Images at Librifly

Master Model, 11th century, Excavated in Iran, Nishapur, Earthenware; gritty white body, unglazed, Diam. of opening. 3 3/8 in. (8.6 cm), Ceramics

Design for a Cabinet with Shelves and Mirrors, 19th century, Ink and watercolor, sheet: 8 11/16 x 6 15/16 in. (22 x 17.7 cm), Anonymous, British, 19th century

Book flask, 1849, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 6 in. (15.2 cm), Ceramics, United States Pottery Company (1852–58

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 12v), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Tall vase with four roundels, 1876, British, Southall, London, Stoneware, Overall (confirmed): 30 3/16 × 7 1/8 × 7 1/8 in. (76.7 × 18.1 × 18.1 cm), Ceramics-Pottery

Deity Figure, 3rd–6th century, Honduras, Mesoamerica, Copan, Santa Rita region, Maya, Jade (pyroxene jadeite), H. 4 1/4 x W. 2 1/2 x D. 15/16 in. (10.8 x 6.4 x 2.3 cm), Stone-Sculpture, This jade figurine depicts a cross-legged figure

Unused Tailpiece Design, The Duchess of Malfi, ca. 1930, Pen and ink, sheet: 17 1/8 x 14 1/2 in. (43.5 x 36.8 cm), Drawings, Henry Weston Keen (British, 1899–1935 Walberswick, Suffolk), Keen worked as a printmaker and illustrator in the

Pichon. Ernest. 41 ans, né le 2/11/52 à Villard-Rixoire (Jura). Terrassier. Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

The First Book of Architecture by Andrea Palladio, 1716, Illustrations: etching and engraving, 8 × 6 5/16 × 1 in. (20.3 × 16.1 × 2.5 cm

[Civil War View], 1860s, Albumen silver print from glass negative, Photographs, Thomas C. Roche (American, 1826–1895) , et al

A Draped Bearded Man Looking Up, n.d., Pen and brown ink, sheet: 8 1/4 x 3 3/8 in. (20.9 x 8.5 cm), Drawings, David-Pierre Giottino Humbert de Superville (Dutch, The Hague 1770–1849 Leiden

Lamp, Roman, Terracotta, Overall: 1 1/4 x 3 5/8 in. (3.2 x 9.2 cm), Terracottas

Design for a Casket in Gold Metal, for the Builder's Journal, 1896, Graphite, sheet: 8 3/4 x 10 in. (22.2 x 25.4 cm), C. E. M. (British, 19th century), After Florence Steele (British, active 1886–96

Bonnet, 1883, French, silk, beads, feathers, wire

狩野探幽筆　月夜山水図, Landscape in Moonlight, Edo period (1615–1868), after 1662, Japan, One of a triptych of hanging scrolls; ink on silk, Image: 39 5/8 x 16 3/4 in. (100.6 x 42.5 cm), Paintings, Kano Tan'yū (Japanese,

Tiraz Fragment, dated A.H. 266/A.D. 879–80, Attributed to Iran, Khurasan, Silk; plain weave, embroidered, Textile: L. 6 1/4 in. (15.9 cm), Textiles-Embroidered, Derived from the Persian word for embroidery, the term tiraz specified

Covered Vase, 1770–95, Made in China, Chinese, Porcelain, H. 12 in. (30.5 cm), Ceramics

Letter to the Nun Jōjūbō, Kamakura period (1185–1333), ca. 1221, Japan, Hanging scroll; ink on paper, Image: 8 1/4 x 17 in. (21 x 43.2 cm), Calligraphy, Myōe Kōben (Japanese, 1173–1232

Bowl, 1736–95, Made in China, Chinese, Porcelain, H. 3 in. (7.6 cm); Diam. 6 1/8 in. (15.6 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 21v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Design for Gate Piers with Paired Pilasters and Domed Caps, and a Gate, 18th century, Pen and ink, wash, sheet: 3 3/4 x 5 1/4 in. (9.5 x 13.3 cm), Anonymous, British, 18th century

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 23 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Table Spoon, 1720–30, Made in Boston, Massachusetts, United States, American, Silver, L. 7 3/8 in. (18.7 cm), Silver, Jonathon Reed (active ca. 1730–42

The Last Supper, 17th century, Pen and brown ink, brush and brown wash, sheet: 8 3/16 x 12 1/16 in. (20.8 x 30.6 cm), Drawings, Claes Moeyaert (Dutch, Amsterdam 1591–1655 Amsterdam

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 6 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolo Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Bookbinding, 17th century, Attributed to India, Leather on laminated paper board, H. 15 7/8 in. (40.3 cm), Codices

Pyramid monument for J.B. van Bree, 1857 or after, Pen and brush with grey ink, brush and grey wash, with traces of ruled graphite lines., sheet: 18 1/8 x 11 1/2 in. (46 x 29.2 cm), Drawings, G. Fock (Dutch, active ca. 1857

Temple Model, 200 B.C.–A.D. 500, Mexico, Mesoamerica, Guerrero, Mezcala, Stone, Height 5-1/8 in., Stone-Sculpture, Stone models in the Mezcala style come largely from the present-day state of Guerrero, in southwest Mexico. A particularly

Bowl, 1880–90, Made in England, Pressed purple marble glass, H. 3 5/8 in. (9.2 cm); Diam. 5 3/4 in. (14.6 cm), Glass

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 13 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Oeuvres du Sr. D. Marot, published 1703 or 1712, Engraving, etching, woodcut title page of collection, Overall: 14 7/16 x 9 3/4 x 3/16 in. (36.6 x 24.8 x 0.4 cm), Books, Daniel Marot the Elder (French, Paris 1661–1752 The Hague), First

The Jury, 1916, Lithograph, image: 12 x 16 1/4 in. (30.5 x 41.3 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Painted limestone funerary slab with a soldier standing at ease, Hellenistic, 2nd half of 3rd century B.C., Greek, Limestone, paint, Height: 15 in. × 3 3/4 in. (38.1 × 9.5 cm), Miscellaneous-Paintings, A soldier wearing a long blue cloak

Two Pupils in Greek Dress, 1883, Platinum print , 36.8 x 26.7 cm. (14 1/2 x 10 1/2 in.), Photographs, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania), Thomas Eakins employed photography as a way to

Square Backplate of Belt Buckle, 7th century, Frankish, Iron, silver and brass inlay, Overall: 2 3/8 x 2 1/4 x 3/8 in. (6 x 5.7 x 0.9 cm), Metalwork-Iron

Relief fragment from tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint, H 37 cm ( 14 9/16 in.); W 25 cm

Spoon, ca. 1791, Made in New York, New York, United States, American, Silver, L. 9 in. (22.9 cm), Silver, Probably Van Voorhis & Schanck (active ca. 1791–93

Portrait of a Man with Gloves, 1540–45, Oil on wood, 6 7/8 x 6 1/2 in. (17.5 x 16.5 cm), Paintings, Attributed to Corneille de Lyon (Netherlandish, The Hague, active by 1533–died 1575 Lyons), The striking formality of the pose of this

Ball gown, ca. 1864, French, silk

Design for a Gothic Bed with Canopy, 1841–84, Pen and black ink, sheet: 11 5/16 x 8 13/16 in. (28.7 x 22.4 cm), Charles Hindley and Sons (British, London 1841–1917 London

日本 桃山時代 秋草桐蒔絵手箱, Box for Personal Accessories with Autumn Grasses, Momoyama period (1573–1615), ca. 1600, Japan, Black lacquer with gold hiramaki-e, H. 8 7/8 in. (22.5 cm); W. 8 13/16 in. (22.4 cm); L. 11 1/8 in.

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 6 (verso), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

View of Front and Rear of Chair, 1841–84, Graphite and ink wash, sheet: 9 5/8 x 7 3/16 in. (24.5 x 18.2 cm), Charles Hindley and Sons (British, London 1841–1917 London

Limestone youth, Cypro-Archaic, 1st half of the 6th century B.C., Cypriot, Limestone, Overall: 17 1/4 x 5 x 3 1/2 in. (43.8 x 12.7 x 8.9 cm), Stone Sculpture, Male votary with long hair and modeled drapery

The Grape Harvest, 1884, Oil on canvas, 99 x 82 5/8 in. (251.5 x 209.9 cm), Paintings, Léon-Augustin Lhermitte (French, Mont Saint-Père 1844–1925 Paris), [The figures] have the healthy, strong beauty of the land on which they live; warm

Catalogue Raisonné des differens objets dans...le Cabinet de feu Mr. Mariette, 1775, Printed book with etched plates, Overall: 7 3/8 x 5 1/8 x 1 1/2 in. (18.7 x 13 x 3.8 cm), Books

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 7/8 x 3 7/8 in. (4.8 x 9.8 cm), Terracottas

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 14r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Houses by a River, 1703–66, Pen and brown ink, brush and gray wash, over traces of charcoal, on cream laid paper. Ruled diagonal lines in graphite or lead running across upper half of sheet, 6-1/16 x 9-5/16 in. (15.4 x 23.7 cm), Drawings,

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, and gouache on paper mounted on board in original matt., Overall: 11 7/8 x 6 3/8 in. (30.2 x 16.2 cm), Drawings, Tiffany Studios

Opera Nova Universali intitulata Corona di racammi, page 34 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Child's Shirt, Late Period, Dynasty 26–27, 650–400 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Temple of Mentuhotep II, south side, Burial 21, intrusive, 1921–22, Linen, L. 65 cm (25 9/16 in.); W. 75 cm (29 1/2 in

Les Singuliers et Nouveaux Portraicts... page 54 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Sideboard dish, Lewis Mettayer (British, active 1700, died 1740), 1717/18, British, London, Silver gilt, Overall (confirmed): 27 x 27 in., 246 oz. 5.5 dwt. (68.6 x 68.6 cm, 7.66kg), Metalwork-Silver, Lewis Mettayer (British, active 1700,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 8v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

The Inn, 1942, Wax emulsion and aluminum paint on canvas, 24 × 27 in. (61 × 68.6 cm), Paintings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York), Although its shapes are difficult to identify, this late work

Design for a Circular Border with Nine Female Figures (the Muses?), 1525–35, Pen and brown ink, brush and brown wash, over traces of black chalk; circular outlines done with compass, and the paper is sectioned into five fragments., each sheet

Carpet, late 18th–early 19th century, Attributed to Turkey, Ladik, Wool (warp, weft and pile); symmetrically knotted pile, H. 72 in. (182.9 cm), Textiles-Rugs

Page from Ein new kunstlich Modelbuch...(Page 12r), 1544

Marble statue of a young satyr turning to look at his tail, Imperial, 1st or 2nd century A.D., Roman, Marble, H. 13 1/8 in. (33.3 cm), Stone Sculpture, Roman version of a Greek work of the 3rd century B.C.. Statues of satyrs, relaxing,

Fantaisie sur le costume moderne': Two female haute couture figures, 1910, Graphite, brush and watercolor and bodycolor, 12 3/4 x 9 3/4 in. (32.4 x 24.8 cm), Léon Bakst (Russian, Grodno 1866–1924 Paris), Drawing with two female figures,

Dish, ca. 1780–90, Made in Philadelphia, Pennsylvania, United States, American, Earthenware; Redware, 12 3/8 x 8 3/8 in. (31.4 x 21.3 cm), Ceramics

Playing Card, with Wild Woman and Unicorn, 15th century, Engraving; second state, Sheet: 4 1/8 x 2 7/8 in. (10.5 x 7.3 cm), Prints, Master ES (German, active ca. 1450–67

The Betrothal of Saint Catherine, Engraving, plate: 7 1/16 x 9 7/16 in. (18 x 24 cm), Prints, Nicolas Perrey (French, 17th century), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Marble female figure, Early Cycladic II, 2700–2600 B.C., Cycladic, Marble, H. 14 5/8 in. (37.1 cm), Stone Sculpture, The figure is believed to have been found with the marble bowl and the fragment of a terracotta offering vessel

Plan, Letter, and Bill for Wallpaper for the Hall of the Van Rensselaer Mansion, 1768, American, Parchment paper, 14 3/8 x 19 3/4 in. (36.5 x 50.2 cm), Natural Substances, Philip Livingston

God the Father with the Globe, late 16th–mid-17th century, Pen and brown ink, gray wash, sheet: 7 3/4 x 10 1/2 in. (19.7 x 26.7 cm), Drawings, Hans Krumpper (German, Weilheim ca. 1570–1643 Munich

22nd New York State Militia, ca. 1861, Albumen silver print from glass negative, Photographs

Jug, ca. 1800, Made in Mexico, Mexican, Tin-glazed earthenware, H. 8 1/4 in. (21 cm), Ceramics

Deputation of the Yasno-Polyanskyi Peasants, 1910, Gelatin silver print, Image: 8.9 x 13.3 cm (3 1/2 x 5 1/4 in.), Photographs, Aleksey Ivanovich Saveliev (Russian, 1883–1923), These six photo-postcards show various places and moments

74th New York Infantry, 1861, Albumen silver print from glass negative, Photographs

Seal with mantra in vartu script, Ming dynasty (1368–1644), probably Yongle period (1403–24), China, Ivory and iron inlaid with gold, H. 2 in. (5.1 cm); W. 1 1/8 in. (2.9 cm), Ivories, Vartu is one of the scripts developed in India for

Fragment, ca. 1150–ca. 1250, European or Middle Eastern, Glass, ceramic, greatest H. 3 1/4 in. (8.3 cm); smallest H. 3/4 in. (1.9 cm), Glass-Vessels

Woven Tapestry Fragment, mid-8th century, Attributed to Iran, Iraq, or Egypt, Wool; tapestry weave, Textile: L. 12 in. (30.5 cm), Textiles-Woven, The overall pattern on this tapestry woven cloth, possibly a floor covering, with staggered

Millefleur Carpet with a Flower-and-Trellis Pattern, late 18th–early 19th century, Attributed to India, probably Kashmir, Cotton (warp and weft), wool (pile); asymmetrically knotted pile, Max. H. 99 3/4 in. (251.5 cm); Min. H. 97 3/4 in.

Bottle, ca. 1849–58, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 10 3/4 in. (27.3 cm), Ceramics

Drawings and Prints, Album Prints Ornament & Architecture, Desseins Arabesques a Plusieurs Usages Inventés par J.B. Toro, Designer, Etcher, Publisher, Jean Bernard Toro, Charles Nicolas Cochin I, Jacques-Nicolas Le Pas Dubuisson, French,

Hab.ts de la Zelande from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Returning Home, 19th century, Watercolor on paper, 5 3/16 x 4 3/16 in. (13.2 x 10.6 cm), Drawings, Johann Georg Meyer (German, Bremen 1813–1880 Berlin

Essempio di recammi, page 10 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Limestone statue of a male votary wearing a wreath and long tunic, Late Classical, ca. 425–400 B.C., Cypriot, Limestone, H. 32 1/4 in. (81.9 cm); W. 12 in. (30.5), Stone Sculpture, His feet are missing, but it is clear that his left leg is

Relish Dish, 1850–70, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, 6 x 9 1/4 in. (15.2 x 23.5 cm), Glass, With the development of new formulas and techniques, glass-pressing

Sarcophagus on a table, 18th century, Pen and bistre, washed with India ink, 12-5/8 x 9-1/8 in, Anonymous, Italian, 18th century

Bottle, 1700–1800, Possibly made in Ireland; Possibly made in England, Glass, Overall: 4 7/16 in., 131.1 Grams (11.3 cm, 4 Troy Ounces), Glass

Fragment, 3rd–4th century, Country of Origin Egypt, Wool, linen; plain weave, tapestry weave, 14 7/16 in. high 3 1/8 in. wide (36.7 cm high 8 cm wide), Textiles

De Vocis Auditusque, 1601, Engraving, Overall: 15 3/8 x 10 5/8 x 1 1/2 in. (39.1 x 27 x 3.8 cm), Books

Woman Riding Two Brahman Bulls, late Harrapan period, 2000–1750 B.C., India (Kausambi), Bronze, H. 5 1/2 in. (14 cm); W. 3 1/2 in. (8.9 cm); D. 4 1/2 in. (11.4 cm), Sculpture

Drawings and Prints, Books Prints Ornament & Archiecture, Fiori di Ricami Nuovamente Posti in Luce, page 12 (recto), Designer, Publisher, Matteo Florimi, Francesco de' Franceschi, Italian, active Siena, ca. 1581–died 1613, Italian,

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 4 7/8 × 3 3/16 in. (12.4 × 8.1 cm), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Plan of a Columbarium, 1710–27, Pen and brown ink, brush with ochre, gray and brown wash, over ruling in graphite, 12-7/8 x 17-11/16 in. (32.7 x 45 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710–1727

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 15 (verso), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

The Resurrection of Christ, 1585, Pen and brown ink, brush and brown wash; graphite framing lines at left and top edges, 16 13/16 x 11 in. (42.7 x 28.0 cm), Drawings, Joseph Heintz the Elder (Swiss, Basel 1564–1609 Prague

Cler. Henri. 31 ans, né à Paris XIe. Ébéniste. Anarchiste. 14/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a

A Woman at her Toilet with a Maid, a Boy, a Dog and a Young Soldier; verso: A Sketch for a Similar Composition, 1770, Pen and black ink, grey wash, watercolour, over a sketch in black chalk or graphite, sheet: 13 7/16 x 9 3/16 in. (34.1 x

Ninsei-style Sake Bottle with Floral Patterning, 仁清様式　花文徳利, Edo period (1615–1868), mid-18th century, Japan, Clay with a crackled transparent glaze, colored enamels, and gold (Kyoto ware), H. 8 1/2 in. (21.6 cm); Diam. 3

Sideboard Table, 1805–10, Made in Boston, Massachusetts, United States, American, Primary: mahogany, mahogany and curly maple veneers, birch, holly (arch inlay) Causurina (she-oak) all light wood veneers and inlay, Sabicu (side veneer):

Relief plaque with face of an owl hieroglyph, Late Period–Ptolemaic Period, 400–30 B.C., From Egypt, Limestone, 10.3 x 11.1 x 2.5 cm (4 1/16 x 4 3/8 x 1 in.), Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a

The Temptation of Eve, 1535–55, Etching, 16 1/2 x 22 3/4 in. (41.9 x 57.8 cm), Prints, Jean Mignon (French, active 1535–ca. 1555), after Luca Penni (Italian, Florence 1500/1504–1557 Paris

5 of Tethers, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Brocade, ca. 1600, Attributed to Iran, Silk, metal thread; lampas, H. 59 in. (148.9 cm), Textiles-Brocades, During the seventeenth century, rows of flowering plants became fashionable designs for textiles in Iran, India, and Turkey. In this