Images at Librifly

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 8v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

The Bathing Pool, Oil on canvas, 68 3/4 x 48 3/4 in. (174.6 x 123.8 cm), Paintings, Hubert Robert (French, Paris 1733–1808 Paris), This is one of a set of six paintings from a room in the Château de Bagatelle, on the outskirts of Paris

Tea Caddy (Seitaka), Edo period (1615–1868), ca. 1650, Japan, Stoneware with red, brown, and black glazes, H. (with lid) 6 in. (15.2 cm); Diam. 1 7/8 in. (4.8 cm); Diam. of rim 1 1/8 in. (2.9 cm); Diam. of base 1 1/4 in. (3.2 cm), Ceramics,

Textile Fragment, 13th century, Attributed to Spain, Silk, gilt animal substrate around a silk core; lampas, Textile: H. 4 1/16 in. (10.3 cm), Textiles-Woven, The main decorative elements of this silk fragment are a row of large roundels

Minuet, 1900, printed 1909, Photogravure, 12.7 x 17.7 cm (5 x 7 in.), Frank Eugene (American, New York 1865–1936 Munich

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 13r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Searching for the Fault after Hauling Back the Cable from the Bottom of the Atlantic, July 31st, 1865, 1865, Watercolor over graphite with touches of gouache, Sheet: 7 in. × 10 1/4 in. (17.8 × 26.1 cm), Drawings, Robert Charles Dudley

Double vase with bird and bear, also known as a “Champion vase”, Qing dynasty (1644–1911), Qianlong period (1736–95), 18th century, China, Rhinoceros horn, H. 3 3/4 in. (9.5 cm); W. 3 1/4 in. (8.3 cm); D. 2 3/4 in. (7 cm), Horn, The

Warren Station, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Tramcourt. Albert. 27 ans, né le 10/12/66 à Creil. Mécanicien. Anarchiste. 15/1/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Tumbler, 1825–45, Made in Massachusetts, United States, American or French, Blown molded glass, H. 3 5/8 in. (9.2 cm); Diam. 3 in. (7.6 cm), Glass, Attributed to Boston & Sandwich Glass Company (American, 1825–1888, Sandwich,

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 5 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

May Prinsep, 1868, Albumen silver print from glass negative, 22.5 x 20.5 cm. (8 7/8 x 8 1/16 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 22 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Terracotta relief probably from a funnel vase, Early Hellenistic, late 3rd–early 2nd century B.C., Greek, South Italian, Apulian, Canosan, Terracotta, 9 1/2 x 12in. (24.1 x 30.5cm), Vases, This is one of four reliefs with two-figure

清 瑪瑙鼻煙壺, Snuff bottle, Qing dynasty (1644–1911), late 18th–early 19th century, China, Agate, H. 2 5/8 in. (6.7 cm), Snuff Bottles

Georges de Miré, 1910, Oil on canvas, 51 1/2 × 38 1/2 in. (130.8 × 97.8 cm), Paintings, Roger de la Fresnaye (French, Le Mans 1885–1925 Grasse), In this full-length portrait of the artist's first cousin and friend, Georges de Miré, La

Ceiling Design, early 18th century, Pen and brown ink, brush and brown wash, over traces of red chalk. Quadruple framing line in pen and black ink., sheet: 11 7/8 x 8 1/2 in. (30.2 x 21.6 cm), Drawings, Jacob de Wit (Dutch, Amsterdam

Miss Patricia Morris, 1843–47, Salted paper print, Image: 8 3/8 × 6 1/8 in. (21.3 × 15.6 cm), Photographs, Hill and Adamson (British, active 1843–1848

Limestone statuette of a mourning siren, Hellenistic, ca. 3rd century B.C., Cypriot, Limestone, Overall: 12 3/4 x 5 x 4 1/4 in. (32.4 x 12.7 x 10.8 cm), Stone Sculpture, Figure with human body and legs

백자 달항아리 조선, 白磁壺 朝鮮, Moon Jar, Joseon dynasty (1392–1910), second half of the 18th century, Korea, Porcelain, H. 15 1/4 in. (38.7 cm); Diam. 13 in. (33 cm); Diam. of rim 5 1/2 in. (14 cm); Diam. of foot 4 7/8 in.

Interior of Thomas Hope's Picture Gallery, Duchess Street, London, 1825–54, Pen, ink, wash, sheet: 2 5/8 x 4 in. (6.7 x 10.2 cm) (mounted on a larger sheet), William Henry Bartlett (British, London 1809–1854 at sea

Still Life with Flowers and Prickly Pears, ca. 1885, Oil on canvas, 28 7/8 x 23 3/8 in. (73.3 x 59.4 cm), Paintings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer

Coffer in Nanban (Southern Barbarian) Style, Momoyama period (1573–1615), ca. 1600–30, Japan, Gold maki-e and mother-of-pearl inlay on black lacquer; gilt-bronze fittings, H. 8 7/8 in. (22.5 cm); W. 14 in. (35.6 cm); L. 7 1/2 in. (19.1 cm),

Glass bottle in the shape of a fish, Imperial, 1st–2nd century A.D., Roman, Glass; mold-blown, H.: 9 7/16 in. (24 cm), Glass, Translucent blue green., Rim folded out, round, and in; tall cylindrical neck, expanding slightly downward,

清中期 玉帶扣, Belt buckle, Qing dynasty (1644–1911), 18th–19th century, China, Jade (jadeite), W. 7/8 in. (2.2 cm); D. 1 5/16 in. (3.3 cm); L.. 4 in. (10.2 cm), Jade

Two Young Men Resting on a Pier, late 1840s, Salted paper print from paper negative, Image: 4 5/16 × 3 3/8 in. (11 × 8.6 cm), Photographs, Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 22 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Bear Hunt, ca. 1470–90, Flemish, Pen and brown ink, 11 1/4 x 16 11/16 in. (28.6 x 42.4 cm), Drawings, Flanders (Brussels?) (1470–1490), Fusing narrative and stereotype, this drawing partakes of a long pictorial tradition blending the

Arab School, 1841–51, Watercolor and gouache over black chalk on brownish paper, sheet: 11 11/16 x 19 1/8 in. (29.7 x 48.6 cm), Drawings, John Frederick Lewis (British, London 1805–1876 Walton-on-Thames), For most of the 1840s, Lewis

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 16 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Les dernieres, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Trees (recto); Soldiers in a Wood (verso), early to mid-19th century, Graphite heightened with white bodycolor., 11 7/16 x 22 15/16 in. (29 x 58.2 cm), Drawings, Alexandre Calame (Swiss, Vevey 1810–1864 Menton

Oil Lamp, 9th century, Excavated in Iran, Nishapur, Bronze; cast, joined, L. 6 in. (15.2 cm), Metal, This lamp has a well for holding oil, a spout to support the wick, and a finger ring tucked under the wing-shaped handle. Except for the

Engaged diptych moldings, ca. 1300–1325, Spruce, 6 3/16 x 4 5/8 in. (15.7 x 11.7cm), Frames, Tuscany

Antefix, satyr and maenad, Archaic, ca. 500 B.C. or later, Etruscan, Terracotta, H.: 12 3/4 in. (32.4 cm), Terracottas

Panel (one of a pair), first half 18th century, French, Carved and painted wood, Overall (confirmed): 53 1/2 × 8 1/4 × 1 in. (135.9 × 21 × 2.5 cm), Woodwork

Silk Animal Carpet, second half 16th century, Made in Iran, probably Kashan, Silk (warp, weft, and pile); asymmetrically knotted pile, Rug: L. 94 7/8 in. (241 cm), Textiles-Rugs, This silk rug demonstrates the part played by the miniaturist

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 11 (recto), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Head of a Bearded Man, 1500–1550, Pen and brown ink, brush with brown and red wash, 3-3/8 x 2-13/16 in. (8.6 x 7.1 cm), Drawings, Anonymous, Italian, Sienese, 16th century

Linen Mark on the Corner of a Sheet, Middle Kingdom, Dynasty 11–12, ca. 2030–1640 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Temple of Mentuhotep II, North Triangular Court, Pit 23 (dancing girl), 1922–23, Linen, ink,

The Bath of Psyche, n.d., Pen and gray ink, gray wash, over black chalk. Oval framing line in pen and gray ink, over black chalk., 9 15/16 x 7 3/16 in. (25.3 x 18.3 cm), Drawings, Pierre Jacques Cazes (French, Paris 1676–1754 Paris

Coffeepot, 1790–1800, Made in Annapolis, Maryland, United States, American, Silver, Overall: 14 7/16 x 10 5/8 in. (36.7 x 27 cm); 48 oz. 7 dwt. (1503.9 g), Silver, Charles Faris (1764–1800

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 28 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Union Cavalry Winter Quarters, 1861–65, Albumen silver print from glass negative, 15.8 x 21 cm (6 1/4 x 8 1/4 in.), Photographs

Toilet vase, New Kingdom, Dynasty 18, early, ca. 1550–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 3, Burial E 1, In coffin, 1915–16, Serpentinite (green), H. 6.5 cm (2 9/16 in

Bowl with foliate rim and peony decoration, 청자 양각 모란 무늬 대접 고려, Goryeo dynasty (918–1392), first half of the 12th century, Korea, Stoneware with mold-impressed and incised design under celadon glaze, H. 2 1/4 in. (5.7

Hotel des Indes, Batavia, 1860s–70s, Gelatin silver print from glass negative, 17.9 x 23.5 cm (7 1/16 x 9 1/4 in.), Photographs, Unknown

U.S. Gunboat 'Commodore Perry' on Pamunkey River, 1861–65, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Knave of Collars, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4

Winter: Cat on a Cushion, 1909, Color lithograph, sheet: 20 x 24 in. (50.8 x 61 cm), Prints, Théophile-Alexandre Steinlen (French (born Switzerland), Lausanne 1859–1923 Paris

Candlestick, 1849–58, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 7 5/8 in. (19.4 cm), Ceramics, United States Pottery Company (1852–58

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 29 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Queen Anne spice box, ca. 1750, Possibly made in Chester county, Pennsylvania, United States, American, Walnut, poplar, ash, 19 1/4 × 16 1/4 × 11 1/2 in. (48.9 × 41.3 × 29.2 cm), Furniture

Bullet Pouch, 16th–17th century, Tibetan, Leather, iron, gold, silver, L. of pouch including strap 20 in. (50.8 cm); L. of pouch excluding strap 8 3/4 in. (22.2 cm); W. 5 1/2 in. (14 cm); Wt. 7 oz. (198.4 g), Firearms Accessories

Candlestick, 1880–90, Made in England, Pressed purple marble glass, Glass

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Beaker with open-work foot, ca. 1500–1525, Made in Lower or Middle Rhine, Germany, German, Free-blown glass with applied decoration, 3 3/4 × 3 11/16 in. (9.6 × 9.4 cm), Glass-Vessels, The body of this vessel is essentially the same as the

A Woman, Followed by Her Servant, 1840–50, Brush and ink and watercolor on wove paper, sheet: 9 1/8 x 9 1/4 in. (23.2 x 23.5 cm), Drawings, Anonymous, Peruvian, 19th century

Model Sailboat, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Wood, paint, plaster, linen twine, linen fabric, L. 145 cm (57 1/16 in.), with

Embroidered cross from an Omophorion, late 17th or early 18th century, Ottoman, Silk and metal thread embroidery on a foundation of silk satin backed with linen plain weave, 10 × 10 1/2 in. (25.4 × 26.7 cm), Textiles-Embroidered, Formed as

Mary Magdalen Penitent, 17th century, Red chalk, sheet: 4 13/16 x 3 3/8 in. (12.2 x 8.6 cm), Drawings, David Höscheler (Swiss (?), active 17th century

Seated man in circular medallion (design for a book illustration), late 18th–mid-19th century, Graphite, sheet: 4 3/4 x 2 7/8 in. (12.1 x 7.3 cm), Drawings, Attributed to Thomas Stothard (British, London 1755–1834 London

Carpet, 18th century, Attributed to India, Wool, Rug: L. 147 in. (373.4 cm), Textiles-Rugs

Farm Building by a Pond, 1802–42, Watercolor over graphite, on off-white wove paper on artist's board, Sheet: 8 7/8 × 12 3/4 in. (22.5 × 32.4 cm), Drawings, Attributed to John Sell Cotman (British, Norwich 1782–1842 London

Opera Nova Universali intitulata Corona di racammi, page 2 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Luton Park, Bedfordshire, Plan for Planting South-East of the House, after 1764, Ink and wash, sheet: 20 3/4 x 29 3/8 in. (52.7 x 74.6 cm), Lancelot 'Capability' Brown (British, Kirkharle, Northumberland 1716–1783 London

Fan, 1914, Painted ivory, metal, silk, gilding, L. 8-1/2, W. 15-5/8 inches (21.6 x 39.7 cm.), Fans, Barbier is best known for his fashion illustrations in 'Gazette du bon ton, ' 'Journal des dames, ' and other French publications of the Art

Study for Christ in The Entombment, 16th century, Brush and brown wash, over black chalk, 9-3/8 x 8-3/8 in. (23.8 x 21.3 cm), Drawings, Bartolomeo Neroni (Il Riccio) (Italian, Siena 1505/15–1571 Siena

Landscape, mid-17th century, Watercolor. Framing line in pen and brown ink., 5 5/8 x 7 5/8 in. (14.3 x 19.4 cm), Drawings, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 24 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Sketches of Seven Statues: 'The Four Seasons, ' 'Venus and Adonis, ' 'A Beggar, ' and 'The Nymph Salmace', ca. 1850, Pen and brown ink, graphite, sheet: 13 3/8 x 9 1/16 in. (34 x 23 cm), Drawings, John Gibson (British, Gwynedd, Wales

Glass jug, Late Imperial, 4th century A.D., Roman, Glass; blown and trailed, H.: 11 1/2 in. (29.2 cm), Glass, Translucent blue green; handle and trails in same color. Plain, rounded rim; broad flaring mouth; cylindrical neck expanding

Seated Bishop, ca. 1495, Made in Würzburg, Lower Franconia, German, Limewood and gray-black stain, 35 1/2 x 14 x 5 7/8 in. (90.2 x 35.6 x 14.9 cm), Sculpture-Wood, Tilman Riemenschneider (German, 1460–1531), Late medieval limewood

Vishnu Accompanied by Lakshmi and Sarasvati, Pala period, 12th century, Bangladesh, Black phyllite, H. 47 in. (119.4 cm); W. 25 in. (63.5 cm); D. 9 in. (22.9 cm), Sculpture, Vishnu stands in perfect symmetry (samapada), the protector of

Bear Killing Bull, 1810–75, Watercolor on wove paper, Sheet: 8 3/8 x 13 3/4 in. (21.3 x 35cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Belt Buckle with an Eagle, 500–700, Made in Crimea, Ukraine, Ostrogothic, Silver with garnets, 3 7/16 x 1 11/16 x 3/8 in. (8.7 x 4.3 x 1.0 cm) complete buckle: 4 7/8 in. 12.4cm, Metalwork-Silver, Ostrogothic women of high-ranking status

Yellow House, Warren Station, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Sherman at Savannah, Georgia, 1865, Lithograph with tint stone, Image: 13 15/16 x 26 in. (35.4 x 66 cm), Prints, Otto Botticher (American (born Germany), 1811–1866 Brooklyn), This group portrait represents the Union officers who supported

Tired Butterfly, 1902, Carbon print, Image: 19.1 x 24.1 cm (7 1/2 x 9 1/2 in.), Photographs, Rudolph Eickemeyer (American, 1862–1932

Length, 1748, British, Spitalfields, Silk, Overall: 68 1/2 x 19 1/2 in. (174 x 49.5 cm), Textiles-Woven, Anna Maria Garthwaite began designing silks in the mid-1720s, when she was in her thirties. It is not known how she learned the art of

Salisbury Plain with Old Sarum in the Distance, Wiltshire, 1800–1862, Watercolor over graphite with gum arabic and scratching out, sheet: 4 3/4 x 6 15/16 in. (12 x 17.7 cm), Drawings, William Turner of Oxford (British, Black Bourton,

Amulet of Khnum, Ptolemaic Period, 332–30 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Ptolemaic vaulted graves (Birabi), Faience, H. 3.9 cm (1 9/16 in.); W. 1.3 cm (1/2 in.); D. 1.7 cm (11/16 in.), The four small figures of Isis,

Bead, 9th–10th century, Excavated in Iran, Nishapur, Jet, Jewelry, The dot-in-circle motif recalls designs presumed to be of magical significance, most likely an abstract eye to ward off the evil-eye, which serve an apotropaic function.

Design for a Mirror, mid-18th–early 19th century, James Wyatt (British, Weeford, Stafforshire 1746–1813 near Marlborough, Wiltshire

Design for a Mirror, mid-18th–early 19th century, Pen and colored wash, James Wyatt (British, Weeford, Stafforshire 1746–1813 near Marlborough, Wiltshire

Design for a Wall Elevation over Two Floors, 17th century, Pen and black ink, brush and gray wash and watercolor, over graphite underdrawing and ruled construction, sheet: 8 3/16 x 6 15/16 in. (20.8 x 17.7 cm), Anonymous, Italian, 17th

Letter with textile samples, late 18th–early 19th century, French, No dimensions recorded., Textiles-Archives

Cavalry Officer's Saber, ca. 1793–95, Philadelphia, Pennsylvania, American, Philadelphia, Steel, silver, wood, textile, copper, H. 41 in. (104.1 cm); H. of blade 34 1/2 in. (87.6 cm); W. 4 5/8 in. (11.7 cm); D. 4 in. (10.2 cm); Wt. 1 lb.

Statue of the Nurse Sitsnefru, Middle Kingdom, Dynasty 12, ca. 1900 B.C., From Turkey, Anatolia, Adana, Gabbro or diabase, paint, H. 38.6 cm (15 3/16 in.); W. 20.7 cm (8 1/8 in.); D. 26.5 cm (10 7/16 in.), During the Old Kingdom, women

Design for a Hall Lamp No.6, ca. 1845, Watercolor, sheet: 12 5/8 x 15 1/4 in. (32.1 x 38.7 cm), Lamqua (Chinese, 19th century

A Cloudy Sky (Smaller Italian Sketchbook, leaf 14 recto), 1774–75 (?), Graphite and yellow wash with touches of blue, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby

Bronze oinochoe (jug), Classical, 450–400 B.C., Etruscan, Bronze, H. 12 5/8 in. (32.1 cm), Bronzes, This type of beaked jug was probably produced in Vulci. It was exported to many sites in Italy and Central Europe, especially to the Celtic

Saucer, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, Diam. 5 1/8 in. (13 cm), Ceramics

Life of the Buddha: Subjugation of Demons, Muromachi period (1392–1573), early 15th century, Japan, Section of a wall panel mounted as a hanging scroll; ink, color, and gold on silk, 29 1/2 x 43 7/8 in. (75 x 111.5 cm), Paintings, This

Linen Mark, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, on mummy under sheet, 1920, Linen

Landscape with a House near a Bridge over a River, n.d., Pen and ink on cream laid paper, sheet: 7 5/8 x 11 5/8 in. (19.4 x 29.5 cm), Drawings, Albert Meyeringh (Dutch, 1645–1714

Disk Brooch, 7th century, Frankish, Gold, wire, glass paste cabochons, copper alloy core, tinned bronze, iron pin, Overall: 1 3/8 x 7/16 in. (3.5 x 1.1 cm), Metalwork-Gold

Kitab suwar al-kawakib al-thabita (Book of the Images of the Fixed Stars) of al-Sufi, late 15th century, Attributed to Iran, Ink and gold on paper; leather binding, H. 10 3/16 in. (25.8 cm), Codices, This book, based on the Almagest of the

Bow Brooch, 400–600, Ostrogothic, Silver - cast. Pin: copper alloy with silver overlay, Overall: 2 13/16 x 1 1/4 x 5/8 in. (7.2 x 3.2 x 1.6 cm), Metalwork-Silver, Ostrogothic women typically wore a matching pair of brooches such as this