Images at Librifly

[The Wilderness Battlefield, near Spotsylvania, Virginia], 1865 (?), Albumen silver print from glass negative, Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Charles Hay Cameron, Esq., in His Garden at Freshwater, 1865–67, Albumen silver print from glass negative, 33.4 x 26.7 cm (13 1/8 x 10 1/2 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara,

El vito (The Andalusian dance), ca. 1820, Lithographic crayon, sheet: 9 3/4 x 11 3/4 in. (24.7 x 29.8 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Regal, ca. 1575, Nürnberg, Germany, German, Wood, various materials, 27 × 11 1/2 × 5 1/2 in. (68.6 × 29.2 × 14 cm), Aerophone-Organ, possibly Georg Voll (German, Nuremberg active ca. 1540–ca. 1575, Nuremberg), This reed organ would

Mandora, ca. 1420, Milan?, Italy, Italian, Boxwood, rosewood, ebony, Height: 14 3/16 in. (36 cm), Chordophone-Lute, This is the most elegant example of three similar, extant small stringed instruments that date from the early fifteenth

Design for double lancet window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, and black ink on paper mounted on board in original shaped matt, Overall: 16 5/16 x 10 3/16 in. (41.4 x 25.9 cm),

Fragment, 3rd–4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 6 11/16 in. high 5 1/4 in. wide (17 cm high 13.4 cm wide), Textiles

瓦に雀香炉　備前焼, Censer in the Form of Sparrow on a Roof Tile, Edo period (1615–1868), 1650, Japan, Lightly glazed stoneware (Bizen ware), H. 5 1/2 in. (14 cm), Ceramics

Ceiling of Dining Room, Spencer House, St. James Palace, London, about 1870, ca. 1870, Watercolor over graphite, sheet: 7 1/16 x 11 3/4 in. (17.9 x 29.8 cm), Frederick Sang (British, active 1868–70

Snakecharmer, 1900–1908, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

The Lyon and the Kid, from Ogilby's Aesopics, 1668, Etching, sheet: 12 1/2 x 9 in. (31.8 x 22.8 cm), Prints, After Francis Barlow (British, Lincolnshire ca. 1626–1704 London

[Young Woman with Earrings], 1870s, Albumen silver print, Photographs, Unknown

Kneeling Figure of a Nun, 17th century, Pen and light brown ink with brush and light brown wash over black chalk underdrawing. Composition framed with black chalk at borders. On off-white paper, 7-5/8 x 5-13/16 in. (19.4 x 14.8 cm), Drawings,

Harness Pendant with Confronted Beasts, 500–600, Visigothic, Leaded brass, Overall: 3 1/2 x 3 x 3/16 in. (8.9 x 7.6 x 0.5 cm), Metalwork-Brass, The Visigoths enjoyed lively commercial contacts with lands all around the Mediterranean. This

Coat of Arms Surmounted by a Plumed Helmet, 18th century, Pen and ink, brush and bodycolor, on vellum, sheet: 12 5/16 x 8 1/4 in. (31.2 x 21 cm), Drawings, Anonymous, Spanish, 18th century

Sketches of Roman Soldiers, 1842–85, Pen and black ink, 12 13/16 x 5 1/4 in. (32.5 x 13.4 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

The Mocking of Christ (recto); Exterior View of a Church (verso), 17th century, Red chalk, framing outline in brown ink, on cream laid paper (recto); black chalk, 3 short strokes in red chalk near bottom edge (verso), 9-7/16 x 6 in. (23.9 x

Folio from a Qur'an Manuscript, probably 9th century, Attributed to Central Islamic Lands, Ink on parchment, H. 6 1/2 in. (16.5 cm), Codices, The tradition of dyed manuscripts developed in Byzantium for making valuable books, such as the

Portrait of Madame Rhode (Rhoda?), 1810–20, Graphite on pale buff wove paper, 8 1/8 x 6 5/8 in. (20.6 x 16.9 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris), Unlike other presentation portraits by Ingres in

The Cornation of Esther by Ahasuerus, 1560–1638, Black chalk and brown wash. Squared for transfer and numbered in black chalk, 7-1/2 x 8-1/4 in. (19.0 x 21 cm), Drawings, Bartolomé Carducho (Spanish, Florence ca. 1560–1608 Madrid),

Standing Buddha, Unified Silla dynasty (676–935), 9th century, Korea, Bronze, H. 9 3/8 in. (23.8 cm), W. 2 1/2 in. (6.4 cm); D. 1 1/8 in. (2.9 cm), Sculpture

Madonna and Child, 17th century, Red chalk on cream paper, darkened to gray. Reworked counterproof?, 6-7/8 x 6-1/8 in. (17.4 x 15.6 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

[Greek Court with Farnese Torso of a Youth; View of a Classical Fountain and Pool; Roman Gallery with Apollo Belvedere and Model of the Roman Forum; Roman Sculpture Court], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x

Study of the Side of a Rocky Cliff (recto); Dam on a Mountain Stream (verso), 1600–1605, Pen & brown ink, blue-grey and brown wash; verso: pen and black ink and grey wash, 5 3/8 x 7 in. (13.7 x 17.8 cm), Drawings, Paulus Willemsz. van Vianen

明文徵明 拙政園圖詩 冊, Garden of the Inept Administrator, Ming dynasty (1368–1644), , dated 1551, , China, , Album of eight painted leaves with facing leaves inscribed with poems; ink on paper, , Image: 10 3/8 × 10 3/4 in.

Jar, ca. 1800, Made in Mexico, Mexican, Tin-glazed earthenware, H. 17 7/8 in. (45.4 cm), Ceramics, These two jars, which were probably used to store water, are decorated with lively scenes centered on the public fountains that provided water

Fortifications, Manassas, March 1862, Albumen silver print from glass negative, Image: 18.7 × 23.4 cm (7 3/8 × 9 3/16 in.), Photographs, Barnard & Gibson (American, active 1860s), George N. Barnard (American, 1819–1902), James F. Gibson

Snuff bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Amberine, H. 3 1/8 in. (7.9 cm), Snuff Bottles

Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.5 × 20.4 cm (11 1/4 × 8 1/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de

Banquet of Scipio, 1543, etching, 15 15/16 x 22 13/16 in. (40.5 x 58 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), after Giulio Romano (Italian, Rome 1499?–1546 Mantua

Cup, Late Period–Ptolemaic Period, 500–200 B.C., From Egypt, Faience, H. 9.5 x dia. 11 cm (3 3/4 x 4 5/16 in), Faience cups of this type are frequent in the Late Period. A recent study of faience vessels notes that examples were found in

Design for a Sleigh with a Mermaid Holding a Vessel with Fruit, 18th century, Red chalk, sheet: 6 7/8 x 9 5/8 in. (17.5 x 24.4 cm), Attributed to Anonymous, German

Pendant: woman carrying a child, Archaic or Classical, 5th century B.C., Etruscan, Amber, H.: 2 1/2 in. (6.4 cm), Miscellaneous-Amber, Statuette of a woman holding child.. This finely carved amber depicts a standing woman carrying a nude child

Extreme Left of Bermuda Hundred Lines, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Archlute, ca. 1725, Rome, Italy, Italian, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, Height: 70 3/4 in. (179.7 cm), Chordophone-Lute-plucked, David Tecchler (Austrian, Salzburg 1666–1747 Rome), Sometime after the invention

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 9r, Designer, Publisher, Woodcut border designed by, Anton Woensam von Worms, Peter Quentel, German, active first half 16th century, died 1538,

Adoration of the Shepherds, 1560, pen and brown ink, gray wash on brown paper, squared in red chalk, 6 7/8 x 6 3/16 in. (17.4 x 15.7 cm), Drawings, Joachim Beuckelaer (Netherlandish, Antwerp 1533–1575 Antwerp

Berson. Samuel. 28 ans, né le 3/?/65 à Dinabourg (Russie). Tailleur d'habits. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 84 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Design for a Dome Compartment with Figures of Faith and Hope, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light tan paper, 11-7/16 x 9-1/2 in. (29 x 24.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese,

Terracotta phiale mesomphalos (libation bowl), Late Classical, 4th century B.C., Etruscan, Terracotta; black-glaze, H.: 2 3/16 x 7 7/8 in. (5.6 x 20 cm), Vases, The interior of this fine bowl is decorated with an incised vine with painted

America from The Four Continents, 16th century, Engraving, Sheet: 8 11/16 x 10 15/16 in. (22.1 x 27.8 cm), Prints, Julius Goltzius (Netherlandish, died ca. 1595), After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Statue of a seated man, Imperial, 1st–2nd century A.D., Roman, Marble, H. 15 in. (38.1 cm.), Stone Sculpture, Fragmentary figure of seated nude male with drapery over right leg from group

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 6, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 12 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 18 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Design for a Glass Chandelier, ca. 1880, Pen and ink, wash, watercolor and metallic pigment, sheet: 12 7/8 x 8 3/4 in. (32.7 x 22.2 cm), Richardson Ellson & Co. (British

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Carl Pier, Franz Xavier Habermann, Jeremias Wachsmuth, German,

Flower Pot, ca. 1750, Made in Mexico, Mexican, Tin-glazed earthenware, H. 5 7/8 in. (14.9 cm), Ceramics

Snuff Bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Cinnabar lacquer with red lacquer stopper, wood stand, H. 2 1/8 in. (5.4 cm), Snuff Bottles

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Carl Pier, Martin Engelbrecht, Jeremias Wachsmuth, Franz Xavier Habermann, German,

Design for a Stole or Maniple, late 19th–early 20th century, Graphite, pen and ink with watercolor, Ernest Geldart (British, London 1848–1929

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 12r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Belt Buckle, 7th century, East Mediterranean, Copper alloy, with gilding, Overall: 2 9/16 x 1 x 7/16 in. (6.5 x 2.5 x 1.1 cm), Metalwork-Bronze

Brooch with Boar’s-Head, late 8th century, Made in Gotland, Sweden, Vendel, Copper alloy, gilt and cast; copper alloy pin secured in hinge with..., Overall: 1 3/4 x 1 1/4 x 7/8 in. (4.4 x 3.1 x 2.3 cm), Metalwork-Copper

The Chien-Caillou Inn, Pen and black ink, 6 x 3 1/2 in. (15.3 x 8.9 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Pantheon, section (recto) Pantheon, capital, elevation; capital, details, early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 22 13/16 x 16 15/16 in. (58 x 43 cm

Caster, ca. 1900, Made in United States, American, Silver, 4 5/16 x 2 3/4 in. (11 x 7 cm), Silver, Goodnow & Jenks (1893–ca. 1905

Ring Weight, 7th–9th century, Attributed to Egypt, Glass, H. 3/4 in., Glass

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 23 (recto), Illustrator, Publisher, Woodcut of Lucrezia designed by, Giuseppe Salviati (Giuseppe Porta, called Il

Fox, ca. 1870, Three-color assembly print, 24.4 x 22.4 cm (9 5/8 x 8 13/16 in.), Photographs, Louis Ducos Du Hauron (French, 1837–1920

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 27 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Bridge on the Grand Canal, Venice, 19th century, Watercolor and gouache, Sheet: 5 1/2 × 8 3/8 in. (14 × 21.3 cm), Drawings, Hercules Brabazon Brabazon (British, Paris 1821–1906 Oaklands, London

Tumbler, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 5/8 in. (9.2 cm); Diam. 3 5/8 in. (9.2 cm), Glass, Bakewell, Pears and Company (1836–1882

Dressing glass, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, mother-of-pearl, brass, and mirror glass, 23 1/4 × 15 3/4 × 10 1/2 in. (59.1 × 40 × 26.7 cm), Furniture, George A. Schastey & Co.

Designs for Four Upholstered Chairs, 1841–84, Black chalk with touches of graphite, sheet: 12 5/8 x 9 13/16 in. (32.1 x 25 cm), Charles Hindley and Sons (British, London 1841–1917 London

Design for a Fountain with Two Basins (recto); Another design (verso), 19th century, Pen and ink and wash, sheet: 13 x 9 1/2 in. (33 x 24.1 cm), Anonymous, British, 19th century

Lamp, 12th–13th century, Syrian, Terracotta, Height from base to top of bowl rim, 1 1/2 in. (39.4mm); Length from nozzle to back of bowl: 3 11/16 in. (93.7mm); Diameter of base: 1 11/32 in. (34.3mm), Miscellaneous

Wedding ensemble, 1868, American, (a–c) silk/wool, According to family history, Amelia Jane Carley (1844–1892) wore this dress at her marriage to William Edward Chess (1842–1926) in 1868 in West Virginia, the half-mourning colors chosen

Covered Platter, 1785–90, Made in China, Chinese, for American market, Porcelain, H. 12 3/8 in. (31.4 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered by

La Vera Perfettione del Disegno di varie sorti di recami, page 19 (verso), 1567

Drawing of a Catafalque for Philip II of Spain, 1598, 1598, Pen, brown ink and washes, 18-3/4 x 8-3/4 in. (47.6 x 22.2 cm), Drawings, Alessandro Casolani della Torre (Italian, Siena 1552–1606 Siena

'The Flight of the Tortoise', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Study Sheet with Three Women and a Boy, ca. 1638–39, Pen and brown ink, sheet: 8 11/16 x 6 7/16 in. (22 x 16.4 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Rembrandt often picked up pen and paper to

Side chair, 1800, Made in Newport, Rhode Island, United States, American, mahogany, 38 1/4 in. (97.2 cm), Furniture, John Townsend (1732–1809

Locomotive #56, U.S. Military Railroad/City Point. Troops Ready to be Taken to the Front by Rail, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Design for a Desk, 19th century, Graphite and watercolor on tracing paper, sheet: 5 5/8 x 6 1/8 in. (14.3 x 15.6 cm), Anonymous, British, 19th century

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 47v), Designer, Printer, Andreas Bretschneider, Henning Gross the younger, German, Dresden ca. 1578–ca. 1640 Leipzig, Bretschneider, Andreas, Gross, Henning

The Death of Aeschylus, before 1606, Pen and brown ink, brown and blue wash, sheet: 10 1/16 in. diameter, Drawings, Tobias Verhaecht (Netherlandish, Antwerp 1561–1631 Antwerp

Design for coat of arms, 18th century, Graphite, sheet: 9 3/4 x 11 in. (24.8 x 27.9 cm), Drawings, Anonymous, 18th century

Snuff Bottle, Qing dynasty (1644–1911), late 18th century, China, Striped glass with coral stopper, H. 2 5/8 in. (6.7 cm), Snuff Bottles

Orchids, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink on paper, 38 1/16 x 9 15/16 in. (96.7 x 25.2 cm), Paintings, Ike Taiga (Japanese, 1723–1776

Composition for a Spandrel, 16th century, Black chalk, 13-3/8 x 8-5/8 in. (34 x 21.9 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Study for a Crucifixion of St. Peter, 1628–30, Pen and brown ink on off-white paper, 5 11/16 x 6 5/8in. (14.4 x 16.8cm), Drawings, Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples

Salver, ca. 1756, Made in Boston, Massachusetts, United States, American, Silver, 1 1/4 x 8 in., 9 oz. 19 dwt. (3.2 x 20.3 cm, 309 Grams), Silver, Nathaniel Hurd (American, Boston, Massachusetts 1729/30–1777 Boston, Massachusetts

Desert Lake, near Ragtown, Nevada, 1867, Albumen silver print from glass negative, Image: 22.3 x 29.1 cm (8 3/4 x 11 7/16 in.), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Guignard. Georges, Auguste. 36 ans, né le 1/1/58 à Neuilly (Seine). Plombier. Anarchiste. 15/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Plan (Probably of the Building in Accession Number ), 1710–27, Pen and brown ink, brush and gray wash, over ruling in graphite, 13 1/16 x 17 13/16in. (33.2 x 45.2cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome,

Design for a Mantelpiece with the Arms of Bavaria(?), 19th century, Pen and brown ink, brush and brown wash over traces of black chalk. Inlaid into mount washed with blue and with blue framing lines., 7 5/16 x 8 11/16 in. (18.6 x 22 cm),

A Successful Hunt, 1906, Made in United States, Gouache, watercolor, gum Arabic glazes, charcoal on white wove paper mounted on board, 14 5/8 × 9 3/16 in. (37.1 × 23.3 cm), Drawings, Henry François Farny (American (born France),

Vase, ca. 1912–15, Made in Flemington, New Jersey, United States, American, Earthenware, H. 11 in. (27.9 cm); Diam. 5 1/2 in. (14 cm), Ceramics, Fulper Pottery Company (1899–1935

Opera Nova Universali intitulata Corona di racammi, page 22 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice.

Tile from marsh scene, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Royal Palace of Akhenaten, Petrie excavations, 1891–92, Polychrome faience, h. 5.5 cm (2 3/16 in.); w. 5

Study of Anatomy: A Youth Drawing an Ecorché of a Standing Man., 1550–1600, Pen and brown ink, brush and gray-brown wash, over traces of black chalk or leadpoint, 14-3/8 x 10 in. (36.5 x 25.4 cm), Drawings, Anonymous, Italian, 16th to

Moreau. François. 47 ans, né le 19/11/46 à Nevers (Nièvre). Menuisier: Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Cylinder seal, Early Dynastic Period, ca. 3100–2650 B.C., From Egypt, Steatite, l. 1.5 cm (9/16 in

Design for a Medal: Bâtiments du Roy, 1740, 18th century, Red chalk; red chalk wash surrounding design, 8 7/16 x 8 7/16 in. (21.4 x 21.4 cm), Drawings, Edme Bouchardon (French, Chaumont 1698–1762 Paris

Madonna and Child, 17th century, Black chalk. On off-white paper, 5 x 3-15/16 in. (12.7 x 10.0 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Biblical Sampler, ca. 1802, Made in New York, New York, United States, Silk embroidery on linen, 15 3/4 × 18 1/2 in. (40 × 47 cm), Textiles, Ann Magdalen Yates (American, born 1790