Images at Librifly

Design for a Candelabrum, 1765, Pen and wash, sheet: 30 x 22 in. (76.2 x 55.9 cm), Drawings

Woman Having Her Hair Combed, ca. 1886–88, Pastel on light green wove paper, now discolored to warm gray, affixed to original pulpboard mount, 29 1/8 x 23 7/8 in. (74 x 60.6 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), No

Angel, Giuseppe Sanmartino (Italian, 1720–1793), second half 18th century, Italian, Naples, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics, H. 17 1/4 in. (43.8 cm.), Crèche, Giuseppe

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 34 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Cover, 17th–18th century, Italian, Abruzzi, Embroidered net, 86 1/2 × 61 1/2 in. (219.7 × 156.2 cm), Textiles-Laces

Lea Castle, View in Tilt-Court, Facing North, ca. 1816, Brush and gray and brown ink over graphite, sheet: 10 9/16 x 9 3/4 in. (26.8 x 24.8 cm), Attributed to John Carter (British, London 1748–1817 London

Fanfare trumpet in E-flat, 1856, Paris, France, French, Brass, Height (Without mouthpiece): 32 3/8 in. (82.2 cm), Aerophone-Lip Vibrated-trumpet / trombone, Adolphe (Antoine Joseph) Sax (Belgian, Dinant, Belgium 1814–1894 Paris), The

Two Views (Side and Front) of a Hat on a Stand, 1866, Pen and ink, brush and watercolor on wove paper, sheet: 4 13/16 x 3 7/8 in. (12.3 x 9.8 cm), Drawings, Auguste Félix (French, active 1860s

Hab.t de l'Isle de Paques from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Nécessaire with watch, probably ca. 1745–50, German, Casket: gold and mother-of-pearl, lined with dark-red velvet; Watch: brass and partly blued steel, Overall (confirmed): 4 1/4 × 5 1/16 × 3 3/4 in. (10.8 × 12.9 × 9.5 cm); Diameter (back

Wine Cooler with Bottle, 1800–1900, Pen and wash, 9-3/4 x 7 in, Drawings, Anonymous, Italian, 19th century

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, H. 92 1/4 x W. 95 1/2 x D. 4 1/4 in. (234.3 x 242.6 x 10.8 cm), Stone-Reliefs-Inscribed

' A Lion', Folio from a Dispersed Nuzhatnama-i ‘Ala’i of Shahmardan ibn Abi’l Khayr, early 17th century, Attributed to Iran, possibly Qazvin, Ink, opaque watercolor, and gold on paper, Page: 3 in. (7.6 cm), Codices, The encyclopaedic

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 9.6 cm (3 3/4 in.); W 10.9 cm (4 5/16

Tournan. Pierre. 49 ans, né à Bouzouville (Moselle). Fabricant de couronnes. Anarchiste. 6/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

[29 Glass Stereographs], 1850s–1900s, Glass stereographs, Each photograph approx. 3 1/2 in. × 7 in. (8.9 × 17.8 cm), Photographs, Various, Bierstadt Brothers (American, active 1860s–80s), James McPherson (American, active 1860s),

Newes Modelbuch in Kupffer (Page, 3r), Johann Sibmacher (German, active 1590–1611), 1604

Gate of the Villa Patritii [Patritj], 1710–27, Pen and dark-brown ink, brush and gray wash, over traces of ruling in graphite, 13-3/8 x 17-3/4 in. (33.9 x 45.1 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome,

[Man with Long Braid], 1870s, Albumen silver print, Photographs, Unknown

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Dish with Design of Maple Leaves in a Stream, Edo period (1615–1868), 19th century, Japan, Stoneware with colored enamels (Kyoto ware), H. 1 1/2 in. (3.8 cm); W. 6 7/8 in. (17.5 cm), Ceramics, Style of Ogata Kenzan (Japanese, 1663–1743

Fantastic animal, Qing dynasty (1644–1911), 18th century, China, Jade (nephrite), H. 2 in. (5.1 cm); W. 3 3/8 in. (8.6 cm), Jade, The form of this tapir-like animal and the abstract curvilinear patterns on its body can both be traced to

Still Life with Silver, Oil on canvas, 103 x 73 3/4 in. (261.6 x 187.3 cm), Paintings, Alexandre François Desportes (French, Champigneulle 1661–1743 Paris), Trained as a painter of animals and favored by both Louis XIV (1638–1715) and

Mécanisme de la physionomie humaine ou Analyse électro-physiologique de l’expression des passions applicable à la pratique des arts plastiques, 1854–56, printed 1862, Albumen silver prints from glass negatives, Portfolios,

Design for a Funerary Monument or Epitaph with Mourning Figures, 18th century, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk, on cream laid paper, 10-5/8 x 4-3/4 in. (27 x 12 cm),

Cabinet, 1879–82, Made in New York, New York, United States, American, Cherry, brass, and later silk textiles, 76 7/8 x 60 x 12 in. (195.3 x 152.4 x 30.5 cm), Furniture, Herter Brothers (German, active New York, 1864–1906), William

Study of a Standing Male Nude, 16th century, Pen and brown ink over black chalk, 14 x 6 7/8 in. (35.6 x 17.4 cm), Drawings, Anonymous, Netherlandish, 16th century

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 7), Artist, Publisher, After, Georges Reverdy, Jacob

Woman Dressed in Blue, 19th century, Watercolor and gouache over graphite, 11 9/16 x 7 3/16 in. (29.3 x 18.3 cm), Drawings, John-Lewis Brown (French, Bordeaux 1829–1890 Paris

片輪車蒔絵香合, Incense Box (Kōgō) with Cartwheels Submerged in Water, Muromachi period (1392–1573), 15th century, Japan, Lacquered wood with gold togidashimaki-e and hiramaki-e on nashiji (“pear-skin” ground), H. 1 1/8 in. (2.9

[Seated Young Woman Wearing Collar with Large Bow, Resting Arm on Table], 1850s, Daguerreotype, Image: 6.7 x 5.5 cm (2 5/8 x 2 3/16 in.), Photographs, Unknown (American

Covered Sugar Bowl, ca. 1790, Made in China, Chinese, Porcelain, 5 1/4 in. (13.3 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 58r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Cameen in Goldfassung, 1896, Photogravure, Image: 4 5/8 × 6 5/8 in. (11.7 × 16.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director

The Morning Attendance at the Mill School, Huntsville, Alabama, December 1913, Gelatin silver print, Image: 4 7/16 × 6 7/16 in. (11.3 × 16.4 cm), Photographs, Lewis Hine (American, 1874–1940

Covered Serving Dish, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, 4 1/4 x 8 3/4 x 10 13/16 in. (10.8 x 22.2 x 27.5 cm), Ceramics

Promptuarium Artis Argentariae, 1750, Etching, Overall: 14 5/8 × 10 3/16 × 1 3/8 in. (37.1 × 25.9 × 3.5 cm), Books, Giovanni Giardini (Italian, Forlì 1646–1722 Rome

Goats, 1922, Charcoal on paper, 17 3/4 x 21 1/4 in. (45.1 x 54 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Plate, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, Diam. 10 3/8 in. (26.4 cm), Glass, Challinor, Taylor and Company (1866–1891

Dish, 15th century, Made in probably Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, Overall: 18 1/8 in. (46 cm), Ceramics

Compote, 1885, Made in Brooklyn, New York, United States, American, Porcelain, H. 5 3/4 in. (14.6 cm); Diam. 9 7/16 in. (24 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Union Porcelain Works was one of the most important and

Count Philibert-Oscar de Ranchicourt, ca. 1836, Graphite on wove paper, Sheet: 11 3/4 x 9 1/2 in. (29.9 x 24.2 cm), Drawings, Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris

Carpet, late 17th century, Attributed to Turkey, Wool (warp, weft and pile); symmetrically knotted pile, Rug: L. 126 in. (320 cm), Textiles-Rugs

Textile with Architectural Fountain Guarded by Lions, 14th century, Made in Lucca (?), Italian, Silk, metal thread, Overall: 14 x 9 in. (35.6 x 22.9 cm), Textiles-Woven

The Man in Armor, 1898, Platinum print, 17.6 x 12.9 cm (6 15/16 x 5 1/16 in.), Photographs, Frank Eugene (American, New York 1865–1936 Munich

Relief depicting the head of a scribe, Middle Kingdom, Dynasty 11, ca. 2010–2000 B.C. or ca. 2000–1981 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Dagi (TT 103, ), 1911–12, Limestone, paint, H. 10.9 cm (4

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 10r), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Palm Group, Bvitenzorg, Java, 1860s–70s, Albumen silver print from glass negative, 22.5 x 27.1 cm (8 7/8 x 10 11/16 in.), Photographs, Unknown

Architectural Support, 1500–1510, Made in London or Calais, British or French, Oak, Overall: 96 x 7 1/2 x 9 1/2 in. (243.8 x 19.1 x 24.1 cm), Woodwork-Architectural

Tobacco Box and Netsuke, 19th century, Japan, Brass, H. 3 3/8 in. (8.6 cm); W. 3 in. (7.6 cm), Tobacco Pouches

Malay Woman on Java, 1860s–70s, Albumen silver print from glass negative, 27.5 x 21.2 cm (10 13/16 x 8 3/6 in.), Photographs, Unknown

Carved and Painted Ceiling with Six Figural Medallions, for Cleish Castle, 19th century, Graphite, blue and red watercolor, brown wash and gilt, sheet: 18 1/16 x 13 7/8 in. (45.8 x 35.3 cm), John Gregory Crace (British, London 1809–1889

Designs for Church Wall Standards, ca. 1880, Pen and ink, wash and watercolor, sheet: 9 13/16 x 9 13/16 in. (25 x 25 cm), Richardson Ellson & Co. (British

Bowl, 1736–95, Made in China, Chinese, Porcelain, H. 3 1/8 in. (7.9 cm); Diam. 6 3/4 in. (17.1 cm), Ceramics

Study for a Title-Page: Allegory of Commerce and a Debtor's Prison (?), n.d., Pen and brown ink, brush and brown wash, over black chalk, white gouache., 14 1/5 x 8 9/10 in. (36.1 x 22.6 cm); cardboard mount: 15 1/4 x 10 1/10 (38.75 x 25.7 cm),

[La Comtesse in Hat with Veil and Cape with Fringe, Serie à la Ristori], 1860s, Albumen silver print from glass negative, 9.5 x 13.7 cm (3 3/4 x 5 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

The Scholar's Mate, 1857–59, Albumen silver print, Mount: 16 in. × 12 7/8 in. (40.6 × 32.7 cm), Photographs, Oscar Gustav Rejlander (British, born Sweden, 1813–1875

Qur'an Manuscript with Lacquer Binding, early 19th century, Attributed to Iran, Manuscript: Ink, opaque watercolor, and gold on paper, 3 15/16 x 2 1/2 in. (10 x 6.4 cm), Codices, Notes in the front of this tiny Qur'an, copied in 'ghubar'

Terracotta oil lamp, Late Imperial, 3rd–early 4th century A.D., Roman, Terracotta; mold-made, H.: 1 3/8 x 4 1/16 in. (3.5 x 10.3 cm), Terracottas, The lamp was made in Athens and is decorated appropriately with the bust of Athena (Roman

Taglione, September 1857–November 1858, Albumen silver print from glass negative, Image: 19.9 × 23.3 cm (7 13/16 × 9 3/16 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Green Glazed Bowl with Incised Decoration, 9th century, Excavated in Iran, Nishapur, Earthenware; white slip, incised under transparent green glaze, H. 1 7/8 in. (4.8 cm), Ceramics, A very unusual object in the Nishapur finds, the decoration

Louksor (Thèbes). Construction Centrale - Grande Colonnade, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.8 x 30.3 cm. (9 3/4 x 11 15/16 in.), Photographs, Félix Teynard (French, 1817–1892

Dulare, February 1865–75, Albumen silver print from glass negative, Image: 20.3 × 12.1 cm (8 × 4 3/4 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Snuff Bottle with Birds and Flowers, Qing dynasty (1644–1911), late 18th–early 19th century, China, Chalcedony with silver stopper, H. 2 3/4 in. (7 cm); W. 1 7/8 in. (4.8 cm); D. 1 1/2 in. (3.8 cm), Snuff Bottles

Incense Burner, late 13th–early 14th century, Attributed to Syria, Damascus, Brass; cast with handle made of separately hammered sheet, pierced, inlaid with silver and gold, H. 8 3/8 in. (21.3 cm), Metal, Damascus was producing luxury

The Trevi Fountain, Rome, 18th century, Pen and brown and gray ink, brush with brown and gray wash., sheet: 10 1/2 x 14 11/16 in. (26.6 x 37.3 cm), Drawings, Adami (Italian, 18th century

Opera Nova Universali intitulata Corona di racammi, title page (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice.

[Group of 31 Stereograph Views of Children With Animals], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, Benneville Lloyd Singley (American, Union Township, Pennsylvania 1864–1938

Monument of Bishop Mays, Hereford Castle AD1516, 19th century, Ink and wash over graphite, sheet: 19 1/2 x 13 in. (49.5 x 33 cm), Attributed to Sir Charles Barry (British, London 1795–1860 London

[Man Serving Head on a Platter], ca. 1900, Gelatin silver print, Image: 9.8 x 13.9 cm (3 7/8 x 5 1/2 in.), Photographs, William Robert Bowles (American, Campbellsville, Kentucky 1861–1918 Hopkinsville, Kentucky

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 33 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Three-Quarter View of a Standing Male Robed Figure, Charcoal, 10 11/16 x 6 3/16 in. (27.2 x 15.7 cm), Drawings, François-Claudius Compte-Calix (French, Lyon 1813–1880 Chazay d'Azergues

The Goddess of Music Distributing Her Gifts to the Nations, 18th century, Pen and gray and brown ink, with brush and gray wash, 6 x 8 11/16 in. (15.3 x 22 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Ewer and basin, 1795, French, Sèvres, Hard-paste porcelain, Height (ewer): 10 in. (25.4 cm); Width (basin): 15 3/4 in. (40 cm), Ceramics-Porcelain, For the Sèvres porcelain factory, the years of the French Revolution were difficult ones.

Design for a Frame, 1750–88, Brush and black ink and gray wash over traced of black chalk. Incised for transfer. Flaps of paper added at top and bottom turned under., 18 1/2 x 13 11/16 in. (47 x 34.8 cm), Drawings, Johann Oktavian Salver

Landsknecht Carrying a Barrel, late 15th–mid-16th century, Brush and black ink, gray wash, heightened with white, 6-1/2 x 3-3/4 in. (16.5 x 9.5 cm), Drawings, Attributed to Georg Lemberger (German, Nuremberg (?), ca. 1490–ca. 1540

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 2.3 cm ( 7/8 in.); W 4.7 cm ( 1 7/8 in.);

Lamp, Roman, Terracotta, Overall: 1 1/2 x 3 3/4 in. (3.8 x 9.5 cm), Terracottas

Figures Surrounding a Man Lying on the Ground; verso: A Group of Figures, 18th century, Brush and grey ink, over a sketch in black chalk; verso: black chalk, sheet: 8 13/16 x 15 1/16 in. (22.4 x 38.2 cm), Drawings, Anonymous, German, 18th

Vase, Qing dynasty (1644–1911), 18th century, China, Cloisonné enamel, H. 14 1/2 in. (36.8 c.); W. 7 in. (17.8 cm), Cloisonné, The lion-like dogs cavorting on the surface of this vase are often known as Fu dogs in the West. Fu or fo is the

Cornetto in A, ca. 1575, Germany, German, Ivory, gilt ferrule, Height (along center axis without mouthpiece): 22 5/8 in. (57.5 cm), Aerophone-Lip Vibrated, The cornetto, also known as a zink, is a lip-vibrated instrument made by adding

Perspective of a Rendering Round Temple in Ruins (probably Tempio della Speranza), 1710–27, Pen and black-brown ink, brush and gray wash, over traces of ruling in graphite, 13-1/8 x 17-9/16 in. (33.3 x 44.6 cm), Drawings, Pietro Paolo

Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 6 (verso), 1554, Woodcut, 7-5/8 x 6-3/8 x 1/4 in. (19.4 x 16.2 x 0.6 cm), Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd,

[Union Soldier and Barber], 1861–1865, Tintype, Plate: 11.6 × 9.2 cm (4 9/16 × 3 5/8 in.), Photographs, Unknown (American), The official United States Army regulations of 1861 stated that all soldiers’ hair be “kept short, and beard

Lamp, saucer-shaped, 4th century B.C., Cypriot, Terracotta, Overall: 7/8 x 2 3/4 in. (2.2 x 7 cm), Terracottas

7 of Nooses, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Esemplario di Lauori..., page 6 (recto), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore (Giovanni's

George Washington, 1800–30, Painted plaster, 5 7/8 x 4 3/4 in. (14.9 x 12.1 cm), Ceramics

청자 상감 금채 국화 무늬 작은 항아리 고려, 靑磁象嵌金彩菊花文小壺 高麗, Small jar and cover decorated with chrysanthemums, cranes, and clouds, Goryeo dynasty (918–1392), late 13th century, Korea, Stoneware with

Drawing for Spencer's Fairie Queene, ca. 1855, Graphite, sheet: 7 3/4 x 6 1/4 in. (19.7 x 15.9 cm), Drawings, Alfred George Stevens (British, Blandford Forum, Dorset 1817–1875 London

Bowl, 12th–9th century BC, Mexico, Mesoamerica, Olmec, Ceramic, H. 2 1/2 x Diam. 3 5/8 in. (6.4 x 9.2 cm), Ceramics-Containers, This red-orange and white bowl with a restricted neck, reportedly from Tlatilco, Mexico, contains abstract

Hexagonal dish (part of a set), second half 17th century, Hungarian, Brassó, Gilded silver, Overall: 10 1/2 x 9 5/16 in. (26.6 x 23.6 cm), Metalwork-Silver, These five dishes would appear most spectacular when seen in flickering candlelight

Mountainous Landscape with Approaching Thunderstorm, 19th century, Watercolor, sheet: 8 1/16 x 12 3/16 in. (20.5 x 31 cm), Drawings, Anonymous, German, 19th century

First Telegraph House at Heart's Content, Newfoundland, 1866, 1866, Watercolor over graphite with touches of gouache, Sheet: 9 5/16 x 13 9/16 in. (23.6 x 34.5 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 3 in. × 3 1/4 in. (7.6 × 8.3 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Decorated Border, 1830–62, Gouache and watercolor, sheet: 6 x 5 1/8 in. (15.2 x 13 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

View from the French Academy at the Villa Medici, ca. 1852, Salted paper print from paper negative, Image: 20 × 27.2 cm (7 7/8 × 10 11/16 in.), Photographs, Giacomo Caneva (Italian, 1812–1865), Trained at the Venetian Academy as a

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 26 (recto), 1601

Two-handled cup with cover, Thomas Farren (British, active ca. 1707–d. 1743), 1732, British, London, Silver gilt, Overall (confirmed): H. 11 13/16 x W. 7 x D. 11 1/4 in., 87 oz. 2 dwt. (30 x 17.8 x 28.6 cm, 2.7085kg), Metalwork-Silver,

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 10 (recto), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,