Images at Librifly

Plaque, 7th–8th century, From Egypt, Bone; carved with remains of paint, D. 7/8 in. (2.2 cm) , Ivories and Bone, These plaques, one with an unusual purple hue, were attached to wooden furniture with nails or pegs. They are made from the

David Chooses Three Days of Pestilence (II Samuel 24:10-17), 17th century, Pen and brown ink, brush and brown wash, heightened with white. Contours indented for transfer. Lined., 10 1/4 x 7 1/16 in. (26.1 x 17.9 cm.), Drawings, Valentin

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

[Group of 15 Early Stereograph Views of Cambridge, England and the Surrounding Area], 1860s–80s, Albumen silver prints, Mounts approximately: 8.4 x 16.8 cm (3 5/16 x 6 5/8 in.) to 8.5 x 17.7 cm (3 3/8 x 6 15/16 in.), Photographs, Unknown

Kohl Flask, probably 10th–12th century, Made in Iran or Central Asia, Serpentine; carved, incised, 1 7/16 x 1 5/8 in. (3.7 x 4.2 cm), Stone, This charming object was designed to hold kohl, a black cosmetic powder applied around the eyes. In

Sketch for Wall Monument, 16th century, Red chalk, brush, and brown ink, 7 x 6 in. (17.8 x 15.2 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Jeremias Wachsmuth, Martin Engelbrecht, Carl Pier, German,

Design for a Ceiling Decoration, 1742–1839, Pen and gray-brown ink, brush and wash, on heavy laid paper, 11-1/2 x 17 in. (29.2 x 43.2 cm), Drawings, attributed to Giocondo (Giuseppe) Albertolli (Italian, Bedano 1742–1839 Milan

Hunters in an Outlook on a Mountain, ca. 1870, Pen and brown ink, brush and brown ink, brush and blue watercolor, sheet: 15 1/2 x 11 7/8 in. (39.4 x 30.1 cm), Drawings, August Leopold Venus (German, Dresden 1843–1886 Pirna

Essempio di recammi, page 19 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Bookbinding, 17th century, Attributed to India, Leather on laminated paper board, H. 15 7/8 in. (40.3 cm), Codices

The Old man and the Youth, second quarter 17th century, Attributed to Iran, Isfahan, Ink, transparent and opaque watercolor, and gold on paper, 5 in. high 2.12 in. wide (12.7 cm high 5.4 cm wide), Codices, Painting by Riza-yi `Abbasi

Gold Strap End (Unfinished), 700s, Avar, Gold, 2 3/16 × 1 × 1/4 in., 1 Troy Ounces (5.6 × 2.6 × 0.7 cm, 34g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively

Classical Landscape with Herdsmen in the Foreground, 1755–1821, Graphite, 14-5/16 x 18-11/16 in. (36.4 x 47.5 cm), Drawings, Giovanni Battista ('Titta') Lusieri (Italian, Rome 1754–1821 Athens

Design for a Black Cabinet with a Blue Interior, 19th century, Ink and watercolor, sheet: 5 1/2 x 4 5/8 in. (13.9 x 11.8 cm), Anonymous, British, 19th century

Buckle Shank, 7th century, Visigothic, Copper alloy, 4 5/8 x 1 5/8 in. (11.7 x 4.1 cm), Miscellaneous-Buckles & Ornament

Dancing dwarf, Ptolemaic Period, 332–150 B.C., From Egypt, Marble, H. 10 cm (3 15/16 in.); W. 4.9 cm (1 15/16 in.); D. 4.2 cm (1 5/8 in.), The marble dancing dwarf with his fine features is almost certainly from Alexandria. As in so many

Glass snake-thread dropper flask, Late Imperial, 3rd century A.D., Roman, Glass; blown and trailed, Diameter: 3 1/8 in. (8 cm), Glass, Greenish colorless; colorless, opaque yellow, and translucent turquoise green trails., Everted rim,

Apollo and the Muses on Parnassus, 1784, Engraving, Sheet: 24 15/16 × 35 1/16 in. (63.4 × 89 cm), Prints, Raphael Morghen (Italian, Naples 1758–1833 Florence), After Anton Raphael Mengs (German, Ústi nad Labem (Aussig) 1728–1779 Rome),

Landscape with a Young Girl at a Waterfall, late 18th–19th century, Brush and brown ink, over a sketch in black chalk, sheet: 8 11/16 x 11 7/16 in. (22.1 x 29 cm), Drawings, Wolfgang Adam Töpffer (Swiss, Geneva 1766–1847 Morillon

Bronze dragon-type fibula (safety pin), Geomtric-Archaic, ca. 700–650 B.C., Late Villanovan or Early Etruscan, Bronze, length 6 7/16in. (16.3cm), Bronzes, The pronounced elongation of pin and clasp indicates a relatively late date for this

Holy Family with Saints, ca. 1550–54, Etching, Prints, Pierre Jean Mariette (French, Paris 1694–1774 Paris), In Mariette Album, folio 31

Kohl jar, New Kingdom, Dynasty 18, early, ca. 1550–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 3, Burial D 1, in bowl 16.10, 1915–16, Serpentinite, H. 5.6 cm (2 3/16 in

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 14 (recto), Illustrator, Publisher, Woodcut of Lucrezia designed by, Giuseppe Salviati (Giuseppe Porta, called Il

Designs for Chair and Window Seats, 1841–84, Pen and black ink, sheet: 10 1/2 x 14 5/16 in. (26.7 x 36.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Sebastian Andorfer (1469–1537), 1517, Oil on Swiss stone pine, 17 x 14 1/8 in. (43.2 x 35.9 cm), Paintings, Hans Maler (German, Ulm, born ca. 1480, died ca. 1526–29 Schwaz (?)), Hans Maler worked as a portrait painter in the mining town

The Epiphany of the New Antichrist (L'Epiphane du Nouveau Antichrist), 1689, Etching and letterpress, sheet: 22 9/16 x 15 7/16 in. (57.3 x 39.2 cm), Prints, Romeyn de Hooghe (Dutch, 1645–1708

Animal Locomotion. An Electro-Photographic Investigation of Consecutive Phases of Animal Movements. Commenced 1872 - Completed 1885. Volume V, Man (Pelvis Cloth), 1880s, Photogravures, Books, Eadweard Muybridge (American, born Britain,

Necklace, ca. 1905, Made in New York, New York, United States, American, Diamonds, natural pearls, and platinum, Length: 15 inches, Jewelry, Dreicer & Co. (American, New York, 1868–1927), Designed as an openwork cascade of diamonds

Allegorical Figures, 17th century, Pen and brown ink, brush and gray wash, over faint traces of black chalk on light brown paper, 6-15/16 x 5-3/8 in. (17.7 x 13.7 cm), Drawings, Anonymous, Italian, Bolognese, 17th century

The Rest on the Flight into Egypt (with a Truncated Pyramid on the Right), ca. 1770, Pen and brown ink, brown wash, over rough black chalk, 18 1/2 x 14 15/16 in. (47 x 37.9 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804

Finger Ring, 6th– early 7th century, Frankish, Silver, Overall: 15/16 x 13/16 in. (2.4 x 2 cm), Metalwork-Silver

Covered box, 은제 합 고려, Goryeo dynasty (918–1392), 918–1392, Korea, Silver, H. 1 3/8 in. (3.5 cm); Diam. 1 1/16 in. (2.7 cm), Metalwork, The swastika incised in the center of this box is an ancient Indian symbol of auspiciousness

Drawings and Prints, Print, Two Forces (Punch, October 29, 1881), Artist, Sir John Tenniel, British, London 1820–1914 London, Tenniel, John Sir, British, 1820, 1914, 1881

Brush washer with lotus, Ming dynasty (1368–1644), 15th century, China, Stoneware with incised decoration and celadon glaze (Longquan ware), H. 1 1/2 in. (3.8 cm); Diam. 5 1/4 in. (13.3 cm), Ceramics, This is a rare example of a work

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 104 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Orpheus Playing to the Animals, ca. 1520, Pen and black ink, 3-3/4 x 2-7/8 in. (9.5 x 7.3 cm), Drawings, Anonymous, German, 16th century (Nuremberg

Ornament from a Crown, Liao dynasty (907–1125), China, Gold, H. 2 3/8 (6 cm); W. 3 3/8 in. (8.6 cm), Jewelry

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 29 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Drum, 19th century, Loango (just north of Pointe-Noire), Democratic Republic of the Congo, Vili or Yombe people, Wood, fiber, glass, 30 11/16 × 9 7/16 × 6 3/4 in. (78 × 24 × 17.2 cm), Membranophone-single-headed / cylindro-conical, When

Sèriè à la Ristori, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Design for a Pier-glass for Adderbury House, Oxfordshire, for the Duke of Buccleuch, ca. 1768, Pen, ink, watercolor, sheet: 18 1/2 x 9 1/2 in. (47 x 24.1 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Ink Traces of Kenzan (Kenzan iboku), 酒井抱一画　『乾山遺墨』, Edo period (1615–1868), 1823, Japan, Woodblock printed book; ink and color on paper, Image: 9 3/4 x 6 15/16 x 1/4 in. (24.8 x 17.7 x 0.7 cm), Illustrated Books,

[Young Boy Wearing Livery or Riding Costume], 1840s, Daguerreotype, Image: 7 x 5.8 cm (2 3/4 x 2 5/16 in.), Photographs, Unknown (American

Carpet, 17th century, Attributed to Egypt, Wool (warp, weft and pile); asymmetrically knotted pile, H. 72 1/16 in. (183 cm), Textiles-Rugs

Section from a Qur'an Manuscript, dated A.H. 588/ A.D. 1192–93, Made in Iraq, Baghdad, Ink, gold, and opaque watercolor on paper, 8 3/16 x 5 11/16 in. (20.8 x 14.5 cm), Codices, Often Qur'ans were divided into thirty sections, each called

Shilling, 1652, Made in Boston, Massachusetts, United States, American, Silver, 1 1/8 in., 4.52 Grams (2.8 cm, 2 dwt), Silver, John Hull (1624–1683), Robert Sanderson Sr. (ca. 1608–1693), In 1652 John Hull and Robert Sanderson were

Woman and Old Man Seated, 16th century, Pen and brown ink, 12-3/8 x 9-1/8 in. (31.4 x 23.2 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 5 in. × 3 7/16 in. (12.7 × 8.8 cm), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Clarinet in B-flat, 1830, Brussels, Belgium, Belgian, Ivory, brass, gold-plated silver, Height: 26 3/4 in. (68 cm), Aerophone-Reed Vibrated-single reed cylindrical, Charles Joseph Sax (Belgian, Dinant, Belgium 1790–1865 Paris), The

Decoration for a Spandrel in a Cove, 16th century, Pen and brown ink, over black chalk, 3-1/4 x 4-1/2 in. (8.3 x 11.4 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Gong Held by Oni, early 19th century, Kyoto, Japan, Japanese, Metal, wood, lacquer, polychrome, Gong Diam. 77 cm (30-5/16 in.); Left figure H. 163.5 cm (64-3/8 in.), W. 93 cm (36-5/8 in.); Right figure H. 170 cm (67in.), W. 76 cm (30 in.);

Paris-Théàtre, 1870s, Woodburytypes, Periodicals, Nadar (French, Paris 1820–1910 Paris), Paul, fils Bacard (French), Truchelut, Charles Reutlinger (German, Karlsruhe 1816–1881 Karlsruhe), E. Flamant, Frank, Gaston et Mathieu

Page from Ein new kunstlich Modelbuch...(Page 13r), 1544

A Fisherman's Family at the Beach, the Mother and One of the Children Sitting in a Cart, 1855, Pen and brown ink, brown wash, watercolor, gouache, 8 11/16 x 12 1/16 in. (22 x 30.7 cm), Drawings, Jan Gerard Smits (Dutch, 1823–1910

The Rape of Helena; verso: Study of a Kneeling Nude Male Figure, late 17th–18th century, Pen and brown ink, heightened with white bodycolour, over a sketch in black chalk, sheet: 10 3/8 x 15 3/16 in. (26.4 x 38.5 cm), Drawings, Daniel Seiter

Amulet, 1840–60, United States, Alaska, Tlingit, Ivory, H. 6 x W. 1/2 in. (15.2 x 1.3 cm), Bone/Ivory-Ornaments

View of Vesuvius, August 18 [1782], Graphite on tracing paper, Sheet: 7 1/2 × 18 7/8 in. (19.1 × 47.9 cm), Drawings, John Robert Cozens (British, London 1752–1797 London), Cozens visited Italy for the second time in 1782-83, leaving

Saint Reading, 17th century, Pen and brown ink, red chalk, brush and red wash, on cream paper, 7-11/16 x 5-3/8 in. (19.5 x 13.6 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 2v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

[Group of 4 Stereograph Views of Ludgate Hill, London, England], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, J. F. Jarvis (American

He Has Been Decorated ('Y esta' Condecorado!'), 1807–45, Pen and dark brown ink with traces of brush and brown wash on off-white paper. Composition outlined in pen and dark brown ink on all sides, 7 x 5-1/16 in. (17.8 x 12.9 cm), Drawings,

Marble female figure, Early Cycladic I, 3200–2800 B.C., Cycladic, Marble, H. 8 1/2 in. (21.6 cm), Stone Sculpture, The figure wears a headdress; on later works, the headdress is painted rather than incised. The pairs of holes in the neck

Marble portrait bust of a man, Late Imperial, mid–3rd century A.D., Roman, Marble, H. 25 7/8 in. (65.7 cm), Stone Sculpture, Marble portrait bust of a young man

Snuff bottle with Mi Fu bowing to a rock, Qing dynasty (1644–1911), 19th century, China, Jade (nephrite) with jade (jadeite) stopper, H. 2 1/8 in. (5.4 cm), Snuff Bottles, A famed poet, painter, and calligrapher, Mi Fu (1051–1107) was

Soldiers Running, 16th century, Pen and brown ink, brush and gray wash over black chalk on cream paper. Fragmentary ruled framing outline in brown ink along top, left and bottom edges, 4-13/16 x 7-1/2 in. (12.3 x 19 cm), Drawings, Anonymous,

Terracotta bowl, Late Classical–Hellenistic, 4th–3rd century B.C., Etruscan, Terracotta, H. 3 1/8 in. (8 cm); diameter 6 9/16 in. (16.7 cm), Vases, These bowls are distinguished by their central female heads in high relief. It is not clear

Candlestick with Figural Imagery, first half 14th century, Attributed to Iran or Iraq, Brass; cast, engraved, and inlaid with silver and black compound, Max. H. 9 5/16 in. (23.7 cm), Metal, This unusual nine?sided candlestick is ornamented

Christ in Limbo (Recto); Saint with Rosary (Verso), 17th century, Pen and brown ink, brush and brown wash, over red chalk, highlighted with white gouache on light tan paper. Framing outline in red chalk and brown wash, 4-3/8 x 6-3/8 in. (11.1 x

Vase with swan, ca. 1880, French, Paris, Porcelain, Overall (confirmed): 25 5/8 × 12 7/8 × 12 7/8 in. (65.1 × 32.7 × 32.7 cm), Ceramics-Porcelain

Design for an Illustration: King and Courtier against a Landscape, 19th century, Graphite on laid paper, 5 1/2 x 4 1/2 in. (13.9 x 11.5 cm), Drawings, Anonymous, German, 19th century

Design with Dancers in a Cartouche, 19th century, Ink and watercolor, Anonymous, British, 19th century

Karnak (Thèbes), Palais - Salle Hypostyle - Colonnade Centrale Vue du Point J, 1851–52, printed 1853–54, Salted paper print from paper negative, 30.2 x 24.4 cm. (11 7/8 x 9 5/8 in.), Photographs, Félix Teynard (French, 1817–1892

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Illustrated letter to Curt Valentin, 1937, Ink and graphite on paper, 10 5/8 x 8 1/2 in. (27 x 21.6 cm), Drawings, Ernst Ludwig Kirchner (German, Aschaffenburg 1880–1938 Frauenkirch

Cased Pair of Percussion Pistols with Accessories, dated 1856, Paris, French, Paris, Steel, brass, gold, wood (ebony), textile (baizé, wool), copper, leather, Pistols (a, b); L. of each 16 in. (40.7 cm); L. of each barrel 10 5/8 in.

Tongue from a buckle, 6th–7th century, Made in Northern shore, Black Sea, Ostrogothic, Silver-gilt, Overall: 1 3/4 x 9/16 x 15/16 in., 0.6oz. (4.4 x 1.4 x 2.4 cm, 16g), Metalwork-Silver

Mother and Children (Charity?), 17th century, Pen and brown ink, brush and gray wash, over black chalk on light tan paper, 4-15/16 x 5-1/16 in. (12.6 x 12.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Le Pompe: Opera Nova, page 6 (verso), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design composed of 3 vertical columns. Left column

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 7.6 cm ( 3 in.); W 9.5 cm ( 3 3/4 in.); D

Black-topped red ware jar with a climbing animal, Predynastic, Late Naqada l–Early Naqada II, ca. 3700–3500 B.C., From Egypt, Pottery, H: 11.4 cm (4 1/2 in

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 33 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Bowl, ca. 1820, Made in Pennsylvania, United States, American, Earthenware and slip decoration, H. 2 1/2 in. (6.4 cm); Diam. 6 1/2 in. (16.5 cm), Ceramics

Beaker signed by Meges, Early Imperial, mid–1st century A.D., Roman, Syro-Palestinian, Glass; blown in a three-part mold, Height: 3 5/16 in. (8.5 cm), Glass, Translucent yellow green. Outsplayed knocked-off rim with indent below; body with

Disk Brooch, late 6th–early 7th century, Frankish, Gold, silver, niello, paste, iron core, Overall: 1 3/16 x 3/8 in. (3 x 0.9 cm), Metalwork-Gold

Architectural Support, 1500–1510, British or French, Oak, Overall: 83 1/16 x 9 1/2 x 12in. (211 x 24.1 x 30.5cm), Woodwork-Architectural

Weihnachtstraum. Ein Festspiel, 1867, Wood engravings, Overall: 11 7/8 x 8 11/16 x 1/4 in. (30.2 x 22 x 0.6 cm), Books, Eduard Jakob von Steinle (Austrian, Vienna 1810–1886 Frankfurt am Main

Seated Draped Male Figure (recto); Rough Studies of Putti (verso), 1582–1647, Black chalk, faint traces of white on gray-blue paper (recto); black chalk (verso), 16-5/8 x 10-13/16 in. (42.3 x 27.5 cm), Drawings, attributed to Giovanni

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 16 (recto), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Francier. Éloi. 41 ans, né le 28/10/53 à Resson-le-Long (Aisne). Ébéniste. Anarchiste. 22/5/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

A Man Interfering in a Street Fight, from Images of Spain Album (F), 82, 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos

Terracotta kantharos (drinking cup), Archaic, ca. 650–600 B.C., Etruscan, Terracotta; bucchero sottile, H. with handles 12 in. (30.5 cm), Vases, The tall, flaring handles with struts and notched decoration indicate the influence of metallic

The Hundred Guilder Print, ca. 1649, Etching, engraving, and drypoint; second state of two, plate: 11 x 15 1/2 in. (28 x 39.3 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Wedding dress, 1856–59, American, silk

Vivae Omnium Ferre Imperatorum Imagines..., 1557, Etching with chiaroscuro woodcut, Overall: 12 3/8 x 9 7/16 in. (31.5 x 24 cm), Books, Hubert Goltzius (Netherlandish, Wurzburg 1526–1583 Bruges

Spring Morning, ca. 1875, Oil on canvas, 22 x 16 3/4 in. (55.9 x 42.5 cm), Paintings, James Tissot (French, Nantes 1836–1902 Chenecey-Buillon), Tissot was an early and avid aficionado of Japanese woodblock prints, from which silhouetted

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 4r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

男神坐像, Shinto Deity as a Seated Courtier, Heian period (794–1185), 11th–12th century, Japan, Wood; single-block (ichiboku-zukuri) construction, with traces of red and black pigment, H. 18 in. (45.7 cm); W. 8 3/8 in. (21.3 cm); D. 5

Funerary Monument with Two Male Figures (Santa Maria del Popolo, Cappella Chigi, Rome), 18th century, Pen and brown ink, brush and gray wash, over graphite, sheet: 8 9/16 x 5 7/8 in. (21.7 x 15 cm), Anonymous, Italian, first half of the

Epigonation (Palitsa), 16th–17th century, Russian, Silk, metal thread, and pearl embroidery on a foundation of silk satin; tassels of metal thread and pearls, 22 3/8 × 21 1/8 in. (56.8 × 53.7 cm), Textiles-Embroidered, Worn by a bishop