Images at Librifly

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 26r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Design for Panel Decoration, 1828–40, Pen and black ink, watercolor with touches of gold, sheet: 9 1/2 x 14 3/4 in. (24.2 x 37.4 cm), J. Hulme (British, active 1828–40

Elegant Party on the Tafelberg, 17th century, Pen and brown ink, brush and brown, blue, red and yellow wash, sheet: 7 3/16 x 11 5/16 in. (18.3 x 28.7 cm), Drawings, Anthonie van Borssom (Dutch, Amsterdam 1630/31–1677 Amsterdam

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 20 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Design for a Quarter of a Ceiling with Grotesque Decorations, 17th century, Pen and brown ink, brush with light brown wash, watercolor, sheet: 11 x 7 7/8 in. (28 x 20 cm), Anonymous, Italian, 17th century

Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, ca. 1532, Woodcut, Overall: 8 3/8 x 5 7/8 x 3/16 in. (21.2 x 14.9 x 0.5 cm), Published by Alessandro Paganini, Italian, active 16th

Anonymous portrait, ca. 1794–1802, Red chalk and graphite, sheet: 11 3/8 x 7 1/4 in. (28.9 x 18.4 cm), Drawings, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After Hans Holbein the Younger (German, Augsburg 1497/98–1543

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 49r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Design for 'Angel of Faith' window, ca. 1896, Made in New York, United States, American, Watercolor and gouache on paper mounted on board, Overall: 14 1/4 x 8 in. (36.2 x 20.3 cm), Drawings, Possibly Tiffany Glass and Decorating Company

Design for Silver, 18th century, Pen, brown ink and wash over pencil, 8-3/8 x 5-1/8 in, Drawings, Anonymous, Italian, 18th century

Votive plaque inscribed with Sabaean dedication, ca. late 1st millennium B.C., Southwestern Arabia, Copper alloy, H. 27.3 cm, W. 14.6 cm, Metalwork-Reliefs-Inscribed, This votive plaque with a raised border around its edges has a Sabaean

Two Figures (recto); Standing Figure (Young Hercules?) (verso), 17th century, Larger figure: Pen and light brown ink with brush and light brown wash over black chalk underdrawing. Crouching figure: Pen and dark brown ink with brush and light brown

26th New York Infantry at Fort Lyon, near Alexandria, Virginia, 1861–65, Albumen silver print from glass negative, Photographs

Design for a Candelabrum, ca. 1826–37, Pen and ink with gray wash, sheet: 17 1/2 x 9 3/4 in. (44.5 x 24.8 cm), Edgar George Papworth Sr. (British, London 1809–1866 London), Edgar George Papworth Sr. was born into a family of noted stucco

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Jeremias Wachsmuth, Carl Pier, Franz Xavier Habermann, Martin Engelbrecht, German,

Excavating for 'Y' at Devereaux Station, Orange & Alexandria Railroad, 1863, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Fort of L'Essillon, Val de la Maurienne, France, 1836, Watercolor and gouache over graphite, sheet: 7 3/4 x 11 in. (19.7 x 28 cm), Drawings, Joseph Mallord William Turner (British, London 1775–1851 London

Roses, 1890, Oil on canvas, 36 5/8 x 29 1/8 in. (93 x 74 cm), Paintings, Vincent van Gogh (Dutch, Zundert 1853–1890 Auvers-sur-Oise

Miniature Glass Bottle, 9th century, Excavated in Iran, Nishapur, Glass, greenish; blown, H. 2 3/4 in. (7.0 cm), Glass, No direct evidence for the production of glass was revealed during the Nishapur excavations, although we assume that

Four Polychrome Slip Painted Bowls, 9th century, Excavated in Iran, Nishapur, Earthenware; red slip with polychrome slip decoration under transparent glaze, H. 1 5/8 in. (4.1 cm), Ceramics, Bowls made with slips (diluted clay) with wholly

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 13 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Mr. Vanderbilt's house and collection, 1883–84, Boston, Massachusetts, 4 volumes, illustrations, height: 18 7/8 in. (48 cm), Includes a total of 162 leaves of plates (some color) illustrating the interior furnishings, art collection and

Drawings and Prints, Albums Prints Ornament & Architecture, Schon newes Modelbuch...Page 10(r), Designer, Sigismundus Latomus, German, active 1599–ca. 1627, Latomus, Sigismundus, German, 1599, 1632, 1617, 1617

Capriccio with an Island, a Tower, and Houses, 18th century, Italian, Oil on paper, laid down on Masonite, 2 1/8 x 3 1/2 in. (5.4 x 8.9 cm), Paintings, Follower of Francesco Guardi

Jug with applied decoration, 13th century, Made in Surrey, England, British, Lead glazed earthenware (whiteware) with polychrome decoration, 9 13/16 × 9 1/2 × 8 7/8 in. (24.9 × 24.1 × 22.5 cm), Ceramics-Pottery, The low center of gravity

Essempio di recammi, title page (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

St Ignatius and the Four Parts of the World: Allegory of Jesuit Missionary Work, 1715–60, Pen and black ink, gray wash, heightened with white, over black chalk, on blue paper, 13 5/16 x 12 13/16 in. (33.8 x 32.5 cm), Drawings, Felix Anton

Design for an advertisement for champagne, ca. 1900, Graphite on wove paper, sheet: 12 3/4 x 9 in. (32.4 x 22.9 cm), Drawings, Jean-Roch Isnard (French, born Arles, 1845

Joseph Lowered into the Pit, ca. 1567, probably British, Silver, parcel gilt, Overall (confirmed): 5/8 x 7 3/4 in., 7 oz. 17 dwt. (1.6 x 19.7 cm, 0.2435kg), Metalwork-Silver, The fine engraving on this set of plates depicts scenes from the

Architectural Perspective of an Arched Vestibule, 18th century, Pen and ink and wash, sheet: 11 3/4 x 7 5/8 in. (29.8 x 19.4 cm), Anonymous, British, 18th century

Marble head of Demosthenes, Imperial, 2nd century A.D., Roman, Marble, Overall: 11 x 8 5/8 x 9 in. (27.9 x 21.9 x 22.9 cm), Stone Sculpture, Copy of a Greek bronze statue by Polyeuktos of ca. 280 B.C.. Demosthenes (ca. 384–322 b.c.) of

Winged Object (harpoon counterweight?), 2nd–3rd century, United States, Alaska, Old Bering Sea, Ivory (walrus), W. 5 3/4 in. (14.6 cm), Bone/Ivory-Implements, For many hundreds of years, the harpoon was essential to the lifeways of the

Le Caracul (L'Astrakhan), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Textile Fragment, 14th century, Probably made in Spain, Silk; lampas, Textile: L. 40 3/16 in. (102 cm), Textiles-Woven, This textile exhibits bands of varying patterns, some including interlacing calligraphic inscriptions. Here, the texts

Glass ribbed bowl, Early Imperial, Early 1st century A.D., Roman, Glass; cast, tooled, and cut, Diameter: 8 13/16 x 2 5/8 in. (22.4 x 6.7 cm), Glass, Translucent deep honey brown., Bevelled rim with horizontal lip; shallow inward-curving

Buckle Shank, 7th century, Visigothic, Copper alloy, tin, 2 9/16 x 1 3/8 x 5/16 in. (6.5 x 3.5 x 0.8 cm), Miscellaneous-Buckles & Ornament

元 朱面剔犀劍環紋漆盒, Box with pommel scroll design, Yuan dynasty (1271–1368), 14th century, China, Carved red and black lacquer, H. 1 in. (2.5 cm); W. 7 in. (17.8 cm); L. 7 1/8 in. (18 cm), Lacquer, The lush spirals carved into

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 23 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

[Two Men Seated at a Table], 1850s, Salted paper print from paper negative, 15.5 x 19.8 cm (6 1/8 x 7 13/16 in.), Photographs, Unknown (British

La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 7 (verso), 1556, Woodcut, Overall: 8 1/4 x 6 1/8 in. (21 x 15.5 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice. From top to bottom, and left to right: Design

Design for Bed and Canopy, 1841–84, Graphite with brown ink wash, sheet: 13 3/8 x 9 3/4 in. (33.9 x 24.7 cm), Charles Hindley and Sons (British, London 1841–1917 London

Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, 1779, Oil on canvas, 40 x 50 in. (101.6 x 127 cm), Paintings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby), Wright depicts a site that had long been a popular

Chornat. Pierre. 50 ans, né le 20/6/44 à Letrat (Loire). Constructeur-mécanicien. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Snuff bottle with pomegranates and bat, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Turquoise with pink glass stopper, H. 2 in. (5.1 cm), Snuff Bottles

Scene with Classical Figures, 1805–40, Pen and black ink, black chalk, sheet: 14 5/8 x 12 in. (37.1 x 30.5 cm), Drawings, William Pitts (British, London 1790–1840 London

Partial female head, Late Period–Ptolemaic Period, 400–200 B.C., From Egypt, Limestone, H. 23.7 cm (9 5/16 in.); W. 15.8 cm (6 1/4 in.); D. 15.3 cm (6 in.); Th. with interior hollowed 2 cm (13/16 in.), Small Late Period and Ptolemaic

Tusk Fragment with the Ascension, 720–970 Radiocarbon date, 95% probability, Attributed to Egypt or Palestine, Ivory; carved, H. 7 3/4 in. (19.7 cm), Ivories and Bone, Ivory was so highly valued in Byzantium that emperors received it in

Cup, 1736–95, Made in China, Chinese, Porcelain, H. 1 3/4 in. (4.4 cm); Diam. 2 3/8 in. (6 cm), Ceramics

[Grand Army Review, Washington, D.C.], May 1865, Albumen silver print from glass negative, Image: 3 3/4 × 4 1/2 in. (9.6 × 11.4 cm), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Iron spit, Archaic, ca. 550 B.C., Etruscan, Iron, Other: 29 3/4 in. (75.6 cm), Miscellaneous-Iron, Iron utensils found with the Chariot

Plate, 1815–25, Made in Berks County, Pennsylvania, United States, American, Earthenware; Redware, Diam. 9 5/8 in. (24.4 cm), Ceramics, Attributed to Solomon Grimm (1787–1847

Sake bottle with chrysanthemums, Edo period (1615–1868), 18th century, Japan, Stoneware (Mizoro ware), H. 8 3/4 in. (22.2 cm), Ceramics

The Honey Gatherer, ca. 1898, Platinum print, Image: 12.5 cm (4 15/16 in.) diameter, Photographs, F. Holland Day (American, Norwood, Massachusetts 1864–1933 Norwood, Massachusetts

Burial of the Dead, Fredericksburg, 1863, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Fragment of a vessel with wheat stalks and a procession of bulls in relief, Late Uruk–Jemdet Nasr, ca. 3300–2900 B.C., Southern Mesopotamia, Limestone, W. 17.2 cm (6 3/4 in.), Stone-Vessels

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 68r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

[Oskar Begas], before 1883, Albumen silver print, Approx. 10.2 x 6.4 cm (4 in. × 2 1/2 in.) (10.2 × 6.4 cm), Photographs

Graia, On the Red Sea, Near Ezion-Geber, Port of King Solomon, 1870s, Albumen silver print, Photographs, Frank Mason Good (British, 1839–1928

Putto Holding a Cloud and Horn, late 16th–mid 17th century, Pen and black ink, brush and grey wash. Incised for transfer, 6 9/16 x 4 5/16 in. (16.7 x 11.0 cm), Drawings, Crispijn de Passe the Elder (Netherlandish, Arnemuiden 1564–1637

Mug, 1830–70, Made in United States, American, Pressed glass, H. 3 7/8 in. (9.8 cm); Diam. 2 3/4 in. (7 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By

Fragment of a Pulpit, dated A.H. 546/A.D. 1151, Made in Iran, Yazd, Wood (teak); carved and painted, H. 47 1/2 in. (120.7 cm), Wood, This fragment comes from a minbar, or pulpit, from which announcements and Friday sermons were delivered to

Prisoner Lime Container, 6th–9th century, Peru, Wari, Wood, bone inlay, paint, H. 3 x W. 1 1/2 x D. 1 5/16 in. (7.6 x 3.8 x 3.3 cm), Wood-Containers, This small wood sculpture is a container that in ancient times would have held powdered

The Chess Players, ca. 1845, Salted paper print from paper negative, 19.5 x 14.4 cm. (7 11/16 x 5 11/16 in.), Photographs, Likely by Antoine-François-Jean Claudet (French, active Great Britain, 1797–1867), Possibly by Nicolaas Henneman

鑑貞筆　瀟湘八景中の二景図, Two Views from the Eight Views of the Xiao and Xiang Rivers, Muromachi period (1392–1573), early 16th century, Japan, Pair of hanging scrolls; ink and color on paper, Image (a): 18 1/16 × 11 3/4 in.

Kalamkari Rumal, ca. 1640–50, Attributed to India, Deccan, Golconda, Cotton; plain weave, mordant painted and dyed, resist dyed, Textile: L. 25 1/4 in. (64.1 cm), Textiles-Painted and/or Printed

Design for a Renaissance Style Table, 19th century, Graphite and watercolor, sheet: 11 x 15 in. (27.9 x 38.1 cm), Anonymous, British, 19th century

Plate, 1883–1909, Made in Haute-Vienne, Limoges, France; Made in Atlanta, Georgia, United States, American, Porcelain, H. 1 in. (2.5 cm); Diam. 9 5/8 in. (24.4 cm), Ceramics

Illustration for 'Little Peter: A Christmas Morality for Children of Any Age', 1908, Watercolor over graphite with touches of gouache, sheet: 11 5/8 x 7 3/8 in. (29.5 x 18.7 cm), Drawings, Charles Edmund Brock (British, London 1870–1938

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 42r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Costume Design for 'Adam', 1889, Pen and black ink, watercolor, over graphite underdrawing, 12 3/8 x 9 7/16 in. (31.4 x 24.0 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris

Adnet. Jeanne, Marie. Alphonsine (femme Quesnel). 22 ans, née à Argentan. Couturière. Anarchiste. 8/1/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

A Reconstruction of the Temple of Janus (above) and a View of the Ruins (below), before 1704, Pen and black ink, brush and grey wash over red chalk., 13 x 8 1/8 in. (33.0 x 20.6 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731

Dish with Phoenixes, Edo period (1615–1868), ca. 1760–80, Japan, Porcelain painted with colored enamels over transparent glaze (Hizen ware), Diam. 7 1/8 in. (18.1 cm), Ceramics

Return of the Prodigal Son, 1830–35, Graphite; framing line in pen and black ink, sheet: 6 1/2 x 4 5/8 in. (16.5 x 11.8 cm), Drawings, Friedrich Olivier (German, Dessau 1791–1859 Dessau

[Mary Ryan], 1865–66, Albumen silver print from glass negative, 33.1 x 24.7 cm (13 1/16 x 9 3/4 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Serving Spoon, ca. 1760, American, Silver, Overall: L. 15 3/8 in. (39.1 cm); 6 oz. 7 dwt. (198.1 g), Silver, Marked by S. C

Two-handled Footed Dish, ca. 1910, Made in New York, New York, United States, American, Silver, 4 1/4 x 17 in. (10.8 x 43.2 cm), Silver, Marcus and Co. (American, New York, 1892–1942

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and blue and brown ink, black chalk, and slight traces of red chalk, 2 13/16 x 4 in. (7.2 x 10.1 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773

Tumbler, ca. 1885–87, Made in Wheeling, West Virginia, United States, American, Blown glass, H. 2 3/4 in. (7 cm); Diam. 2 1/8 in. (5.4 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Fragment of Inscription, Found behind Stucco Dado Panel, 9th century, Excavated in Iran, Nishapur, Stucco; painted, H. 18 1/8 in. (46 cm), Stucco, The inscription on this thin layer of plaster is rendered in a form of Kufic script in which

Medallion of Benjamin Franklin, 1779, Made in France, Stoneware, Diam. 5 7/8 in. (14.9 cm), Ceramics, Jean-Baptiste Nini (Italian, Urbino 1717–1786 Chaumont-sur-Loire

Model of a Porch and Garden, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280), 1920, Wood, paint, copper, L. 84.4 cm (33 1/4); W. 42.5 cm (16 3/4 in); H. 39.5 cm

Three Ornamental Vessel Designs, 17th century, Pen and brown ink, brush and brown wash, over graphite underdrawing, sheet: 4 1/2 x 10 3/16 in. (11.4 x 25.9 cm), Drawings, Giacomo Rossi (Italian, Bologna 1751 - 1817 Bologna

Silk Fragment with Lions and Pomegranates, late 15th century, Made in probably Granada, Spain, Spanish, Silk, lampas weave, Overall: 9 3/16 x 10 1/8 in. (23.3 x 25.7 cm), Textiles-Woven

Seated Monk, mid-16th–early 17th century, Black and white chalk on blue paper, 10 5/16 x 9in. (26.2 x 22.9cm), Drawings, Denijs Calvaert (Netherlandish, Antwerp ca. 1540–1619 Bologna

Quiver with Eleven Crossbow Bolts, quiver, probably early 16th century; bolts, 14th–16th century, Western or Central European; quiver, possibly German, Wood (oak, probably birch), tanned hide (possibly badger), paper, leather, steel,

Saucer, 1785–90, Made in China, Chinese, for American market, Porcelain, Diam. 5 1/8 in. (13 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered by Justice

Glass alabastron (perfume bottle), Early Hellenistic, late 4th–early 3rd century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group II, H.: 4 7/8 in. (12.4 cm), Glass, Translucent pale yellowish green with darker blue green

Dish, ca. 1849–58, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 2 7/8 in. (7.3 cm); Diam. 10 1/2 in. (26.7 cm), Ceramics, Lyman, Fenton & Co. (1849–52

Rebecca and Eliezer at the Well, 1696, Pen and brown ink, brush and brown, gray and red wash, with framing line in pen and brown ink, sheet: 10 3/8 x 16 in. (26.3 x 40.6 cm), Drawings, Lambert Doomer (Dutch, Amsterdam 1624–1700 Amsterdam

Snuff bottle with gourd on a trellis, Qing dynasty (1644–1911), 18th–19th century, China, Chalcedony, H. 2 7/8 in. (7.3 cm); W. 2 1/4 in. (5.7 cm); D. 1 1/4 in. (3.2 cm), Snuff Bottles, The ingenious use of inclusions of different colors

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (title page, 1r), Publisher, Designer, Jacob Frölich, Hans Hoffman, German, active Strasbourg, 1556, Strassburg, Frölich, Jacob,

Drawings and Prints, Books Prints Ornament & Architecture, Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 15 (recto), Publisher, Alessandro Paganino, Italian, active Salò,

Cornucopia Held Aloft by Angels, Ornament with Cross and Rosary, ca. 1780–1820, Graphite, sheet: 12 9/16 x 8 1/4 in. (31.9 x 21 cm), Drawings, Anonymous, German, 19th century

Designs for Nine Helmets (recto); Designs for Seven Helmets (verso), 16th century, Pen and brown ink, brush and brown wash, 10-9/16 x 8-1/16 in. (26.8 x 20.5 cm), Anonymous, Italian, 16th century (Italian, active Central Italy, ca.

The Salzach Valley with a View of the Watzmann Massif in the Background, ca. 1595–1600, Pen and brown ink, brush and brown and blue ink, 6 1/4 x 10 13/16 in. (15.9 x 27.5 cm), Drawings, Frederik van Valkenborch (Netherlandish, Antwerp

Hôtel de Lauzun, Quai d'Anjou, 1904–05, Albumen silver print from glass negative, 21.6 x 17.8 cm. (8 1/2 x 7 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

King David the Poet, 1863, British, London, Stained glass, Overall: 32 1/2 × 19 1/2 in. (82.6 × 49.5 cm), Glass-Stained, This panel of King David, with three other panels also decorated with figures of poets (Homer, Chaucer, and Dante),

Saint Catherine Flanked by a Male and a Female Saint, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light brown paper. Framing outline on left, bottom and right edges in black chalk and brown ink, 4-5/8 x 3-1/8 in.

Snuff bottle with European figures, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Painted enamel, H. 2 7/8 in. (7.3 cm); W. 1 1/2 in. (3.8 cm); D. 1 in. (2.5 cm), Snuff Bottles, This snuff bottles illustrates the frequent