Images at Librifly

Pine Tree and Calligraphy, Edo period (1615–1868), late 18th–early 19th century, Japan, Album leaves mounted as, hanging scrolls; ink on paper, Image (a): 9 in. × 14 7/16 in. (22.8 × 36.6 cm), Paintings, Ike Taiga (Japanese,

Le Kaire, Cimetière des Mamelouks, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.0 x 30.0 cm. (9 7/16 x 11 13/16 in.), Photographs, Félix Teynard (French, 1817–1892

Diadem, Late Period-Ptolemaic Period, 4th–2nd century B.C., From Egypt, Gold, glass, carnelian, L. 46 × H. (rosette) 3 cm (18 1/8 × 1 3/16 in.), The chain is formed from two interfolded strips of gold. Traces reveal the three-dimensional

Bowl with Eight-Pointed Star, late 8th–9th century, Excavated in Iran, Nishapur. Attributed to Iran, Nishapur, Earthenware; polychrome slip decoration under transparent glaze, H. 2 7/8 in. (7.3 cm), Ceramics

Designs for the decoration of a ceiling, late 18th–mid-19th century, Graphite, pen and brown ink; brush, wash, and watercolor on wove paper, sheet: 5 11/16 x 7 3/8 in. (14.5 x 18.8 cm), Giuseppe Bernardino Bison (Italian, Palmanova

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 3v), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Three Frieze Designs with Young Satyrs, Leaves, Vines, and Putti, 1776–79, Graphite, sheet: 11 9/16 x 9 3/8 in. (29.4 x 23.8 cm), Attributed to Thomas Hardwick (British, London 1752–1829 London

Jar (Hu), Neolithic, Majiayao culture, Banshan phase, ca. 2650–2350 B.C., China, Earthenware with painted decoration, H. 13 3/8 in. (34 cm), Ceramics

Landscape with Two Classical Temples and Figures, n.d., Brush and gray and brown wash, over red chalk, 7 13/16 x 12 11/16 in. (19.9 x 32.2 cm), Drawings, Attributed to Jan Frans van Bloemen (Flemish, Antwerp 1662–1749 Rome

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Jeremias Wachsmuth, Martin Engelbrecht, Carl Pier, Franz Xavier Habermann, German,

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 2 verso), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Studies of Putti, 1450–99, Pen and brown ink on cream paper washed light-brown, 8 7/8 x 7 11/16 in. (22.5 x 19.5 cm); maximum; irregularly cut, Drawings, Anonymous, Italian, Paduan, second half of the 15th century

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 36v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Opera Nova Universali intitulata Corona di racammi, page 18 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Terracotta footed bowl, Geometric, ca. 650 B.C., Etruscan, Italo-geometric, Terracotta, H. 7 3/8 in. (18.8 cm); diameter 7 3/16 in. (18.3 cm), Vases, Banded body; zigzags between vertical lines at lip

Eyn new kunstlichboich, page 25v, 1529

Sauceboat, 1750–75, Made in West Yorkshire, Leeds, England, British, Earthenware, 3 3/4 x 7 1/4 x 2 7/8 in. (9.5 x 18.4 x 7.3 cm), Ceramics, Creamware, so-called for its cream-colored body, is a refined earthenware with a lead-based

Design for a Lidded Vase with Lion's Head Boss, 19th century, Graphite, Anonymous, British, 19th century

Design for a Chimneypiece, late 18th–early 19th century, Pen and ink and wash, sheet: 10 5/8 x 14 3/8 in. (27 x 36.5 cm), John Yenn (British, London (?) 1750–1821 London

The Virgin Surrounded by Angels and Representatives of Secular and Ecclesiastical Authorities, late 16th–mid 17th century, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink. Indented for transfer, 4 15/16 x 3 1/8 in.

Fragmentary dish with inscription for Hathor from Peteharsomtous, Ptolemaic Period, 332–30 B.C., From Egypt; Probably from Northern Upper Egypt, Dendera, Silver, H. 8.3 × W. 9.4 (3 1/4 × 3 11/16 in.), This fragment of a small silver dish

元 吳鎮 高節凌雲圖 軸, Bamboo, old tree, and rock, Yuan dynasty (1271–1368), dated 1338, China, Hanging scroll; ink on silk, Image: 65 5/8 x 38 1/2 in. (166.7 x 97.8 cm), Paintings, Wu Zhen (Chinese, 1280–1354), This painting

Openwork Belt Fitting, 7th century, Frankish, Copper alloy, Overall: 3 1/4 x 1/16 in. (8.3 x 0.2 cm), Metalwork-Copper alloy, Openwork plaques were hung from a belt by a strap. Such useful objects as combs, keys, or amulets would then be

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 41 3/4 x 23 3/4 x 4 1/8 in. (106.1 x 60.3 x 10.5 cm), Stone-Reliefs-Inscribed, This panel from the Northwest Palace at Nimrud

Terracotta kalathos (vase with flaring lip), Late Cycladic I, ca. 1550–1425 B.C., Cycladic, Terracotta, H. 5 1/8 in. (13 cm), Vases, The vase painting of Crete and the Cyclades often shows great sensitivity to natural subjects. As simple as

Page from Ein new kunstlich Modelbuch...(Page 14v), 1544

Standing cup, ca. 1670, Hungarian, Brassó, Gilded silver, Overall: 9 1/8 x 5 in. (23.2 x 12.7 cm), Metalwork-Silver, The dolphin, symbol of a long life, is also an attribute of Venus, goddess of love, as is the shell which is evoked by

Tracings of Metalwork, ca. 1880, Graphite, sheet: 6 7/8 x 10 13/16 in. (17.5 x 27.4 cm), Richardson Ellson & Co. (British

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 10r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

[Cavorting by the Pool at Garsington], ca. 1916, Gelatin silver print, 8.8 x 6.3 cm (3 7/16 x 2 7/16 in.), Photographs, Lady Ottoline Violet Anne Cavendish-Bentinck Morrell (British, 1873–1938), Rebelling against the narrow values of

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 8r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Ostracon Depicting a Queen Holding a Sistrum, New Kingdom, Ramesside, Dynasty 19–20, ca. 1295–1070 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Workmen's Huts near KV 55 (site 18) or Btwn 18/21, Davis/Ayrton excavations,

Segment of Circular Celing Vault, Palazzo Mattei, Rome, 1776–79, Graphite, sheet: 11 5/16 x 13 7/16 in. (28.7 x 34.1 cm), Attributed to Thomas Hardwick (British, London 1752–1829 London

Octagonal Box with Scene of Immortals and Vignettes of Flowers, Qing dynasty (1644–1911), Qianlong period (1736–95), 18th century, China, Carved red lacquer, H. 8 5/8 in. (21.9 cm); Diam. 11 in. (27.9 cm), Lacquer, Boxes of this type were

Battle Field of Atlanta, Georgia, July 22nd 1864 No. 1, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Taima Mandala, 當麻曼荼羅, Nanbokuchō period (1336–92), probably late 14th century, Japan, Hanging scroll; color and gold on silk, Image: 52 1/2 x 48 in. (133.4 x 121.9 cm), Paintings, This Taima mandala offers a resplendent vision of

Limestone grave marker, Classical, 4th century B.C., Cypriot, Limestone, Overall: 57 x 27 3/4in. (144.8 x 70.5cm), Stone Sculpture, The influence of Greek grave monuments can be seen in this relief of a seated woman with her right hand raised

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, title page (verso), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, 1564, Calepino, Foresto, Iseppo, Italian, 1500,

Ein new getruckt model Büchli..., 1529, Book printed in woodcut, Overall: 7 7/8 x 6 1/8 in. (20 x 15.5 cm), Published by Schoensperger, Augsburg. Title page, 45 pages of designs for weaving and embroidery, and 5 manuscript pages of weaver's

Head of a Buddhist Image, Kizil kingdom, ca. 6th–7th century, China (Xinjiang Uyghur Autonomous Region), Pigments on mud plaster, 6 x 6 3/4 in. (15.2 x 17.1 cm), Paintings

Three Celestial Attendants, Kizil Kingdom, ca. 6th–7th century, China (Xinjiang Uyghur Autonomous Region), Pigments on mud plaster, 8 3/4 x 15 3/4 in. (22.2 x 40 cm), Paintings, The two female figures at left wear beaded textile headdresses

A Fountain in the Park, 1831, Black and white chalk, and graphite, sheet: 10 13/16 x 8 5/8 in. (27.4 x 21.9 cm), Drawings, Karl Blechen (German, Cottbus 1798–1840 Berlin

Fragment with a garden scene, early 17th century, Attributed to Iran, Silk, metal wrapped thread; lampas, Textile: H. 7 1/2 in. (19.1 cm), Textiles-Woven, This silk textile fragment depicts a scene of leisure in a lush outdoor garden. Two

Carl Becker, 1860s, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

Evadne throws herself on the Funeral Pile of her Husband Capaneus, 18th–19th century, Pen and brown ink, brush and grey wash, Sheet: 3 1/4 × 4 5/8 in. (8.3 × 11.7 cm), Drawings, Edward Francis Burney (British, Worcester 1760–1848 London

Staircase Lobby Design, 19th century, Ink on tracing paper, Anonymous, British, 19th century

Studies of Fruits, Insects and Shells, late 16th–mid-17th century, Watercolor on parchment, 3 5/8 x 4 7/16 in. (9.2 x 11.3 cm), Drawings, Attributed to Georg Flegel (German, Olomouc (Olmütz) 1566–1638 Frankfurt

Notelez. Charles, Émile. 29 ans, né à Paris XXe. Portefeuilliste. Anarchiste. 26/2/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Back Plate of a Belt Buckle, late 6th–7th century, Frankish, Iron with silver inlay, Overall: 1 7/8 x 1/4 x 1 3/4 in. (4.7 x 0.7 x 4.5 cm), Metalwork-Iron, Belts were important features of early medieval dress. Not only did they serve the

Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation, ca. 1395–1400, Tempera on canvas, gold ground, 69 1/2 x 47 1/4 in. (176.5 x 120 cm), Paintings, Spinello Aretino (Spinello di Luca Spinelli) (Italian, born Arezzo 1345–52,

A Horseman, 1615–52, Pen and brown ink, sheet: 2 5/8 x 4 1/4 in. (6.7 x 10.8 cm), Drawings, Attributed to Hans Caspar Nüscheler (Swiss, Zurich 1615–1652 Zurich), After Jacques Callot (French, Nancy 1592–1635 Nancy

Lamp, 2nd century A.D., Roman, Terracotta, Overall: 1 5/8 x 3 5/8 in. (4.1 x 9.2 cm), Terracottas

Sèriè à la Ristori, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Cephalus and Procris, 16th century, Pen and brown ink, brush and brown wash, heightened with white over black chalk, 14 5/16 x 10 13/16 in. (36.3 x 27.5 cm), Drawings, Anonymous, Netherlandish, 16th century, Formerly attributed to

Terracotta stemmed kyathos (single-handled cup), Archaic, ca. 550–525 B.C., Etruscan, Terracotta; bucchero pesante, H. with handle 8 9/16 in. (21.8 cm); H. without handle 5 1/4 in. (13.3 cm), Vases, The flaring, fluted rim and the molded

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 13r), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 22 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Opera Nova Universali intitulata Corona di racammi, page 15 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Arcadian Landscape with several Figures and a Statue of Apollo, 18th century, Watercolor and gouache, 8-15/16 x 13-13/16 in. (22.7 x 35.1 cm), Drawings, Gerard Melder (Dutch, Amsterdam 1693–1754 Utrecht

Octagonal food box with pommel scrolls, Ming dynasty (1368–1644), late 14th–early 15th century, China, Carved black lacquer with red layers (tixi), Diam. 8 7/8 in. (22.5 cm); H. 51/4 in. (13.3 cm), Lacquer

Footed beaker, ca. 1600, Hungarian, Brassó, Silver, partly gilded, Overall: 8 1/2 x 5 1/8 in. (21.6 x 13 cm), Metalwork-Silver, This beaker documents the adaptation of styles and motifs created thousands of miles apart. The vessel is covered

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 in. × 3 in. (7.4 × 7.6 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Standing Monkey Amulet, Late Period, Dynasty 26–30, 664–332 B.C., From Egypt, Faience, H. 5.6 cm (2 3/16 in), w. 1.9 cm (3/4 in), Diam. 2.5 cm (1 in

Box, probably early 19th century, probably British, South Staffordshire, Enamel on copper, Overall (confirmed): 1 5/8 × 1 5/8 × 1 1/4 in. (4.1 × 4.1 × 3.2 cm), Enamels-Painted, Small boxes for sweets in the shape of three-dimensional

Newes Modelbuch in Kupffer (Page, 3v), Johann Sibmacher (German, active 1590–1611), 1604

Spring in the guise of Flora (one of a pair), 1616–17, Italian, Rome, Marble, Overall (confirmed): 89 1/8 × 34 3/8 × 27 1/2 in., 2507 lb. (226.4 × 87.3 × 69.9 cm, 1137.2 kg), Sculpture, Pietro Bernini (Italian, 1562–1629), Assisted

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 4r, Designer, Publisher, Woodcut border designed by, Anton Woensam von Worms, Peter Quentel, German, active first half 16th century, died 1538,

Seated Shakyamuni, 9th century, India (Jammu & Kashmir, ancient kingdom of Kashmir), Bronze, H. 6 5/8 × W. 3 in. (16.8 × 7.6 cm), Sculpture

Madonna and Child Enthroned, Tempera on wood, gold ground, Shaped top: central panel, overall, with engaged frame, 30 5/8 x 16 1/2 in. (77.8 x 41.9 cm), painted surface 27 3/8 x 14 in. (69.5 x 35.6 cm); left wing, overall, with engaged

Saint Augustus, 1713–59, Pen and brown ink, 7 1/16 x 6 1/8 in. (18 x 15.5 cm), Drawings, Georg Anton Urlaub (German, Thüngersheim 1713–1759 Würzburg

Mankind Awaiting the Last Judgement, 1568–1600, Engraving, Sheet: 13 11/16 x 17 7/8 in. (34.8 x 45.4 cm), Prints, Johann Sadeler I (Netherlandish, Brussels 1550–1600/1601 Venice), After Dirck Barendsz. (Netherlandish, Amsterdam

Les Singuliers et Nouveaux Portraicts... page 60 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Snuff bottle with boys at play, Qing dynasty (1644–1911), 19th century, China, Porcelain painted with cobalt blue under a transparent glaze (Jingdezhen ware), H. 2 5/8 in. (6.7 cm), Snuff Bottles

청자 상감 구름 학 무늬 모자합 고려, 靑磁象嵌雲鶴文母子盒 高麗, Box from set of five decorated with cranes and clouds, Goryeo dynasty (918–1392), 13th–14th century, Korea, Stoneware with inlaid design under celadon

Susanna and the Elders, 1622–60, Pen and black and brown ink, brush and gray ink, and some watercolor, 7 x 5 1/2 in. (17.8 x 14 cm), Drawings, Augustin Medow (German, active 1602, recorded after 1622–1660, Lübeck

Stem Cup, Yuan dynasty (1271–1368), 1271–1368, China, Black and red carved lacquer with cloud pattern, H. 4 × Diam. 6 in. (10.2 × 15.2 cm), Lacquer

The Adoration of the Magi, ca. 1475, Oil and gold on oak, 28 x 22 1/4in. (71.1 x 56.5cm), Paintings, Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch), Technical examination of numerous works by Hieronymus

Broggio. (Roche), Bernard. 39 ans, né en Italie. Journalier. Association de malfaiteurs. 22/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Cover, 16th–17th century, Attributed to probably Turkey, Linen, silk; plain weave, embroidered, Textile: L. 73 3/4 in. (187.3 cm), Textiles-Embroidered

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 33 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Figures of Monks, 1614–85, Black chalk and soft graphite on cream paper, 11 x 13-15/16 in. (29.5 x 35.4 cm), Drawings, attributed to Juan Carreño de Miranda (Spanish, Avilés 1614–1685 Madrid

[View in Tropical Department; View of Egyptian Sphinxes], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip Henry Delamotte (British, 1821–1889

View of Bomarzo, 17th century, Pen and brown ink and gray and black wash, sheet: 6 7/8 x 11 13/16 in. (17.5 x 30 cm), Drawings, Horatius de Hooch (Dutch, active ca. 1652–86

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 7v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Burdocks, Campions and Brambles by a Treetrunk on a River Bank, early 19th century, Gray, reddish-brown and touches of blue wash over black lead, sheet: 13 1/2 x 17 13/16 in. (34.3 x 45.3 cm), Drawings, Josephus Augustus Knip (Dutch, Tilburg

A Reconstruction of the Templum Pacis (above) and a View of the Ruins (below), before 1704, Pen and black and brown ink, brush and grey wash over red and black chalk., 13 1/16 x 8 7/64 in. (33.2 x 20.6 cm), Drawings, Jan Goeree (Dutch,

Bossant. Edmond, Léon. 52 ans, né à Valenciennes (Nord). Sans profession. Anarchiste. 27/4/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Julius Caesar, ca. 1863, Graphite on wove paper, image: 7 1/16 x 5 7/8 in. (18 x 15 cm), Drawings, Jean-Léon Gérôme (French, Vesoul 1824–1904 Paris

The Seine at Rouen, May 1843 , Salted paper print from paper negative, 16.3 x 17.8 cm (6 7/16 x 7 in. ), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), Talbot traveled to Paris in May 1843 to negotiate a licensing

Terracotta volute-lamp with Pegasus, Imperial, 1st century A.D., Roman, Terracotta; mold-made, L. 3 3/4 in. (9.5 cm.)., Terracottas, Pegasos on top; concave top and scrolled nozzle

Cigarette Case, ca. 1925, Snake skin, dyed and tooled leather, gold leaf, H. 3-1/8, W. 2-1/2, D. 1-1/8 in. (7.9 x 6.4 x 2.9 cm), Leather, Legrain understood the principals and aesthetics of both modern and African art to a degree that most

Ruined Roman Tower in a Landscape (Smaller Italian Sketchbook, leaf 5 recto), 1774–75 (?), Ink and grey and yellow wash over graphite, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby

View of the Taj Mahal from the Jamuna, Agra, 1860s–70s, Albumen silver print from glass negative, 21.6 x 28.0 cm (8 1/2 x 11 in.), Photographs, Unknown

[Carpenter Holding a Bag of Tools and a Square], 1880–90s, Tintype, Image: 7.2 x 5.7 cm (2 13/16 x 2 1/4 in.), Photographs, Unknown (American

Deck of U.S. Ship Vermont, ca. 1863, Albumen silver print from glass negative, Image: 13.3 x 20.2 cm (5 1/4 x 7 15/16 in.), Photographs, Henry P. Moore (American, 1833–1911

Figure studies, first half 18th century, Graphite, sheet: 12 1/2 x 7 3/4 in. (31.8 x 19.7 cm), Drawings, George Bickham, Sr. (British, London 1684–1758 London

The Stoning of the Elders, 16th century, Pen and brown ink, 8-3/4 inches diameter (22.2 cm), Drawings, Pseudo-Aert Ortkens (Flemish, 1510–1540

Longcase clock, Clockmaker: Hermann Achenbach (German, born 1730, active before 1759–92), Clockmaker: Johann Schmidt (German, 1735–1795), Case by David Roentgen (German, Herrnhaag 1743–1807 Wiesbaden, master 1780), Marquetry panel by

View of the Scala Reggia ordered by Alesandro VII (Vedute Della Scala Reggia ordinata da Alesandro VII), n.d., Etching, plate: 19 7/16 x 28 3/16 in. (49.4 x 71.6 cm), Prints, Giovanni Ottaviani (Italian, Rome 1735–ca. 1808), After Francesco

Pair of gold spirals, Archaic, 7th–6th century B.C., Etruscan, Gold, Diam.: 1/2 in. (1.3 cm), Gold and Silver, A pair of gold spirals with six revolutions, used as hair ornaments