Images at Librifly

Terracotta table, Cypro-Archaic II, ca. 600–480 B.C., Cypriot, Terracotta; hand-made, H. 2 7/8 in. (7.3 cm), Terracottas, This is one of three known Cypriot models of tables. The rectangular top is supported on three legs, a convention

Cup, ca. 1853, Made in New York, New York, United States, American, Silver and silver gilt, 3 3/4 x 3 1/4 x 4 3/4 in. (9.5 x 8.3 x 12.1 cm); 6 oz. 14 dwt. (208.2 g), Silver, Edward C. Moore (American, New York 1827–1891 New York

Candlestick, 1760–70, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, 9 5/16 × 4 11/16 × 4 11/16 in. (23.7 × 11.9 × 11.9 cm), Glass, Possibly Michael Edkins

Design for a wall sconce, ca. 1905–20, Made in New York, United States, American, Watercolor, graphite and pen on heavy paper, Storage (mat size): 22 x 16 in. (55.9 x 40.6 cm), Drawings, Possibly Tiffany Glass Company (1885–92),

Two Figures of Evangelists Writing, 17th century, Pen with black ink and brush with gray wash over black chalk underdrawing. On ivory paper, 3-9/16 x 6-7/8 in. (9.0 x 17.5 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 18 (recto), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano, British,

[Apple Tree Branch], ca. 1856, Salted paper print from collodion glass negative, Photographs, Unknown (French

Bronze jockey-type helmet with cheek-guards, Late Classical, late 4th century B.C., Etruscan, Bronze, H. 7 13/16 in. (19.9 cm), Bronzes, Jockey-type helmet with an elaborately decorated finial and a diagonal braided pattern along the rim

Model Sporting Boat, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280), Serdab, 1920, Plastered and painted wood, linen, linen twine, copper, Boat with rudder

Colossal marble head of the emperor Augustus, Early Imperial, Julio-Claudian, ca. A.D. 14–30, Roman, Marble, Overall: 17 7/8 x 15 in. (45.4 x 38.1 cm), Stone Sculpture, In 30 B.C., Gaius Julius Caesar Octavianus, grandnephew and heir to

D'Auby. Henri. 48 (ou 49) ans, né à Montmédy (Meuse). Menuisier. Anarchiste. 28/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

The John Ross House, Ringold, Georgia, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Sun King Anointing a Bound Couple, from August von Kotzebue's Die Sonnenjungfrau, 19th century, Brush and grey ink, grey was, and touches of gouache. Pen and black ink framing lines added when mounted., sheet: 13 5/8 x 11 13/16 in. (34.6 x 30

清乾隆 剔紅山水人物紋漆箱, Cabinet with Figures in a Landscape, Qing dynasty (1644–1911), Qianlong period (1736–95), 18th century, China, Carved red lacquer; gilt bronze fittings, H. 13 in. (33 cm); W. 7 7/8 in. (20 cm); L.

Holy Family, 1684, Prints, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 81, bottom

Putti with a Medallion, Oil on wood, Oval, 25 3/8 x 21 1/4 in. (64.5 x 54 cm), Paintings, Charles Dominique Joseph Eisen (French, Valenciennes 1720–1778 Brussels), Eisen was a book illustrator trained by his father and in the Paris studio of

Vase in Meiping Shape with Phoenix, Ming dynasty (1368–1644), Wanli mark and period (1573–1620), late 16th–early 17th century, China, Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), H. 25 1/8 in. (63.8 cm);

Bottle, 1700–1800, Made in Bohemia, Czech Republic, Non-lead glass with enamel decoration, H. 5 1/2 in. (14 cm), Glass

Design for Wall with Two Windows, Side Table, and Mirror, 1841–84, Graphite with touches of white gouache, sheet: 10 1/4 x 14 1/2 in. (26 x 36.9 cm), Charles Hindley and Sons (British, London 1841–1917 London

Fort Ellsworth, Alexandria, Virginia, 1861–65, Albumen silver print from glass negative, Photographs

[Pair of Early Stereograph Views of London, England], 1850s–70s, Albumen silver prints, Mounts: 8.4 x 17.4 cm (3 5/16 x 6 7/8 in.), Photographs, Unknown (British

Designs for a Theatrum Sacrum, 1735–60, Pen and brown ink, brush and brown and gray wash, 17-3/4 x 12-1/4 in. (45.1 x 31.1 cm), Anonymous, Italian, North Italy, 18th century

Bronze plaque of a woman, Archaic, 2nd half of the 6th–5th century B.C., Etruscan, Bronze, H. 2 13/16' (7.1 cm), Bronzes, The body and drapery are summarily rendered with engraved lines

Sampler, 1868, French, Silk on canvas, H. 10 1/4 x W. 21 5/8 inches (26 x 54.9 cm), Textiles-Embroidered

Isis amulet, Ptolemaic Period, 332–30 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Ptolemaic vaulted graves (Birabi), Faience, H. 4.3 cm (1 11/16 in.); W. 0.9 cm (3/8 in.); D. 1.4 cm (9/16 in.), The four small figures of Isis, Khnum,

Figures in a Landscape with Classical Ruins (recto); Six Figure Studies (verso), 17th century, Pen with brown and black ink on cream laid paper (recto); Pen and brown inks (verso) Fragments of framing outline on all edges of recto, 5-7/8 x 7-5/8

Snuff Bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Black crystal with coral stopper, H. 3 in. (7.6 cm), Snuff Bottles

Karako (Chinese Child) with drum, Edo period (1615–1868), 17th–18th century, Japan, Stoneware with painted designs (Ko-Kyomizu ware), H. 4 in. (10.2 cm); W. 5 in. (12.7 cm), Ceramics

Palmesel, 15th century, Made in Franconia, Germany, German, Limewood with paint, Overall (w/ base): 61 1/2 x 23 3/4 x 54 1/2 in., 182lb. (156.2 x 60.3 x 138.4 cm, 82554.7g), Sculpture-Wood, The German word Palmesel (palm donkey) refers to

Esemplario di Lauori..., page 10 (verso), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore

The Flood, 1615–71, Pen and brown ink, brown and gray wash, heightened with white on brown washed paper., 7 1/16 x 14 7/16 in. (17.9 x 36.7 cm), Drawings, Attributed to Jan Cossiers (Flemish, Antwerp 1600–1671 Antwerp

Landscape with Figures Crossing a Bridge (recto); Study of a Nude Male, Study of Legs, Study of Head in Profile to the Right (verso), 17th century, Pen and brown ink, brush and brown wash (recto); red chalk with some highlights in white chalk,

탄은 이정, 대나무, , , 조선, 灘隱 李霆墨竹圖朝鮮, Bamboo in the wind, Joseon dynasty (1392–1910), early 17th century, Korea, Hanging scroll; ink on silk with gold on colophon, Image: 45 1/2 x 21 in. (115.6 x 53.3 cm),

Asile Impériale de Vincennes, la pharmacie, 1858–59, Albumen silver print from glass negative, Image: 17 x 17 cm (6 11/16 x 6 11/16 in.), circular, Photographs, Charles Nègre (French, 1820–1880

Flowers in a Vase, ca. 1884–1904, Watercolor over traces of graphite, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1cm), Drawings, Zacharie Astruc (French, Angers 1835–1907 Paris

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 22 (recto), Illustrator, Publisher, Woodcut of Lucrezia designed by, Giuseppe Salviati (Giuseppe Porta, called Il

Studies of draped female and male figures; verso: Studies of draped female figures, 18th–early 19th century, Pen and brown ink, brown wash, over red chalk, sheet: 8 1/16 x 11 5/8 in. (20.5 x 29.6 cm), Drawings, Bartholomaeus Ignaz Weiss

Textile Fragment from the Dalmatic of San Valerius, 13th century, Attributed to Spain, Silk, gilt animal substrate around a silk core; lampas with seperable layers in the ground weave, Textile: H. 3 in. (7.6 cm), Textiles-Woven, This brocaded

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 47v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, H. 2 (13/16 in.); W. 2.9 cm (1 1/8 in.); D. 0.6 cm

Funerary Mask, Roman Period, 250–300, From Egypt, Plaster, paint, h. 15.5 cm (6 1/8 in); w. 9 cm (3 9/16 in

Elsje Christiaens Hanging on a Gibbet, 1664, Pen and brown ink, brush and grayish brown wash on heavy brownish paper, 6 1/4 x 3 1/8 in. (15.8 x 8.0 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Landscape with Three Figures and Birds, mid 17th–late 17th century, Pen and brown ink, brush and gray wash, framing lines in pen and brown ink, and brush and brown wash., 7 5/16 x 10 11/16 in. (18.5 x 27.2 cm), Drawings, Albert Flamen

A Jacobean Country House with 18th century alterations (recto); Spired Country Church (verso), 18th–19th century, Recto: ink and gray wash; verso: graphite, sheet: 9 3/8 x 13 7/8 in. (23.8 x 35.2 cm), Anonymous, British, late 18th to early

Bordes. Auguste. 15 ans, né à Paris XVIIIe. Garçon Marchand de vins. Anarchiste. 9/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Cock Fight, 1900, Watercolor on paper, Sheet: 33 x 23 in. (83.8 x 58.4 cm), Drawings, Arthur Melville (British, 1858–1904), Nearly twenty years after he visited the Middle East, the Scottish painter Melville depicted a cockfight he had seen

Alban. Jean-Louis. 35 ans, né à Paris. Plombier. Anarchiste. Fiché le 5/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 5 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

A Cottage Parlour, 1838–1910, Graphite, Sheet: 6 x 4 1/2 in. (15.3 x 11.4 cm), Drawings, Sir Francis Seymour Haden (British, London 1818–1910 Bramdean, Hampshire

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 32v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

[Six Men in a Round Boat, Baghdad], ca. 1870, Albumen silver print from glass negative, 13.7 x 19.2 cm (5 3/8 x 7 9/16 in.), Photographs, Unknown

Imitation Bichrome Luster Bowl, 9th century, Excavated in Iran, Nishapur, Earthenware; white slip with polychrome slip decoration under transparent glaze, H. 2 7/16 in. (6.2 cm), Ceramics, The decoration of this bowl imitates a type of luster

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 9 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolo Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Design for an Overdoor or Headpiece: Two Reclining Figures and Urn, 18th century, Pen and gray ink, brush and gray wash, highlighted with white chalk?, on beige prepared? paper. Ruled construction lines in graphite or lead, 3-1/8 x 7-1/2 in.

Jar, Song dynasty (960–1279), China, Pottery (Longquan ware), H. 2 3/8 in. (6 cm); W. 4 3/4 in. (12.1 cm), Ceramics

Ornament Designs Invented by J. Berain, late 17th–early 18th century, Engraving, Overall: 20 5/16 x 16 x 1 3/4 in. (51.6 x 40.6 x 4.5 cm), Portrait of J. Berain designed by Joseph Vivien (French, Lyon before 1657–1734 Bonn), These designs

Nutmeg Grater, 1775–ca. 1800, Probably made in United States, American, Silver and steel, 2 3/4 x 1 1/4 x 1 in. (7 x 3.2 x 2.5 cm); 1 oz. 2 dwt. (34.2 g), Silver

Doorway, Heckingham Church, 1800–1842, Graphite, wash, sheet: 18 x 15 in. (45.7 x 38.1 cm), Drawings, John Sell Cotman (British, Norwich 1782–1842 London

Roman Ruins (Smaller Italian Sketchbook, leaf 12 recto), 1774–75 (?), Graphite, yellow and blue wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby

Equal-Arm Brooch with Cross Decoration, 7th–8th century, Frankish, Copper alloy (cast), Overall: 7/8 x 2 7/16 x 3/4 in. (2.2 x 6.2 x 1.9 cm), Metalwork-Copper

Medici vase with a scene of the château at Saint-Cloud (one of a pair), 1811, French, Sèvres, Hard-paste porcelain, gilt bronze, Overall (confirmed): 27 1/4 x 18 1/2 x 18 1/2 in. (69.2 x 47 x 47 cm), Ceramics-Porcelain, Jean François

Terracotta column-krater (bowl for mixing wine and water), Classical, ca. 460 B.C., Greek, Attic, Terracotta; red-figure, Other: 17 1/2 in. (44.5 cm), Vases, Obverse, Hermes and Poseidon pursuing women, Reverse, youth between two women,

Plate from Book of Vases, 18th century, Etching, Plate: 14 13/16 × 8 13/16 in. (37.7 × 22.4 cm), Jacques de La Joue the Younger (French, Paris 1686–1761 Paris

[Male Musculature Study], ca. 1890, Albumen silver print, Image: 14.9 x 9.6 cm (5 7/8 x 3 3/4 in.), Photographs, Albert Londe (French, 1858–1917), Paul Marie Louis Pierre Richer (French, 1849–1933), Author of a treatise on the importance

[Roman Court with Sculptures of Posidonius and Wounded Gladiator; Sculpture of Geoffrey Chaucer by Marshall; Sculpture of Shakespeare by Roubilliac], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each,

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 41r), Designer, Printer, Andreas Bretschneider, Henning Gross the younger, German, Dresden ca. 1578–ca. 1640 Leipzig, Bretschneider, Andreas, Gross, Henning

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, 1920, Linen

Standing Bodhisattva Maitreya , the Buddha of the Future, pre-Angkor period, 7th–8th century, Thailand (near the Korat plateau), Bronze, H. (excl. tang) 8 1/8 in. (20.7 cm); H. (incl. tang) 9 1/16 in. (23 cm), Sculpture

Splendore delle virtuose giovani, 1564, Woodcut, Overall: 7 1/2 x 5 1/2 in. (19 x 14 cm), Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. Title page with architectural frame, 31 pages of designs

Descent of Eleven-Headed Kannon, 十一面観音来迎図, Muromachi period (1392–1573), mid–late 16th century, Japan, Hanging scroll; ink, color, and gold on silk, Image: 36 1/2 × 15 1/2 in. (92.7 × 39.4 cm), Paintings, Unidentified

Design for a Fountain with a River God, Dolphins and other Figures, 17th century, Pen and gray ink, brush and gray wash; brown wash, possibly incidental, sheet: 6 5/16 x 6 5/16 in. (16 x 16 cm), Anonymous, Italian, 17th century

청자 상감 구름 학 무늬 모자합 고려, 靑磁象嵌雲鶴文母子盒 高麗, Box from set of five decorated with cranes and clouds, Goryeo dynasty (918–1392), 13th–14th century, Korea, Stoneware with inlaid design under celadon

Turtle as a Votive Mehen Game, Early Dynastic Period, ca. 3100–2649 B.C., From Egypt, Upper Egypt, Thebes, Serpentinite, W. 12 x L. 15 x Th. 5.2 cm (4 3/4 x 5 7/8 x 2 1/16 in

Storage Chest, ca. 1880, United States, Alaska, Tlingit, Wood, paint, H. 20 1/4 x W. 30 5/8 x D. 20 1/2 in. (51.5 x 77.8 x 52.1 cm), Wood-Containers

Fragment, 3rd–4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 11.75 in. high 11.75 in. wide (29.84 cm high 29.84 cm wide), Textiles

Figure 39: The attention attracted by an object that provokes lascivious ideas and desires., 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.5 × 20.4 cm (11 1/4 × 8 1/16 in.), Photographs,

The Mariakerk In Utrecht, late 17th century, Brush and brown wash, over graphite, sheet: 5 13/16 x 8 15/16 in. (14.7 x 22.7 cm), Drawings, Attributed to Jacob van der Ulft (Dutch, Gorkum 1627–1689 Noordwijk

Piazza Navona Antico Circo dell'Imperatore Severo Alessandro (...), 1693, Etching, Sheet: 17 5/8 x 27 7/16 in. (44.7 x 69.7 cm), Prints, Gomar Wouters (Flemish, Antwerp 1649 or 1658–after 1696

Cows in a Landscape, 19th century, Black and white chalk on tracing paper, 10 9/16 x 17 5/16 in. (26.9 x 44 cm), Drawings, Eugène-Joseph Verboeckhoven (Belgian, Warneton 1798–1881 Brussels

The Empress Elizabeth of Russia (1709–1762) on Horseback, Attended by a Page, after 1743–49, Oil on canvas, 31 3/8 x 24 1/2 in. (79.7 x 62.2 cm), Paintings, Attributed to Georg Christoph Grooth (German, 1716–1749

Equal-Arm Brooch, 7th–8th century, Made in Northern France, Frankish, Copper alloy, Overall: 1 11/16 x 5/16 x 5/8 in. (4.3 x 0.8 x 1.6 cm), Metalwork-Copper alloy

Prayer Meeting, Second Stone, 1916, Lithograph, image: 18 1/2 x 22 3/8 in. (47 x 56.8 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Juno, 16th century, Pen and brown ink, brush and brown wash, frame lines in black chalk, 9 3/16 x 4 7/8in. (23.3 x 12.4cm), Drawings, Attributed to Jacopo Palma the Younger (Italian, Venice ca. 1548–1628 Venice), Previously attributed to

Figure of a dwarf, Middle Kingdom, Dynasty 12, late–early 13, ca. 1850–1750 B.C. ?, From Egypt, Memphite Region, Lisht North, cemetery south of pyramid south of houses, Pit 964, 1921–22, Blue faience, h. 8.6 cm (3 3/8 in

Salt Spoon, 1790–1810, Made in Boston, Massachusetts, United States, American, Silver, L. 4 3/8 in. (11.1 cm), Silver, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston, Massachusetts

Fragment of Printed Linen, 15th century, Made in Rhineland, Germany, German, Linen, Overall: 6 1/2 × 9 1/2 in. (16.5 × 24.1 cm), Textiles-Printed

Fort Johnson, James Island, looking toward Fort Sumter, 1861–65, Albumen silver print from glass negative, Photographs

S-Shaped Brooch, 6th century, Frankish, Copper alloy, garnet, Overall: 1 9/16 x 1 1/16 x 3/8 in. (4 x 2.7 x 0.9 cm), Metalwork-Copper alloy

Portrait Study, 1635–41, Black chalk, sheet: 9 7/8 x 8 3/16 in. (25.1 x 20.8 cm), Drawings, Anthony van Dyck (Flemish, Antwerp 1599–1641 London

Coin, dated A.H. 89/ A.D. 707–8, Made in Iraq, Gold, Coins

Dendérah (Tentyris), Temple d'Athôr - Vue Générale, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.8 x 29.9 cm. (9 3/8 x 11 3/4 in.), Photographs, Félix Teynard (French, 1817–1892

The Photographer Sescau (Le Photographe Sescau), 1894, Lithograph printed in four colors; machine wove paper, sheet: 24 7/16 x 31 1/8 in. (62.1 x 79.1 cm), Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Fish Series, No. 5, 1917, Watercolor and graphite on paper, 8 x 13 in. (20.3 x 33 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania

Game of Backgammon, 1741–88, Red chalk., 7 7/16 x 11 5/8 in. (18.9 x 29.6 cm), Drawings, Johann Esaias Nilson (German, Augsburg 1721–1788 Augsburg

Mold for Cornflower Pendant, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Town manufactories, Petrie/Carter excavations, 1891–92, Pottery, l. 4.6 cm (1 13/16 in.), This

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 9r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Stassburg, Jobin, Bernhard, Swiss, 1535, 1597, 1598

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 4 in. (2.5 x 10.2 cm), Terracottas

Seated goddess Nephthys, inscribed for Mereskhonsu, Late Period, Dynasty 26, ca. 715–650 BC, From Egypt, silver, gilded, H. 6.4 cm (2 1/2 in.); W. 2 cm (13/16 in.); D. 4 cm (1 9/16 in.), The bright gilded silver statuette of the goddess

Martyrdom of Saint Lawrence, 17th century, Pen and brown ink, brush and gray wash, over traces of black chalk on cream paper, 8-1/16 x 6-9/16 in. (20.5 x 16.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century