675

Colored Battery, Petersburg, June, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Openwork Rosette Brooch, 6th century, Frankish, Silver, silver-gilt, garnet, iron, Overall: 7/8 x 1/4 in. (2.2 x 0.7 cm), Metalwork-Silver

Inlay depicting squatting goddess, probably Hathor, Late Period–Ptolemaic Period, 4th century B.C., From Egypt; Possibly from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Faience, H. 7.6 cm (3 in.); W. 4.4 cm (1 3/4 in.); D. 1.5 cm (9/16

[Street with Lamp Post and Wine Shop], 1850s, Waxed paper negative, Image: 6 15/16 × 8 3/4 in. (17.7 × 22.3 cm), irregularly trimmed, Negatives, Unknown (British), In 1841 William Henry Fox Talbot patented the first negative-positive

Pitcher, 1853–56, American, porcelain, 10 3/4 in. (27.3 cm), Ceramics, The mid-nineteenth century porcelain manufactory of Charles Cartlidge and Company in Greenpoint, Brooklyn, produced a variety of slip-cast wares for the middle class

Design for Decorative Panels with Hunting Scenes Inset, 1854, Watercolor, sheet: 10 x 13 1/4 in. (25.4 x 33.7 cm), J. S. Pearse (British, active 1854–68

Imaginary View of Padua, 1697–1768, Etching, plate: 11 13/16 x 17 in. (30 x 43.2 cm), Prints, Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697–1768 Venice

Combat of Cavalry, n.d., Pen and bistre washed on paper, 7 3/4 x 11 in. (19.7 x 27.9 cm), Drawings, After Jacques Courtois (French, Saint-Hippolyte 1621–1676 Rome) ('Le Bourguignon

Design for the Decoration of the Grip of a Pocket Pistol, ca. 1797–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 3 5/8 x 2 13/16 in. (9.2 x 7.1 cm), Works on Paper-Drawings

Woman’s Kimono with Planes and Hinomaru Flags, 黒地絣戦闘機日の丸模様着物, Shōwa period (1926–89), ca. 1940s, Japan, Silk (kasuri) with gold thread, 58 × 47 in. (147.3 × 119.4 cm), Textiles-Costumes, This luxurious and

Work book, 1860s, French, H. 20 1/2 x W. 15 1/4 x Th. 3 3/8 inches, Textiles-Sample Books

Lamp, late 2nd to 3rd century A.D., Roman, Terracotta, mold-made, Overall: 1 3/8 x 3 1/8 in. (3.5 x 7.9 cm), Terracottas

Jug Decorated with Dolphins and Birds, Middle Kingdom or Second Intermediate Period, Dynasty 13–15, ca. 1750–1550 B.C., From Egypt, Memphite Region, Lisht North, cemetery south of pyramid below House A1:3, Pit 879, 1920–21, Pottery,

Design for Curtains and Rod, 1841–84, Graphite and ink wash, sheet: 11 5/16 x 13 7/16 in. (28.7 x 34.1 cm), Charles Hindley and Sons (British, London 1841–1917 London

Studies of male heads and a standing male figure, Brush and gray wash, watercolor on laid paper, 8-1/2 x 13-7/8 in. (21.6 x 35.2 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Textile with Brocade, 14th century, Made in Egypt, Egyptian, Silk, metal thread, Overall: 11 x 12 in. (27.9 x 30.5 cm), Textiles-Woven-Brocade

Girl Playing a Lute, 17th century, Pen and brown ink, brush and brown wash, over traces of black chalk on light tan paper, 5-13/16 x 4-1/4 in. (14.8 x 10.8 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Medium drinking vessel, ca. 1855, Made in New York, New York, United States, American, Glass, 5 5/8 in. (14.3 cm), Glass, This drinking glass is one of three graduated sizes of glasses made for a large luxury table service

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 42r), Designer, Printer, Andreas Bretschneider, Henning Gross the younger, German, Dresden ca. 1578–ca. 1640 Leipzig, Bretschneider, Andreas, Gross, Henning

Comic Sketch, 1837–64, Watercolor, pen and brown ink over graphite, Sheet: 6 5/16 x 4 7/8 in. (16 x 12.4 cm), Drawings, John Leech (British, London 1817–1864 London

Quatrefoil Ornament with Yellow Flowers and Green Leaves, 19th century, Watercolor and graphite, sheet: 13 1/16 x 10 1/2 in. (33.2 x 26.7 cm), John Dibblee Crace (British, London 1838–1919 London

'Mercury', Folio from the Bellini Album, ca. 1600, Attributed to The Netherlands, Ink, opaque watercolor, and gold on paper, H. 8 5/16 in. (21.1 cm), Codices

Projections of Columns, 18th century, Pen and ink, gray and brown wash, sheet: 11 1/2 x 16 3/4 in. (29.2 x 42.5 cm), Anonymous, British, 18th century

Figure 48: Mild weeping, pity and feeble false laughter, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.5 × 20.4 cm (11 1/4 × 8 1/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne

Roman Triumph, 16th century, Pen and brown ink, brush and brown wash, 8-7/8 x 9-1/8 in. (22.5 x 23.2 cm), Drawings, Circle of Taddeo Zuccaro (Italian, Sant'Angelo in Vado 1529–1566 Rome

Fountain, Savanah, Georgia, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Porphyry vessel with bearded masks, Early Imperial, ca. late 1st century B.C.?early 2nd century A.D., Roman, Porphyry, 10 1/16 × 11 13/16 × 9 3/4 in. (25.5 × 30 × 24.8 cm), Miscellaneous-Stone Vases, Porphyry vessel shaped like a situla