Images at Librifly

Standing Figure of Apollo, Black and white chalk on blue paper; squared for transfer in black chalk, 8 3/8 x 6 1/8 in. (21.2 x 15.5 cm), Drawings, Antoine Coypel (French, Paris 1661–1722 Paris

Kneeling Monk, mid-16th–early 17th century, Black and white chalk on blue paper, sheet: 11 5/16 x 8 1/16 in. (28.7 x 20.5 cm), Drawings, Denijs Calvaert (Netherlandish, Antwerp ca. 1540–1619 Bologna

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 16r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Bass saxhorn, 1863, Paris, France, French, Brass, 32 1/2 × 19 × 8 in. (82.6 × 48.3 × 20.3 cm), Aerophone-Lip Vibrated, Adolphe (Antoine Joseph) Sax (Belgian, Dinant, Belgium 1814–1894 Paris), This instrument features several

Model of a Granary with Scribes, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), serdab, 1920, Wood, plaster, paint, linen, grain, L. 74.9 (29 1/2 in); W.

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 12 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Project for a Fountain, 16th–17th century, Pen and brown ink, over traces of graphite underdrawing and ruled construction, sheet: 6 1/4 x 5 11/16 in. (15.8 x 14.4 cm), Anonymous, Italian, 16th to 17th century

Ornamental Design after the Antique; Bands of Acanthus Rinceaux, Figurated Palmettes, and Shell Cartouches, 15th–16th century, Pen and brown ink, brush and brown wash, over leadpoint (?) underdrawing, 6 1/16 x 10 1/4 in. (15.4 x 26 cm),

Beaching a Fishing Boat in a Gale, 1760–79, Pen and black ink, sheet: 8 x 11 in. (20.3 x 27.9 cm), Drawings, John Hamilton Mortimer (British, Eastbourne 1740–1779 London

A Pond with a Fisherman along the River Ain, 1868–70, Charcoal and black chalk over printed plate tone, 21-5/8 x 38-1/4 in. (54.9 x 97.2 cm), Drawings, Adolphe Appian (French, Lyon 1818–1898 Lyon

Harpoon Head, 4th–5th century, United States, Alaska, Old Bering Sea, Ivory (walrus), L. 5 15/16 in. (15.1 cm), Bone/Ivory-Implements, In the last two millennia before the Common Era, the peoples who established themselves along the rim of

Le Caracul (L'Astrakhan), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Manem, dit Monem de Bretauville. , 1880s–90s, Gelatin silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, E. Zarski (French, active 1860s), Born into a distinguished family of scientists and

The Life Class, Second Stone, 1917, Lithograph, image: 13 7/8 x 19 3/8 in. (35.2 x 49.2 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York), This lively scene depicts the painter Robert Henri’s evening life class,

Cupid, 19th century, Pen and brown ink, graphite? on light brown paper, 7-13/16 x 5-3/8 in. (19.9 x 13.7 cm), Drawings, Anonymous, Italian, 19th century

Les Chiens, 1860s, Albumen silver print from glass negative, 11.4 x 8.6 cm (4 1/2 x 3 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Bermuda Sky and Sea with Boats, ca. 1917, Watercolor on paper, 10 x 14 1/8 in. (25.4 x 35.9 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), In February 1917, Demuth arrived in Bermuda

Elevation of Fireplace Wall in an Elizabethan Revival Room, ca. 1870–90, Pen and black and brown ink, watercolor over graphite, sheet: 12 5/8 x 17 5/8 in. (32.1 x 44.7 cm), John Dibblee Crace was born into a long line of interior decorators.

清乾隆 紅漆填彩識金雙魚雑寳紋委角長方盤, Tray with Fish Chime, Bats, Treasures, and Clouds, Qing dynasty (1644–1911), Qianlong period (1736–95), 1736–1795, China, Red lacquer with carved and incised yellow, green,

Landscape with a Cottage, n.d., Black chalk and gouache., 8 1/2 x 12 1/4 in. (21.6 x 31.1 cm), Drawings, Théophile de Bock (Dutch, The Hague 1851–1904 Haarlem

Vase, 1915, Made in Gardner, Massachusetts, United States, American, silver and gold, 9 3/4 x 8 1/4 in. (24.8 x 21 cm), Silver, Herbert Taylor (1892–1942), These exquisite altar vases are among the finest known examples of American Arts

[Civil War View], 1860s, Albumen silver print from glass negative, Photographs, Thomas C. Roche (American, 1826–1895) , et al

『画本葛飾振』, Picture Book in the Katsushika Style (Ehon Katsushika-buri), Edo period (1615–1868), ca. 1836, Japan, Album of twenty-five preparatory drawings (hanshita-e) for book illustrations; ink on paper, 10 x 15 1/2 in. (25.4 x

Architectural Perspective Study Showing Two Column Bases (Recto); Architectural Perspective Study Showing Column Capital and a Measurement Key (Verso), 17th century, Pen and brown and red ink, over graphite ruled construction(recto and verso),

Portrait of a Man, ca. 1475, Oil on wood, Oval, overall 12 1/2 x 10 1/2 in. (31.8 x 26.7 cm); painted surface 12 1/2 x 10 1/4 in. (31.8 x 26 cm), Paintings, Hugo van der Goes (Netherlandish, Ghent, active by 1467–died 1482 Rood-Klooster),

Ein new kunstlich Modelbuch..., 1544

Viola, ca. 1660, Absam, Austria, Austrian, Spruce, maple, blackwood, Height (of body, excluding neck): 17 3/16 in. (43.7 cm), Chordophone-Lute-bowed-unfretted, Jacob Stainer (Austrian, Absam ca. 1617–1683 Absam), Jacob Stainer is known

[Group of 9 Stereograph Views of Carriages, Stagecoaches, and Wagons], 1860s–80s, Albumen silver prints, Mounts approximately: 8.2 x 17.2 cm (3 1/4 x 6 3/4 in.) to 11.4 x 17.8 cm (4 1/2 x 7 in.), Photographs, Unknown (American), Unknown

In a Welsh Pine Wood, ca. 1891, Watercolor over graphite on paper, 9 7/8 x 13 3/4 in. (25.1 x 34.9 cm), Drawings, James Thomas Watts (British, Birmingham 1850–1930 Liverpool

[Union Cavalry Officer Displaying Sword, Holding Hat, Seated in Studio], 1861–65, Tintype, Plate: 8.9 x 6.4 cm (3 1/2 x 2 1/2 in.), Photographs, Unknown (American

Le Bon Genre: Observations sur les modes et les usages de Paris, 1827, plates: color engravings, Overall: 16 5/16 x 11 1/4 x 1 9/16 in. (41.5 x 28.5 x 4 cm), Books

Fort Mahone, Petersburg, Virginia, 1864, Albumen silver print from glass negative, Photographs, Thomas C. Roche (American, 1826–1895

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 32 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

清, 龔賢, 自題山水十六開, 冊, Ink Landscapes with Poems, Qing dynasty (1644–1911), dated 1688, China, Album of sixteen paintings; ink on paper, 10 13/16 x 14 1/16in. (27.5 x 35.7cm), Paintings, Gong Xian (Chinese,

Édouard Manet, Seated, Holding His Hat, ca. 1865, Graphite and black chalk on wove (China) paper, Sheet: 13 1/16 x 9 1/16 in. (33.1 x 23 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), This drawing and another by Degas, both

A Rustic Country House, 1850, Pen and black ink, 5 3/8 x 4 1/8 in. (13.7 x 10.5 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 20 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Design for a Frieze with Putti Supporting a Garland, with an 'N' in a Cartouche, 19th century, Pen and black ink over graphite, sheet: 6 3/8 x 23 1/2 in. (16.2 x 59.7 cm), Drawings, Anonymous, French, 19th century

Drawings and Prints, Album Print Ornament & Architecture, Diverses Pieces de Serruriers, page 10 (recto), Artist, Artist, After, Hugues Brisville, Jean Berain, Gabriel Ladame, French, born ca. 1633, active Paris 1663, French,

Martyrdom of Saint Ursula? Saint Paula?, 17th century, Pen and brown ink, brush and black and gray wash, highlighted with white gouache on light brown paper. Squared for transfer in black chalk, 16-1/8 x 10-1/2 in. (41.0 x 26.7 cm), Drawings,

Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, ca. 1846, Brush and gray wash over graphite., sheet: 3 3/8 x 3 15/16 in. (8.6 x 10 cm), Drawings, J. J. Grandville (French, Nancy 1803–1847 Vanves

Design for a Chimneypiece, late 18th–early 19th century, sheet: 9 1/4 x 10 3/4 in. (23.5 x 27.3 cm), John Yenn (British, London (?) 1750–1821 London

Essay on Physiognomy (Essai sur la Physiognomie Destiné à Faire Connoître l'Homme & à le faire Aimer, par Jean Gaspard Lavater, Citoyen de Zurich et Ministre du St. Evangile), ?1781–1803, Etching and engraving, 13 11/16 x 11 in. (34.8 x 28

[Icebergs], 1893–95, Albumen silver print from glass negative, Image: 3 5/8 × 4 1/2 in. (9.2 × 11.4 cm), Photographs, Robert E. Peary (American, 1856–1920

Portrait of a Woman, 17th century, Red chalk on light tan paper. Red chalk enframing outline (oval), 10-5/8 x 7-11/16 in. (27 x 19.5 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Cased Set of a Flintlock Rifle, a Pair of Pistols, and Accessories, ca. 1800, Versailles, French, Versailles, Steel, wood (walnut, mahogany), silver, gold, horn, velvet, L. of rifle 43 1/2 in. (110.5 cm); L. of barrel of rifle 27 5/8

Portrait of Prince Muhammad Buland Akhtar (known as Nur Achhe Sahib) at Prayer, 17th century, Attributed to India, Ink and opaque watercolor on paper, Image 9 in x 13 1/4 in., Codices, Painting by Hujraj

View on the Coast at Deal, ca. 1846, Watercolor with touches of gouache over graphite, sheet: 6 x 8 3/4 in. (15.2 x 22.2 cm), Drawings, Charles Bentley (British, London 1805/1806–1854 London), Bentley trained as an aquatint engraver of

Two penguins, n.d., graphite, gouache, watercolor, traces of graphite framing lines, sheet: 11 15/16 x 7 1/2 in. (30.3 x 19 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Oinochoe, Iron Age, 7th–6th century B.C., Cypriot, Terracotta, 4 3/4in. (12.1cm), Vases

Sword, 19th century, French, Steel, bronze, gold, silver, enamel, L. 46 3/4 in. (118.7 cm); L. of blade 38 3/4 in. (98.5 cm); W. 7 1/4 (18.5 cm); Wt. 3 lb. 5 oz. (1502.5 g), Swords

Earring, 6th–7th century, Made in Italy, Langobardic or Byzantine (?), Gold, garnet, glass; inlays are possible restorations, Overall: 1 9/16 x 9/16 x 11/16 in. (4 x 1.5 x 1.7 cm), Metalwork-Gold, Fashionable in Italy for at least a

Design for a Stage Set, 1688–1742, Attributed to Pietro Righini (Italian, 1688–1742

Harbor Scene with a Grotto and Fishermen Hauling in Nets, Oil on canvas, 22 3/4 x 42 1/8 in. (57.8 x 107 cm), Paintings, Style of Joseph Vernet (French, late 18th century

[Roads leading into a small town]. Brady album, p. 123, 1861–65, Albumen silver print from glass negative, Photographs

Pretiosa Gemma delle virtuose donne, page 24 (recto), 1600

King Clovis I, ca. 1250, Made in Burgundy, France, French, Limestone with traces of paint, Overall: 74 1/2 in. (189.2 cm), Installations, According to tradition, the monastery of Moutiers-Saint-Jean was founded by the first Christian kings

Jar with registers of plant ornament and animals, Ptolemaic Period, 100–30 B.C., From Egypt, Middle Egypt, Tuna el-Gebel, Faience, H. 14 cm (5 1/2 in.); Dia. 12.5 cm (4 15/16 in.), This elaborately decorated vessel belongs to a later

Floral Design, n.d., White, orange, black, and yellow chalk, 11 9/16 x 9 13/16in. (29.4 x 25cm), Drawings, Antoine Berjon (French, Lyon 1754–1843 Lyon

Seated Man Reading, 1774, Red chalk, 13 3/8 x 9 3/16 in. (34 x 23.3 cm), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), This confident drawing of a seated man absorbed in his book is closely related to a group of

[Seated Female Nude], 1853–54, Albumen silver print from glass negative, Image: 6 13/16 × 4 11/16 in. (17.3 × 11.9 cm), Photographs, Eugène Durieu (French, Nîmes 1800–1874 Geneva), Durieu was a lawyer and early advocate and

Interior of a Picture Gallery, ca. 1620, Pen and brown ink, brush and brown wash., 7 7/8 x 9 7/8 in. (20 x 25.1 cm), Drawings, Attributed to Hans Jordaens III (Flemish, Antwerp ca. 1595–1643 Antwerp

Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 13 (recto), 1620

Opera Nova Universali intitulata Corona di racammi, page 9 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Djirdjeh, Mosquée en Ruines Sur le Bord du Nil, 1851–52, printed 1853–54, Salted paper print from paper negative, 29.7 x 25.1 cm. (11 11/16 x 9 7/8 in.), Photographs, Félix Teynard (French, 1817–1892

[Unidentified Child], 1873, Albumen silver print, 32.3 x 24.4 cm (12 11/16 x 9 5/8 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Mt. Liban. Tronc d'un des Cèdres de Salomon, 1850–53, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Ernest Benecke (German, born England, 1817–1894

Prayer Bead with the Crucifixion and Jesus before Pilate, early 16th century, Netherlandish, Boxwood, Open: 4 7/8 × 3 3/4 × 1 1/4 in. (12.4 × 9.6 × 3.2 cm), Sculpture-Miniature-Wood

Italian Landscape, ca. 1825–28, Oil on paper, laid down on canvas, 5 x 10 5/8 in. (12.7 x 27 cm), Drawings, Camille Corot (French, Paris 1796–1875 Paris), At the age of twenty-nine, three years after choosing to become a painter, Corot

La Pratique de l'Aiguille, page 9 (recto), Title by Pierre Firens (French, born Paris 1641), 1605

Themistocles discovers Himself to the Persian King, 18th–19th century, Pen and brown ink, brush and grey wash, Sheet: 3 1/4 × 4 3/8 in. (8.3 × 11.1 cm), Drawings, Edward Francis Burney (British, Worcester 1760–1848 London

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Bronze mirror with a support in the form of a draped woman, Classical, mid-5th century B.C., Greek, Bronze, H. 12 5/8', Diameter 5 3/8', Bronzes, The ancient Greeks used mirrors that were held in the hand or stood independently. This

Plate, late 17th century, Japanese, for European market, Hard-paste porcelain, Diameter: 8 1/16 in. (20.5 cm), Ceramics-Porcelain-Export

Livre de Moresques, page 9 (verso), 1546, Woodcut, Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm), Francesco di Pellegrino (Italian, born Florence, died 1552), Previously published by Cornelis Bos (Netherlandish, Hertogenbosch ca.

軍鶏図, Gamecocks, Edo period (1615–1868), dated 1838, Japan, Hanging scroll; ink and color on silk, Image: 21 3/4 × 33 7/16 in. (55.3 × 85 cm), Paintings, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)), The

Pilate Washing His Hands, 1663, Oil on canvas, 81 1/8 x 72 3/4 in. (206.1 x 184.8 cm), Paintings, Mattia Preti (Il Cavalier Calabrese) (Italian, Taverna 1613–1699 Valletta), The painting illustrates the episode in the Gospel of Matthew, in

Cosmetics Mortar, 10th–12th century, Attributed to Iran, Nishapur. Excavated in Iran, Nishapur, Bronze; cast, H. 1 1/16 in. (2.7 cm), Metal, Objects like this, with a small well, flanged handles and a long horizontal spout, have been

Milton's Comus, 1842–48, Ink and brown wash on brown paper, sheet: 9 x 14 1/2 in. (22.9 x 36.8 cm), Drawings, Sir Joseph Noël Paton (British, Dunfermline, Scotland 1821–1901 Edinburgh), Milton centered his masque 'Comus' on a mythic

Rampanchayatam (Ram’s assembly), 1878 (?), India, Chromolithographic print on paper, Image: 19 × 14 in. (48.3 × 35.6 cm), Prints

Horses and Dog, 17th century, Pen and brown ink, brown wash, 5 9/16 x 4 1/8 in. (14.2 x 10.4 cm), Drawings, Anonymous, 17th century, after Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523–1605 Florence

Man Leading a Camel, 1650–69, Pen and brown ink, traces of brush and brown wash, sheet: 8 1/16 x 7 7/16 in. (20.5 x 18.9 cm), Drawings, School of Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Bust of a Woman, ca. 1921, Crayon on paper, H. 9-1/2, W. 6 inches, Drawings, Gaston Lachaise (American (born France) 1882–1935

Spoon, ca. 1787, Made in Boston, Massachusetts, United States, American, Silver, L. 8 in. (20.3 cm), Silver, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston, Massachusetts

Marble head of a man wearing a laurel wreath, Early Imperial, Augustan, 1st century A.D., Roman, Marble, H.: 4 15/16 in. (12.6 cm), Stone Sculpture, This head from a small statue resembles the emperor Augustus

Tankard, 1649, Swiss, Zurich, Silver gilt, verre églomisé, H. 7 1/8 in. (18.1 cm.); W. with handle 6 5/8 in. (16.8 cm); Diam. 5 1/2 in. (14 cm), Metalwork-Silver In Combination, The arms on the lid (Rahn impaling Escher) are those of Hans

Fragment of Blackwork, ca. 1590, British, Silk and gilt-metal-wrapped thread on woven plain weave linen foundation, Overall: 8 1/2 × 14 1/4 in. (21.6 × 36.2 cm), Textiles-Embroidered

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 6v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Lintel with a Kala Head, Angkor period, ca. mid-10th century, Cambodia or Thailand, Sandstone, H. ca. 25 in. (63.5 cm); W. ca. 57 in. (144.8 cm); D. ca. 6 in. (15.2 cm); Weight ca. 300 lbs., Sculpture

Bowl with Geometric Designs, 西漢 黑地朱繪雲氣紋漆碗, Western Han dynasty (206 B.C.–A.D. 9), 2nd century B.C., China, Black lacquer painted with red lacquer, H. 3 5/8 in. (9.2 cm); Diam. 10 7/16 in. (26.5 cm), Lacquer, Likely

Drawings and Prints, Albums Drawings Ephemera, Tattoo Design with a Ship, Artist, Clark & Sellers, American, active 20th century, Clark & Sellers, American, 1900, 1945, ca. 1900–1945, 1895, 1945, Pen and ink and watercolor

Rouif. Léon. 27 ans, né à Villethierry (Yonne). Garçon boucher. Anarchiste. 1/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

François Gérard (1770–1837), later Baron Gérard, ca. 1790, Oil on canvas, 22 1/8 x 18 5/8 in. (56.2 x 47.3 cm), Paintings, baron Antoine Jean Gros (French, Paris 1771–1835 Meudon), Both Gros and Gérard were favored students in the

Bronze mirror, Hellenistic, ca. 325–300 B.C., Etruscan, Bronze, diameter 7 1/2in. (19.1cm), Bronzes, Two unidentified warriors, perhaps the Dioskouroi

Priam and his Family Mourning the Death of Hector, n.d., Watercolor over graphite. Varnished., 9 1/8 x 11 1/8 in. (23.2 x 28.2 cm), Drawings, Étienne Barthélemy Garnier (French, Paris 1759–1849 Paris

Pair of gold a baule earrings, Archaic, 6th century B.C., Etruscan, Gold, H.: 1 3/8 x 15/16 in. (3.4 x 2.4 cm), Gold and Silver, Baule type earrings with symmetrical palmettes embelished with single gold grains at the top, which are flanked

Linen mark of Myt, Middle Kingdom, Dynasty 11, ca. 2060–2010 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Temple of Mentuhotep II, Tomb of Myt (pit 18), Coffin of Myt, 1922, Linen, h. 2.6 cm (1 in), w. 8 cm (3 1/8 in

Pilgrim Flask, 17th century, Attributed to Turkey, Copper (tombak); cast, engraved and gilded, H. 8 1/4 in (21 cm), Metal, Imitating the shape of more portable leather prototypes, this so-called pilgrim flask is cast in copper. Originally

Champagne Glass, 1878–90, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, Glass, George Duncan and Sons (1874–1891