Images at Librifly

Hab.t de Terre natal from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Custard Cup, 1785–90, Made in China, Chinese, for American market, Porcelain, Diam. 3 1/2 in. (8.9 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered by

Fragment, 17th–18th century, Made in Iran, Silk, metal thread, 15 1/2 x 2 3/4 in. (39.4 x 7 cm), Textiles

The Maryrdom of Saint Lawrence, early 17th–mid 17th century, Pen and brown and black ink, white gouache, over a sketch in black and red chalk, sheet: 14 1/2 x 10 7/8 in. (36.8 x 27.6 cm), Drawings, attributed to Rombout Eynhoudts (Dutch,

Fluid lamp, ca. 1855–75, Made in Sandwich, Massachusetts, United States, American, Cut double overlay glass in pink and white with brass fittings and stepped marble base, 17 in. (43.2 cm), Glass, Boston & Sandwich Glass Company (American,

Saint Silvester Gozzolini, 1320s, Tempera on wood, gold ground, Overall, with framing elements, 49 x 21 in. (124.5 x 53.3 cm); Saint Silvester, painted surface 27 7/8 x 16 1/4 in. (70.8 X 41.3 cm); pinnacle, painted surface 10 x 15 5/8 in.

Saint Carl Borromäus Giving Extreme Unction to the Plague-Stricken., 1700–1754, Pen and brown ink and brush and gray ink, sheet: 14 3/16 x 8 11/16 in. (36 x 22 cm), Drawings, Johann Daniel Herz the Elder (German, Augsburg 1693–1754

Hybrid protective figure incorporating parts of a baboon and a bird, Late Period, Dynasty 26–30, 664–332 B.C., From Egypt, Faience, H. 5.8 cm (2 5/16 in

Snuff bottle imitating realgar, Qing dynasty (1644–1911), 19th century, China, Glass, H. 2 1/4 in. (5.7 cm), Snuff Bottles

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 25r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Candlestick, 1740–50, Made in Boston, Massachusetts, United States, American, Silver, 6 1/8 x 4 in. (15.6 x 10.2 cm): 8 oz. 17 dwt. (274.6 g), Silver

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 10r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Spinario (Boy Pulling a Thorn from His Foot), probably modeled by 1496, cast ca. 1501, Italian, Mantua, Bronze, partially gilt (hair) and silvered (eyes), H. 7 3/4 in. (19.7 cm); W. of base 2 15/16 in. (7.5 cm), Sculpture-Miniature, This is

Charity, Circle of Jacques du Broeucq (ca. 1500–1584), mid-16th century, Northern French or Flemish, Alabaster, traces of gilding, Overall (confirmed): H. 54 3/4 x W. 17 1/2 x D. 12 3/8 in. (139.1 x 44.5 x 31.4 cm), Sculpture, Circle of

Compote, 1815–30, Made in Paris, France, French, Porcelain, 10 3/16 x 12 x 6 5/8 in. (25.9 x 30.5 x 16.8 cm), Ceramics

Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, ca. 1846, Pen and brown ink, brush and gray and brown wash over graphite., sheet: 4 15/16 x 5 3/16 in. (12.6 x 13.2 cm), Drawings, J. J. Grandville (French, Nancy 1803–1847

Drawings and Prints, Book Ornament & Architecture, Livre de Moresques, title page (recto), Artist, Publisher, Designed by, Previously published by, Published by, Cornelis Bos, Cornelis Bos, Hiérosme de Gormont, Netherlandish,

Design for a Sidetable, Louis Quatorze Style, 1835–1900, Graphite, Robert William Hume (British, London 1816–1904 Long Island City

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 30 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

'She was Sorry She Spoke', second half 19th century, Pen, brush, and brown ink with touches of white gouache, Sheet: 4 7/16 × 7 1/8 in. (11.3 × 18.1 cm), Drawings, Charles Samuel Keene (British, Hornsey, Middlesex 1823–1891 London

Bacchus and Ariadne, 17th century, Red chalk lightly highlighted with white on gray paper, 9-5/8 x 4 in. (24.4 x 10.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

[Grand Army Review, Washington, D.C.], May 1865, Albumen silver print from glass negative, Image: 3 3/4 × 4 1/2 in. (9.5 × 11.4 cm), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Carpet, 17th century, Attributed to Egypt, Wool (warp, weft and pile); asymmetrically knotted pile, Rug: L. 136 in. (345.4 cm), Textiles-Rugs

The Distribution of the Franciscan Cords, 1667, Brush and black ink, gray wash, white, blue, and pink gouache, touches of red ink, over traces of black chalk, on brown paper. Traces of framing lines in pen and brown ink on three sides.,

Houses, 1825–83, Graphite, Sheet: 8 x 5 3/16 in. (20.3 x 13.1cm), Drawings, Charles Bargue (French, Paris 1825/26–1883 Paris

Cazal. Antoinette. 28 ans, née à Salgouz (Cantal). Couturière. Anarchiste. 28/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Glass lid, Mid Imperial, 2nd–3rd century A.D., Roman, Cypriot, Glass; blown, 1/2 in. (1.3 cm), Glass, Colorless with greenish tinge. Knocked-off, inverted lip; rounded edge; broad, concave top. Intact; pinprick and large bubbles; patches

Pipa, Ming dynasty (1368-1644), late 16th–early 17th century, China, Chinese, Wood, ivory, bone, silk, L. 37 × W. 9 15/16 × D. 1 1/8 in. (94 × 25.3 × 2.9 cm), Chordophone-Lute-plucked-fretted, The pear-shaped lute slowly migrated

Monsieur Le Medicin, June 13, 1771, Etching, plate: 6 x 4 3/16 in. (15.2 x 10.6 cm), Prints, Attributed to Sir Henry William Bunbury (British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland

Drawings and Prints, Books Prints Ornament & Architecture, Splendore delle virtuose giovani, page 3 (recto), Designer, Publisher, Iseppo Foresto, Jeronimo Calepino, Italian, active Venice, 1557, Venice, Foresto, Iseppo, Calepino,

Group of Apostles, 1854–61, Graphite, squared, on light gray paper, 12 1/16 x 8 7/8 in. (30.6 x 22.6cm), Drawings, In this study, Flandrin works out the positioning of two apostles—reprising the clasped hands of the figure in profile at

Laver, probably 15th century, Netherlandish, Brass, with iron swivel and suspension loops, Overall (with handle up): 12 5/16 x 10 15/16 x 6 5/8 in. (31.3 x 27.8 x 16.9 cm), Metalwork-Brass

Drawings and Prints, Album Prints Ornament & Architecture, Nouveau Livre de Vases. Title Page, Designer, Etcher, Jean Bernard Toro, de Rochefort, Charles Nicolas Cochin I, French, Dijon 1672–1731 Toulon, French, active first half 18th

[Group of 5 Stereograph Views of the Thames River at Night, London, England], 1850s–1910s, Albumen silver prints, Photographs, Benneville Lloyd Singley (American, Union Township, Pennsylvania 1864–1938 Meadville, Pennsylvania

Crucifix, ca. 1300, Made in Ile de France, France, French, Wood, polychromy, Overall (with cross): 59 3/4 x 45 5/8 x 13 1/8 in. (151.8 x 115.9 x 33.3 cm), Sculpture-Wood, The image of the suffering Christ crucified with three nails emerged

Drawings and Prints, Books Prints Ornament & Architecture, Pretiosa Gemma delle virtuose donne, page 33 (recto), Author, Publisher, Binder, Isabella Catanea Parasole, Gargano, Hardy-Mennil, Italian, ca. 1565/70–ca. 1625, Venetia,

Tumbler, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed colorless and opaque white glass, H. 3 3/4 in. (9.5 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Les jambes, 1860s, Albumen silver print from glass negative, 11.1 x 14.9 cm (4 3/8 x 5 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Rebecca, Charley and Rosa, Slave Children from New Orleans, 1863–64, Albumen silver print from glass negative, Image: 8.4 x 5.4 cm (3 5/16 x 2 1/8 in.), Photographs, Myron H. Kimball (American, active 1860s

Castallou. Charles. 53 ans, né le 4/10/41 à Paris IIe. Tapissier. Anarchiste. 16/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Woven Wall Hanging, ca. 1820–30, Attributed to India, Kashmir, Wool, metal wrapped thread; double interlocking twill; tapestry weave, embroidered, Textile: L. 72 in. (182.9 cm), Textiles-Woven, Kashmir was famous for its beautiful woven

Drawings and Prints, Books Prints Ornament & Architecture, Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 5 (recto), Publisher, Alessandro Paganino, Italian, active Salò,

Sgabello (one of a pair), ca. 1575–1600, Italian, Florence, Carved and painted walnut, 43 in. × 20 in. × 17 1/2 in. (109.2 × 50.8 × 44.5 cm), Woodwork-Furniture, The sgabello is a type of chair or stool with carved and often elaborately

Eyn new kunstlichboich, page 23v, 1529

September (one of a series representing the labors of the months), 1690 or slightly earlier, Red Chalk, 3 3/8 x 4 3/4 in. (8.6 x 12.1 cm), Drawings, Jonas Umbach (German, Augsburg 1624–1693 Augsburg

Design for a Silver Vessel with Scenes from the Passion of Christ, ca. 1600, Black chalk, pen and brown ink and brown wash, 5 9/16 x 8 9/16 in. (14.1 x 21.7 cm), oval., Paulus Willemsz. van Vianen (Netherlandish, Utrecht ca. 1570–ca. 1613/14

Piece, second quarter 18th century, French, Silk, 23 3/4 x 19 3/8 inches (60.3 x 49.2 cm), Textiles-Woven

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 3 in. × 3 1/8 in. (7.6 × 7.9 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Fortitude and Justice, before 1577, Pen and brown ink and brown wash, 16-1/8 x 10-7/16 in. (41.0 x 26.5 cm), Drawings, Hans Speckaert (Netherlandish, Brussels ca. 1540–1577 Rome

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 23 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Head of Silenus, 1855–1906, Black chalk, brush and light brown wash, sheet: 10 5/16 x 7 5/8 in. (26.2 x 19.4 cm), Drawings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence), After Peter Paul Rubens (Flemish, Siegen

Square Piano, 1853, New York, New York, United States, American, Rosewood, mother-of-pearl, tortoiseshell, abalone, felt, metal, paint, gilding, Height: 37 3/4 in. (95.9 cm), Chordophone-Zither-struck-piano, Robert Nunns (British,

Design for Hanging Shelves, 1840–99, Ink, watercolor and gouache, Anonymous, British, 19th century

[Self-Portrait in Library (Hand to Chin)], probably 1895, Gelatin silver print, Image: 5.8 x 8.7 cm (2 5/16 x 3 7/16 in.), Photographs, Edgar Degas (French, Paris 1834–1917 Paris

Design for an Exterior Doorway and Window, first half 19th century, Pen and ink, and colored wash, sheet: 9 x 16 in. (22.9 x 40.6 cm), Anonymous, British, early 19th century

Toilet of Diana, 17th century, Pen and brown and black ink over red and black chalk on light tan paper, 6-5/8 x 9-5/8 in. (16.9 x 24.5 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Coffin of Khnumhotep, Middle Kingdom, Dynasty 12, ca. 1981–1802 B.C., From Egypt, Middle Egypt, Khashaba excavations, 1910-11; Probably from Meir, Wood (Ficus sycomorus), pigment, L. 209 cm (82 5/16 in.); H. 81.3 cm (32 in.); W. 54.2 cm

Liberté pour tous, graphite, 10-5/8 x 7-11/16 in. (27.0 x 19.5 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Wall-mounted Lamp Design, ca. 1885, Ink on tracing paper, sheet: 9 15/16 x 7 in. (25.3 x 17.8 cm), Attributed to Richardson Ellson & Co. (British

Vignaud. Antoine. 32 ans, né à Cussey (Allier). Cordonnier. Vol anarchiste. 21/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

A Satyr Pursuing a Nymph, ca. 1550–75, Pen and brown ink, brush and brown wash, over traces of black chalk, 21-1/2 x 15-5/8 in. (54.6 x 39.7 cm), Drawings, Anonymous, French, School of Fontainebleau, 16th century

Terracotta oinochoe (jug), Late Archaic, ca. 525–500 B.C., Etruscan, Terracotta; black-figure, H. 11 1/16 in. (28.1 cm), Vases, Sirens and an eagle. The Micali Painter is the most prolific and best-known Etruscan painter of black-figure

Sample, mid-19th century, French, Mohair, No dimensions recorded., Textiles-Printed

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 10r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Drawings and Prints, Books Prints Ornament & Architecture, Prima Parte de' Fiori, e Disegni di varie sorti di Ricami Moderni, page 12 (recto), Author, Publisher, Giovanni Battista Ciotti, Francesco de' Franceschi, Italian, born Siena, ca.

Eton College, 1850s–1910s, Albumen silver prints, Mount: 8.5 x 17.8 cm (3 3/8 x 7 in.), Photographs, Unknown

Cauchoise, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 35 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Day, from the series The Times of the Day, 1807, Engraving, second state of two, sheet: 31 5/16 x 21 1/4 in. (79.5 x 53.9 cm), Prints, After Philipp Otto Runge (German, Wolgast 1777–1810 Hamburg), Johann Adolph Darnstedt (German, Auma

Wagon Train at Port Royal, Rappahannock River, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 66r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Light and the Shades, ca. 1870, Watercolor and gouache, sheet: 9 3/4 x 7 1/8 in. (24.8 x 18.1 cm), Drawings, Henry George Hine (British, Brighton 1811–1895 London), Probably a design for a print or book illustration, this symbolic image

The Abbot's Kitchen, Glastonbury Abbey, 19th century, Pen and ink and wash, sheet: 18 7/8 x 12 1/2 in. (47.9 x 31.8 cm), Anonymous, British, 19th century

Animals and Figures before the Ark, 1660–64, Brush with red-brown, brown and blue oil paint, 9 5/8 x 14 1/2in. (24.4 x 36.9cm), Drawings, Circle of Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Virgin and Child, from an Adoration Group, ca. 1515–20, Made in Allgäu, Swabia, Germany, German, Limewood with polychromy, 20 3/16 × 14 3/8 × 7 11/16 in. (51.3 × 36.5 × 19.5 cm), Sculpture-Wood, Workshop of Hans Thoman (German,

Jo Lehman, a 7 year old newsboy. 824 Third Ave., N.Y. City. He was selling in this Saloon. I asked him about the badge he was wearing. 'Oh! Dat's me bruder's, ' he said. Location: New York, New York., July 1910, Gelatin silver print, Image:

清 水晶獅形擺件, Figure of a lion, Qing dynasty (1644–1911), 18th century, China, Rock crystal, H. 2 1/2 in. (6.4 cm); W. 4 in. (10.2 cm), Hardstone

Drawings and Prints, Books Prints Ornament & Architecture, Prima parte de' fiori, page 2 (verso), Author, Printer, Publisher, Giovanni Battista Ciotti, Nicolo Moretti, Francesco de' Franceschi, Italian, born Siena, ca. 1560, Italian,

Egg Cup, 1830–70, Made in United States, American, Pressed glass, H. 3 5/8 in. (9.2 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed

[Group of 5 Stereograph Views of Canals], 1860s–80s, Albumen silver prints, Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, Unknown (American), Unknown

A landscape with a farm house and two figures, a fortified village seen beyond, mid-17th–early 18th century, Pen and brown ink, brown and blue-gray washes, Sheet: 9 1/4 x 14 9/16 in. (23.5 x 37 cm), Drawings, Adriaen Fransz. Boudewijns

Prototype for Helmet Model No. 2, 1917, New York, New York, American, New York, Steel, pressed paper or cardboard, H. 8 in. (20.3 cm); W. 10 in. (25.4 cm); D. 13 3/8 in. (34 cm); Wt. 2 lb. 4 oz. (1020 g), Helmets, Daniel Tachaux was the

A Dog, 17th century, Black chalk and gray wash, 3 1/4 x 6 in. (8.3 x 15.2 cm), Drawings, Cornelis Saftleven (Dutch, Gorinchem 1607–1681 Rotterdam

Candlestick, ca. 1815–30, Probably made in Pittsburgh, Pennsylvania, United States, American, Glass, blown, 9 1/8 × 4 1/2 in. (23.2 × 11.4 cm), Glass

[Winter Scene with Trestle Bridge Along the Atlantic & Great Western Railway], 1862–64, Albumen silver print from glass negative, Image: 18.7 x 23.8 cm (7 3/8 x 9 3/8 in.), Photographs, James Fitzallen Ryder (American, 1826–1904

Earring, 7th century (?), Made in Northern France, Frankish, Silver (loop); gold, chrysoprase, glass, pearls, Overall: 2 5/8 x 1/2 in. (6.7 x 1.2 cm), Metalwork-Silver

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 10 3/4 x 4 7/8 x 4 3/4 in. (27.3 x 12.4 x 12.1 cm), Ceramics, Named in reference to the ancient marble quarry on the Greek island of Parros,

Dead Confederate Soldier at Fort Mahone, Petersburg, 1864, Albumen silver print from glass negative, Photographs

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Plate with Geese in Lotus Pond, Edo period (1615–1868), 1660–80, Japan, Porcelain painted with colored enamels over transparent glaze (Hizen ware), H. 2 7/16 in. (6.2 cm); Diam. 12 3/4 in. (32.4 cm); Diam. (foot) 5 3/4 in. (14.6 cm),

Male figure, Predynastic, Naqada III, ca. 3300–3100 B.C., From Egypt, Ivory, h. 13 x w. 2.6 x d. 1.3 cm (5 1/8 x 1 x 1/2 in

Lea Castle, Worcestershire, View in the Great Hall, Looking West, ca. 1816, Watercolor, sheet: 8 x 6 3/4 in. (20.3 x 17.1 cm), Attributed to John Carter (British, London 1748–1817 London

Commissary Department, City Point, Virginia, 1861–65, Albumen silver print from glass negative, 16 x 22.9 cm (6 5/16 x 9 in. ), Photographs, Andrew Joseph Russell (American, 1830–1902

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 101 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Finial for a Buddhist staff (khatvanga), Ming dynasty (1368–1644), early 15th century, China, Ivory, H. 3 1/2 in. (8.9 cm); W. 1 5/16 (3.3 cm); D. 1 1/16 in. (2.7 cm), Ivories, Used in Tibetan Buddhism, which was practiced at the Chinese

The English Jesuit, October 7, 1771, Etching, plate: 6 5/16 x 4 3/16 in. (16 x 10.7 cm), Prints

The Crystal Palace Sydenham to be sold by auction Tuesday 28th day of November, 1911, 1911, Illustrations: photogravure, 16 7/8 × 11 5/16 × 1 in. (42.8 × 28.8 × 2.6 cm), Books

Design for a Book Illustration, 18th century, Black chalk, 6 1/4 x 4 1/8 in. (15.9 x 10.5 cm.), Drawings, attributed to Charles Nicolas Cochin II (French, Paris 1715–1790 Paris

Landscape with a Ruined Tower and Two Figures, 1794, Brush and gray ink. Framing line in pen and black ink., sheet: 9 13/16 x 11 13/16 in. (25 x 30 cm), Drawings, Martin von Molitor (Austrian, Vienna 1759–1812 Vienna

Design for diffusing light, late 19th–early 20th century, Made in New York, United States, American, Watercolor, black ink, and graphite on paper in original mat, Overall: 14 5/8 x 19 1/2 in. (37.1 x 49.5 cm), Drawings, Tiffany Studios