Images at Librifly

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 72 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Inlay Depicting 'Horus of Gold', Late Period–Ptolemaic Period, 4th century B.C., From Egypt; Possibly from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Faience, H. 15.6 cm (6 1/8 in.); W. 1.2 cm (1/2 in.); L. 12.9 cm (5 1/16 in.), This

Figures in a Temple, 17th century, Pen and brown ink over black chalk on light tan paper, 10-5/8 x 7-5/16 in. (27 x 18.6 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Jar and tall stand with perforated base, 단지와 그릇받침 삼국, 신라, Three Kingdoms period, Silla Kingdom (57 B.C.–A.D. 676), mid-5th century, Korea, Stoneware with traces of incidental ash glaze, H. 21 1/2 in. (54.6 cm),

Ward in Hospital. Convalescent Camp, Alexandria Virginia, 1861–65, Albumen silver print from glass negative, Photographs

Perspectival Drawing of a Column Base with Geometrical Form, 1528, Pen and black ink, brush and bluish grey and brown washes, sheet: 4 3/16 x 2 1/2 in. (10.6 x 6.4 cm), Drawings, Peter Flötner (German, Thurgau 1485–1546 Nuremberg

Torso of a Seated Woman with Boots, 1918, Charcoal on paper, 18 x 11 5/8 in. (45.7 x 29.5 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

View of a Mosque and Gateway at Motijhil, ca. 1814–23, Made in India, Bengal, Opaque watercolor on paper, Painting: H. 13 in. (33 cm), Codices, Attributed to Sita Ram (active 1814–23), Sitaram, the painter of this enchanting scene, was

Rodskidski. Eloi, Jean-Baptiste. 37 ans, né à Paris Xlle 13/12/56. Mécanicien. Anarchiste. 2/7/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Portrait of a Young Woman, Oil on wood, 10 1/2 x 8 1/4 in. (26.7 x 21 cm), Paintings, Netherlandish Painter (ca. 1535

[Anna Königer Smith?], 1900s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Basket, 1880–90, Made in England, Pressed purple marble glass, 4 1/2 x 6 1/4 in. (11.4 x 15.9 cm), Glass

Corbel with a Pair of Beard-Pulling Acrobats, ca. 1150–1200, Made in Aquitaine, France, French, Limestone, Overall: 32 x 15 3/16 x 18 in. (81.3 x 38.6 x 45.7 cm), Sculpture-Architectural, Mischief and humor abound on the ten architectural

Standing Nude Female Figure (recto); Studies of a Kneeling Nude Female Figure and of a Man's Head (verso), 1620–30, Red chalk on beige paper (recto and verso), 19 7/16 x 12 5/8in. (49.4 x 32cm), Drawings, Carlo Cignani (Italian, Bologna

Drawings and Prints, Books Prints Ornament & Architecture, Prima Parte de' Fiori, e Disegni di varie sorti di Ricami Moderni, page 10 (recto), Author, Publisher, Giovanni Battista Ciotti, Francesco de' Franceschi, Italian, born Siena, ca.

Christ in the Garden of Gethsemane, 1712–62, Pen and black ink, heightened with white gouache on grey paper. White oxidized., 17 3/8 x 11 1/4 in. (44.1 x 28.6 cm), Drawings, Paul Troger (Austrian, Welsberg 1698–1762 Vienna

Christ Child and Secondary Child Figure Bearing the Cross (recto); Fragment of Design for Ornamental Border (verso), 17th century, Pen and light brown ink reinforced with black chalk (recto). Border line drawn in black chalk along top and left side

Figures and a River God, 17th century, Red chalk on cream paper, 8-1/4 x 8-9/16 in. (20.9 x 21.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

View of Issy (A Street in Issy-les-Moulineaux, Seine), 1820–74, Brush and watercolor over graphite, sheet: 12 15/16 x 8 3/4 in. (32.8 x 22.3 cm), Drawings, Thomas Shotter Boys (British, Pentonville 1803–1874 London

Box-form ornament with granulation and filagree, Late Period-Ptolemaic Period, 6th–4th century BC, From Egypt, Gold, Diam. 4.8 × H. 2.2 cm (1 7/8 × 7/8 in.), This box with its elaborate decoration has a circular opening in the center of the

The Villa Loredan, near Treviso, ca. 1778, Pen and brown ink, brush and brown wash, touches of white gouache, over black chalk, 15-9/16 x 30-1/4 in. (39.5 x 76.9 cm), Drawings, Francesco Guardi (Italian, Venice 1712–1793 Venice

The Holy Family with Angels, 16th century, Pen and brown ink, brush and light brown wash, 8-7/16 x 7-1/8 in. (21.4 x 18.1 cm), Drawings, Anonymous, Italian, 16th century

Serpentine blossom bowl, Late Minoan I, ca. 1600–1450 B.C., Minoan, Serpentine, H. 4 1/8 in. (10.5 cm), Miscellaneous-Stone Vases, High shouldered blossom bowl carved with ribs and grooves

Limestone head of a bearded man wearing a wreath, Classical, early 5th century B.C., Cypriot, Limestone, Overall: 14 x 10 x 9 3/4 in. (35.6 x 25.4 x 24.8 cm), Stone Sculpture, This fine head with delicately chiseled beard and subtly modeled

釈迦三尊像, Shaka (Shakyamuni) Triad, Kamakura period (1185–1333), 13th century, Japan, Hanging scroll; ink, color, and gold on silk, Image: 42 1/4 x 22 3/4 in. (107.3 x 57.8 cm), Paintings, This painting shows Shaka in his fully

Dish, 18th century, Attributed to present-day Uzbekistan, Bukhara, Earthenware; underglaze painted and glazed, Ceramics

Design for an Architectural Frieze, 17th century, Pen and brown ink, brush and brown wash, 5-1/6 x 8-7/16 in. (13.1 x 21.4 cm), Anonymous, Italian, mid-16th century

Terracotta relief probably from a funnel vase, Early Hellenistic, late 3rd–early 2nd century B.C., Greek, South Italian, Apulian, Canosan, Terracotta, 9 5/8 x 12 1/8in. (24.5 x 30.8cm), Vases, This is one of four reliefs with two-figure

Shilling, ca. 1667–ca. 1682, Made in Boston, Massachusetts, United States, American, Silver, 1 3/16 in., 4.67 Grams (3 cm, 3 dwt), Silver, John Hull (1624–1683), Robert Sanderson Sr. (ca. 1608–1693), In 1652 John Hull and Robert

Belt Buckle, 7th century, Frankish, Iron, silver inlay, copper, silver, Overall: 6 7/8 x 3 3/16 x 7/8 in. (17.5 x 8.1 x 2.2 cm), Metalwork-Iron

Foal (Le Poulain) [also called 'The Colt'], 1882–83, Conté crayon on laid paper, 9 3/4 x 12 1/2 in. (24.8 x 31.8 cm), Drawings, Georges Seurat (French, Paris 1859–1891 Paris), This unbridled foal is remarkably anomalous among Seurat’s

Becu. Lucien. 27 ans, né à la Conté d'Abigny (Pas-de-Calais). Garçon de café. Pas de motif. 22/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Design for a Screen, 1841–84, Pen and brown ink over graphite, sheet: 10 7/16 x 7 1/8 in. (26.5 x 18.1 cm), Charles Hindley and Sons (British, London 1841–1917 London

Landscape with Tobias and the Angel, 17th–early 18th century, Watercolor, sheet: 3 1/2 x 5 3/16 in. (8.9 x 13.2 cm), Drawings, Attributed to Felix Meyer (Swiss, Winterthur 1653–1713 Wyden

Ecce Homo, late 16th–mid-17th century, Pen and brown ink, brown wash, over black chalk, heightened with white gouache, 10 1/2 x 7 1/2 in. (26.7 x 19 cm), Drawings, Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht

Covered Sugar Bowl, 1830–70, Made in Sandwich, Massachusetts, United States, American, Pressed glass, H. 8 11/16 in. (22.1 cm), Glass, Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts

Lincoln Inauguration, March 4 , 1865, Albumen silver print from glass negative, Image: 7 1/4 × 9 1/4 in. (18.4 × 23.5 cm), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Design for a Round or Oval Table with a Green Top and Black and Gold Sides and Legs, 19th century, Ink and watercolor, sheet: 4 3/4 x 5 5/8 in. (12.1 x 14.3 cm), Anonymous, British, 19th century

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 12 (verso), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Napoléon I (1769–1821), 1812, Ivory, Oval, 2 1/4 x 1 3/8 in. (56 x 36 mm), Miniatures, Jean-Baptiste Isabey (French, Nancy 1767–1855 Paris

Study Sheet with Two Seated Children and an Angel, early 17th century, Pen and brown ink. Framing line in pen and light brown ink, 4 x 5 5/16 in. (10.2 x 13.5 cm), Drawings, Hendrick Goudt (Dutch, The Hague 1583–1648 Utrecht

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 95 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Design of Antique-Style Ornament ('Grotteschi'), 16th century, Pen and brown ink, brush with gray and brown wash, 13 x 8-7/8 in. (33.0 x 22.5 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580),

Hexagonal dish, 1696, Hungarian, Transylvania, Silver, partly gilded, Diameter: 9 9/16 in. (24.3 cm), Metalwork-Silver, The center of each dish in this set bears an engraved laurel wreath encircling a coat of arms. Small differences in these

Condesa de Altamira and Her Daughter, María Agustina, 1787–88, Oil on canvas, 76 3/4 x 45 1/4 in. (195 x 115 cm), Paintings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Six Figure Studies, including four for The Poor Italian Family, early 19th century, Black chalk; pen and brown ink, 7 1/2 x 10 11/16 in. (19 x 27.1 cm), Drawings, Théodore Gericault (French, Rouen 1791–1824 Paris

柳橋図屏風, Willows and Bridge, Momoyama period (1573–1615), early 17th century, Japan, Pair of six-panel folding screens; ink, color, copper, gold, and gold leaf on paper, Image (each): 61 5/16 in. × 11 ft. 5/16 in. (155.8 × 336

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 2 (verso), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Pericles attends the Lectures of Aspasia, 18th–19th century, Pen and brown ink, brush and grey wash, Sheet: 3 1/4 × 4 3/8 in. (8.3 × 11.1 cm), Drawings, Edward Francis Burney (British, Worcester 1760–1848 London

Two Sleeping Figures, 17th century, Left figure in pen and brown ink over red chalk; right figure in pen and brown ink, brush and brown wash, charcoal / black chalk?; faint black chalk sketches in background, 8-1/16 x 10-1/4 in. (20.5 x 26.1

Madonna and Child, Tempera on wood, gold ground, Overall, with arched top and engaged (modern) frame, 32 3/8 x 18 7/8 in. (82.2 x 47.9 cm); painted surface 28 1/2 x 17 in. (72.4 x 43.2 cm), Paintings, Guariento di Arpo (Italian, active Padua

Recto: The Concert, early 17th century, Black chalk, 9 1/16 x 13 13/16 in. (23 x 35.1 cm), Drawings, Attributed to Johann Liss (German, Oldenburg ca. 1595/1600–1631 Verona

Le Pompe: Opera Nova, page 13 (verso), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design is for bobbin lace and is composed of 2

Broadsword, dated 1612, Solingen, German, Solingen, Steel, brass wire, gold, L. 36 5/8 in. (93 cm); L. of blade 30 7/8 in. (78.4 cm); W. 4 3/4 in. (12.1 cm); D. 3 3/4 in. (9.5 cm); Wt. 1 lb. 13 oz. (822.1 g), Swords

Cranequin for a Member of the Ayrer Family, ca. 1570–90, Nuremberg, German, Nuremberg, Steel, wood (possibly ebony or plum), hemp, textile (silk or linen), L. 14 in. (35.6 cm); W. 3 15/16 in. (10 cm); Wt. 4 lb. 14 oz. (2, 198 g), Archery

[Civil War View], 1860s, Albumen silver print from glass negative, Photographs, Thomas C. Roche (American, 1826–1895) , et al

Marble head of Apollo with fragment of his hand, Imperial, 1st or 2nd century A.D., Roman, Marble, H. 6 3/4 in. (17.2 cm), Stone Sculpture, Roman adaptation of a Greek work of the 4th century B.C., known as the Apollo Lykeios. A celebrated

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 25 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Carpet, 16th century, Attributed to Northwestern Iran, Cotton (warp and weft), wool (pile); asymmetrically knotted pile, Rug: L. 338 in. (858.5 cm), Textiles-Rugs

Man with Sword, 19th century, Graphite and black ink, 4 7/8 x 3 1/8 in. (12.4 x 7.9 cm), Drawings, Charles-Albert Arnoux Bertall (French, Paris 1820–1882 Paris

Lobed Bowl, second half 12th century, Made in Syria, Raqqa, Stonepaste; glazed in transparent colorless glaze, in-glaze- and luster-painted, with scratches in the luster, H. 3 5/16 in. (8.4 cm), Ceramics, This bowl’s lobed shape represents

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 5r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Bellows with Relief, early 16th century, North French (?), Oak, polychromy, gilt, Overall: 12 3/8 x 7 7/8 x 1 5/16 in. (31.5 x 20 x 3.4 cm), Sculpture-Miniature-Wood

A Man Holding the Hand of a Woman, Another Woman Looking On, late 17th–early 18th century, Black chalk, sheet: 6 11/16 x 4 13/16 in. (17 x 12.3 cm), Drawings, Johann Christoph Liska (German, Breslau 1650–1712 Leubus

Two Alternate Designs for a Decoration over an Arched Opening with an Ornamental Cove, 1700–1780, Pen and brown ink, brush and green, dark yellow wash, over lead point, with ruled construction, 16 1/4 x 9 15/16 in. (41.3 x 25.3 cm),

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 46 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Design for a Chimneypiece with a Frieze with Floral Decoration and Capitals Decorated with Animals, 1743–96, Pen and brown ink over graphite, sheet: 9 13/16 x 9 5/16 in. (24.9 x 23.7 cm), Sir William Chambers (British (born Sweden), Göteborg

Le Pompe: Opera Nova, page 14 (verso), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design composed of 3 vertical columns. Left column

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Carl Pier, Franz Xavier Habermann, Jeremias Wachsmuth, German,

Ursin-Jules Vatinelle (1798-1881), 1820, Graphite on paper, 7 3/16 x 5 1/2 in. (18.3 x 14 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris

Livre de Moresques, page 7 (recto), 1546, Woodcut, Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm), Francesco di Pellegrino (Italian, born Florence, died 1552), This book of moresques reproduces designs by the Italian artist Francesco

Figures in Theatrical Costumes, n.d., Pen and brown ink, red wash, over red chalk, 5 1/2 x 7 7/8 in. (14 x 20 cm), Drawings, Claude Gillot (French, Langres 1673–1722 Paris

Large Crossbow (Ganze Rüstung) of Johann Georg, Baron von Rechenberg, dated 1663, probably Dresden, German, probably Dresden, Steel, wood, wood veneer (snakewood), ivory (elephant), staghorn, horn, copper alloy, gold, wool, leather,

Head of a Girl Looking Up, n.d., Red chalk. Framing lines in pen and brown ink., 14 x 11 3/16 in. (35.6 x 28.4 cm), Drawings, Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 7 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Rouge Box, Qing dynasty (1644–1911), Kangxi period (1662–1722), China, Porcelain with peachbloom and white glazes, H. with stand: 2 3/8 in. (6 cm); Diam. 2 13/16 in. (7.1 cm), Ceramics

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Black chalk with graphite underdrawing, 2 13/16 x 4 in. (7.2 x 10.1 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 14 (recto), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Amorini Celebrate the Rape of Proserpina, 1805–12, Engraving and etching, Plate: 25 9/16 x 30 5/16 in. (65 x 77 cm), Prints, Francesco Rosaspina (Italian, Montescudo 1762–1841 Bologna), After Francesco Albani (Italian, Bologna 1578–1660

Potpourri bowl with cover, stoneware 18th century, mounts 1745–49, Chinese with French mounts, Stoneware; gilt-bronze mounts, H. 16 1/2 x W. 14 1/2 in. (41.9 x 36.8 cm), Metalwork-Gilt Bronze, The fluted pumpkin-shaped jar, with a flattened

Palanquin Finials with Lotuses, ca. 1650–80, Probably made in India, Deccan, Golconda, Copper; cast, pierced, chased, and gilded, (a) H. 11 1/2 in. (29 cm); L. 20 1/2 in. (52 cm); W. 6 in. (15 cm), Metal, These finials were made to adorn

Large Cranequin, ca. 1575–1650, possibly Saxony, German, possibly Saxony, Steel, wood (probably plum), copper alloy, gold, hemp, textile (probably linen), L. 18 9/16 in. (47.1 cm); W. 5 3/4 in. (14.7 cm); Wt. 12 lb. 14 oz. (5, 838 g),

Neptune and Amphitrite, mid-16th–early 17th century, Pen and brown ink, brown wash, 10-5/16 x 7-1/2 in. (26.2 x 19.1 cm), Drawings, Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague

Female Figure with Horn, 17th century, Pen and brown ink, brush and gray wash, sheet: 4 3/4 x 1 7/8 in. (12.1 x 4.7 cm), Drawings, Anonymous, Italian, 17th century

Marriage of The Virgin, Pierre Woeiriot de Bouzey II (French, Neufchâteau 1532–1599 Damblain), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), 16th century

Disk Brooch, 7th century, Frankish, Gold, filigree, mother-of-pearl, garnets, blue and green stones, Overall: 1 3/4 x 5/8 in. (4.5 x 1.6 cm), Metalwork-Gold

Five Men Around an Anvil, verso: Figures in a Wood (The Preaching of Saint John the Baptist?), 16th century, Pen and dark brown ink, brush and blue wash, verso: pen and brown ink, 5 13/16 x 7 11/16 in. (14.8 x 19.6 cm), Drawings, Anonymous,

[Medieval Court; Statue of Coleoni; Equestrian Statue of Gattamelata by Donatello, from the Court of Monuments of Christian Art; Equestrian Statue of Colleone], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16

Woman in an elegant pink and green gown, first half 20th century, brush and black ink, gouache, sheet: 14 15/16 x 10 3/8 in. (37.9 x 26.3 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

[Colosseum, Rome], 1850s, Salted paper print from paper negative, Photographs, George Wilson Bridges (British, 1788–1864

Allegorical Figures of Faith, Hope and Charity in a Niche, early 18th century, Pen and black ink, brush and gray wash heightened with white on blue paper. Quadruple framing line in pen and black ink with red wash., sheet: 10 9/16 x 6 1/16 in.

[Dew on a Blade of Grass], 1890s–1920s, Gelatin silver print, Image: 4 in. × 2 15/16 in. (10.1 × 7.5 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Study of an Orchid, 'Vanda Roxburgia', before 1822, Watercolor and gouache over graphite on white parchment paper, Sheet: 16 1/2 x 13 1/4 in. (41.9 x 33.6 cm), Drawings, James Sowerby (British, London 1757–1822 London), The Sowerbys were an

Joshua, 1779, Black chalk (stumped), brush and gray wash, highlighted with white chalk, on beige paper, 16-5/8 x 12-7/16 in. (42.3 x 31.6 cm), Drawings, Gaetano Gandolfi (Italian, San Matteo della Decima 1734–1802 Bologna

Four Designs for Buckles or Clasps, 17th–18th century, Graphite, sheet: 6 11/16 x 4 1/8 in. (17 x 10.4 cm), Anonymous, Italian, 17th or 18th century

Bronze patera (shallow bowl with handle), Hellenistic, late 4th–early 3rd century B.C., Etruscan, Bronze, H. 18 1/4 in. (46.4 cm); diameter 9 5/8 in. (24.5 cm), Bronzes, The handle of this patera depicts a beautiful winged female, probably

Les Chiens, 1860s, Gelatin silver print, 13.7 x 9.8 cm (5 3/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Double cup, ca. 1600, Hungarian, Gilded silver, Overall: 11 x 2 3/4 x 2 3/4 in. (28 x 7 x 7 cm), Metalwork-Silver, Both parts of this double cup have tall lips that fit into one another. The cups can be stacked and displayed as a decorative

Sèriè à la Ristori, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

House, 19th century, Graphite, image: 3 7/8 x 6 1/8 in. (9.8 x 15.5 cm), Anonymous, British, 19th century