Images at Librifly

Bronze female figure, Middle Minoan III, ca. 1700–1600 B.C., Minoan, Bronze, H.: 1 7/16 in. (3.7 cm), Bronzes, The gesture of the figure is commonly interpreted as one of worship or of veneration

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Jamard. Alphonse, Ernest. 51 ans, né à Paris. Distillateur. Anarchiste. 28/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

30th Pennsylvania Infantry, 1861–65, Albumen silver print from glass negative, Photographs

Tweezer-Razor, New Kingdom, Dynasty 18, ca. 1560–1479 B.C., From Egypt, Gold, L. 8.6 cm (3 3/8 in.); W. 2.6 cm (1 in.); Th. 0.7 cm (1/4 in

Chrysanthemum and Hoe, Edo period (1615–1868), 18th–19th century, Japan, Hanging scroll; ink and color on paper, 36 3/8 x 13 1/16 in. (92.4 x 33.2 cm), Paintings, Kubo Shunman (Japanese, 1757–1820

Battle Scene with Church at left, ca. 1790–1800, Watercolor, sheet: 9 13/16 x 14 15/16 in. (24.9 x 38 cm), Drawings, Dirk Langendijk (Dutch, Rotterdam 1748–1805 Rotterdam

Left Half of a Design for Garden Architecture, 17th century, Pen and dark brown ink over traces of black chalk. Laid down on heavy cream paper, 5-1/4 x 4-1/8 in. (13.3 x 10.5 cm), Anonymous, Spanish, 17th century

Two-handled cup with cover, ca. 1680, British, London, Silver; silver gilt, Overall (confirmed): 7 13/16 × 8 3/4 × 5 1/2 in., 39 oz. 3 dwt. (19.8 × 22.2 × 14 cm, 1218.004g), Metalwork-Silver, The construction of this loving cup—meant

[Snow Crystal], 1890s–1920s, Gelatin silver print, Photographs, Wilson Alwyn Bentley (American, 1865–1931

Bronze support for a mirror, Classical, 4th century B.C., Greek, South Italian, Locrian ?, Bronze, Overall: 5 7/16 x 3 3/4in. (13.9 x 9.5cm), Bronzes, Seated Eros. The mirror disk fit into the curved surface above; the tang below was

Pepper Caster, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed yellow glass, H. 3 3/16 in. (8.1 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

Designs for Two Heraldic Cornices, Florid Gothic Style, 1830–1900, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Pantheon, vestibule, perspective; panel moulding, profiles (recto) Pantheon, rectangular niche, plan; half round niche, plan (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 16 15/16 x 12 5/8 in.

Design for a Trophy, n.d., Red chalk, 9 1/4 x 5 3/16 in. (23.5 x 13.2 cm), René Charpentier (French, Cuille 1680–1723 Paris

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 50 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

[Tinsmith Working Under a Tree], 1870s, Tintype, Image: 9.7 x 6.4 cm (3 13/16 x 2 1/2 in.), Photographs, Unknown (American

Gold Appliqué in the Form of a Cross, ca. 600, Langobardic, Gold, Overall: 1 1/4 x 1 1/4in. (3.2 x 3.2cm), Metalwork-Gold, Once they were in Italy, the Langobards adopted the custom of sewing one or more crosses on the shrouds of the

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 21 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Red Cloud, 1880, Albumen silver print from glass negative, Image: 14 × 9.9 cm (5 1/2 × 3 7/8 in.), Photographs, Charles Milton Bell (American, 1848–1893), Throughout the nineteenth century, the U.S. government invited hundreds of Native

Ornamento delle belle & virtuose donne, page 15 (recto), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Fort Sumpter, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Vase, 1929, Glass, 7 1/8 × 4 1/2 × 4 1/2 in. (18.1 × 11.4 × 11.4 cm), Glass, This piece was made using the cire-perdue, or “lost wax, ” method, more traditional to bronze sculpture but perfected by Lalique for glass. A full-scale model

Les Singuliers et Nouveaux Portraicts... page 44 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Cross Hilt Sword, 1600–1625, London; Solingen, hilt, British, London; blade, German, Solingen, Iron, silver, wood, copper alloy, steel, gold, L. 39 1/4 in. (99.7 cm); L. of blade 30 1/4 in. (76.8 cm); W. 8 3/4 in. (22.2 cm); Wt. 2 lb.

Beaker, early 18th century, Hungarian, Úrvölogy (formerly Herrengrund), Copper, partly gilded, low-alloy silver, Overall: 1 15/16 x 3 1/8 x 3 1/8 in. (5 x 8 x 8 cm), Metalwork-Silver, This beaker is in tumbler form with a gilded lip above

Egg Cup, 1830–70, Made in United States, American, Pressed glass, H. 3 11/16 in. (9.4 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed

Children and satyr children stealing the cubs of a pantheress (part of a group), ca. 1781, French, Paris, Stucco, Overall (visible dimensions, confirmed): H. 61 x W. 249 in. (154.9 x 632.5 cm), Sculpture, Clodion (Claude Michel) (French,

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 6v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Lamp, Roman, Cypriot, Terracotta, Overall: 3/4 x 2 1/2 in. (1.9 x 6.4 cm), Terracottas

Design for the Interior of a Gallery of a Palace, 1760–97, Pen and black ink, brush with gray, yellow, green and pink watercolor, over black chalk or leadpoint; ruler and compass constructed, 11-5/8 x 17-5/16 in. (29.6 x 44 cm), Drawings,

Bottle vase with birds, 1899, British, Southall, London, Stoneware, Overall (confirmed): 9 × 3 7/8 × 3 1/4 in. (22.9 × 9.8 × 8.3 cm), Ceramics-Pottery

Appeal to the Great Spirit, 1913; cast ca. 1916, Bronze, 21 3/8 × 14 1/2 × 21 3/4 in. (54.3 × 36.8 × 55.2 cm), Sculpture, Cyrus Edwin Dallin (Springville, Utah 1861–1944 Arlington Heights, Massachusetts), Born in Utah Territory and

Canopic Jar of Princess Sithathoryunet - Qebehsenuef, Middle Kingdom, Dynasty 12, ca. 1887–1813 B.C., From Egypt, Fayum Entrance Area, Lahun, Tomb of Sithathoryunet (BSA Tomb 8), BSAE excavations 1914, Travertine (Egyptian alabaster),

Cupid Shooting Arrows at the World Globe, 1608 or shortly before (?), Brush and grey ink, over black chalk, white gouache; framing line in pen and brown ink, probably by a later hand; incised for transfer, 3 3/8 x 5 5/16 in. (8.6 x 13.5 cm),

The Lamentation, ca. 1505, Pen and black ink, over black chalk, 6 x 9 in. (15.3 x 22.9 cm), Drawings, circle of Jan de Beer (Netherlandish, Antwerp ca. 1475–1528 Antwerp), This exceptionally fine work exemplifies the early sixteenth-century

Two Women Talking, late 16th–early 17th century, Pen and brown ink and brown wash, 5 7/8 x 7 13/16 in. (15 x 19.8 cm), Drawings, Hans Weiner (German, Munich ca. 1575–ca. 1619 Munich

Indian Head, 1898, Platinum print, 19.8 x 14.5 cm. (7 13/16 x 5 11/16 in.), Photographs, Joseph T. Keiley (American, 1869–1914

Male Saint Standing on Cloud, Supported by Putti, Holding Infant Christ, 17th century, Pen and dark brown ink with ground line in same. On off-white paper, 4-7/16 x 2-3/4 in. (11.2 x 7 cm), Drawings, Anonymous, Spanish, School of Seville,

Design for an Altar: Two Halved Variants, 1700–1780, Pen and brown ink, brush with gray, red chalk and yellow wash, over lead point or graphite, with ruled and compass construction. Scale at bottom of drawing in pen and brown ink, sheet: 19

The Dioscuri on Monte Cavallo; verso: Study of a Spiral Staircase, ca. 1533, Pen and brown ink, sheet: 8 1/2 x 9 3/4 in. (21.6 x 24.8 cm), Drawings, Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 9 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Glass lentoid bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 3 7/16 in. (8.8 cm), Glass, Colorless. Knocked-off rim, slightly folded out, over, and in on one side; funnel-shaped neck, tooled in around base; globular,

The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals, Edo period (1615–1868), early 17th century, Japan, Hanging scroll; ink, color, gold and silver on paper, Image: 11 1/4 × 12 3/4 in. (28.6

Corner of a Room with a High Coved Ceiling, 19th century, Graphite, Anonymous, British, 19th century

Candelabra Grotesque with a Female Figure in a Niche and Two Sphinxes, 1540 after, Pen and black ink, brush and gray wash, Sheet: 8 3/4 x 5 7/8 in. (22.2 x 15 cm), Anonymous, Italian, 16th century ?, After Cornelis Massys (Netherlandish,

[Sculptures of Sabrina, an Allegorical Figure of Morning, a Nereide, and Eve Listening], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip Henry Delamotte (British,

Miscellaneous Paintings and Calligraphy for the Third Year of the Bunsei Era, Edo period (1615–1868), 1820, Japan, Hanging scroll; ink and color on paper, Image: 31 3/8 x 23 3/8 in. (79.7 x 59.4 cm), Paintings, Tani Bunchō (Japanese,

Box, ca. 1905, American, Copper, silver, 8 3/4 × 5 1/8 × 5 1/8 in. (22.2 × 13 × 13 cm), Joseph Heinrichs (active ca. 1898–ca. 1937

Martyrdom of a Female Saint, 17th century, Pen and brown ink over black chalk on light tan paper, 15 x 11-1/8 in. (38.1 x 28.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Terracotta canopic urn, Archaic, 6th century B.C., Etruscan, Chiusi or environs, Terracotta, H. with cover 21 3/4 in. (55.2 cm); H. without cover 13 5/16 in. (33.8 cm), Vases, Long after inhumation became widespread, the people of Chiusi and

The Last Supper, after Leonardo da Vinci, 1634–35, Red chalk, 14 1/4 x 18 11/16 in. (36.2 x 47.5 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), This unusually large red-chalk drawing by Rembrandt is

Madonna of the Rose, 16th–17th century, Engraving, Prints, Anonymous, Italian, 16th to 17th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 58

Cream pitcher, 1830–50, Mint United States, American, Glass, blown, 4 7/8 × 4 × 2 7/8 in. (12.4 × 10.2 × 7.3 cm), Glass

Christian Falls, Alice Bay, Alaska, 1880s–90s, Albumen silver prints, Mount: 8.9 x 17.9 cm (3 1/2 x 7 1/16 in.), Photographs, Unknown

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 26r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Three Friezes of Chinese Figures, 1800–1856, Graphite, sheet: 8 3/4 x 6 3/4 in. (22.2 x 17.1 cm), Drawings, Robert Cruikshank (British, London 1789–1856

Disk Brooch, first half 6th century, Frankish, Silver, glass and garnets, Overall: 7/8 x 1/4 in. (2.3 x 0.6 cm), Metalwork-Silver

Design for a Trophy, n.d., Red chalk, with traces of black chalk, 9 3/8 x 5 9/16 in. (23.8 x 14.1 cm.), René Charpentier (French, Cuille 1680–1723 Paris

Wine Glass, 1870–90, Made in Pittsburgh, Pennsylvania, United States, American, Pressed yellow glass, H. 3 7/8 in. (9.8 cm); Diam. 2 1/4 in. (5.7 cm), Glass, Adams and Company

Flask with face, ca. 1890, French, Saint-Amand-en-Puisaye, Glazed stoneware, H. 15 1/2 in.; wt. confirmed: 9.5 lb. (39.4 cm, 4.3 kg), Ceramics-Pottery, The grimacing face reveals the artist's gifts as a sculptor–his profession before

America, Fresco, transferred to canvas, 32 1/4 x 42 3/4 in. (81.9 x 108.6 cm), Paintings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice), This allegorical representation of America is part of a series of the four continents,

Children Playing Horse and Carriage, 19th century, Pen and brown ink, brush and gray wash, 6 3/8 x 9 3/8 in. (16.2 x 23.8 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

Foilhummerum Bay, Valentia, from Cromwell Fort: The Caroline Laying the Earthwire on July 21st, 1865, 1865, Watercolor over graphite with touches of gouache, Sheet: 6 5/16 × 9 7/16 in. (16 × 24 cm), Drawings, Robert Charles Dudley (British,

Earring, 6th–7th century, Langobardic or Byzantine (?), Gold, glass, and pearls., Overall: 1 3/4 x 9/16 x 1in. (4.5 x 1.5 x 2.6cm), Metalwork-Gold, Fashionable in Italy for at least a century before the arrival of the Langobards, earrings

Head of a Bearded Soldier in Profile, Head of a Young Woman in Three-Quarter View, 17th century, Black chalk or graphite, image: 5 1/4 x 7 1/16 in. (13.4 x 18 cm), Drawings, Anonymous, Italian, 17th century

[Wharves on the James River, City Point]. Brady album, p. 10, 1861–65, Albumen silver print from glass negative, 13.8 x 20.9 cm (5 7/16 x 8 1/4 in. ), Photographs, Andrew Joseph Russell (American, 1830–1902

Landschoot. Edouard. 27 ans, né le 6/8/67 à Paris. Bijoutier. Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Terracotta jar with nautiluses, Late Helladic IIIA, ca. 1400–1300 B.C., Helladic, Mycenaean, Terracotta, H. 21 1/4 in. (54 cm), Vases, Bands, scrolls and nautiluses in setting of rocks and plants

Cherry Blossoms, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink and color on paper, 69 x 36 7/8 in. (175.2 x 93.6 cm), Paintings, Matsumura Goshun (Japanese, 1752–1811), Spring breezes suffuse the atmosphere of this

Portrait of Karl Ludwig Johann, n.d., Brush and brown wash over graphite underdrawing, 17.4 x 11.6 cm, Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Studio delle virtuose Dame, page 13 (recto), 1597

St. Nicholas of Bari, 16th century, Engraving, Prints, Master with the Name of Jesus (Italian, 16th century), Mariette Album, folio 20

Compiègne, Présentation du Prince Impérial, 1856, Albumen silver print from glass negative, Image: 11.3 × 18.8 cm (4 7/16 × 7 3/8 in.), Photographs, Olympe Aguado de las Marismas (French, Paris 1827–1894 Compiegne), On March 16, 1856,

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 27 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Flowering Plum, Edo period (1615–1868), Japan, Hanging scroll; ink and color on paper, 44 5/8 x 20 1/4 in. (113.3 x 51.4 cm), Paintings, Attributed to Sakai Hōitsu (Japanese, 1761–1828

Crow's Nest, Battery and Lookout, 1864, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902), Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 12 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Gold Belt-Hole Guard, 700s, Avar, Gold, 1 × 7/8 × 1/4 in., 0.45 Troy Ounces (2.5 × 2.2 × 0.7 cm, 14g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively cast.

View of Rome from the Janiculum in the South-West; verso: Sketch of buildings and plants, ca. 1540–50, Pen and brown ink, brown and blue wash, over black chalk, on three pieces of paper glued together, Sheet: 51 3/16 × 8 5/16 in. (130 ×

Composite Camel with Attendant, third quarter 16th century, Attributed to Iran, Khurasan, Opaque watercolor and ink on paper, Painting: H. 7 7/8 in. (20 cm), Codices, While composite animals such as this one are known from earlier periods of

Chair Seat Cushion, 17th century, Italian or Spanish, Leather, tooled and painted, 35.5 x 33 cm (14 x 13 in), Leather, Italian or Spanish (17th century

Electrum Signet Ring with Monogram, 7th century, Made in Northern France, Frankish, Electrum, Overall: 9/16 x 13/16 in. (1.5 x 2 cm), Metalwork-Electrum

Architectural Detail, 16th century, Pen and brown ink, washed, 2-1/4 x 3-1/8 in. (5.7 x 7.9 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Mucius Scaevola Burning off his Hand before Porcenna, 16th century, Pen and ink, brushed and washed, and squared, 7 x 5-11/16 in. (17.8 x 14.4 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Terracotta head of a youth, Hellenistic, 3rd–2nd century B.C., Etruscan, Terracotta, H. 8 1/2 in. (21.6 cm), Terracottas, The helmet-like headdress on this representation of a youth indicates that he is not an ordinary human but likely an

Design in the Shape of a Cross, 1743–96, Graphite, sheet: 8 3/4 x 7 in. (22.3 x 17.8 cm), Office of Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Bird-Shaped Brooch, 550–600, Frankish, Silver-gilt, garnet and foil, Overall: 1 1/4 x 1 x 1/4 in. (3.2 x 2.5 x 0.7 cm), Metalwork-Silver

Opera Nova Universali intitulata Corona di racammi, page 33 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Bronze bow-type fibula (safety pin), Archaic, early 7th century B.C., Etruscan, Bronze, Other: 3 1/2 in. (8.9 cm), Bronzes, The bow is hollow. The head is formed by a spiral of two turns

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 2 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Cylindrical Vessel, 1st–2nd century, Guatemala, Mesoamerica, Maya, Ceramic, H. 10 in. (25.4 cm), Ceramics-Containers

Village à Dieppe, 1843, Watercolor and gouache on cardboard, sheet: 10 3/4 x 7 3/4 in. (27.3 x 19.7 cm), Drawings, Eugène Isabey (French, Paris 1803–1886 Lagny

The Crack Team of the 1st Division, 6th Corps near Hazel River, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Inlay of the upper part of a king with arms raised, Late Period–Ptolemaic Period, 400–200 B.C., From Egypt; Said to be from Memphite Region, Memphis (Mit Rahina), Faience, H. 10.8 cm (4 1/4 in.); W. 5.6 cm (2 3/16 in.); D. 1.3 cm (1/2 in.),

God the Father Seated on a Cloud, Flanked by Two Putti, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light brown paper, 6-1/16 x 5-1/16 in. (15.4 x 12.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th

Drawings and Prints, Books Prints Ornament & Archiecture, Fiori di Ricami Nuovamente Posti in Luce, page 11 (recto), Designer, Publisher, Matteo Florimi, Francesco de' Franceschi, Italian, active Siena, ca. 1581–died 1613, Italian,

Cup Plate, 1825–60, Lacy pressed glass, Glass

[Two Carpenters with a Handsaw, Wood Plane, Hammer, Compass, and Square], 1880s, Tintype, Image: 10.4 x 6.3 cm (4 1/8 x 2 1/2 in.), Photographs, Unknown (American

Costume Study for Robed, Bearded Boyar with Staff; verso: Sketch for the same figure, 1929, Watercolor, gouache, gold paint, over graphite; verso: graphite., sheet: 15 11/16 x 12 15/16 in. (39.9 x 32.9 cm), Drawings, Pavel Petrovic Froman