Images at Librifly

Case (Inrō) with Design of Fireworks (obverse); Design of Fan (reverse), Edo period (1615–1868), 19th century, Japan, Case: red lacquer and powdered gold and silver (maki-e) on black lacquer; Fastener ojime): stone; Toggle (netsuke): colored

Silver Drinking Bowl with Handle, 700s, Made in Tirana, Avar, Silver, 2 × 9 15/16 × 7 5/16 in., 9 Troy Ounces (5.1 × 25.2 × 18.5 cm, 299g), Metalwork-Silver, The Avars were a nomadic tribe of mounted warriors from the Eurasian steppe.

Allegory of the Life of the Dauphin, Red chalk, over traces of black chalk, 11 11/16 x 7 3/4 in. (29.7 x 19.7 cm), Drawings, Charles Nicolas Cochin II (French, Paris 1715–1790 Paris

Deche di Tito Livio vulgare hystoriate, 16 April 1511, Printed book with woodcut illustrations., 12 13/16 × 9 1/16 × 2 1/4 in. (32.5 × 23 × 5.7 cm), Books

Standing Madonna in Mourning, 1520, Pen and black ink, sheet: 6 15/16 x 4 1/8 in. (17.7 x 10.5 cm), Drawings, Monogrammist G.Z. (German, active ca. 1514–21

Gold and banded carnelian ring: on scarab bezel, a youth, Late Archaic, early 5th century B.C., Etruscan, Gold, agate, Diam.: 7/8 in. (2.2 cm), Gold and Silver, Ring with scarab from a tomb group allegedly from Vulci, one of the richest and

Creamer, 1785–1805, Made in China, Chinese, Porcelain, H. 5 3/4 in. (14.6 cm), Ceramics

Dagger (Khanjar) with Sheath, late 18th century, possibly Lucknow, Indian, possibly Lucknow, Steel, nephrite, gold, emerald, ruby, wood, velvet, H. with sheath 14 1/2 in. (36.8 cm); H. without sheath 13 5/8 in. (34.6 cm); W. 3 5/8 in.

Architectural Portal with Paired Planking Ionic Columns (only left-hand columns and part of arched opening shown), late 18th–mid-19th century, Black ink and gray wash, sheet: 14 1/8 x 9 1/16 in. (35.9 x 23 cm), Anonymous, British, late 18th

Study of Two Women, ca. 1755, Black chalk, heightened with white, on gray paper, 8 7/16 x 13 3/8 in. (21.5 x 34 cm), Drawings, Étienne Jeaurat (French, Vermenton 1699–1789 Versailles), Jeaurat belonged to a literary society interested in

Dempsey through the Ropes, 1923, Lithographic crayon on paper, 21 1/2 x 19 5/8 in. (54.6 x 49.8 cm), Drawings, George Bellows (American, Columbus, Ohio 1882–1925 New York

Gold Appliqué in the Form of a Cross, ca. 600, Langobardic, Gold, Overall: 1 13/16 x 1 3/4in. (4.6 x 4.5cm), Metalwork-Gold, Once they were in Italy, the Langobards adopted the custom of sewing one or more crosses on the shrouds of the

Terracotta brazier, Archaic, ca. 550 B.C., Etruscan, Terracotta; Caeretan Red Ware, H. 6 in. (15.2 cm); diameter 17 in. (43.2 cm), Vases, The rim is stamped with a scene that depicts a man and two dogs chasing a hare into a net held by a

Cruet, ca. 1885, Made in Pittsburgh, Pennsylvania, United States, American, Blown satin cranberry glass, H. 6 1/4 in. (15.9 cm), Glass

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 25 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Mermin. Camille. 33 ans, né à La Havane (Cn Espagnoles). Rep. de cou. (?). Anarchiste. 9/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

[President Abraham Lincoln, Major General John A. McClernand (right), and E. J. Allen (Allan Pinkerton, left), Chief of the Secret Service of the United States, at Secret Service Department, Headquarters Army of the Potomac, near Antietam,

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 12 (recto), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, 1564, Calepino, Foresto, Iseppo, Italian, 1500,

Portrait of the Artist's Mother, 1899, Conté crayon; lined, Sheet: 6 3/4 x 4 in. (17.1 x 10.1cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair

Folio from a Qur'an Manuscript, 14th century, Attributed to India or Iran, Ink, opaque watercolor, and gold on paper, 19.5 in. high 14.00 in. wide (49.5 cm high 35.6 cm wide), Codices, This Qur’an which probably belongs to fourteenth

Hawk and three pheasants, 1719–72, French, Paris, Wool (108 knots per sq. inch, 17 per sq. cm.), H. 73 x W. 27 inches (185.4 x 68.6 cm), Textiles-Woven

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 35v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Jeremias Wachsmuth, Carl Pier, Martin Engelbrecht, Franz Xavier Habermann, German,

Deutsche Dichtungen mit Randzeichnungen Deutscher Künstler. I. Band (Lider und Bilder, II), 1843, Etching, Overall: 11 15/16 x 10 3/16 x 3/8 in. (30.3 x 25.8 x 1 cm), Books, Wilhelm Camphausen (German, Düssledorf 1818–1885 Düsseldorf),

『過去現在絵因果経』断簡　（松永本）, Scene from The Illustrated Sutra of Past and Present Karma (Kako genzai e-inga-kyō; Matsunaga Version), Kamakura period (1185–1333), late 13th century, Japan, Handscroll; ink and color

There Was No Business ('No encontraron avio'), 1807–45, Pen and dark brown ink with brush and gray-brown wash. Composition outlined with pen and dark brown ink on all sides. On off-white paper, 6-9/16 x 4-15/16 in. (16.7 x 12.5 cm), Drawings,

Standing Female Figure with an Anchor ('Spes'), 1600–1630, Pen and brown ink, gray wash, heightened with white, Drawings, Hinrich Degener (German, Hamburg, ca. 1615/16

Vase, Qing dynasty (1644–1911), Kangxi mark and period (1662–1722), 1713–22, China, Porcelain with peach-bloom glaze (Jingdezhen ware), H. 8 in. (20.3 cm), Ceramics

Hab.t de la Laponie from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Panel of Curvilinear Metal Ornament Adorned with Masks and Winged Figures, second half 19th century, Graphite, sheet: 3 x 12 1/2 in. (7.6 x 31.7 cm), Anonymous, British, 19th century

Plate, ca. 1500–1525, Italian or Portuguese, Silver-gilt; embossed, Overall: 1 5/16 x diam. 8 11/16 in. (3.3 x diam. 22 cm), Metalwork-Silver, Deeply embossed scrollwork relief fills the center of this small plate, and tiny repoussé figures

Sketch of a Painted Family Portrait 'in situ', 19th century, Pen and gray ink, brush and gray wash, over traces of black chalk., 9 5/16 x 13 3/8 in. (23.7 x 34 cm), Drawings, Anonymous, German, 19th century

Footed beaker, mid-17th century, Hungarian, Brassó, Silver, Overall: 8 3/8 x 4 5/16 in. (21.2 x 11 cm), Metalwork-Silver

Memorial Head (Ntiri), 17th century (?), Ghana, Adanse traditional area, Fomena (?), Akan peoples, Terracotta, H. 12 x W. 7 3/8 x D. 7 in. (30.5 x 18.8 x 17.8 cm), Ceramics-Sculpture, The Asante, Baule, and Anyi peoples belong to the Akan

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 13 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Box, ca. 1728–30, German, Meissen, Hard-paste porcelain, Overall: 3/4 × 4 1/16 × 2 9/16 in. (1.9 × 10.3 × 6.5 cm), Ceramics-Porcelain, The fan-shaped boxes of Japanese lacquer in the collection of Augustus the Strong (1670–1733),

Les Singuliers et Nouveaux Portraicts... page 47 (verso), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Cottage near the Entrance to a Wood, 1644, Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage)., 11 3/4 x

Design for the Decoration of the Side Plate of a Firearm, ca. 1797–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 1 7/16 x 5 in. (3.7 x 12.7 cm), Works on Paper-Drawings

Vanitas, mid-16th–early 17th century, Pen and brown ink, brush and gray wash over traces of black chalk. Laid down on a cardboard mount with black, brown and gold framing lines, 3 7/8 x 5 1/2 in. (9.8 x 14.0 cm); margins irregular. Mount: 6

Design for a White Chasuble, late 19th–early 20th century, Graphite, pen and ink with watercolor, sheet: 17 1/2 x 12 in. (44.5 x 30.5 cm), Ernest Geldart (British, London 1848–1929

Well with Wrought Iron Cap and Stone Base, second half 19th century, Graphite, sheet: 9 15/16 x 6 15/16 in. (25.3 x 17.6 cm), Anonymous, British, 19th century

Lamp, 1868–75, Made in Pittsburgh, Pennsylvania, United States, American, Frosted colorless and opaque blue glass, brass, Overall: H. 12 7/8 in. (32.7 cm), Glass, Probably Atterbury and Company (ca. 1867–1893

Lucidario di Recami, page 16 (verso), 1564

Studies of a Man, 17th century, Red chalk, highlighted with white chalk in light tan paper, 7-1/2 x 6-5/16 in. (19 x 16 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Terracotta lamp, ca. A.D. 40–100, Roman, Cypriot, Terracotta; mold-made, 1 1/8 x 3 7/8 in. (2.9 x 9.8 cm), Terracottas, Dog on discus; voluted nozzle

View of the Coast of Sorrento Near Vico, 1800–1866, Graphite, heightened with white; framing line in pen and ink., sheet: 11 7/16 x 17 13/16 in. (29 x 45.2 cm), Drawings, Carl Wilhelm Goetzloff (German, Dresden 1799–1866 Naples

The Misses Ide in Samoa, ca. 1908, Platinum print, 11.8 x 16.1 cm (4 5/8 x 6 5/16 in.), Photographs, Frank Eugene (American, New York 1865–1936 Munich

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Jeremias Wachsmuth, Carl Pier, Franz Xavier Habermann, German,

Incense Container (Kōgō ) in the Form of a Book, with the title“Hana no En” (Festival of the Cherry Blossoms), Chapter 8 of The Tale of Genji, Edo period (1615–1868), 19th century, Japan, Lacquer on wood with shell appliqué, powdered

Plan for a Church with a Nave (recto); Framing Outlines (verso), 16th century, Pen and brown ink, brush and blue wash, over stylus ruling and incised compass marks (recto); pen and brown ink (verso), Maximum dimensions including strip attached

Glass cantharus (drinking cup), Early Imperial, Claudian or Flavian, ca. A.D. 40–80, Roman, Glass; blown, H. 4 11/16 in. (11.9 cm), Glass, Translucent cobalt blue; handles in same color. Flaring, rounded rim, with folded solid flange

[Man, Seen from the Back, Conversing with Two Woman], 1860s, Albumen silver print, Photographs, Unknown

Deathbed Scene, 17th century, Brush and brown ink, brown wash, white heightening on brown prepared paper., 9 1/4 x 6 11/16 in. (23.5 x 17 cm), Drawings, Anonymous, Flemish, 17th century

Kneeling Female Nude and Two Studies of Angels, early 18th century, Recto: pencil; margins ruled in red chalk at all four edges of paper, 12 1/2 x 8 3/8 in. (31.7 x 21.3 cm), Drawings, Georg Raphael Donner (Austrian, Vienna 1693–1741 Vienna

[Landscape with River and Trees], 1886, Gum bichromate print, 19.3 x 16.0 cm (7 5/8 x 6 5/16 in.), Photographs, Frank Eugene (American, New York 1865–1936 Munich

Bronze navicella-type fibula (safety pin), Geometric, 8th century B.C., Italic, Bronze, Other: 2 5/8 in. (6.7 cm), Bronzes, Navicella-type fibulae have arched bows with open undersides; embellished with two small bosses on either side

[Mary Hillier], ca. 1864–66, Albumen silver print from glass negative, 19.8 x 14.8 cm (7 13/16 x 5 13/16 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Chess Piece, Bishop, 7th–8th century, Attributed to Western Islamic Lands, Ivory, H. 2 3/16 in. (5.5 cm), Gaming pieces

Tile from marsh scene, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Royal Palace of Akhenaten, Petrie excavations, 1891–92, Polychrome faience, h. 6.2 cm (2 7/16 in.); w.

Cordial, 1850–55, Made in New York, New York, United States, American, Blue-cut-to-clear glass, Height: 4 in. (10.2 cm), Glass, New York City was an important center for machine-cut luxury glass in the middle of the nineteenth century.

Disk terminal, late 4th–early 5th century, Late Roman, Silver-gilt, niello, Overall: 13/16 x 1/16 in. (2 x 0.1 cm), Metalwork-Silver

The Last Supper, 16th century, Pen and brown ink, sheet: 10 9/16 x 6 3/4 in. (26.8 x 17.1 cm), Drawings, Master of the Egmont Albums (Netherlandish, 16th century

Crossbow, ca. 1600–1625, possibly London, probably British, possibly London, Steel, wood (Indian rosewood), staghorn, mother-of-pearl, L. 27 3/4 in. (70.5 cm); W. 18 3/8 in. (46.6 cm); Wt. 8 lb. 9 oz. (3, 890 g), Archery

Snuff Canister, 1828, Probably made in Pennsylvania, United States, American, Probably earthenware, metal, H. 7 1/2 in. (19.1 cm); Diam. 5 3/8 in. (13.7 cm), Ceramics

View of the Salon of 1785, 1785, Etching, Image: 10 7/8 x 19 1/8 in. (27.6 x 48.6 cm), Prints, Pietro Antonio Martini (Italian, Trescali 1738–1797 Parma), Prioritizing accuracy in this panoramic view, Martini carefully reproduces the

Raharla, Minister to the Queen, 1863, Albumen silver print from glass negative, Image: 19.4 × 12 cm (7 5/8 × 4 3/4 in.), Photographs, Désiré Charnay (French, 1828–1915), An archaeologist-adventurer who had gained recognition for his

Lamp, Greek or Roman, Terracotta, Overall: 1 1/4 x 3 3/8 in. (3.2 cm, 3 3/8 in.), Terracottas

The Pentecost, early to mid-17th century, Red and black chalk, graphite, gouache and gold paint in spandrels of 1st support, sheet: 11 9/16 x 9 5/16 in. (29.3 x 23.7 cm), Drawings, Salomon de Bray (Dutch, 1597–1664

Les Singuliers et Nouveaux Portraicts... page 30 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Sauce Dish, 1870–80, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 1 3/8 in. (3.5 cm); Diam. 4 1/2 in. (11.4 cm), Glass, Probably Adams and Company

Design for Chimney Piece, 18th century, Pen, sepia ink and wash; green watercolor, 10-3/8 x 7-1/8 in, Drawings, Anonymous, Italian, 18th century

Stucco mural relief fragment, Early Imperial, 1st century A.D., Roman, Stucco, 7 1/2 × 9 3/4 × 1 in. (19.1 × 24.8 × 2.5 cm), Miscellaneous-Stucco, The dolphin holds a wreath in his mouth. Another marine creature may be sketchily depicted

Von der Kunnst Perspectiva, 1540, Woodcut, 11 7/8 x 8 1/16 x 1/4 in. (30.2 x 20.5 x 0.7 cm), Books

Lamp, Roman, Cypriot, Terracotta, Overall: 1 1/4 x 3 in. (3.2 x 7.6 cm), Terracottas

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 27r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1598, 1598

White cross-lined ware beaker with Nile River scene, Predynastic, Naqada II, ca. 3650–3500 B.C., From Egypt, Pottery, paint, H: 17.5 cm (6 7/8 in.); diam: 19.6 cm (7 11/16 in

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 4r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Plaque Depicting a Goddess or Queen, and on Opposite Side a King, Late Period–Ptolemaic Period, 400–200 B.C., From Egypt, Limestone, paint, H. 18.7 cm (7 3/8 in.); W. 11.5 cm (4 1/2 in.); D. 2.2 cm (7/8 in.), Small Late Period and

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Jeremias Wachsmuth, Carl Pier, Franz Xavier Habermann, German,

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 15r), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Bowl with Two Boys and Lotuses, Goryeo dynasty (918–1392), early 12th century, Korea, Stoneware with mold-impressed decoration under celadon glaze, H. 2 5/8 in. (6.7 cm); Diam. 7 3/4 in. (19.7 cm); Diam. of foot: 2 1/2 in. (6.4 cm), Ceramics,

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 70r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

A Lane through the Trees, ca. 1870–73, Oil on canvas, 24 x 18 in. (61 x 45.7 cm), Paintings, Camille Corot (French, Paris 1796–1875 Paris), Probably painted about 1870–73, this landscape demonstrates Corot's continued attention to

Adonis, ca. 1723–25, Italian, Venice, Carrara marble, Overall (Wt. confirmed): 21 × 56 × 21 in., 527lb. (53.3 × 142.2 × 53.3 cm, 2396kg), Sculpture, Antonio Corradini (Italian, Venice 1688–1752), When this sculpture was displayed

Plate, ca. 1690, Dutch, Delft, Tin-glazed earthenware, Diameter: 8 5/8 in. (21.9 cm), Ceramics-Pottery

Pretiosa Gemma delle virtuose donne, page 20 (recto), 1600

Splendore delle virtuose giovani, page 6 (verso), 1564, Woodcut, Overall: 7 1/2 x 5 1/2 in. (19 x 14 cm), Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. From top to bottom, and left to right: Design composed of 3 vertical

Sèriè à la Ristori, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Eleven-Headed Avalokiteshvara, the Bodhisattva of Infinite Compassion, 10th century, Thailand, Bronze, H. 7 3/8 in. (18.7 cm), Sculpture, Such multi-armed, eleven-headed images of Avalokiteshvara were important to both Mahayana and Vajrayana

Two-handled bowl, ca. 1668, Hungarian, Kassa, Gilded silver, Overall: 6 5/16 x 5 5/16 in. (16 x 13.5 cm), Metalwork-Silver, The engraved coat of arms in the center of this bowl is surrounded by an inscription that may refer to the membership

Assouan, Ruines de l'Ancienne Enciente Arabe, au Sud-Est de la Ville, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.8 x 30.4 cm. (9 3/8 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

'Four Parts of the World', ca. 1788, French, Jouy-en-Josas, Cotton, L. 84 x W. 35 1/2 inches, Textiles-Printed

Two Angels, 18th century, Pen and brown ink, brush and brown wash, over black chalk, highlighted with white chalk over blue-gray paper faded to light brown, 8-11/16 x 8 in. (22.1 x 20.3 cm), Drawings, Anonymous, Italian, first half of the

Design for the Decoration of the Surround of the Ramrod Pipe of a Firearm, ca. 1795–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 2 5/8 x 3 7/8 in. (6.7 x 9.8 cm), Works on Paper-Drawings

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

An Allegory of Empress Josephine as Patroness of the Gardens at Malmaison, ca. 1805–6, Watercolor and pen and black ink, over black chalk underdrawing on paper, laid down on board, 5 3/8 x 8 7/16 in. (13.7 x 21.4 cm), Drawings, baron

Etude de ciel, 1855–56, Salted paper print from glass negative, Image: 16 x 21 cm (6 5/16 x 8 1/4 in.), Photographs, Charles Marville (French, Paris 1813–1879 Paris

Vase (one of a pair), ca. 1735, German, Meissen, Hard-paste porcelain, Height: 18 5/16 in. (46.5 cm); Diameter (rim): 9 11/16 in. (24.6 cm), Ceramics-Porcelain, After a print by Peter Schenk

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 3 7/16 in. (7.4 × 8.8 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931