Images at Librifly

Designs for Decorative Borders with Floral Ornamentation and a Putto and Griffin, 1650–1750, Pen and gray ink over leadpoint or graphite(?)., 7 1/4 x 11 3/16 in. (18.4 x 28.4 cm), Drawings, Anonymous, Italian, 17th century

Convalescent Camp near Alexandria, 1861–65, Albumen silver print from glass negative, 12.6 x 20 cm (4 15/16 x 7 7/8 in. ), Photographs

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 8 1/2 x 4 x 4 1/4 in. (21.6 x 10.2 x 10.8 cm), Ceramics

Pepper Caster, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed yellow glass, H. 3 3/16 in. (8.1 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

A Great Green Bush Cricket (Tettigorica viridissima Linneaeus), A Clioniona Spider, and a Beetle, 17th century (?), Pen and ink, watercolor, and gouache, sheet: 4 3/4 x 6 11/16 in. (12 x 17 cm), Drawings, Anonymous, Dutch, 17th century

A Jockey on His Horse, ca. 1868–70, Oil and graphite on faded pink paper, Sheet: 12 7/8 x 7 3/16 in. (32.7 x 18.3cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris

Painted limestone funerary slab with a soldier taking a kantharos from his attendant, Hellenistic, 2nd half of 3rd century B.C., Greek, Limestone, paint, Other: 14 13/16 × 9 5/8 × 3 3/8 in. (37.6 × 24.4 × 8.6 cm), Miscellaneous-Paintings,

Terracotta oil lamp, Late Imperial, 5th century A.D., Roman, Terracotta; mold-made, H.: 1 1/4 x 3 5/16 in. (3.2 x 8.4 cm), Terracottas, On the discus is the Christian chi-rho monogram. The shape and decoration of this lamp, made somewhere in

Futuh al-Haramayn (Description of the Holy Cities), dated A.H. 1089/A.D. 1678, Attributed to India, Deccan, Kharepatan, Ink, opaque watercolor, and gold on paper, Text block: 5 15/16 x 3 in. (15.1 x 7.6 cm), Codices, The Futuh al-Haramayn,

Creamer, ca. 1838, Made in Philadelphia, Pennsylvania, United States, American, Porcelain, H. 6 1/4 in. (15.9 cm); Diam. 4 15/16 in. (12.5 cm), Ceramics, Tucker Factory (1826–1838

Decanter, 1820–30, American, Cut glass, 7 1/2 in. (19.1 cm), Glass, Apsley Pellatt

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 24r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Il Monte. Opera Nova di Recami, page 8 (recto), after 1557

Design for a Ceiling in the Manner of Pergolesi, late 18th century, Ink and watercolor, sheet: 5 x 13 7/8 in. (12.7 x 35.2 cm), Anonymous, British, 18th century

Limestone model of a coffin, Cypro-Geometric I, ca. 1050–950 B.C., Cypriot, Limestone, Overall: 6 3/4 x 9 1/4 x 5 1/4 in. (17.1 x 23.5 x 13.3 cm), Stone Sculpture, On the short ends of the model appear a schematic figure with upraised arms,

Disk Brooch, 7th century, Frankish, Gold, copper alloy, Overall: 1 1/16 x 3/8 in. (2.7 x 0.9 cm), Metalwork-Gold, The relief pattern of these brooches was created by working a thin sheet of metal from the reverse side. Roman coins were the

Venus and the Sphinx, 1868, French, Paris, Tinted plaster, Overall (confirmed): 42 1/2 × 45 × 23 3/4 in. (108 × 114.3 × 60.3 cm), Sculpture, Auguste Préault (French, 1809–1879), Like much of the sculpture of the Romantic movement in

[Civil War Union Soldier with Rifle and Canteen, in Studio], 1861–65, Ambrotype, Visible: 8.5 x 6.3 cm (3 3/8 x 2 1/2 in.), oval, Photographs, Unknown (American

Horae, B.M.V. use of Rome, August 6, 1504, Printed on paper, 8vo (168 x 102 mm), Books

Kongōyasha Myōō, 金剛夜叉明王, Heian period (794–1185), 12th century, Japan, Hanging scroll; ink on paper, Image: 28 3/8 x 21 1/4 in. (72.1 x 54 cm), Paintings, Kongōyasha Myōō is one of the Five Great Guardian Kings in Esoteric

A Colonnade in Ruins, Oil on canvas, 23 x 61 1/8 in. (58.4 x 155.3 cm), Paintings, Hubert Robert (French, Paris 1733–1808 Paris), The ruins in this painting are modelled after Bernini's renowned colonnade for Saint Peter's in Rome. Its

Design for a Fireplace and Mirror, 1841–84, Watercolor and graphite, sheet: 14 3/8 x 10 1/2 in. (36.5 x 26.7 cm), Charles Hindley and Sons (British, London 1841–1917 London), Engravings from the pencil of Lady Diana Beauclerk (British,

Figures Adoring a Statue of the 'Magna Mater', 1585, Pen and brown ink and gray-brown wash heightened with white, 14 1/4 x 12 1/2 in. (36.2 x 31.7 cm), Drawings, Joseph Heintz the Elder (Swiss, Basel 1564–1609 Prague), After Polidoro da

Massacre of the Innocents, 17th century, Black chalk, brush and gray wash, highlighted with white gouache on light blue laid paper faded to gray-brown, 10-7/16 x 8-1/4 in. (26.5 x 21 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 8 1/4 x 3 3/4 in. (21 x 9.5 cm), Ceramics

Design for sculpted angeli., 1700–1780, Brush and red chalk wash over red chalk, 9 1/8 x 5 3/8 in. (23.1 x 13.7 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Sketches for Biblical Scenes, Pen and brown ink, 4 13/16 x 4 7/16 in. (12.2 x 11.2 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

The Resurrection, early 16th century, Pen and black ink, grey wash. Framing line in pen and brown ink (by the artist), sheet: 9 7/16 x 7 11/16 in. (24 x 19.6 cm), Drawings, Bernard van Orley (Netherlandish, Brussels ca. 1492–1541/42

Isaac's Reception of Rebecca, 1660s, Pen and brown ink, sheet: 6 3/8 x 9 9/16 in. (16.2 x 24.3 cm), Drawings, Gerbrand van den Eeckhout (Dutch, Amsterdam 1621–1674 Amsterdam

Tumbler, 18th century, Made in Bohemia, Czech Republic, Non-lead glass with enamel decoration, H. 3 1/4 in. (8.3 cm), Glass

Prince and Ladies in a Garden, mid-18th century, Made in India, Lucknow, Ink, opaque watercolor, and gold on paper, 10 5/8 x 7 3/8in. (27 x 18.7cm), Codices, Nidha Mal, This scene of leisure typifies the gracious style of later Mughal

Madame Sophie de France (1734–1782), 1762, Oil on canvas, 25 5/8 x 20 7/8 in. (65.1 x 53 cm), Paintings, François Hubert Drouais (French, Paris 1727–1775 Paris), Madame Sophie was the sixth of eight daughters of Louis XV of France. Timid

Peg with kneeling male, Early Dynastic, ca. 2900–2350 B.C., Mesopotamia, Sumerian, Copper alloy, H. 4.8 x W. 2 x D. 12.5 cm (1 7/8 x 3/4 x 4 7/8 in.), Metalwork-Sculpture

Drawings and Prints, Books Prints Ornament & Archiecture, Fiori di Ricami Nuovamente Posti in Luce, page 17 (recto), Designer, Publisher, Matteo Florimi, Francesco de' Franceschi, Italian, active Siena, ca. 1581–died 1613, Italian,

Elevation 'della nuova Galleria', 1796–1873, Pen and ink, wash. On paper of O. & I. Honig, sheet: 15 3/4 x 19 1/2 in. (40 x 49.5 cm), Drawings, Giovanni Battista Silvestri (Italian, Florence, 1796–1873

Longitudinal Section of a Ballroom Decorated for the Marriage of the King of Naples to the Archduchess of Austria, 1700–1773, Pen and black-gray ink, brush and gray wash over traces of freehand underdrawing in graphite (figures), compass and

Figure 82: Lady Macbeth, strong expression of cruelty, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.4 × 20.3 cm (11 3/16 × 8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French,

Coiled Serpent, 15th–early 16th century, Mexico, Mesoamerica, Aztec, Stone, H. 11 1/2 x W. 9 x D.10 5/8 in. (29.21 x 22.86 x 27.03 cm), Stone-Sculpture, Serpents held an important place in the belief systems of many peoples in ancient

Doorknob, ca. 1850, Probably made in Bennington, Vermont, United States, American, Mottled brown earthenware, Diam. 2 1/4 in. (5.7 cm), Ceramics

Design for interior, ca. 1830, Watercolor, sheet: 14 1/4 x 19 in. (36.2 x 48.3 cm), Drawings, Charles de Brocktorff (Danish, active 1830

Mythological subject, n.d., black and red chalk on cream paper. Framing line in pen and black ink., sheet: 11 1/2 x 15 in. (29.2 x 38.1 cm), Drawings, After Gerard de Lairesse (Dutch, Liège 1641–1711 Amsterdam

Section of Orphrey, 1450–75, Made in Cologne, Germany, German, Silk, gilt silver on membrane, paint, linen. Weft-faced compound twill with embroidery, 12 1/4 x 5 3/4 in. (31.1 x 14.6 cm), Textiles-Embroidered-Ecclesiastical

Ruins at end of Richmond and Petersburg Railroad Bridge, Richmond, 1861–65, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Fair Critics, 1887, Oil on canvas, 18 x 32 in. (45.7 x 81.3 cm), Paintings, Charles Courtney Curran (1861–1942), A native of Kentucky, Curran moved in 1881 to New York City, where he attended the National Academy of Design and became a

The Potter House, Atlanta, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Armor for the Joust of Peace, ca. 1500 and later, Paris, German; restorations, French, Paris, Steel, copper alloy, leather, textile, horn, Helmet (a); Wt. 21.5 lb. (9752 g); breastplate (c); Wt. 23 lb. (10.4 kg); tassets (e, f); Wt. of

How to Escape Losing, ca. 1791, Pen and brush, gray ink, sheet: 9 1/2 x 14 3/4 in. (24.1 x 37.5 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Armor (Gusoku), 19th century, Japanese, Iron, lacquer, silk, gilt copper, Armor for Man, This armor bears the wisteria badge of the Ōkubo family, daimyo (lords) of Karasuyama

View of Haarlem from the Dunes, mid-19th–early 20th century, Watercolour on paper, sheet: 8 15/16 x 13 in. (22.7 x 33 cm), Drawings, Jan Hendrik Weissenbruch (Dutch, The Hague 1824–1903 The Hague

The Nurture of Jupiter, Pen and brown ink, brush and brown wash, over traces of graphite. Squared in black chalk., 8 5/8 x 11 3/4 in. (21.9 x 29.9 cm), Drawings, Jean-Baptiste Corneille (French, Paris 1649–1695 Paris

Landscape with Windmill, late 18th century, Pen and brown ink and watercolor, 12 x 17 1/4 in. (30.5 x 43.8 cm), Drawings, Anthonie Erkelens (Dutch, 1774–1804

Tumbler, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, H. 3 3/16 in. (8.1 cm), Glass, Challinor, Taylor and Company (1866–1891

Bedside Table, ca. 1927–28, Lacquered wood, ivory, 23 5/8 × 27 1/2 × 13 3/4 in. (60 × 69.9 × 34.9 cm), Furniture, Jean Dunand (French (born Switzerland), Lancy 1877–1942 Paris), Although most Art Deco patrons were French, one of the

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 9 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

A Turkey, Bodycolor on paper, sheet: 4 3/4 x 6 11/16 in. (12 x 17 cm), Drawings, Anonymous, Dutch

Design for a Book Illustration, 19th century, Pen and black ink, brush and gray wash, white heightening, sheet: 3 3/8 x 2 3/16 in. (8.6 x 5.5 cm), Drawings, Anonymous, German, 19th century

[Regiments - unidentified]. Brady album, p. 156, 1861–65, Albumen silver print from glass negative, 13.5 x 20.2 cm (5 5/16 x 7 15/16 in.), Photographs

Ornamento delle belle & virtuose donne, page 19 (recto), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Cassio Bowing, 1852, Black chalk on buff wove paper, sheet: 11 11/16 x 7 3/8 in. (29.7 x 18.7 cm), Drawings, Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris), Between 1852 and 1855 Chassériau returned

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 55r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Aaron and Nadab Taking Leave of Elisheba (?), with the Israelites Camped before Mount Sinai and Moses Ascending the Mountain., late 16th–mid 17th century, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink. Indented for

Christ Before Pilate, ca. 1670–80, Pen and brown ink, brush and gray wash, over black chalk underdrawing, squared in red chalk, sheet: 7 1/16 x 4 9/16 in. (17.9 x 11.6 cm), Drawings, Thomas Blanchet (French, Paris 1614–1689 Lyon

Belle Plain, Virginia. Potomac River, Upper Wharf, 1864, Albumen silver print from glass negative, Photographs, James Gardner (American, born 1832), Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Terracotta bull, Late Helladic IIIA, ca. 1400–1300 B.C., Helladic, Mycenaean, Terracotta, H. 3 1/4 in. (8.2 cm), Terracottas, Stripes painted in glaze; no eyes indicated; wide horizontal lines that follow contour of body

Old Ponton Bridge at N. McGregor, Ia., 1885, Cyanotype, Image: 10 7/16 × 13 1/8 in. (26.5 × 33.4 cm), oval, Photographs, Henry P. Bosse (American, born Germany, 1844–1893

Landscape with a Town by the Seashore and Mountains in the Distance, mid-16th century, Pen and brown ink, framing lines in black ink, Sheet: 6 5/16 × 9 1/16 in. (16 × 23 cm), Drawings, Attributed to Matthijs Cock (Netherlandish, ca.

Dut?r, ca. 1860, Northern, Afghanistan, Afghan (Turkmen), mulberry, bone, brass, silver, carnelian, turquoise, W. 6 1/16 × D. 5 1/16 × L. 39 3/4 in. (15.4 × 12.8 × 100.9 cm), Chordophone-Lute-plucked-fretted

Terracotta statuette of a woman with child, Middle Cypriot, ca. 1900–1600 B.C., Cypriot, Terracotta; hand-made, H. 4 1/16 in. (10.31 cm), Terracottas, The seated mother with a cradle on her lap is a rare subject in White Painted Ware

Interior of Farm House, 18th century (?), Pen and ink, washed with sepia, 9 3/4 x 13 1/4 in. (24.8 x 33.7 cm), Drawings, Anonymous, German, 18th century

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 15, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Syrup Jug, 1830–70, Made in Bennington, Vermont, United States, American, Parian porcelain, 7 5/8 x 4 3/4 x 3 3/4 in. (19.4 x 12.1 x 9.5 cm), Ceramics

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, H. 4 1/4 in. (10.8 cm), Ceramics

Left Arm and Shoulders of a Man Seen from the Back, early 19th century, Graphite, sheet: 10 3/8 x 7 7/8 in. (26.4 x 20 cm), Drawings, Johann Friedrich Overbeck (German, Lübeck 1789–1869 Rome

Poke bonnet, 1879–84, American, straw, silk

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 19, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

View of the Boulevards of Paris, 1843, Salted paper print from paper negative, Mount: 9 in. × 10 1/16 in. (22.8 × 25.6 cm), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), In May 1843 Talbot traveled to Paris to

Les Singuliers et Nouveaux Portraicts... page 43 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Guitar, before 1867, Nazareth, Pennsylvania, United States, American, Spruce, rosewood, ebony, nickel-silver, Height: 35 11/16 in. (90.6 cm), Chordophone-Lute-plucked-fretted, Christian Frederick Martin (Markneukirchen, Saxony

Snuff bottle, Qing dynasty (1644–1911), 19th century, China, Amber with blue glass stopper, H. 1 7/8 in. (4.8 cm), Snuff Bottles

Limestone figure holding a mask, Archaic, probably late 6th century B.C., Cypriot, Limestone, H. 9 3/8 in. (23.8 cm), Stone Sculpture, This remarkable work shows a male figure holding the mask of a lion against his head with his left hand.

Design for a Frame with Flowers, Feathers, Leaves, and Grapes, 1750–88, Brush and black ink and gray wash over traces of black chalk. Incised for transfer., 17 5/8 x 11 15/16 in. (44.7 x 30.3 cm), Drawings, Johann Oktavian Salver (German

Two Alternate Designs for a Pedentive, 1700–1780, Pen and brown ink, brush with brown, gray and mauve wash over lead point, with ruled and compass construction. Framing outlines with pen and brown ink, 15 3/16 x 11 1/8 in. (38.5 x 28.2 cm),

The Crossing of the Red Sea (Lunette or Fan?), 18th century, Pen and brown ink over lead on cream laid paper. Rubbed with black chalk or charcoal dust for transfer. Outlines stylus-incised for transfer, 9-7/16 x 11 in. (24 x 28 cm), Drawings,

Cup, middle Edo period (1615–1868), Japan, Porcelain with underglaze blue (Hizen ware), H. 2 1/2 in. (6.4 cm); Diam. 2 3/8 in. (6 cm), Ceramics

[Cornfield in Back of the Barn], 1883, Albumen silver print , Photographs, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 39 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Table Spoon, 1780–90, Made in Boston, Massachusetts, United States, American, Silver, L. 8 3/8 in. (21.3 cm), Silver, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston, Massachusetts

Sketches of Three Statues: 'Diana Francesa Antica, ' 'Nymph entering a bath, ' and 'Cupid and Pysche', ca. 1850, Pen and brown ink, graphite, sheet: 5 7/8 x 4 7/16 in. (14.9 x 11.3 cm), Drawings, John Gibson (British, Gwynedd, Wales

April, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Cover for L'Estampe originale, Album I, publiée par les Journal des Artistes, 1893, Lithograph printed in six colors on folded wove paper; only state, Sheet: 23 in. × 32 5/8 in. (58.4 × 82.8 cm), Prints, Henri de Toulouse-Lautrec (French,

Marble portrait of a man from a funerary relief, Early Imperial, Augustan, late 1st century B.C., Roman, Marble, H. 9 5/8 in. (24.4 cm), Stone Sculpture, This head from a funerary relief probably represents a freedman, or former slave, who

La Bisi. Boudoir, robe velour gris, moire rose, fleurs roses, feuilles grises (de sa mai, au revers.), 1860s, Albumen silver print from glass negative, 11.4 x 10.7 cm (4 1/2 x 4 3/16 in.), Photographs, Pierre-Louis Pierson (French,

Sheep in a Landscape, 1870, Black and white chalk on tracing paper, sheet: 12 1/16 x 16 1/8 in. (30.6 x 41 cm), Drawings, Eugène-Joseph Verboeckhoven (Belgian, Warneton 1798–1881 Brussels

Roller Stamp, 5th–6th century, Costa Rica, Atlantic Watershed, Ceramic, H. 3 11/16 x Diam. 2 1/8 in. (9.4 x 5.4 cm), Ceramics-Implements

Bronze statuette of drunken Herakles, Hellenistic, 3rd–2nd century B.C., Greek, Bronze, H. 6 1/8 in. (15.60 cm), Bronzes, Said to be from Smyrna. The hero lists back, clearly inebriated, his stomach bloated and the muscles of his legs taut

Tetrapod Jar, 200 B.C.–A.D. 1, El Salvador or Guatemala, Mesoamerica, Maya, Ceramic, H. 5 1/2 in. (14 cm), Ceramics-Containers, This bowl is part of a group of ceramic vessels called Usulután based on superficial resemblances in surface

A Hat on a Stand, ca. 1865, Pen and ink, brush and watercolor on wove paper, sheet: 4 13/16 x 3 7/8 in. (12.3 x 9.8 cm), Drawings, Auguste Félix (French, active 1860s

Ornamento delle belle & virtuose donne, page 7 (recto), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Continental footed porcelain cup, Delaware, 1878–89, American, Porcelain with pink ground banded in blue, silver, and gold, the silver banding picked out in black, H: 4 1/2 in. (11.4 cm), Ceramics