Images at Librifly

Statuette of Horus, lord of Sekhem (Letopolis), Late Period, 664–332 B.C. or earlier, From Egypt, Bronze or copper alloy, gold (eyes), H.18 x W. 4.5 x D. 7.7 cm (7 1/16 x 1 3/4 x 3 1/16 in

Head of Vaitunkta Vishnu, ca. 6th century, Northern Pakistan (Brahmanical post-Gupta), Stone, probably chlorite, H. 6 5/16 in. (16 cm); W. 5 3/8 in. (13.7 cm); D. 4 1/2 in. (11.4 cm), Sculpture

Disk Brooch, 6th century, Frankish, Silver-gilt, garnets with patterned foil backings, iron base, Overall: 13/16 x 3/8 in. (2.1 x 0.9 cm), Metalwork-Silver

Seated Old Man Facing Right, Singing and Holding Music, mid-17th century, Pen and brown ink over black chalk. Inscribed in a roundel in pen and brown ink., 3 3/4 x 3 5/8 in. (9.5 x 9.2 cm), Drawings, Anton Crussens (Flemish, active Brussels,

Frigates 'Santee' and 'Constitution' off Naval Academy, Annapolis, 1861–65, Albumen silver print from glass negative, Photographs

Gold earrings, Classical, 4th–3rd century B.C., Etruscan, Gold, Diam.: 1 7/8 in. (4.8 cm), Gold and Silver, Tubular earrings with floral patterns and pendant beads attached

U.S. Ship 'Mendota', James River, 1861–65, Albumen silver print from glass negative, Photographs

Curtain Knob, 1840–60, Probably made in New England, United States, American, Lacy pressed glass, Diam. 4 1/2 in. (11.4 cm), Glass

明晚期 剔紅綬帶牡丹紋漆盒, Box with long-tailed birds and peonies, Ming dynasty (1368–1644), second half of the 16th century, China, Carved red lacquer, H. 1 3/4 in. (4.4 cm); Diam. 4 1/4 in. (10.8 cm), Lacquer, On the side of

Wine Goblet, ca. 1867, Made in Sandwich, Massachusetts, United States, American, Blown glass, H. 4 1/8 in. (10.5 cm); Diam. 2 in. (5.1 cm), Glass, Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts

Bronze swinging handle, perhaps from phiale (libation bowl), Archaic, ca. 550 B.C., Etruscan, Bronze, Other: 4 1/2 x 2 5/8 in. (11.4 x 6.7 cm), Bronzes, With horizontal attachment

[Sutar ka Jhopda Cave Interior, Ellora Caves], 1890–1900, Platinum print, Image: 27.8 x 22.8 cm (10 15/16 x 9 in.), Photographs, Alfred William Plâté (German (active Sri Lanka), ca. 1859 –1931 Linz), This beautifully printed and

Saltcellar, 1780–1825, Possibly made in England; Possibly made in United States, American or British, Blown pattern-molded glass, H. 2 3/4 in. (7 cm), Glass

The Last Sitting, June 25, 1870, Albumen silver print from glass negative, Sheet: 6 1/4 × 5 9/16 in. (15.9 × 14.1 cm), Photographs, Lewis Carroll (British, Daresbury, Cheshire 1832–1898 Guildford

Madame Grand (Noël Catherine Vorlée, 1761–1835), 1783, Oil on canvas, Oval, 36 1/4 x 28 1/2 in. (92.1 x 72.4 cm), Paintings, Élisabeth Louise Vigée Le Brun (French, Paris 1755–1842 Paris), Vigée Le Brun, largely self-taught and the

Drawings and Prints, Books Prints Ornament & Architecture, Ein new Modelbuch..., page 13 (verso), Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, October 22,

U.S. Transport 'Wau Katchie', 1861–65, Albumen silver print from glass negative, 17.4 x 21.1 cm (6 7/8 x 8 5/16 in.), Photographs

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 54r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Beaulieu. Henri, Félix, Camille. 23 ans, né le 30/11/70 à Paris Ve. Comptable. Anarchiste. 23/5/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Project for Mesoamerican Style Arch with Grotesques and Horns. Verso: Sketch for a set design, 1870–1941, Graphite on tan paper, sheet: 10 5/16 x 12 1/2 in. (26.2 x 31.8 cm), Salvador Alarma Tastás (Spanish, Barcelona, 1870–1941

Allegorical Homage to the Duc du Maine, Grand Maître de l'Artillerie, n.d., Pen and black ink, gray wash over traces of red chalk, 8 1/4 x 6 1/8 in. (21 x 15.6 cm), Drawings, Antoine Dieu (French, Paris 1662–1727 Paris

Zouave, 2nd Division, 1855, Salted paper print from collodion glass negative, Image: 7 5/8 × 6 7/16 in. (19.4 × 16.4 cm), Photographs, Roger Fenton (British, 1819–1869), In 1855 Fenton sailed to Balaklava to document Britain’s

Woman and Child by a Duck Pond, 1835–1903, Pen and dark brown and reddish-brown ink, brush and grey wash over graphite underdrawing., 7 3/16 x 4 13/16 in. (18.2 x 12.2 cm), Drawings, Lorenz Frølich (Danish, Copenhagen 1820–1908 Hellerup

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 2 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

Mistletoe Vase, 1904, Made in Colorado Springs, Colorado, United States, American, Glazed ceramic, 8 1/2 in. (21.6 cm), Ceramics, Artus Van Briggle was one of America’s most important and longest lasting art potteries, quintessentially

Pair of Ribbed Penannular Earrings, New Kingdom, Dynasty 18, ca. 1479–1425 B.C., From Egypt, Upper Egypt, Thebes, Wadi Gabbanat el-Qurud, Wadi D, Tomb of the 3 Foreign Wives of Thutmose III, Gold, a: Diam. 3.5 × W. 2 × L. 4.9 cm (1 3/8

Composition (Fjord), late 19th–early 20th century, Brush and ink, pencil., 11 1/2 x 15 1/4 in. (29.2 x 38.7 cm), Drawings, Jacoba van Heemskerck (Dutch, The Hague 1876–1923 Domburg (active Germany

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 10 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

[Man Seated at Table with Dog], 1840s, Daguerreotype, Image: 9.1 x 7.1 cm (3 9/16 x 2 13/16 in.), Photographs, Unknown (French

Leaving Troy, late 16th–mid 17th century, Pen and brown ink, brush and brown wash, over graphite. Vertical lines in red chalk, sheet: 7 5/8 x 6 7/16 in. (19.3 x 16.4 cm), Drawings, Sebastiaen Vrancx (Netherlandish, Antwerp 1573–1647

Chasuble, 18th century, China, for the European market (possibly Spain), Silk satin, embroidered with silk, H. 48 x W. 32 in. (121.9 x 81.3 cm), Textiles-Embroidered, This crimson satin chasuble was embroidered in China, but its slender

Partial Design for a Ceiling with Oculus, 17th century, Pen and brown ink, brush and brown wash, over graphite underdrawing, sheet: 7 11/16 x 3 1/4 in. (19.5 x 8.3 cm), Anonymous, Italian, 17th century

Pair of curtains, early 18th century, British, Silk, wool, linen, Overall: 95 x 84 in. (241.3 x 213.4 cm); Overall: 94 1/2 x 87 in. (240 x 221 cm), Textiles-Embroidered

Inkwell with Crosses, 10th century, Found Iran, Nishapur, Earthenware; polychrome decoration under transparent glaze (buff ware), H. 2 3/16 in. (5.6 cm), Ceramics, This inkwell preserves a small ball inside that was probably used to stir the

Right Half of Wall Monument Design with Urn Above, 17th century, Pen and brown ink, brush and brown wash, sheet: 10 11/16 x 3 1/4 in. (27.2 x 8.3 cm), Drawings, Anonymous, Italian, 17th century

Goblet, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, H. 6 3/8 in. (16.2 cm), Glass, Challinor, Taylor and Company (1866–1891

Figural spill vase, 1830–70, Made in Bennington, Vermont, United States, American, Earthenware with flint enamel glaze, 8 3/4 x 11 in. (22.2 x 27.9 cm), Ceramics, The middle of the nineteenth century witnessed a proliferation of

Scarab of the Storehouse Overseer Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, Mummy, over crossed wrists, 1920, Silver, electrum, glazed steatite, linen cord,

George Washington, 1748–95, Made in Staffordshire, Stoke-on-Trent, England, British (American market), Earthenware, H. 10 in. (25.4 cm), Ceramics, Ralph Wood the Younger (British, Burslem 1748–1795 Burslem

'Tract Distributor', 1845–91, Pen, brush, and brown ink over graphite with touches of white gouache, Sheet: 6 1/2 × 4 7/16 in. (16.5 × 11.3 cm), Drawings, Charles Samuel Keene (British, Hornsey, Middlesex 1823–1891 London

Ewer with Inscription, Horsemen, and Vegetal Decoration, dated A.H. 623/ A.D. 1226, Attributed to Iraq, Mosul, Brass; engraved and inlaid with silver, H. 14 1/2 in. (36.8 cm), Metal, `Umar ibn al-Hajji Jaldak, This lavishly decorated object

A Bumble Bee and a Fulgoroid, 17th century (?), Pen and black ink, gray wash, gouache, and watercolor, sheet: 3 5/16 x 2 5/16 in. (8.4 x 5.9 cm), Drawings, Anonymous, Dutch, 17th century

Le Charivari, June 1, 1833–November 30, 1833, June 1, 1833–November 30, 1833, Lithographs and wood engravings, 13 1/8 × 10 × 2 3/8 in. (33.3 × 25.4 × 6 cm), Honoré Daumier (French, Marseilles 1808–1879 Valmondois),

The Studio, 1910s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Lost Labor ('Trabajo perdido'), 1807–45, Pen and dark brown ink on off-white paper. Composition outlined with pen and dark brown ink on all sides, 7-1/4 x 5-3/16 in. (18.4 x 13.2 cm), Drawings, Leonardo Alenza y Nieto (Spanish, Madrid

Section of the Grizzly Giant with Galen Clark, Mariposa Grove, Yosemite, 1865–66, Albumen silver print from glass negative, Image: 20 5/8 × 15 11/16 in. (52.4 × 39.8 cm), Photographs, Carleton E. Watkins (American, 1829–1916

The Raising of Lazarus, ca. 1606–8, Pen and brown ink, brown wash, 7 7/8 x 12 3/4 in. (20 x 32.4 cm), Drawings, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

Design for a House, South Elevation, ca. 1883, Graphite, W. Strong (British, 19th century

At Last She Sees Clearly ('Ya ve claro'), 1807–45, Pen and dark brown ink on off-white paper. Composition outlined with pen and dark brown ink on all sides, 7 x 5-3/16 in. (17.8 x 13.2 cm), Drawings, Leonardo Alenza y Nieto (Spanish, Madrid

Misses Weaver H. Patties' School for Girls, Munich, 1912, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Mass, ca. 1837–38, Brush, ink and gray wash, heightened with white over graphite on beige laid paper, Sheet: 12 1/16 x 9 3/16 in. (30.7 x 23.4cm), Drawings, Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819–1856

Labrie. Oscar, Alexandre. 33 ans, né à Charenton (Seine). Marchand de vins. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Plaque, 1876, Made in Trenton, New Jersey, United States, American, Parian porcelain, 14 3/8 x 11 1/4 in. (36.5 x 28.6 cm), Ceramics, Isaac Broome (1835–1922

Édouard Manet Seated, Right Profile, ca. 1865, Black chalk on faded pink wove paper, Sheet: 14 1/8 x 11 in. (35.9 x 27.9cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris

4 of Horns, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Design for a Bronze Vessel, 16th century, Pen and brown ink, brush with gray and yellow wash over black chalk, 16 1/2 x 11 1/4 in. (41.9 x 28.6 cm), Drawings, Erasmus Hornick (Netherlandish, Antwerp ca. 1520–1583 Prague

Dutch Ships at Anchor, mid-17th–early 18th century, Pen and brown ink, brush and gray wash, over black chalk, sheet: 3 7/8 x 8 1/2 in. (9.8 x 21.6 cm), Drawings, Willem van de Velde II (Dutch, Leiden 1633–1707 London

Wine Glass, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 4 1/4 in. (10.8 cm), Glass, Bakewell, Pears and Company (1836–1882

Marshall House, Alexandria, Virginia, 1861, Salted paper print, Image: 5 3/4 × 8 1/16 in. (14.6 × 20.5 cm), Photographs, Egbert Guy Fowx (American, born 1821

Chepstow Castle River Wye, Monmouthshire, 1905, Watercolor, Sheet: 9 7/8 x 14 1/2 in. (25.1 x 36.8 cm), Drawings, Philip Wilson Steer (British, Birkenhead 1860–1942 London

Relief plaque with two swallows, opposite side two quail chicks, Late Period–Ptolemaic Period, 400–30 B.C., From Egypt, Limestone, paint, 15 x 13.8 x 0.9 cm (5 7/8 x 5 7/16 x 3/8 in.), Small Late Period and Ptolemaic reliefs or sculptures

Tile Panel, ca. 1430, Attributed to Syria, Damascus, Stonepaste; modeled, polychrome painted under transparent glaze, 45 x 45 in. (114.3 x 114.3 cm), Ceramics-Tiles, These tiles represent a ceramic type produced by the workshop of Ibn

The Red Vine, Matinicus Island, Maine, 1916, Oil on panel, 22 x 28 1/4 in. (55.9 x 71.8 cm), Paintings, George Bellows (American, Columbus, Ohio 1882–1925 New York

[Nos. 170–176 Regent Street, London], ca. 1846, Salted paper print from paper negative, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 35r), Designer, Printer, Andreas Bretschneider, Henning Gross the younger, German, Dresden ca. 1578–ca. 1640 Leipzig, Bretschneider, Andreas, Gross, Henning

Virgin and Child with Cradle, ca. 1350–1400, Made in Upper Rhineland, Germany, German, Ivory, traces of polychromy, Overall: 12 3/8 x 5 1/16 x 3 3/8 in. (31.5 x 12.8 x 8.5 cm), Ivories, Here, a rare subject seems to reflect and reinforce

Ravachol. François Claudius Kœnigstein. 33 ans, né à St-Chamond (Loire). Condamné le 27/4/92. , 1892, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Argand Lamp with Shade, 1800–1900, Pen and wash, 13 x 10 in, Drawings, Anonymous, Italian, 19th century

Grass, 1933, Gelatin silver print, Image: 14.9 x 18.6 cm (5 7/8 x 7 5/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Seated Figure, 12th–9th century B.C., Mexico, Mesoamerica, Olmec, Ceramic, pigment, H. 13 3/8 x W. 12 1/2 x D. 5 3/4 in. (34 x 31.8 x 14.6 cm), Ceramics-Sculpture, Seated, life-size baby figures are among the most intriguing ceramic works

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 3 in. × 3 1/4 in. (7.6 × 8.3 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

General George McClellan, 1862 (?), Albumen silver print from glass negative, Image: 9.1 x 5.4 cm (3 9/16 x 2 1/8 in.), Photographs, Charles DeForest Fredricks (American, 1823–1894), In this unusual portrait in profile by C. D. Fredricks,

Standing Turkish Youth, 1844, Watercolor over graphite, sheet: 13 11/16 x 6 7/8 in. (34.8 x 17.5 cm), Drawings, William James Müller (British, Bristol 1812–1845 Bristol

Fireworks for a Naval Victory, ca. 1800, Pen and ink, wash and brown and red ink wash, leadpoint, sheet: 10 1/2 x 15 7/8 in. (26.7 x 40.3 cm), Drawings, Anonymous, Italian, 18th or early 19th century

Landscape with Bridge, 17th century, Pen and brown ink, brush with brown and gray wash, sheet: 5 5/16 x 7 9/16 in. (13.5 x 19.2 cm), Drawings, Anonymous, Italian, 17th century

33rd New York Infantry, ca. 1861, Albumen silver print from glass negative, Photographs

Lamp, convex top, Greek or Roman, Terracotta, Other: 1 1/8 x 3 3/8 in. (2.9 x 8.6 cm), Terracottas

Sheet of studies for 'Ex Libris Victor Graf von Rex', 1900, Black ink on brown wove paper, sheet: 12 15/16 x 17 13/16 in. (32.9 x 45.3 cm), Drawings, Otto Greiner (German, Leipzig 1869–1916 Munich

Design for a Tile: Peacocks in a Garden, 1867–1924, Watercolor, pen and black ink over graphite with touches of gouache, Sheet: 6 5/8 x 10 in. (16.8 x 25.4 cm), Walter J. Morgan (British, Bilston 1847–1924 Birmingham

Box with Gardenia, Plum Blossoms, and Finches, Ming dynasty (1368–1644), late 16th–early 17th century, China, Black lacquer painted with lacquer and oil colors; basketry panels, H. 4 1/2 in. (11.4 cm); W.18 3/8 in. (46.7 cm); D. 12 in.

東周 篆書石鼓文 舊拓本, Inscriptions on the Stone Drums (Eastern Zhou dynasty, 5th century B.C.), Ming dynasty (1368–1644), 17th century, China, Set of rubbings in ten sections mounted as a pair of handscrolls; ink on paper, Image

Girl, 1918, Lithograph, image: 8-1/2 x 14-3/4 inches (21.5 x 37.5 cm), Prints, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Bowl, ca. 1750–1800, Made in Mexico, Mexican, Tin-glazed earthenware, Diam. 3 5/8 in. (9.2 cm), Ceramics

Carolus, Duke of Lower Lorraine and Gerberga, n.d., Pen and brown ink, sheet: 5 1/2 x 8 1/8 in. (14 x 20.6 cm), Drawings, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

[Group of 4 Stereograph Views of London Bridges], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, George W. Griffith (American), Benneville Lloyd Singley (American, Union Township,

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 9), Artist, Publisher, Artist, After, Georges

Nothing Is Known of This, 1801–3, Brush with black and gray wash on laid paper, Sheet: 9-5/16 x 5-13/16 in. (23.6 x 14.71cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Pair of vases, ca. 1870, British, Stoke-on-Trent, Staffordshire, Porcelain, Overall: 12 9/16 × 8 7/16 × 8 7/16 in. (31.9 × 21.4 × 21.4 cm), Ceramics-Porcelain

Fragment of Nativity Scene with Music-Making Angels on Clouds Above, 17th century, Pen and dark brown ink, reinforced in some places with brush and dark brown wash, over black chalk underdrawing. Composition is outlined in pen and dark brown ink.

St. Paul, early 17th century, Pen and brown ink, 7 7/16 x 5 5/16 in. (18.9 x 13.5 cm.), Drawings, After Jacques Callot (French, Nancy 1592–1635 Nancy

Lot Seduced by his Daughters, ca. 1567, probably British, Silver, parcel gilt, Overall (confirmed): 5/8 x 7 5/8 in., 7 oz. 12 dwt. (1.6 x 19.4 cm, 0.2365kg), Metalwork-Silver, The fine engraving on this set of plates depicts scenes from the

Glass hexagonal jug, Early Byzantine, 6th–early 7th century A.D., Roman, Syrian, Glass; mold-blown and trailed, H.: 7 3/8 in. (18.7 cm), Glass, Translucent blue green with same color handle and trail., Rounded rim, folded out, over, and

Design for Standing Screen, 1841–84, Pen and black ink, sheet: 7 3/16 x 4 7/16 in. (18.2 x 11.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Standing Nude Female and Putto with Studies of a Hand and an Arm (recto); Satyrs destroying a Female Herm (verso), 16th century, Pen and brown ink, brush and gray-brown wash, 9-3/8 x 6-9/16 in. (23.8 x 16.7 cm), Drawings, Anonymous, Italian,

[Portrait of a Young Man], 1840, Daguerreotype, Image: 5 x 4.2 cm (1 15/16 x 1 5/8 in.), oval, Photographs, Samuel F. B. Morse (American, Charlestown, Massachusetts 1791–1872 New York), Samuel F. B. Morse met Louis Daguerre, the French

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 20r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Rocking Chair, 1820–50, American, Shaker, Maple, birch, 38 1/4 x 22 5/8 x 28 in. (97.2 x 57.5 x 71.1 cm), Furniture, Previously reserved for the elderly and infirm, rocking chairs became ubiquitous in America after the Revolution. The

Snuff Bottle Depicting the God of Longevity, Qing dynasty (1644–1911), 19th century, China, White biscuit porcelain with ruby matrix stopper, H. 2 5/8 in. (6.7 cm), Snuff Bottles

Palette in the form of a mud turtle, Predynastic, Naqada II, ca. 3650–3500 B.C., From Egypt, Greywacke, L: 15 cm (5 7/8 in

Sailors and Women, 19th century, Pen and brown ink, gray and some black wash, over graphite, 6 7/8 x 9 3/16 in. (17.5 x 23.3 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris