Images at Librifly

The Oriental Bride, 1900s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Box for playing card counters, ca. 1760, German, Meissen, Hard-paste porcelain, Overall: 2 3/4 × 4 7/8 × 6 3/4 in. (7 × 12.4 × 17.1 cm), Ceramics-Porcelain, The card game l’Hombre was a fashionable pastime in the eighteenth century, and

View of the Mons Testaceus (above) and the Pyramid of Cestius (below), before 1704, Pen and black ink, brush and grey wash, red chalk over traces of black chalk., 13 1/8 x 8 1/16 in. (33.3 x 20.5 cm), Drawings, Jan Goeree (Dutch, Middelburg

Terracotta lekythos (oil flask), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; black-figure, white-ground, H. 7 1/16 in. (18 cm); diameter 2 15/16 in. (7.5 cm), Vases, Zeus, seated on his throne, with his cupbearer, Ganymede, and

Design for a Wall Decoration with Grotesques and Color Indications, ca. 1545–60, Pen and dark brown ink, 4-5/16 x 8-3/16 in. (11.0 x 20.8 cm), attributed to Andrés de Melgar (Spanish, documented S. Domingo de la Calzada, died after 1554

Three-Quarters-Length Portrait Study of a Man Seated at a Desk with a Dog, ca. 1740–60, Black and white chalks, stumping, brown ink and graphite on blue laid paper, squared in graphite, sheet: 12 5/16 x 10 1/16 in. (31.2 x 25.6 cm),

The Rest on the Flight into Egypt (recto); The Arch of Titus, Camp Vaccino (verso), 17th century, Pen and brown ink over traces of black chalk (recto), pen and brown ink (verso), sheet: 7 7/8 x 10 3/8 in. (20 x 26.4 cm), Drawings, Claude

Mask, ca. 1825, United States, Alaska, Tlingit, Wood, paint, H. 8 1/2 x W. 6 1/2 x D. 6 in. (21.6 x 16.5 x 15.2 cm), Wood-Sculpture

Ceramic Bowl, 12th century, Attributed to Syria, probably Raqqa, Stonepaste; underglaze-painted, glazed (transparent colorless), luster-painted, H. 4 11/16 in. (11.9 cm), Ceramics, Bowls such as this one were typical tableware used daily by

Overmantel: Landscape with Wayside Crosses, ca. 1761, Made in Lancaster County, Pennsylvania, United States, American, Painted wood, Dimensions unrecorded, Architecture

The Triumph of a Sea Goddess, n.d., Black chalk, heightened with white, 6 1/16 x 7 3/4 in. (15.4 x 19.7 cm), Drawings, Bon Boullogne (French, Paris 1649–1717 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 8 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

Portrait of Martin Luther, late 17th–18th century, Engraving, Sheet: 3 3/4 × 2 5/8 in. (9.5 × 6.7 cm), Prints, Johann Michael Püchler (German, born Schwäbisch-Gmünd, active ca. 1680–1702), Coming from a family of engravers and

Four drawings showing the manufacture of iron, 19th century, Graphite, white chalk and ink on gray paper, sheet: 9 1/8 x 7 1/2 in. (23.2 x 19.1 cm), Drawings, Anonymous, British, 19th century

Tile with Foliate Motif, 13th–14th century, Made in Somerset, England, British, Glazed earthenware, 5 1/2 × 5 1/2 × 1 1/4 in. (13.9 × 13.9 × 3.1 cm), Ceramics-Tiles, This encaustic tile with a foliate pattern on the diagonal came from

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 83 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

View of Toledo, ca. 1598–99, Oil on canvas, 47 3/4 x 42 3/4 in. (121.3 x 108.6 cm), Paintings, El Greco (Domenikos Theotokopoulos) (Greek, Iráklion (Candia) 1540/41–1614 Toledo), In this, his greatest surviving landscape, El Greco

The Great Eastern Under Weigh, July 23rd, 1865: Escort and other Ships, H.M.S. Terrible, H.M.S. Sphinx, The Hawk and Revised: The Caroline, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 7 1/4 × 12 1/2 in. (18.4 × 31.7

Mummy Cloth Fragment, New Kingdom, Dynasty 21, ca. 1070–945 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Royal Cache, Tomb of Inhapi (TT 320), Mummy of Djedptahefankh, Egyptian Antiquities Service/Maspero excavations, 1881,

S. Maria in Trastevere, Ionic capital, volute, side elevation (recto) Unidentified, Ionic capital volute, construction diagram (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 8 3/4 x 11 9/16 in.

A Man Leading a Blind Friar (recto); Incidental Sketches (not by the artist; verso)., 17th century, Pen and brown ink, brush and brown wash, over black chalk (recto); black chalk, graphite, or leadpoint (verso), sheet: 7 1/2 x 5 5/8 in. (19 x

Terracotta holmos (stand), Archaic, 700–650 B.C., Etruscan, Terracotta; impasto, H. 26 in. (66 cm); diameter of mouth 13 1/2 in. (34.3 cm), Vases, Many elements of these large terracotta stands, especially the perforations and bosses,

Locket Pendant in Shape of Shell with Animal-Headed Cap Flanked by a Small Bird on Sides, 17th century, Attributed to India, Deccan, Gold; cast, embossed and engraved, inlayed with turquoise, ruby, H. 1 7/8 in. x W. 1 1/8 in. x D. 5/8 in.,

[Man with Chin Curtain Beard], 1840s, Daguerreotype, Image: 6.6 x 5.3 cm (2 5/8 x 2 1/16 in.), Photographs, Unknown (American

Plate, ca. 1825, Made in Mexico, Mexican, Tin-glazed earthenware, Diam. 8 5/8 in. (21.9 cm), Ceramics

Studies of the Leg of a Man and a Horse's Head (recto); sketches of the back of a man's left shoulder and a chained (?) figure., second quarter 16th century, Central Italian, Pen and brown ink (the horse's head in a different pen and brown ink),

[Frustules of Diatoms], ca. 1870, Cyanotype, 9.8 x 7.9 cm (3 7/8 x 3 1/8 in.), Photographs, Attributed to Julius Wiesner (Austrian, 1838–1916

Drawings and Prints, Book Ornament & Architecture, Livre de Moresques, page 15 (verso), Publisher, Artist, Published by, Previously published by, Hiérosme de Gormont, Cornelis Bos, Francesco di Pellegrino, Netherlandish, Hertogenbosch

Room of Archduke Ludwig Victor in the Hofburg, Vienna, 1861, Watercolor, 14.5 x 18.25 in. (36.8 x 46.4 cm), Drawings, Franz Alt (Austrian, Vienna 1821–1914 Vienna

Portrait of Maria Gaet - Agnesi, n.d., Brush and brown wash over graphite underdrawing., 6 3/4 x 4 3/4in. (17.1 x 12cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Design for a Token: Trésor Royal 1748, 1748, Red chalk on lined paper, 8 1/4 in. (21 cm) diameter, Drawings, Edme Bouchardon (French, Chaumont 1698–1762 Paris

'The Ascetic Strikes a Jar of Honey and Oil with his Staff While Daydreaming', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

Portrait of a Young Man Leaning on his Hand, ca. 1620, black chalk, traces of white heightening, 15-3/4 x 11-3/8 in. (40 x 29 cm), Drawings, Hans Troschel (German, Nuremberg 1585–1628 Rome

Length of bizarre silk, 1700–1710, French or Italian, Silk satin, brocaded, silk and metal-wrapped thread, L. 97 x W. 43 inches (246.4 x 109.2 cm) (loom width 22 inches), Textiles-Woven, The precise origin of the distinctive 'bizarre' silks

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 62 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

September, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Cup, Qing dynasty (1644–1911), first half of the 19th century, China, Porcelain painted in overglaze polychrome enamels, H. 2 3/8 in. (6 cm); Diam. 4 1/4 in. (10.8 cm); Diam. of foot 2 1/2 in. (6.4 cm), Ceramics

[Group of 11 Stereograph Views of the 1869 and 1872 World Peace Jubilees, Boston, Massachusetts, United States of America], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.1 x 17.3 cm (3 3/16 x 6 13/16 in.) to 8.7 x 17.7 cm (3

本阿見光悦書・俵屋宗達下絵　桜下絵和歌色紙　鴨長明, Poem by Kamo no Chōmei with Underpainting of Cherry Blossoms, Momoyama period (1573–1615), dated 1606, Japan, Poem card (shikishi) mounted as a hanging scroll; ink,

Shri Shri Guranga Avatara, 1895, India, Chromolithographic print on paper, Image: 14 5/8 × 10 7/8 in. (37.1 × 27.6 cm), Prints

Design for an Amphora, 17th century, Pen and brown ink, brush and brown wash, over graphite or black chalk, 9 7/16 x 6 15/16 in. (23.9 x 17.6 cm), Anonymous, Italian, 17th century

Scene with a Saint, 1800–1900, Graphite, 8-1/8 x 6-1/4 in, Drawings, Anonymous, Italian, 19th century

Having a Good Time ('Se regodean'), 1807–45, Pen and dark brown ink on off-white paper. Composition outlined with pen and dark brown ink on all sides. Traces of black chalk underscript in inscription. Traces of ruling in graphite along lower

Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Jeremias Wachsmuth (German, 1712–1771), Carl Pier (German, active Augsburg, ca. 1750), Franz Xavier Habermann (German, 1721–1796), ca. 1750–56

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 6 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

Reaching Waves, 1929, Oil and aluminum paint on canvas, 19 7/8 x 23 7/8 in. (50.5 x 60.6 cm), Paintings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York), In early 1929, Dove and his partner, artist Helen

Tumbler, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed yellow glass, H. 4 1/8 in. (10.5 cm); Diam. 3 1/8 in. (7.9 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

A Stormy Scene with Figures Unloading Boats Near a House on the Water's Edge, 1785, Point of brush, gray and blue-gray wash over traces of black chalk., 10 3/16 x 13 9/16 in. (25.8 x 34.5 cm), Drawings, Jacob Cats (Dutch, Altona 1741–1799

Bracelet, 6th century, Alemannic, Silver, Overall: 2 1/16 x 3/16 in., 0.4oz. (5.3 x 0.4 cm, 10g), Metalwork-Silver

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 29), Publisher, Artist, After, Carlo Losi, Georges

Dressing table, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, mother-of-pearl, brass, silver-plated brass, and original upholstery, 30 1/2 × 30 5/8 × 22 1/2 in. (77.5 × 77.8 × 57.2 cm),

Ein new Modelbuch..., page 5 (verso), October 22, 1524, Woodcut, 7 5/16 x 5 3/8 in. (18.5 x 13.6 cm), Published by Johann Schӧnsperger the Younger, Zwickau. From top to bottom, and left to right: Design composed of 2 vertical columns. Left

Design for Ceiling Decoration, 1850–70, Watercolor, 6-1/8 x 6-1/8 in, Drawings, Anonymous, Italian, 19th century

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Jeremias Wachsmuth, Carl Pier, Franz Xavier Habermann, Martin Engelbrecht, German,

Wine ewer with stopper (Tokkuri), Edo period (1615–1868), late 17th–early 18th century, Japan, Stoneware with polychrome enamels (Ko-Kiyomizu ware), H. 7 1/16 in. (18 cm); Diam. 3 9/16 in. (9 cm), Ceramics

February (one of a series representing the labors of the months), 1690 or slightly earlier, Red chalk, 3 1/4 x 4 3/4 in. (8.3 x 12.1 cm), Drawings, Jonas Umbach (German, Augsburg 1624–1693 Augsburg

Roast Platter, 1885–86, Made in Brooklyn, New York, United States, American, Porcelain, 16 3/4 x 11 5/8 in. (42.5 x 29.5 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Union Porcelain Works was one of the most important and

[Maneuvers, Winter Quarters]. Brady album, p. 129, 1861–65, Albumen silver print from glass negative, 12.6 x 19.8 cm (4 15/16 x 7 13/16 in.), Photographs

Design for an Emblem with a Child Picking Flowers, 1633–75, Pen and black ink, brush and gray wash., 2 3/4 x 2 1/2 in. (7.0 x 6.3 cm), Drawings, Georg Strauch (German, Nuremberg 1613–1675 Nuremberg

Openwork Belt Fitting, 7th century, Made in Alamania, Frankish, Cast copper alloy - tinned surface, engraved decoration; two integral posts on reverse; iron tongues, Overall: 3 1/8 x 4 1/8 x 3 1/8 x 5/16 in. (8 x 10.5 x 8 x 0.8 cm),

The Fall of the Giants, 1663, Etching with drypoint, Plate: 28 3/8 × 18 9/16 in. (72 × 47.1 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome), According to classical mythology, after the Golden Age came the Silver Age

At the Prepared Grave, 1910, Gelatin silver print, Image: 8.9 x 13.3 cm (3 1/2 x 5 1/4 in.), Photographs, Aleksey Ivanovich Saveliev (Russian, 1883–1923), These six photo-postcards show various places and moments surrounding the death and

Morgan Casket, 11th–12th century, From Southern Italy, Ivory; carved, Overall: H. 8 7/8 in. (22.3 cm), Ivories and Bone, One of the most accomplished examples of carved ivory known from Norman Italy, the so-called 'Morgan casket' is also one

A Nenbutsu Gathering at Ichiya, Kyoto, from the Illustrated Biography of the Monk Ippen and His Disciple Ta'a (Yugyō Shōnin engi-e), late 14th century, Japan, Section of a handscroll mounted as a hanging scroll; ink and color on paper, Image:

Marble head of a bearded man, Late Classical, late 4th century B.C., Greek, Marble, Pentelic, H. 10 1/2 in. (26.7 cm); width 6 in. (15.2 cm); depth 8 in. (20.3 cm), Stone Sculpture, The head, which probably comes from a grave monument, is

[Painter, Standing in Front of a Painted Window Backdrop, with Brushes, Bucket, and Paint Cans], 1870s–80s, Tintype, Image: 7.8 x 5.6 cm (3 1/16 x 2 3/16 in.), Photographs, Unknown (American

Jar, piriform, New Kingdom, Dynasty 18, early, ca. 1550–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 2, Burial B 3, At foot of coffin, 1915–16, Travertine (Egyptian alabaster), H. 13.1 cm (5 3/16 in

Design for a Mirror over a Mantel, 1840–99, Ink, watercolor and gouache, Anonymous, British, 19th century

Louis XV (1710–1774) at the Age of Five in the Costume of the Sacre, ca. 1716–24, Oil on canvas, 77 x 55 1/2 in. (195.6 x 141 cm), Paintings, Hyacinthe Rigaud (French, Perpignan 1659–1743 Paris) and Workshop, Louis XV succeeded to the

Temple de Deboud, 1853–54, Salted paper print from paper negative, 9 1/8 x 11, Photographs, John Beasley Greene (American, active France, 1832–1856

Les Chiens, 1860s, Albumen silver print from glass negative, 10.2 x 14.3 cm (4 x 5 5/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Intaglio in ring, Migration, 7th century A.D., Langobardic, Chalcedony, gold, 13/16 × 7/8 in. (2.1 × 2.2 cm), Gems, Head of bearded man in a gold ring

Woman holding flowers near a pond, 17th century, British, Framed: 9 3/4 × 8 1/2 × 1 1/4 in. (24.8 × 21.6 × 3.1 cm), Textiles-Embroidered

Lamp, Greek or Roman, Terracotta, Overall: 1 3/8 x 3 5/8 in. (3.5 x 9.2 cm), Terracottas

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 8v, Designer, Publisher, Woodcut border designed by, Anton Woensam von Worms, Peter Quentel, German, active first half 16th century, died 1538,

Studies for the Standing Figure of a Bearded Man, 1530–50, Pen and brown ink, over traces of black chalk or leadpoint, 6-3/4 x 6-7/8 in. (17.1 x 17.5 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca.

Saint Sebastian (?) Tied to a Tree, 17th century, Pen and light brown ink over black chalk underdrawing. On off-white paper, 9 x 5-3/4 in. (22.8 x 14.6 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Limestone statuette of a youthful votary wearing a pointed cap, Cypro-Archaic II, Late 6th century B.C., Cypriot, Limestone, Overall: 18 x 4 x 6 7/8 in. (45.7 x 10.2 x 17.5 cm), Stone Sculpture, Male figure with long hair, high peaked cap and

Figure of baboon on a basket and with a pillar, the shebet offering, Late Period, Dynasty 26–30, 664–332 B.C., From Egypt, Faience, H. 5.85 cm (2 5/16 in

Ball-Playing Ceremony: the king before a goddess, possibly Hathor, Late Period–Ptolemaic Period, Dynasty 30 or later, 380–246 B.C., From Egypt, Quartzite, H. 85 × W. 71 × D. 7.2 cm, 104.3 kg (33 7/16 × 27 15/16 × 2 13/16 in., 230

Leg from a bed or chair, Early Dynastic Period, Dynasty 1, ca. 3100–2650 B.C., From Egypt, Northern Upper Egypt, Abydos, Amélineau excavations, Ivory: Elephant, H: 15.5 cm (6 1/8 in

Christ Carrying the Cross, ca. 1520–25, Oil on oak, 9 7/8 × 7 1/2 in. (25.1 × 19 cm), Paintings, Jan Gossart (called Mabuse) (Netherlandish, Maubeuge ca. 1478–1532 Antwerp (?)), In this diminutive panel, Christ appears isolated outside

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Carl Pier, Jeremias Wachsmuth, Franz Xavier Habermann, German,

Half of Double Saddle Bag (Khorjin), last quarter 19th century, Country of Origin Iran, Fars, Wool (pile, warp, and weft); asymmetrically knotted pile, tapestry weave, brocaded with wool and cotton, H. 25.5 in. (64.8 cm),

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 26 (recto), Illustrator, Publisher, Woodcut of Lucrezia designed by, Giuseppe Salviati (Giuseppe Porta, called Il

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and blue ink and black, with slight traces of red chalk, 2 13/16 x 4 in. (7.2 x 10.1 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Tumbler, ca. 1879, Made in Pennsylvania, United States, American, Earthenware with slip decoration, H. 5 in. (12.7 cm), Ceramics

Shield (Dhál), ca. 1875, Gujarat, Indian, Gujarat, Leather, brass, textile, pigment, Diam. 16 15/16 in. (43 cm), Shields, Signed by Khooshal Dhunjee & Sons (Indian, Ahmedabad, 19th century), This shield is remarkably fine in quality,

'Design for the Water Clock of the Peacocks', from the Kitab fi ma'rifat al-hiyal al-handasiyya (Book of the Knowledge of Ingenious Mechanical Devices) by Badi' al-Zaman b. al Razzaz al-Jazari, dated A.H. 715/A.D. 1315, Attributed to Syria or

'Leopard Bearing Lion's Order to Fellow Judges', Folio 51 recto from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Design for a Box-Lid, 18th century, Black chalk with graphite, 2 15/16 x 2 15/16 in. (7.5 x 7.5 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Marble head of a kouros (youth), Archaic, ca. 525–475 B.C., Greek, Marble, H. 5 13/16 in. (14.7 cm), Stone Sculpture, Owing to the worn surface, it is difficult to identify the figure as male or female. However, the hairstyle in which the

Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 10 (recto), 1610

Boatman among the Reeds, ca. 1865, Oil on canvas, 23 1/2 x 32 in. (59.7 x 81.3 cm), Paintings, Camille Corot (French, Paris 1796–1875 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 48v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Side chair, 1879–82, Made in New York, New York, United States, American, Oak, brass, and reproduction leather upholstery, 35 x 23 7/8 x 21 3/4 in. (88.9 x 60.6 x 55.2 cm), Furniture, Herter Brothers (German, active New York,

Design for a Box-Lid, 18th century, Pen with gray and black ink, over graphite underdrawing, 2 1/8 x 3 1/16 in. (5.4 x 7.8 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Designs for Two Chairs, 1841–84, Watercolor over graphite, sheet: 9 15/16 x 14 3/16 in. (25.2 x 36.1 cm), Charles Hindley and Sons (British, London 1841–1917 London

Tea caddy, early Edo period (1615–1868), 17th century, Japan, Stoneware with incision and iron brown glaze (Takatori ware), H. 3 in. (7.6 cm); Diam. 2 1/8 in. (5.4 cm), Ceramics

Textile Fragment with a Repeating Pattern of Interlocked Tulips and Poppies, ca. 1628–58, Attributed to India or Iran, Silk, metal-wrapped thread; plain weave, brocaded, Textile: H. 27 1/2 in. (69.9 cm), Textiles-Brocades, Textiles with