Images at Librifly

Thibivilliers. Eugène. 23 ans, né à Pinseux-le-Haut-Verger (Oise). Polisseur de métaux. Cris séditieux. 5/3/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse

Ortiz. Léon. 25 ans, né à Paris. Commis d'architecte. Anarchiste. Voyage ordinairement en bicyclette., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Terracotta hydria: kalpis (water jar), Classical, ca. 460–450 B.C., Greek, Attic, Terracotta; red-figure, H. 10 15/16 in. (27.7 cm); diameter 8 7/8 in. (22.6 cm); width with handles 10 15/16 in. (27.8 cm), Vases, Triptolemos between Demeter

Sampler with compound division equation, mid-19th century, British, London, Silk embroidery on wool, H. 6 3/8 x W. 6 3/4 inches (16.2 x 17.1 cm), Textiles-Embroidered, We may never know what inspired nine-year-old Mary Ann Sadler to convert

Mourner, ca. 1453, French, Alabaster, Overall: 15 3/16 x 5 5/16 x 3 7/8 in. (38.6 x 13.5 x 9.8 cm), Sculpture-Stone, Étienne Bobillet (Franco-Netherlandish, active Bourges, 1453), Paul Mosselman (Franco-Netherlandish, active Bourges,

Tumbler, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed colorless and cranberry glass, H. 3 13/16 in. (9.7 cm); Diam. 3 in. (7.6 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Half sovereign of Edward VI, 1549/50, British, Gold, Diameter: 28 mm, Coins, The supplies of bullion brought to Europe from the New World in the sixteenth and seventeenth centuries caused inflation, and in response new coinage was issued with

[Two Men Smoking, One Seated in the Other's Lap], 1880s–90s, Tintype, Image: 8.6 x 5.9 cm (3 3/8 x 2 5/16 in.), irregular, Photographs, Unknown (American

Snuff Bottle with Dragon, Qing dynasty (1644–1911), Qianlong mark and period (1736–95), China, Porcelain with jadeite stopper, H. 2 7/16 in. (6.2 cm), Snuff Bottles

Virtue Crowned by Honor, 1670–76, Red chalk, 13-1/2 x 10-9/16 in. (34.3 x 26.8 cm), Drawings, Carlo Maratti (Italian, Camerano 1625–1713 Rome), During the pontificate of Clement X Altieri (1670–1676), his family palace on the Piazza del

St. Mary Magdalen Penitent, before 1636, Engraving, sheet: 6 7/8 x 5 1/16 in. (17.5 x 12.8 cm), Prints, Anonymous, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), This is a copy in reverse of an engraving by Goltzius

Africa, early 17th century, Pen, brown ink and gray wash on paper, traces of red chalk. Framing line in pen and brown ink., sheet: 6 1/4 x 15 3/4 in. (15.8 x 40 cm), Drawings, Ascribed to Pieter Jacobsz. van Laer (Dutch, Haarlem ca.

Fragments, 15th–16th century, Attributed to India, Silk; samite, Largest Fragment: L. 11 9/16 in. (29.3 cm), Textiles-Woven

Cylinder seal cap, late Old Babylonian–early Kassite, ca. 17th–16th century B.C., Mesopotamia, said to be from Dilbat, Babylonian or Kassite, Gold, 1.42 in. (3.61 cm), Metalwork-Ornaments, This gold cap is part of a group of gold jewelry

Marble portrait of the Empress Faustina the Younger, wife of the emperor Marcus Aurelius, Antonine, ca. A.D. 161–180, Roman, Marble, H. 13 1/2 in. (34.3 cm), Stone Sculpture, The well-formed but rather puffy features, the prominent eyes,

Harbor, Brest, 1840–98, Watercolor and gouache, over black chalk. Lined., 9 1/8 x 14 3/16 in. (23.1 x 36.1 cm), Drawings, Eugène Boudin (French, Honfleur 1824–1898 Deauville

Elevation of a Dining Room Wall with Sideboard, 1850–1919, Pen and black ink, watercolor over graphite with touches of gouache, sheet: 14 7/8 x 12 3/16 in. (37.8 x 31 cm), Attributed to John Dibblee Crace (British, London 1838–1919 London),

Virgin Kneeling in Prayer, 17th century, Red chalk highlighted with white chalk on light brown paper, 9-1/16 x 6-9/16 in. (23 x 16.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 56r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Designs for Chests of Drawers, 1841–84, Graphite and watercolor, sheet: 10 11/16 x 14 5/16 in. (27.2 x 36.4 cm), Charles Hindley and Sons (British, London 1841–1917 London

River Landscape in Winter with Figures Skating and Sleds, 1651, Black chalk and gray wash., 4 1/8 x 8 1/16 in. (10.5 x 20.4 cm), Drawings, Jan van Goyen (Dutch, Leiden 1596–1656 The Hague

Terracotta amphora (jar), Archaic, ca. 540 B.C., Greek, Attic, Terracotta; black-figure, H. 14 13/16 in. (37.7 cm), Vases, Obverse, Herakles wrestling the Nemean Lion, Reverse, Herakles fighting Geryon. Group E is the name given to a

Salad Bowl, 1785–90, Made in China, Chinese, for American market, Porcelain, H. 4 3/8 in. (11.1 cm); Diam. 10 3/8 in. (26.4 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service,

Aeneas and the Sibyl in the Underworld, n.d., Pen and brown ink, brush and gray wash, indented for transfer, sheet: 3 3/4 x 5 3/16 in. (9.6 x 13.1 cm), Drawings, Arnold Houbraken (Dutch, Dordrecht 1660–1719 Amsterdam

Armor (Gusoku), 18th century, Japanese, Iron, lacquer, silk, gilt copper, as mounted: H. 57 3/4 in. (146.7 cm); W. 31 in. (78.7 cm); D. 21 1/2 in. (54.6 cm), Armor for Man, This cuirass and shoulder guards (sode) formed of large iron plates

View of Transept, Looking South, 1851, Salted paper print from paper negative, Image: 21.6 x 16.3 cm (8 1/2 x 6 7/16 in.), Photographs, Hugh Owen (British, 1808–1897

Saxifrage candlestick, ca. 1905, Made in New York, New York, United States, American, Gilt bronze, 19 3/8 in. (47.9 cm) high, Metal, Tiffany Studios (1902–32

Obi with Iris, 1988, Japan (Kyoto), Brocaded in silk on gold ground, 12 1/2 in. x 16 ft. (31.8 x 496 cm), Costumes

Fibula, Bronze, Other: 2 3/4 in. (7 cm), Bronzes, The end of the foot is twisted spirally around the bow

'America Paying Homage to France', 18th century, French, Cotton, L. 142 x W. 38 inches, Textiles-Printed

Ceiling Design, 19th century, Graphite, Anonymous, British, 19th century

Madonna and Child with the Annunciation and the Nativity, ca. 1310–15, Tempera on wood, gold ground, Overall, with engaged frame, 12 1/8 x 8 1/4 in. (30.8 x 21 cm); painted surface 10 1/4 x 6 1/2 in. (26 x 16.5 cm), Paintings, Goodhart

The Young Family, 1835–1903, Pen and dark brown and reddish brown ink, brush and gray wash over traces of graphite., 7 3/4 x 5 in. (19.7 x 12.7 cm), Drawings, Lorenz Frølich (Danish, Copenhagen 1820–1908 Hellerup

Esemplario di Lauori..., page 13 (recto), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore

Diploma for the Freemasons of Bordeaux, after François Boucher, 1766, Etching and engraving; fourth state of four (Jean-Richard), 16 3/16 x 11 5/16 in. (41.1 x 28.7 cm), Prints, Pierre Philippe Choffard (French, Paris 1730–1809 Paris

Lamp, saucer-shaped, 4th century B.C., Cypriot, Terracotta, Overall: 1 3/8 x 5 1/4 in. (3.5 x 13.3 cm), Terracottas

Marble statuette of a seated philosopher, Imperial, 1st or 2nd century A.D., Roman, Marble, H. 21 7/16 in. (54.4 cm), Stone Sculpture

Faience statuette fragment of Venus, Early Imperial, late 1st century B.C–early 1st century A.D., Roman, faience, h. 5 5/16 in. (13.4 cm), Miscellaneous-Faience, The missing lower portion of this statuette makes it difficult to determine if

元 張遜 石上松花圖 軸, Rocky Landscape with Pines, Yuan dynasty (1271–1368), before 1346, China, Hanging scroll; ink on silk, Image: 35 3/4 × 16 3/4 in. (90.8 × 42.5 cm), Paintings, Zhang Xun (Chinese, ca. 1295–after 1349), A

Frieze with Acanthus Scrolls and a Man (Hercules?) fighting a Lion, 17th century, Pen and brown ink, on vellum, over traces of black chalk, sheet: 3 1/16 x 9 3/4 in. (7.8 x 24.8 cm), Connected with Jean Le Pautre (French, Paris 1618–1682

Splendore delle virtuose giovani, page 13 (verso), 1564

Classical Landscape, 1720–65, Pen and black ink, brush and grey wash over graphite, sheet: 7 11/16 x 11 7/16 in. (19.5 x 29.1 cm), Drawings, George Lambert (British, 1699/1700–1765 London

Incense burner, Ming dynasty (1368–1644), late 16th–17th century, China, Copper with gilding, H. 6 1/4 in. (15.9 cm); W. 2 7/8 in. (7.3 cm), Metalwork, Attributed to Hu Wenming (Chinese, active late 16th–early 17th century), Implements

Design for Book Illustration, late 18th century, Pen and black ink, brush and black, brown, gray wash on paper washed with gray. Incised for transfer. Mounted on pink paper with pencil framing lines., 3 11/16 x 5 11/16 in. (9.4 x 14.5 cm),

Pattern, ca. 1840, British, Parchment, No dimensions recorded., Textiles-Methods and Materials

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, Mummy, 1920, Linen

Saint Michael, 1450–1500, North Spanish, Tempera and oil on wood, Overall: 85 1/2 x 47 in. (217.2 x 119.4 cm), Paintings-Panels, Master of Belmonte (Spanish, Aragon, active ca. 1460–90), Armed with a coat of mail, dagger, shield, and

Studies of the Villa Cicerone at the Lago Lucrino near Naples and of the Temple at Paestum (Italy), mid-19th century, graphite, framing line in graphite, 9-7/8 x 16-1/4 in. (25.1 x 41.3 cm), Drawings, Pierre Louis Dubourcq (Dutch, Amsterdam

Mountain with Red House, ca. 1913, Watercolor on paper, 9 1/2 x 12 5/8 in. (24.1 x 32.1 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), This mountain landscape with two small houses was

Drawings and Prints, Album Print Ornament & Architecture, Diverses Pieces de Serruriers, page 4 (recto), Artist, Artist, After, Hugues Brisville, Jean Berain, Gabriel Ladame, French, born ca. 1633, active Paris 1663, French,

Portrait of a Lady, 19th century, Brush and black, gray, blue, brown, and pink wash; graphite. Laid down., 9 3/8 x 7 1/8 in. (23.8 x 18.1 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

Bronze fragment of an inscription, Archaic, ca. 490–480 B.C., Greek, Sicilian, Bronze, Overall: 6 11/16 x 3 7/8 in. (17 x 9.8 cm), Bronzes, This inscription is a rare example of Doric script found in Sicily. It concerns a grant of

Beaker, 1801–2, Made in London, England, British, Silver, H. 4 in. (10.2 cm) 5 oz. 13 dwt (175.5g), Silver, Daniel Pontifex (British, active 1791–1811

Marie Adélaïde de Savoie (1685–1712), Duchesse de Bourgogne, 1710, Oil on canvas, Oval, 28 3/4 x 23 1/4 in. (73 x 59.1 cm), Paintings, Pierre Gobert (French, Fontainebleau 1662–1744 Paris), Gobert was accepted as a full member of the

Ornamento delle belle & virtuose donne, page 23 (verso), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Design for a jeton or a token: Maison de la Reine 1740, 1740, Red chalk; red chalk wash surrounding design., 8 3/8 x 8 7/16 in. (21.3 x 21.4 cm), Drawings, Edme Bouchardon (French, Chaumont 1698–1762 Paris

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Length 8.9 cm. H. 2.4 cm., Terracottas

Tennis, ca. 1921, Lithograph, Image: 18 1/4 x 19 3/4 in. (46.4 x 50.2 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Trees in a Forest, Black chalk, heightened with white, Sheet: 14 3/8 x 10 13/16 in. (36.5 x 27.4cm), Drawings, Édouard Bertin (French, Paris 1797–1871 Paris

Front and Side Views of Writing Desk, 1841–84, Pen and black ink, sheet: 9 1/8 x 11 5/16 in. (23.1 x 28.7 cm), Charles Hindley and Sons (British, London 1841–1917 London

Wine Glass, 1830–70, Made in United States, American, Pressed glass, H. 4 1/16 in. (10.3 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time,

Roman Ruins (recto); Three Figures in Classical Robes (verso) (Smaller Italian Sketchbook, leaf 1), 1774–75 (?), Recto: graphite, pen and ink, grey wash; verso: graphite, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright

Virgin of the Immaculate Conception Seated on Clouds, Supported by Four Angels, 17th century, Black chalk. Lower angel reinforced with pen and dark brown ink. Traces of outline in black chalk along left and right borders of the composition. On

Charrié. Cyprien. 26 ans, né le 7/10/67 à Paris XVIlle. Imprimeur. Anarchiste 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Couple Embracing, 1911, Graphite on paper, H. 22-5/8, W. 15 inches, Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Portrait of the Poet Friedrich Ludwig Zacharias Werner, 1810–19, Graphite, sheet: 5 7/8 x 4 5/16 in. (14.9 x 11 cm), Drawings, Ludwig Ferdinand Schnorr von Carolsfeld (German, Königsberg, Prussia 1788–1853 Vienna

Cannon, Fortress Monroe, ca. 1864, Albumen silver print from glass negative, Image: 7 15/16 × 9 3/4 in. (20.2 × 24.8 cm), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Drawings and Prints, Albums Prints Ornament & Architecture, Schon newes Modelbuch...Page 6(r), Designer, Sigismundus Latomus, German, active 1599–ca. 1627, Latomus, Sigismundus, German, 1599, 1632, 1617, 1617

Lamp, Late Imperial, Late 3rd century A.D., Roman, Cypriot, Terracotta, Overall: 1 3/8 x 3 3/8 in. (3.5 x 8.6 cm), Terracottas

Windsor Castle, June 1841, Salted paper print from paper negative, Sheet: 6 3/4 × 8 1/8 in. (17.1 × 20.7 cm), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Pitcher, ca. 1885, Possibly made in England; Possibly made in United States, American or British, Blown satin pink glass, H. 6 1/4 in. (15.9 cm), Glass

Perot. Gaston, Auguste. 22 ans, né à Paris XVllle. Journalier. Anarchiste. 4/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Rhinoceros beetle box, Ptolemaic Period, 664–30 B.C., From Egypt, Cupreous metal, h. 6.4 cm (2 1/2 in); l. 7 cm (2 3/4 in); w. 5.9 cm (2 5/16 in), This rather sinister horned creature seems to represent the rhinoceros beetle, Oryctes

Footed Bowl, Momoyama period (1573–1615), late 16th–early 17th century, Japan, Negoro ware; red lacquer over black lacquer, H. 6 in.(15.2 cm); Diam.15 3/4 in.(40 cm), Lacquer, Objects of this type, covered with black and red lacquer, are

Young woman in a white pleated blouse, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 3/16 x 6 in. (38.6 x 15.3 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946

Eyn new kunstlichboich, page 24v, 1529

Tumbler, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 7/8 in. (9.8 cm); Diam. 3 1/2 in. (8.9 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Half Figure of a Man, Nude to the Waist, 18th century, Red and black chalk, heightened with white, on beige paper, 11 7/16 x 12 7/16 in. (29.1 x 31.6 cm), Drawings, Jean-Baptiste Deshays (French, Colleville 1729–1765 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 63 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Children Dancing, 16th century, Red chalk, 8-1/8 x 10-3/4 in. (20.6 x 27.3 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Two Landscapes, Pen and black ink, 3 5/8 x 5 7/8 in. (9.2 x 14.9 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

神於寺縁起絵巻断簡, Scene from The Illustrated Legends of Jin’ōji Temple (Jin’ōji engi emaki), Nanbokuchō period (1336–92), 14th century, Japan, Section of a handscroll; ink and color on paper, 13 1/2 x 114 1/2 in. (34.3 x

Figure 53: Whimpering and false laughter, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.6 × 20.5 cm (11 1/4 × 8 1/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French,

Ceremony held in the Cappella Paolina, Vatican, 1787, Etching; second sate of three (Wollin), Sheet: 21 5/8 x 31 1/2 in. (55 x 80 cm), Prints, Francesco Piranesi (Italian, Rome 1758–1810 Paris), After Louis Jean Desprez (French, Auxerre

Essempio di recammi, page 7 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Adam and Eve, 1900s, printed 1909, Photogravure, 17.8 x 12.8 cm. (7 x 5 1/16 in.), Photographs, Frank Eugene (American, New York 1865–1936 Munich), Born in New York to immigrant parents, Eugene was one of many young German-Americans to

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 22v), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Italianate Buildings on a Hill at Tivoli, 17th century, Red chalk, pen and brown ink, gray wash, heightened with white, sheet: 12 3/16 x 8 5/8 in. (30.9 x 21.9 cm), Drawings, Adriaen Honich (Dutch, Dordrecht ca. 1644–after 1683 Dordrecht

The Fall of Icarus, 1692, Pen and black ink, brush and grey wash, and gouache, sheet: 3 3/4 x 5 7/16 in. (9.5 x 13.8 cm), Drawings, Johann Caspar Hessius (Swiss (?), active late 17th century

Furniture plaques carved in relief with animal combat, Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, H. 1 3/4 x W. 21 3/4in. (4.4 x 55.2cm), Ivory/Bone-Ornaments, These long ivory strips were found

Relish Dish, 1885, Made in Brooklyn, New York, United States, American, Porcelain, 8 5/8 x 4 5/8 in. (21.9 x 11.7 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Union Porcelain Works was one of the most important and inventive

[Mitchell's Plantation, Hopewell, Virginia], 1863–64, Albumen silver print from glass negative, Photographs

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 32 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Toby Mug, 1830–70, American, Mottled brown earthenware, H. 6 in. (15.2 cm), Ceramics

Disk Brooch, 7th century, Frankish, Copper alloy, coated with gold, iron pin, glass paste & glass paste cabochons, Overall: 1 5/8 x 9/16 in. (4.1 x 1.5 cm), Metalwork-Copper alloy

Le Matin (Morning), Gouache over traces of graphite, paper pasted onto board, 10 3/16 x 7 1/2 in. (25.9 x 19.1 cm), Drawings, Pierre Antoine Baudouin (French, Paris 1723–1769 Paris

Agate Amulet, mid-18th century, Country of Origin Iran, Agate; inscribed with black inlay, H. 2 3/4 in (6.99 cm), Stone, In Iran agate has been regarded as a stone with magical and healing properties. This notched oval-shaped pendant features a

Terracotta lamp, ca. A.D. 40–100, Roman, Cypriot, Terracotta; mold-made, Overall: 15/16 x 3 7/16 in. (2.4 x 8.7 cm), Terracottas, On discus, an oared galley

Camp Barry near Bladensberg, Maryland. Artillery Depot, 1861–65, Albumen silver print from glass negative, 15.8 x 21 cm (6 1/4 x 8 1/4 in. ), Photographs

Studies of a monument, 19th century, Graphite, sheet: 7 7/8 x 12 5/16 in. (20 x 31.3 cm), Drawings, Anonymous, German, 19th century