Images at Librifly

Tumbler, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 4 11/16 in. (11.9 cm), Glass, Bakewell, Pears and Company (1836–1882

[La Comtesse], 1860s, Albumen silver print from glass negative, 11.7 x 16.2 cm (4 5/8 x 6 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Figure of a Woman, 5th century, Attributed to Egypt, Eshmunein, Painted plaster, Overall: H. 15 1/8 in. (38.4 cm), Sculpture, Found in a tomb, the brightly painted statuette displays typical female attire. Under a sheer overgarment indicated

Army Wagon and Forge, City Point, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Wind Wheel (recto); Landscape with Weather Vane (verso), 1935, Watercolor, gouache, and ink on paper (recto); ink and graphite on paper (verso), 5 x 7in. (12.7 x 17.8cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 43 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

The Rising of Nazareth (?), 18th century, Pen and brown ink, Drawings, Anonymous, Italian, 18th century

Landscape with Figures and Cattle, 17th century, Black chalk and brush and brown wash, sheet: 7 9/16 x 11 7/8 in. (19.2 x 30.2 cm), Drawings, Pieter de Molijn (Dutch, London 1595–1661 Haarlem

Arched Panel of Wrought Iron Ornament, second half 19th century, Graphite, sheet: 5 5/16 x 10 7/16 in. (13.5 x 26.5 cm), Anonymous, British, 19th century

Broadway Landing, Appomattox River, 1864, Albumen silver print from glass negative, Photographs, William Frank Browne (American

Les jambes croisées, 1860s, Albumen silver print from glass negative, 8.9 x 12.4 cm. (3 1/2 x 4 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Stage Set Design: A Square Hall with Rounded Archways and Cupola in Oriental Style with Thin Columns., 1870–1941, Black chalk on tan paper, sheet: 11 1/8 x 13 3/4 in. (28.2 x 35 cm), Drawings, Salvador Alarma Tastás (Spanish, Barcelona,

Head of a Woman and Sketch of a Figure (?), 16th century, Red chalk, black chalk, sheet: 6 5/16 x 4 15/16 in. (16.1 x 12.6 cm), Drawings, Anonymous, German, 16th century

Putti Playing with Hoops (Cartoon for a Fresco in the Parma Cathedral), ca. 1548, Black chalk; outlines pricked for transfer, Sheet: 22 × 24 13/16 in. (55.9 × 63 cm), Drawings, Michelangelo Anselmi (Italian, Siena or Lucca (?) 1492–1556

Snuff Bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Ivory with stopper of coral and gilded copper alloy bezel, H. 3 1/2 in. (8.9 cm), Snuff Bottles

Design for Hall Chimney-piece, Charlemont House, Dublin, 1762, Pen and brown ink, brush and gray wash, sheet: 7 1/4 x 8 3/4 in. (18.4 x 22.3 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Lingzhi Mushroom, Qing dynasty (1644–1911), 18th century, China, Jade (nephrite), L. 2 in. (5.1 cm), Jade

Side chair, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, brass castors, reproduction upholstery, Seat height: 20 1/4 (51.4 cm), Furniture, George A. Schastey & Co. (1873–97), George A.

Drawings and Prints, Books Prints Ornament & Architecture, Splendore delle virtuose giovani, page 9 (verso), Designer, Publisher, Iseppo Foresto, Jeronimo Calepino, Italian, active Venice, 1557, Venice, Foresto, Iseppo, Calepino,

Nefertum, Late Period–Ptolemaic Period, 332–30 B.C., From Egypt, Memphite Region, Memphis (Mit Rahina), Egyptian Antiquities Service, found July 1909, cupreous metal, black bronze and precious metal inlay, glass, H. 34.3 cm (13 1/2

Dish with Design of Beans, Squash, and Eggplant, Edo period (1615–1868), 1700–1720s, Japan, Porcelain with underglaze blue and overglaze enamels (Hizen ware, Nabeshima type), H. 2 1/4 in. (5.7 cm); Diam. 7 7/8 in. (20 cm), Ceramics

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 13), Artist, Publisher, Artist, After, Jacob Floris,

Cartouche Designs, 17th century, Pen and black ink, brush and gray wash, sheet: 9 1/2 x 4 1/2 in. (24.2 x 11.4 cm), Anonymous, Italian, 17th century

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 14 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Erasistratus discovers the love of Antiochus for Stratonice, 18th–19th century, Pen and brown ink, brush and grey wash, Sheet: 3 3/16 x 4 1/2 in. (8.1 x 11.4 cm), Drawings, Edward Francis Burney (British, Worcester 1760–1848 London

Plan of the Tomb of the Liberti di Augusto, Rome, 1710–27, Pen and brown ink, brush and light brown wash, over traces of ruling in graphite, 9-15/16 x 14-1/2 in. (25.2 x 36.8 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian,

Amphion Building the Walls of Thebes, n.d., Pen and brown ink, sheet: 9 1/2 x 7 3/16 in. (24.2 x 18.2 cm), Drawings, Giovanni Luigi Valesio (Italian, 1583–1633

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 13 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

[Island of Philae], 1853–54, Salted paper print from paper negative, 9 x 11 3/4, Photographs, John Beasley Greene (American, active France, 1832–1856

Architectural design in Roman order, 18th century, Pen and gray ink, brush and gray wash, sheet: 4 7/16 x 4 15/16 in. (11.3 x 12.6 cm), Drawings, Attributed to Anonymous, 18th century

Café Scene, late 19th–early 20th century, Pen, brush, ink, and crachis, touched with lead white on wove paper, sheet: 13 11/16 x 9 5/8 in. (34.7 x 24.4 cm), Drawings, Jules-Alexandre Grün (French, Paris, 1868–1934

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 3.8 cm (1 1/2 in.); W. 3.1 cm ( 1 1/4 in.); D.

Textile with Lions' Heads, Foliate Ornament and Kufic Letter L, 14th century, Italian, Silk; twill and plain weave, Overall: 12 1/2 x 18 1/2 in. (31.8 x 47 cm), Textiles-Woven

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 28v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Madame Defly (1785–1875), 1863, French, Paris, Cast bronze, Diameter: 7 1/4 in. (18.4 cm), Sculpture-Bronze, Madame Defly was reader to Princess Mathilde Bonaparte, cousin of Emperor Napoleon III. Through Princess Mathilde, the sculptor

Drawings and Prints, Albums Drawings Ephemera, Tattoo Design 'In Memory of My Mother', Artist, Clark & Sellers, American, active 20th century, Clark & Sellers, American, 1900, 1945, ca. 1900–1945, 1895, 1945, pen and ink and

清, 袁江, 九成宮圖, 屏, The Palace of Nine Perfections, Qing dynasty (1644–1911), dated 1691, China, Set of twelve hanging scrolls; ink and color on silk, Image: 81 1/2 x 18 ft. 5 3/4 in. (207 cm, x 563.2 cm), Paintings, Yuan

Gypsy Fiddler, 1858, Graphite, brush and watercolor., 7 11/16 x 10 7/8 in. (19.6 x 27.7 cm), Drawings, Monogrammist CG (German, 19th century

Limestone funerary cippus (tomb marker), Imperial, 2nd–3rd century A.D., Roman, Cypriot, Limestone, H.: 24 3/4 x 11 1/2 in. (62.9 x 29.2 cm), Cesnola Inscriptions, Only a handful of funerary cippi from Roman Cyprus decorated with portrait

Assouan, Cimetière Arabe - Inscription Funéraires, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.7 x 30.9 cm. (9 5/16 x 12 3/16 in.), Photographs, Félix Teynard (French, 1817–1892

Trade card for George A. Schastey, 1876–79, Made in New York, New York, United States, American, Ink on paper, 2 1/4 × 3 3/4 in. (5.7 × 9.5 cm), Ephemera, This two-sided trade card captures the fashionable Aesthetic style of George A.

Half of a Prayer Bead with the Lamentation, early 16th century, Netherlandish, Boxwood, silver, Diam. 1 3/16 × 1/4 in. (3 × 0.6 cm), Sculpture-Miniature-Wood

清康熙 景德鎮窯青花前後赤壁賦圖方瓶, Rhapsody on the Red Cliff, Qing dynasty (1644–1911), Kangxi mark and period (1662–1722), China, Porcelain painted with cobalt blue under a transparent glaze (Jingdezhen ware), H. 20 3/4

Charioteer and Horseman, 1791–1824, Graphite on light grey paper, 8 x 11 1/2 in. (20.3 x 29.2 cm), Drawings, Théodore Gericault (French, Rouen 1791–1824 Paris

[Man Riving Wood with Froe and Club], 1860s, Ambrotype, Image: 6.9 x 5.5 cm (2 11/16 x 2 3/16 in.), Photographs, Unknown (American

Head of Bodhisattva, Kizil kingdom, ca. 6th–7th century (?), China (Xinjiang Uyghur Autonomous Region), Pigments on mud plaster, Image: 5 1/8 x 5 1/4 in. (13 x 13.3 cm), Paintings

Feeding bowl, 1690, Hungarian, Transylvania, Silver, partly gilded, Overall: 6 3/4 x 8 x 4 7/16 in. (17.2 x 20.3 x 11.3 cm), Metalwork-Silver, This shell-shaped vessel—known as a feeding bowl—was used to serve strong broth or other liquid

Winter Landscape, 1653, Black chalk and gray wash, sheet: 6 3/4 x 11 1/4 in. (17.1 x 28.6 cm), Drawings, Jan van Goyen (Dutch, Leiden 1596–1656 The Hague

Nude Male with Two Putti, 17th century, Red chalk on light brown paper, 16-1/8 x 10-1/8 in. (41 x 25.75 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Bowl, 10th century, Excavated in Iran, Nishapur, Earthenware; turquoise opacified glaze, H. 2 in. (5.1 cm), Ceramics

Mountainous Landscape with a River, 1807–63, Pen and brown ink, and watercolour, sheet: 10 1/16 x 12 3/16 in. (25.5 x 31 cm), Drawings, Johann Wilhelm Schirmer (German, Jülich 1807–1863 Karlsruhe

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 63r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Sand Shaker, ca. 1750, Made in Mexico, Mexican, Tin-glazed earthenware, Diam. 3 3/4 in. (9.5 cm), Ceramics

Design for the Rear of a Coach with a Girl Pouring Water into a Shell, 17th century, Pen and brown ink, brush, sheet: 7 1/2 x 10 5/8 in. (19.1 x 27 cm), Drawings, Anonymous, Italian, 17th century

Padua: The River Bacchiglione and the Porta Portello, ca. 1750–60, Pen and brown ink, gray wash, 7 5/16 x 10 7/16 in. (18.5 x 26.5 cm), Drawings, Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697–1768 Venice), In brown ink and grey

Door-ring, second half 19th century, Gouache, sheet: 5 13/16 x 3 3/4 in. (14.7 x 9.6 cm), Anonymous, British, 19th century

Glass Bell Beaker with White Trails, late 5th–early 6th century, Frankish, Glass, Overall: 2 15/16 x 1 3/4 in. (7.4 x 4.5 cm), Glass-Vessels

Confederate Trestle Work on Alexandria Railroad, 1861–65, Albumen silver print from glass negative, 15.2 x 21.1 cm (6 x 8 5/16 in.), Photographs, Andrew Joseph Russell (American, 1830–1902

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 3.9 (1 9/16 in.); W. 2.6 cm (1 in.); D. 1 cm (3/8

Bead ornaments, square, 7, Late Imperial, 3rd century A.D., Roman, Gold, average: 3/8 × 3/8 × 1/16 in. (1 × 1 × 0.2 cm), Gold and Silver

Credenza, 1440–50, Italian, Walnut and intarsia, Overall: 58 x 125 x 25 in. (147.3 x 317.5 x 63.5 cm), Woodwork-Furniture, The credenza was originally a functioning sideboard intended for the preparation and serving of food, but it evolved

Gold Strap End (Unfinished), 700s, Avar, Gold, 2 3/16 × 15/16 × 1/4 in., 1 Troy Ounces (5.6 × 2.4 × 0.7 cm, 32g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or

[Self-Portrait], 1893–95, Albumen silver print from glass negative, Image: 4 1/2 × 3 9/16 in. (11.4 × 9 cm), Photographs, Robert E. Peary (American, 1856–1920

Landscape with Distant Buildings (Smaller Italian Sketchbook, leaf 25 recto), 1774–75 (?), Pen and ink over graphite with gray and yellow wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British,

Antietam Bridge, On the Sharpsburgh and Boonsboro Turnpike, No. 3, September 1862, 1862, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Houses by the Water, ca. 1652, Pen and brown ink, sheet: 3 15/16 x 6 1/8 in. (10 x 15.6 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Tobias Takes Leave of his Father, 1829, Graphite, sheet: 9 1/8 x 8 1/4 in. (23.2 x 21 cm), Drawings, Carl Gottlieb Peschel (German, Dresden 1798–1879 Dresden

King Akbar's Tomb, Agra, 1860s–70s, Albumen silver print from glass negative, 21.0 x 27.4 cm (8 1/4 x 10 13/16 in.), Photographs, Unknown

Captain Downman, the artist's brother, ca. 1776, Black chalk and wash, sheet: 10 1/8 x 8 1/8 in. (25.7 x 20.6 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales), In this early work, Dowman used subtle grays to

Vase, 1880–90, Made in England, Pressed purple marble glass, H. 5 1/2 in. (14 cm); Diam. 3 in. (7.6 cm), Glass

Saint Benedict on a Bed of Thorns, 1666–1724, Black chalk, brush and brown wash, highlighted with white, on brownish paper, 19-9/16 x 14-5/16 in. (49.7 x 36.3 cm), Drawings, Benedetto Luti (Italian, Florence 1666–1724 Rome

Arcadian Landscape, 1787–1842, Watercolor over graphite, Overall: 7 7/8 x 10 3/8in. (20 x 26.4cm), Drawings, George Barret, the younger (British, London 1767–1842 London

Design for a Chimney-piece, for Thomas Hollis of Lincoln's Inn, London, after 1754, Pen and brown ink, brush and gray wash, touches of watercolor, sheet: 10 5/16 x 8 in. (26.2 x 20.3 cm), Sir William Chambers (British (born Sweden),

Plate, Yuan dynasty (1271–1368), 14th century, China, Stoneware (Longquan ware), H. 2 1/2 (6.4 cm); Diam. 13 in. (33 cm), Ceramics

The Dormition of the Virgin; (reverse) Christ Carrying the Cross, ca. 1510, Oil and gold on fir, 55 x 53 1/8 in. (139.7 x 134.9 cm), paintings: facsimiles, Hans Schäufelein (German, Nuremberg ca. 1480–ca. 1540 Nördlingen), and Attributed

Fragment, 4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 7 5/16 in. high 5 1/2 in. wide (18.5 cm high 14 cm wide), Textiles

Beaker, 1760–65, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 7 1/4 in. (18.4 cm), Glass

Opera Nova Universali intitulata Corona di racammi, page 8 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Design for Wall with Chimney Piece, 19th century, Ink on tracing paper, Anonymous, British, 19th century

5 of Nooses, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Reliquary Containing a Tooth, second half 19th century, Graphite, sheet: 6 3/16 x 4 1/8 in. (15.7 x 10.4 cm), Anonymous, British, 19th century

Terracotta plank-shaped figurine, Middle Cypriot I, ca. 1900–1800 B.C., Cypriot, Terracotta; hand-made, H. 6 15/16 in. (17.6 cm), Terracottas, A straight sided slab with rounded ends and details in low relief. A turban, now detached, was

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 100r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 3.3 cm ( 1 5/16 in.); W 7.4 cm ( 2 15/6

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 31 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Belle Plain, Virginia, 1864, Albumen silver print from glass negative, Photographs, James Gardner (American, born 1832), Timothy H. O'Sullivan (American, born Ireland, 1840–1882

New Modelbüch allen Nägerin u. Sydenstickern, 1556, Woodcut, Overall: 7 5/16 x 5 5/16 in. (18.5 x 13.5 cm), Designed by Hans Hoffman (German, active Strasbourg 1556) and published by Jacob Frӧlich, Strasbourg. Illustrated title page with

Italian Farmer, mid-19th century, watercolor over pencil, framing line in pencil, 11-1/16 x 8-9/16 in. (28.1 x 21.7 cm), Drawings, Pierre Louis Dubourcq (Dutch, Amsterdam 1815–1873 Amsterdam

Sketch of a Female Nude Resembling the Medici Venus (Smaller Italian Sketchbook, leaf 19 recto), 1774–75 (?), Graphite and yellow wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby

Interior of a Roman Inn, 1817., 1817, Watercolor over graphite, sheet: 11 3/8 x 16 5/8 in. (28.9 x 42.2 cm), Drawings, Bartolomeo Pinelli (Italian, Rome 1781–1835 Rome

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 24 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

[Façade, Views, and Entrance Loggia of the Renaissance Court], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip Henry Delamotte (British, 1821–1889

Spouted Vessel, 13th–15th century, Mexico, Mesoamerica, Veracruz, Huastec, Ceramic, H. 7 1/2 x W. 6 5/16 in. (19.1 x 16 cm), Ceramics-Containers, The vessel is in the shape of a human head with wide open, staring eyes, a small pug nose,

Martyrdom of a Female Saint (Agnes?), 1605–9, Charcoal, brush and gray wash, highlighted with white gouache, on brown paper; ruled lines in pen and brown ink, 18-1/8 x 12-1/4 in. (46.0 x 31.1 cm), Drawings, Camillo Procaccini (Italian,

Karnak (Thèbes), Édifice en Ruines - Sculptures du la Paroi Intèrieure, en U, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.9 x 30.3 cm. (9 13/16 x 11 15/16 in.), Photographs, Félix Teynard (French,

A Reconstruction of the Thermae Agrippae (above) and a View of the Ruins (below), before 1704, Red chalk, brush and grey wash, pen and brown ink. Upper image squared in black chalk., 13 1.8 x 8 5/16 in. (0 x 21.1 cm), Drawings, Jan Goeree

Merry-Joseph Blondel (1781-1853), 1809, Graphite on white paper, 6 15/16 x 5 1/2 in. (17.6 x 14 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris

Limestone female head, Archaic, late 6th–early 5th century B.C., Cypriot, Limestone, Overall: 11 x 10 1/4 x 8 in. (27.9 x 26 x 20.3 cm), Stone Sculpture, The treatment of the face of this exceptionally attractive work owes much to the

Bird-Shaped Brooch, 500–600, Made in Northern France, Frankish, Silver-gilt, garnets, foil backings for garnets; iron spring, Overall: 1 1/4 x 9/16 x 5/16 in. (3.1 x 1.4 x 0.8 cm), Metalwork-Silver

Saint Cecilia at the Organ, Flanked by Angels Making Music, late 18th–mid-19th century, Pen and black ink, brush and brown wash over red chalk and pencil, Drawings, Johann Gottfried Schadow (German, Berlin 1764–1850 Berlin